X-Photographer

A series of interviews with professional and high-end amateur photographers that have made the switch to Fujifilm. Learn about all of their different photographic journies that led them to becoming official Fujifilm X-Photographers.

FREE X Series Buying Guide

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When the time arrives to purchase a new camera it can be a daunting decision. Reviews, word of mouth and recommendations can all play a part when you finally reach for your wallet. There is plenty of excellent information out there, but having listened to the feedback from many potential customers a common question recycled itself in many photography forums and within camera stores alike, and that was – what X Series camera should I buy?

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It’s a good question and unlike most manufactures we try to help out whenever we can. Thus a new buying guide – aka ‘magazine style’ was born.

Today, we are excited to announce a new Australian X Series buying guide to provide you with some real world experience about the differences between new and current camera models. As each new model is released so to will our thoughts about the model. Each new camera buying guide edition will include more information from the last, so on top of the real world experiences you should expect some end user photos, comparison charts, interviews and possibly some user based articles as well.

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So, without further ado, if you would like your own copy of the free Fujifilm X Series Buying guide – simply sign up to our email list on the Australian site here.

Backyard Bokeh: Find Everyday Inspiration!

By Seth K. Hughes

As someone who has traveled 50,000 miles in the past couple of years, I’ve come to realize you don’t have to go far to have fun and make great photos. Truth is, no matter where you live, all you have to do is step outside your back door. I guarantee that if you slow down and look closely at what’s around you, you’ll find many interesting subjects. Whether it’s literally in your backyard, in the nearest park, or an adorable pet —these things are right there under your nose just waiting to be noticed.New Orleans, LouisianaWhile visiting Louisiana, I headed out with my weather-resistant FUJIFILM X-Pro2. Within just a few yards I found leaves, flowers, insects, frogs, and my beloved pooch Emma. Admittedly, I wasn’t feeling very inspired in the beginning. At first glance, there was nothing particularly interesting about my environment. I walked out my door, down a paved road and stumbled upon a nondescript nature path. I had to force myself to slow down and peer into places I would otherwise have overlooked. By the end of the shoot, I was having a blast.Mckinney State Park, Austin, TXI recommend keeping it simple and just grabbing your camera and one or two lenses (tripod optional).xIMG_3399I chose my FUJINON XF56mmF1.2 R APD prime lens known for its sharpness, clarity and beautiful bokeh effects. The FUJINON lens lineup pairs perfectly with – and optimizes – the X Series camera system. This APD prime is the only lens I’ve ever used that ships with its own apodization filter (think ND filter) which creates smooth bokeh outlines and enhances the three dimensional feel of an image. To maximize the bokeh capabilities and create a macro-lens aesthetic, I opened the lens up all the way to f/1.2 and manually set the focus to its closest distance. Then I just explored and moved the camera in and out on various objects. When I found something I liked, I framed up an interesting composition and further refined the focal point.

**Lighting tip: look for subjects in the open shade or go out on an overcast day. This will ensure your light is soft, your colors are enhanced and your exposure values are under control.New Orleans, LouisianaThe other lens was the venerable XF50-140mmF2.8 R LM OIS WR which is one of the best lenses available today for image quality and stabilization. I find this lens to be excellent all around and I’ve always enjoyed shooting portraits in this focal range. Enter my beloved brindle boxer — Emma. She emerged in a bed of flowers and I instantly had a muse!New Orleans, LouisianaI found close to a dozen pictures in under an hour while I was just meandering around. It really pays to take your time (and your camera) and absorb whichever features happen to be around you. You will see the beauty and details in everyday life. I guarantee you’ll find something interesting.

Adventuring with Mother Nature and X Series

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By Daniel Malikyar

From the moment I truly began to pursue photography, I strived to distinguish my work from the millions of images flooding digital media across the world. In doing so, I’ve always been an advocate of doing whatever it takes to get the shot. Whether that means hiking a treacherous mountainside all night to capture the beauty of first light from an unseen perspective, or hanging from an abandoned bridge 2,000 feet above the ground, capturing timeless moments are what I live for. Through my experiences, I have learned that photography is a key factor in the difference between being alive, and actually living. Abiding by this principle, I set out on road trip from Los Angeles to Seattle accompanied by two talented friends and an arsenal of Fujifilm X Series gear.DSCF7316We left LA for Oregon on a Tuesday afternoon, and after a brutal sleepless 16-hour road trip, we made it to our first destination – Abiqua Falls. Fortunately our car for the trip was a 4WD Jeep, and allowed us to take the mile long off-road path to the trailhead for the falls. With tattered sneakers accompanied by a light rainfall, I ventured through Oregon’s lush landscape for my first time. The abundance of massive trees and greenery were like nothing I had ever seen before. The hike down to the river was pretty intimidating, and required you to scale down a lengthy and steep hillside that was only accessible by a rope tied to an old tree at the top. I went first, and discovered that the last hundred meters of the slippery, muddy terrain had no support rope. After my first step I went down with no control, and slid for about a hundred feet, ruining my clothes and scratching up my hands in the process. Nevertheless, we all made it down eventually and hiked alongside the river to our destination. I had never seen Abiqua Falls, so when we turned the corner that revealed it’s jaw-dropping beauty I was in awe.DSCF7013The picturesque landscape was surreal, and I immediately began planning out the perspectives I wanted to capture in order to do it justice. What I didn’t realize was how difficult the blistering backwash from the water crashing to the surface made it to snap a photograph without drenching the camera lens. The remarkable durability and weather-resistance of the X-T1 matched by the speed, precision, and quality of the XF10-24mmF4 R OIS conquered the conditions, and allowed me to capture my experience before the backwash fogged up the lens. From Abiqua, we drove through the countryside to two of Oregon’s most iconic waterfalls, Multnomah and Latourell. These two were conveniently located very close to one another, and neither required a difficult hike to get to. Their overwhelming size was a humbling reminder of the power of Mother Nature, and gave me a challenge to capture them true to scale. Running on no sleep in almost 48 hours, we left the falls and enjoyed the hospitality of a friend and Oregon local, who took us to a famous Portland brewery before getting a couple hours of rest to continue on our photographic journey.DSCF7041Several hours of sleep, a warm shower, and a cup of coffee later we were on the road again… this time headed towards Washington. We got up before sunrise to capture first light from the Rowena Crest. The dynamic range on the X-T1 did Rowena justice by capturing all the tones and colors of the current season. After a brief session at Rowena, we drove straight to Olympic National Park. We encountered wildlife along the way, including a bear and bison. It was my first time seeing such large animals up close, and thanks to compact size of the X-T1 I was able to take it out of my pocket in time to capture the moment. Olympic National Park had otherworldly nature-filled roads whose cinematic foregrounds looked like something out of Planet of the Apes. With the help of the XF16mmF1.4 R WR lens, I was able to capture the detail of the nature before me.DSCF7291After exploring through Olympic, we returned to the hospitality of a friend’s home in Seattle, anxious for the adventures that were to come the next day. After a few more hours of sleep we set off to catch the infamous abandoned railroad known as Vance Creek Bridge for sunrise. Vance Creek is very dangerous if you’re not careful, and trespassers of the area are given a hefty fine if caught by authorities. This didn’t stop us; we were determined to get to the bridge and get our shots as quickly as possible. Running on minimal sleep, the excitement of visiting Vance eliminated any sense of fatigue and gave us motivation to get through the hike to find one of the most amazing abandoned locations I had ever seen. I cautiously maneuvered all the way across the bridge, and after documenting every angle I could, I hung my body off the edge of the bridge to capture the vertigo-induced lookdown perspective that is seen throughout most of my travels.DSCF7374This image gives me a sense of conquering that location, and I strategically waited until I was done shooting to make my mark with the widest lens of my kit, the XF10-24mm. After leaving Vance Creek without any issues, we headed back to Seattle to take on the skies of the city in an R44 helicopter with Classic Helicopters. While I’ve had helicopter shoots across several cities in many different conditions, it was my first time shooting in harsh light, and in an unfamiliar city. Nevertheless the X-T1 and XF10-24mm combo proved their worth, showcasing the very impressive speed and accuracy of the auto-focus feature. About an hour after the flight concluded, the sun had set, signifying the end to an amazing few days spent with friends shooting in new environments with an awesome camera system. We returned to our friend’s house to catch some sleep before we set off on a 20 hour road trip back to Los Angeles.

In addition to my Pacific Northwest road trip, I also had the pleasure of shooting with Fujifilm X Series gear this past December in the winter wonderland that is Alberta, Canada. The camera withstood unbearably low temperatures, snow, and everything in between. I even hung my body out of the car at 100kmh in -20 degree weather to capture a symmetrical road shot during sunset on the way home from our final day, which consisted of a trip to Yoho National Park to capture a direct vantage point of an endless blue river. Although my winter hat flew of my head and my face turned bright red from the extreme temperature and heavy wind, the camera gear had no issues withstanding the harsh conditions and delivering excellent quality images.

In conclusion, the most valuable aspect of traveling for me has always been capturing my experiences. In doing so, I’m able to make my memories timeless and share them with the world. With the help of Fujifilm’s cutting edge X-T1 system and expansive Fujinon XF lens lineup, I was able to document my recent travels throughout Alberta, Canada and the Pacific Northwest. The durability of this mirrorless camera is incredible. The compact size and endless internal capabilities of the X-T1 also set it apart from any camera I’ve used before. One of my favorite design aspects is the moveable LCD; this made it much easier to shoot reflections and difficult perspectives that cannot be seen through a viewfinder. The XF lenses are also very impressive. Their power and design compliment the body by providing lightning-fast images of excellent quality, color and sharpness. The auto-focus feature is also remarkably consistent and accurate across all subjects, and allowed me to make the most of every rare photo opportunity Mother Nature presented along these two trips. I’m very grateful for the opportunity to work with Fujifilm’s X Series gear, and I highly recommend it to all photographers looking to take their work to the next level with a conveniently sized, sleekly designed system.

X-Photographer Chris Upton talks X-E2S

BY CHRIS UPTON

Amid all the deserved hype around the launch of the Fujifilm X-Pro2 it was easy to miss the upgrade to the Fuji X-E2, in the form of the X-E2S. In truth this is really an evolution rather than a revolution but, true to form, Fuji have integrated some very welcome features into this incarnation.

Before I run through these it might be worth explaining Fujifilm’s strategy around their, interchangeable lens, CSC (compact system camera) line up. Fujifilm’s launch into the CSC market came with the introduction of the X-Pro1 4 years ago. This model was styled around the retro rangefinder type cameras. It was an instant success due to the beautiful design and stunning image quality. The X-E1 and X-E2 followed in the same vein but in a smaller form factor. Whilst there are benefits of using a rangefinder for certain types of shooting, especially street, there are many photographers who prefer the typical DSLR style body with a central viewfinder. Enter the Fujifilm X-T1 and subsequently X-T10.

xe2sSo the thinking is that Fuji can now offer Pro / semi-pro and enthusiast cameras in both rangefinder and DSLR styled bodies. So in essence the X-E2S lines up alongside the X-T10 with a 16.3mp sensor.

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My “affair” with Fuji started in 2013 when I bought the X-E1. I had always wanted a small, light rangefinder style camera to use as a carry round camera to be used alongside my Canon DSLR system. I loved that camera and I still do, but whilst the X-T1 with its fantastic features and design is now my favoured body, the X-E1 is always in my bag.

So when Fuji asked me to test the X-E2S I was intrigued to see how it would compare to my own two models. My thoughts here are not meant to be a definitive technical review, there are plenty of other sites that offer that, but more around the user experience which will hopefully help you decide whether this body might be the one for you.

The X-E2S inherits the rangefinder style design and functionality with a series of new or improved features. The X-E2S is the same small size as the X-E1 / X-E2 and weighs in at a meagre 350g (body only) great for discreet, unobtrusive shooting.

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The X-E2S boasts improved viewfinder, autofocus system, handling and a more intuitive interface so let’s have a look at these in a little more detail.

One of the key benefits of the recent Fuji viewfinders is the ability to see in real time the exposure that you’re getting. Adjust the exposure or exposure compensation dial and see the screen go brighter or darker and confirm highlight and shadow control with the live histogram. The display is large with a 0.62x magnification and very bright and Fujifilm claim the EVF features the world’s shortest display time lag. The user can tailor the information appearing to their specific needs and this auto rotates when the camera is turned vertically, a really useful feature.

The X-E2S incorporates the superb new Auto Focus system that was introduced to the X-T1 and incorporated in the X-T10 and the new X-Pro2. This adds Zone and Wide Tracking to Single Point for easy capture of moving subjects. The standard single point mode offers 49 points for fast, precise focusing whilst the Zone mode allows users to select from three different sized zones from the 77 point focus area. The wide tracking feature excels at capturing moving subjects whether they are moving up and down, left and right or towards or away from the camera. This combined with Face and Eye detection options makes this a significant improvement over the old system and offers users one of the best and fastest AF systems available.

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The addition of a new, silent, electronic shutter is perfect for candid captures or shooting in quiet places and a top speed of 1/32,000 second means that the fast Fujinon lenses can be used wide open outdoors on a sunny day without the need for an ND filter. The interval timer enables shooting up to 999 frames with intervals from one second to 24 hours.
The camera features Fujifilm’s APS-C 16.3 megapixel X trans-CMOS II sensor. This is unique to Fujifilm and the random colour array and lack of low pass filter helps deliver outstanding image quality and low noise.

For those who like to shoot in low light there is an amazing new top ISO of 51200 though I rarely shoot above 3200 ISO where I have no problem with the quality of the files. If you like to shoot video the X-E2S can capture 1080/60p video and offers the latest set of Film Simulation Modes, including the gorgeous Classic Chrome which gives a slightly muted retro feel. In order to make selecting your most used functions quick and simple you can customize the function buttons on the body. My selections are ISO, self timer (usually set to 2 sec for tripod shooting), focus point, AF mode and metering mode. Of course you can also configure the Quick “Q” menu to your own specification. The new model also features an enhanced grip and a new user friendly interface for the menu system.

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For those that are new to Fuji or thinking about making the move across there are a few other key points I should highlight.

As with the X-E2 the X-E2S offers the user the opportunity to manage the “exposure triangle” of aperture, shutter speed and ISO together with exposure compensation easily on the camera without the need to dive into endless menu’s. Manual focusing is a breeze when using the focusing aids of digital split image and focus peaking. I find that setting my focus peaking to flash the highlights in red works best. If you shoot JPEGS rather than RAW, or want a very pleasant surprise, the Fuji cameras deliver stunning JPEGS straight from camera. There is a lovely, almost film like feel to them and you can fine tune them in camera to suit your style, they really do have to be seen to be believed.

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A final point is that Fujifilm have earned deserved praise for their commitment to users buying into their system to ensure that they are not disadvantaged by the steady stream of technological improvements. In this case existing X-E2 users can update their camera’s firmware at no cost delivering the new AF system updates, performance improvements and the new graphical interface introduced in the X-E2S.

X-E2 firmware can be downloaded for FREE here.

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So in summary whilst the X-E2S does not incorporate all the latest technology from Fujifilm it does offer a lightweight, compact rangefinder style body, awesome autofocus system with a proven 16.3mp sensor delivering stunning image quality at a very keen price making this a very attractive proposition indeed.

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All images were shot using the Fuji X-E2S

 

Video: Interview with Chris Upton – X-Photographer

X-Photographer Chris Upton speaks about the latest Fujifilm X-E2S camera and how the Fujifilm X system has changed his photography for the better. 

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Chris Upton

20150718_chris_0042Chris is a Nottinghamshire based, award winning, photographer specialising in Travel and Landscape photography.

He is an Associate of the Royal Photographic Society, has received awards in national photographic competitions and twice been commissioned to photograph in Thailand on behalf of the Tourism Authority of Thailand.

Chris is also proud to be a Fujifilm X series photographer.

If you would like to see more of Chris’ work, please click here.

 

Video: X-Photographer Pete Bridgwood talks about his experience with the X-Pro2 camera

X-Photographer Pete Bridgwood talks about the new X-Pro2 and how it has helped him translate the emotional experience of a landscape into his finished prints.

[youtube https://www.youtube.com/watch?v=oETCfy5U_zo?rel=0&w=1280&h=720%5D


Pete Bridgwood

pete bridgwoodPete Bridgwood is a fine-art landscape photographer and writer from Nottingham in the UK. He started making photographs back in 1978 with black and white film and manual cameras, using wet-process in a traditional darkroom. This time spent in his youth, learning about the traditional process proved invaluable to Pete, but his workflow is now completely digital and he now uses X-Series cameras exclusively. “They facilitate communication for me in a way that’s impossible with any other type of camera and they rediscover this nostalgic feel for photography that was lost in the early digital years. Perhaps the greatest challenge in creative landscape photography comes from encapsulating the soul or spirit of the location and communicating that captured perception to the viewer of the final print. Fuji X-Series allow me to accomplish this emotive translation in a seamless way, and the X-Pro2 is the ultimate evolution of these amazing cameras”

If you would like to see more of Pete’s work, please click here.