Recap – My name is Ben Cherry, I’m a Fujifilm X-Photographer focusing on environmental photojournalism. Currently I am part of the WWT Flight of the Swans conservation project, where Sacha Dench is flying from Arctic Russia back to the UK; following the declining Bewick’s swan as they migrate to overwinter in warmer climates.
Well we eventually got out of Russia, after a 19 hour border crossing. Estonia was instantly different. It had a significantly different feel to it, from seemingly greener, richer forest to just a different culture. It was all quite refreshing!
I broke off from the core team to focus on finding Read More
Flight of the Swans has finally left Russia, only ten days behind schedule… Ten extra days I am very happy to have spent in this dramatic country. Enormous in every sense of the word, we barely scratched the surface, but what we did see left a lasting impression. From incredible generosity to gorgeous autumnal scenes, this rugged place has wilderness to truly get lost in.
Hazard lights cast against the roadside trees as the convoy headed to Kimzha. We were very much alone on this dirt road and the stars were simply spectacular!
The 19th September greeted us with a 32 hour stay at the Estonian – Russian Border, an experience that I’ve recently had a case of deja vu with as we returned from the other direction on the 19th October for a 18+ hour stay to return to the EU. In-between that time we have raced up to Kimzha, Arkhangelsk region, 1800+KM away within five days, via roads where for periods our trailer towing vehicle had to crawl at 6kph. It was a mental run, marred by a diesel spill in the trailer at 2am and paramotor pilots arriving at the collection point ahead of schedule, resulting in some all-nighters.
X-T2 XF10-24mm (24mm) F8 ISO 400 1/20
X-T2 XF100-400mm (330mm) F16 ISO 1600 30 seconds.
Once we linked up with the pilots who had just crossed the tundra section, things were marginally less hectic, marginally.
X-T2 XF100-400mm (100mm) F8 ISO 200 1/125
X-T2 XF100-400mm (370mm) F5.6 ISO 1000 1/680
X-T2 XF100-400mm (360mm) F5.6 ISO 1000 1/900
X-Pro2 XF16-55mm (55mm) F10 ISO 800 1/550
X-T2 XF100-400mm (226mm) F11 ISO 800 1/550
X-Pro2 XF16-55mm (16mm) F6.4 ISO 800 1/1900
Sacha has done an amazing personal journey so far, she even dislocated her knee! But still going via a trike to take stress off her legs. The Flight of the swan’s team have been featured on news channels all around the world and the ground team are doing their best to engage local communities, particularly through school programs. All to raise awareness of the Bewick swan and other migrating wildfowl. The aim is to improve international awareness and cooperation, to find out more and to sign the WWT’s petition to help their conservation, which can be found here.
Personal highlights included witnessing the northern lights and catching a glimpse of a wolf as it slinked off into the darkness of a moonlit woodland road. But the biggest surprise has the be the incredible generosity that our team witnessed in Russia, I haven’t experienced anything like it before, where families would happily take in 8-12 people, feed us, give us a place to stay and even offer us a banya (Russian bath)! We were welcomed with open arms. Meeting conservationists, or simply random families along our journey, all seemed to have a deep connection for nature and the importance for managing it suitably, including the declining Bewick’s swan. We would be let into the lives of these people and get to know them, usually over a skinful of vodka.
Time-lapse taken with X-Pro2 and XF16mm F1.4 using the in-camera intervalometer.
X-T2 XF10-24mm (10mm) F4 ISO 200 960 seconds.
Frame from the time-lapse. X-Pro2 XF16mm F1.4 2 seconds ISO 1600
Cine Fujinon Lens
As well as using my personal X-Series kit on this project we are very proud to be sponsored by Fujifilm with a Fujinon ZK3.5×85 (85-300mm). Our media team are documenting the project in as wide a means as possible, from virtual reality experiences to documenting the project with various filming equipment, to hopefully continuing to share this project to a wider audience and help communicate the importance of Bewick’s swans conservation.
Here is one of our cameramen, Ben Sadd in the Gulf of Finland, Russia searching for swans.
Because so much of this trip is about communicating with as many people as possible, I have been using my instax SP-1 printer a lot to leave little mementos. It always gets a fantastic reaction, the business card sized prints are perfect for travelling with. Giving a physical print has such a positive effect on an experience compared to simply tagging someone in a digital photograph. instax has for a long time been one of the first things in my bag whenever I travel, this feeling has been encouraged further. The benefit-to-cost ratio isn’t even worth talking about as the effect it has on a situation is huge, it sounds cheesy but seeing the smiles appear as the photo develops on the instax is worth it.
I’ve found that it develops a situation from a set of friendly acquaintances to the start of friendships, leaving both the recipient and photographer with lasting, fond memories.
Some of our media team were taken in by a Russian family and joined them for a big meal. instax proved to be really popular and it was a pleasure to leave them with a dozen little prints.
Leaving a physical memory from one of our school visits.
It even proved popular with our team medic for her birthday!
As well as directly sending images to my SP-1 printer, the ability to send lightly edited files (via the in-camera RAW converter) to my phone and then share on the Flight of the Swans social media channels has helped to massively streamline my image sharing process. You can follow these channels here:
The team are now in Estonia. Russia was an amazing experience but the project is still very much on the move. There is a major set of wetlands in Estonia which we want to visit and hopefully witness more migrating Bewicks. You can stay up to date via our live map, with trackers on birds, vehicles and of course Sacha! Click here.
Flight of the Swans is a fascinating project, where WWT has taken a big leap into the unknown to try and reach a new level of engagement to help improve conservation of wildfowl. If you’re interested in travel, extreme sports or wildlife then hopefully this project will be of interest. If so, then please help us by signing our petition here. Until my final instalment in a month’s time, here are a few more photos from our Russian experience. In the next blog I will update you on the project as well as talking about the 4K capabilities of the X-T2 and how it has been incredibly helpful to film the swans.
X-Pro2 XF16-55mm (35mm) F2.8 ISO 400 1/750
X-Pro2 XF56mm F1.2 ISO 400 1/2700
X-T2 XF100-400mm (190mm) F5.6 ISO 1600 1/120
X-T2 XF100-400mm (150mm) F11 ISO 200 1/200
X-T2 XF100-400mm (150mm) ISO 200 1/200
X-Pro2 XF16-55mm (37mm) F2.8 ISO 1600 1/60
X-Pro2 XF16mm F1.4 ISO 1600 10 seconds
Steve Flanagan being won over by the X-Series. X-Pro2 XF16mm F2 ISO 200 1/250
By Ben Cherry – Environmental photojournalist & Fujifilm X-Photographer.
I’ve been fortunate enough to be a part of the volunteer media team covering a project called Flight of the Swans. This is an ambitious conservation expedition, where Sacha Dench will paramotor from Arctic Russia back to the UK over 10 weeks following the flyway of Bewick’s swans.
This charismatic species was what encouraged Sir Peter Scott to set up Slimbridge and eventually the Wildfowl Wetlands Trust (WWT). Now though, the species is under threat having gone through a dramatic decline over the past twenty years. Between 1995 – 2010 the Europe population fell from 29,000 to just 18,000. The purpose of this expedition is to raise awareness of their plight, to confirm the key reasons for it, and hopefully create solutions.
This is the first of three blogs covering the project. Here we will focus on the lead up to the take off and the ground team reuniting with Sacha. Then there will be a blog during the expedition and one just as we all return to the UK.
Sacha preparing her paramotor. X-Pro2 and XF56mm F1.2
Sacha and Alexander flying over Dartmoor during a practise exercise. X-T2 and XF100-400mm
Full Moon evening flight. X-T2 and Xf100-400mm
How I got involved
Ambitious and ‘out there’ projects like this don’t come around very often so when I saw the advertisement online I jumped at the chance to get involved. I was lucky enough to be shortlisted alongside an amazing group of people and the next step was a selection weekend in Wales, where we were put through a series of exercises to see how well we can adapt and collaborate. This was a fantastic weekend, supervised by seasoned explorers and everyone came together, despite the competition and lack of sleep!
Once I was informed that WWT would like me to be a part of the media team, I became as available as possible to help where I could, leading up to the off. We have been put through a series of training exercises from remote first aid, to satellite phone tutorials, as well as covering some of Sacha’s specialist training, like having to jump into a simulation pool at RNLI College, Poole to see how well her flotation devices for the paramotor work! It does help that she used to be a professional free diver…
I have two bag set ups for two different purposes:
Shoulder bag/go bag
This is basically the first thing I grab when we arrive at a general location. It contains an X100T, X-Pro2, XF16mm F1.4, XF35mm F1.4, 56mm F1.2 and an SP-1 printer. The set up encourages me to be creative as well as being small and not intimidating when first encountering a new community.
Backpack – Wildlife/assignment bag
When I know we are going out to find the swans or capture other aspects of nature, then this is the bag I grab. Inside is an X-T2, X-T1, XF10-24mm F4, XF16-55mm F2.8, XF50-140mm F2.8, XF100-400mm F4.5-5.6. As well as miscellaneous items like filters, cleaning kit and a flash set up.
Having the two distinct bags means that I can keep my kit focused for particular types of photography, as well as not constantly overloading myself with gear. This particular project has so many interesting factors, from tracking the swans which are very timid in Russia and much of Europe, to engaging local schools, conservation and hunting groups. My kit has to be able to maximise each and every opportunity.
The rangefinder cameras are brilliant as they are particularly inconspicuous. I keep them together as I use my right eye with the rangefinder cameras, while I use my left eye with the SLR style cameras. The X-T range cameras are generally more flexible, particularly the X-T2. So from my perspective it makes sense to keep the most versatile lenses (zooms) and cameras together. Generally the X-T2 has the XF100-400mm attached inside the bag so it is ready in case we come across any wildlife suddenly or Sacha has to take off/land quickly. The advanced autofocus and 4K footage makes the X-T2 ideal for this kind of project.
Sacha has made amazing progress so the ground team have had to work double time to make sure we join up and keep on schedule. We left on the 14th September, and have managed to cover over 2,500 miles during that time, along with a 32 hour stay at the Russian border.. We will hopefully reunite with Sacha tomorrow!
From there we will then steadily start heading back to the UK all together. Along the way we will be conducting lots of press, conservation and community events. Please be sure to follow our social media channels as we will be trying to make our presence known along route and could be passing nearby! I am in charge of the social media channels from the field team, so I will be sharing images straight to my phone via the FUJIFILM Camera Remote app and sharing them across our social media channels (see below).
Once we are back in the UK we will be visiting some of the fantastic WWT nature reserves as well as holding other exciting UK events. We will be running various live broadcasts too so be sure to stay up to date! You can find all the latest information via our social media channels:
Next month I’ll be giving an update on the project, as well as offering a photo travel guide for the locations we have passed through. Our focus so far has been making as much time as possible, once we are all on the return leg then our media team can really get to work so I promise there will be plenty of photos to share in the next instalment.
Be sure to stay up to date! From Russia with love. 🙂
Same 16mp sensor, same auto focus, and roughly the same weight and size… So what is different between the X-E2s and the X-T10?
Well as it turns out quite a lot! In this video blog we’ll take a look at the key differences between these two cameras and determine which is better for certain styles and situations.
Both cameras are available in silver or black variants and the retro, functional designs are indicative of the Fujifilm X-Series, but there are clear differences between them. The X-T10 is an SLR-style deign with the viewfinder in the centre of the camera, while the X-E2s has a rangefinder-style design with the viewfinder on the far left of the camera. This doesn’t sound like too big of a deal, but this difference is the main reason why I use these two very capable cameras for different situations.
Which eye to use
That sounds like a bizarre subtitle, maybe Ben has had a long night…? No this is actually a really important thing to consider. I am left-eye dominant, so when using the SLR variant my face is mostly obscured by the camera, but this would pretty much be the same if I used my right eye. But with the rangefinder-style cameras (X-E2S) I deliberately use my right eye (yes it was a bit weird at first but I quickly got used to it). The reason for this is if you use your left eye with one of these camera then the camera sits completely across your face, whereas with your right eye, the camera is off to your right, leaving your face mostly unobscured. This can be a really big factor if you are going to be photographing people regularly as it makes it so much easier to interact with your subject. Particularly if you don’t know each other or have limited common language to otherwise engage, simply being able to smile while taking a photo makes all the difference.
X-E2S – Rangefinder-style images
X-T10 – SLR-style images
The little brother of the X-T1 and X-T2, this dynamic camera is great for those looking to cover a wide variety of photographic genres, whether that is through travelling or simply experimentation. Combining this compact but powerful camera with the likes of the XF18-55mm F2.8-4 OIS and the XF55-200mm F3.5-4.8 OIS makes for a brilliant, lightweight travel set up. Maybe add a low-light prime in there like the XF35mm F1.4 or F2 and then you have most bases covered in a very compact system. I was fortunate enough to be a part of the launch of this camera while working in Borneo. Here are a selection of images from that trip with the X-T10. As well as that, here is a link to my brief review of the camera – http://www.bencherryphotos.com/Blog/OMG-is-that-the-XT10
Benefits of each camera
8 frames per second
Articulating LCD screen
Great general travel option
Discreet, slim design
Slows you down
Best for people interaction
Fantastic with XF prime lenses
Different to most other cameras on the market
Which would I choose?
Both are superb cameras with clear benefits over each other. Choosing between them very much depends on where you want your photography to develop. For me, I would opt for the X-E2s with a handful of lightweight prime lenses like the XF18mm F2, XF35mm F2 and maybe the XF56mm F1.2. This creativity inspiring set up would encourage me to think more about my photography, slow me down and encourage better interaction between me and my subjects (with beautiful results wide open using the prime lenses). What set up would you choose and why? Let us know in the comments below.