Tag: x-series

X-H2S Meets FPV Drone

Video

“In the wake of excitement and fulfillment after each project passes, our desire to go bigger and do more continues to go on,” explains the filmmaker duo Double Vision from New Zealand. One major aspect that needs to be addressed appropriately is the seemingly endless equipment.

Every photographer or filmmaker will at some point be part of a project where all you can possibly carry is just one compact system covering it all. In their last two projects, the duo tested the FUJIFILM X-H2S hybrid camera system without experiencing any other X-Series camera before. Therefore, having a totally unbiased approach towards the X-H2s and its performance.

They never shot with an X-Series camera before, they never shot a mountain bike movie before, and tested the camera to the fullest by putting it on an FPV drone.

#10YearsOfXMount – 30 camera models and 40 lenses

We announced our first interchangeable-lens mirrorless camera X-Pro1 with three XF prime lenses on 9th of January, 2012. This is where the history of the X mount began, and this year marks the 10th anniversary.

Our colleagues in the digital camera department have been extremely excited and busy over the last few weeks – now we know why: “The year 2022 is a special year for Fujifilm. On the 9th of January 2012, we have announced our first interchangeable-lens mirrorless camera X-Pro1 with three lenses. The history of the X Mount system began since then and this year marks its 10th anniversary. Over the past 10 years, we have introduced close to 30 X models and 40 lenses, thanks to the growing popularity of X Series.”
We appreciate everyone for choosing and supporting our products. What’s been built in the past 10 years will be the foundation for the 10 years to come. The evolution of X mount will continue.

Our colleagues have thought about some actions and events and have already started their first hashtag campaign – you can participate via the hashtag #10YearsOfXMount…

Introducing Stocksy Photographer Natalie Jeffcott

Since the start of February, we are featuring eight Stocksy photographers who use Fujifilm X Series cameras to capture their images for commercial use. Discover what they like about their kit and how they utilise the equipment to obtain the best results.

 

Our seventh interview is with Melbourne based photographer, Natalie Jeffcott.

 

Can you tell us about yourself and what you most love about photography?

 

I fell in love with Photography back in the early 1990’s when studying Visual Merchandising and having Photography as a subject. Post diploma I travelled around the world with a 35mm Nikon SLR and Polaroid camera, returning home in 1999 to study Bachelor of Arts in Photography at RMIT.

 

Over the years I have worked as a freelance editorial, commercial, fine art and stock photographer.

 

I love the freedom of photography, it allows me to tune out of life, wander, observe, meet new people and no day is ever the same. I tried 9-5 when I first left school – it didn’t agree with me!

 

 

You had the opportunity to loan a Fujifilm X-T2 from Fujifilm Australia. Did the camera meet your expectations compared with your DSLR?

 

I loved having the X-T2 on loan; it was so much lighter and easier to carry around compared to my DSLR. As much as I love my DSLR, it’s too heavy to throw in a bag for normal day to day wanderings. As an example I had a meeting in Melbourne, so threw the X-T2 in my bag and captured a few images in the city that are now up on Stocksy.

 

 

Were there any settings or features on the Fujifilm X-T2 that you would like to see changed or improved?

 

Not that I can think of. I have always been a simple camera user. I stick it on manual and away I go. I don’t think you need a huge array of gear and fancy features to take a good photo.

 

 

Do you think stock photography requires a different point of view? If so, why do you think this is?

 

Stock is sometimes viewed as commercial photography’s second-rate cousin (if that’s a thing) that it’s for hobbyists etc. However often it can be a lot harder, especially if you actually want to make decent money out of it. You are creating images from an unknown brief for an unknown client. You need to be self-motivated and self-sufficient in your ideas. It’s a definite hurdle to spend your own money on shoots – for models/talent, locations, props etc. with no guarantee your images will sell.

Also, there are now so many stock agencies and so many “photographers” that you really need to create your own style or concepts to stand out.

 

 

From a photographer’s perspective, what do you think makes Stocksy different from other stock agencies?

 

Stocksy is definitely anti-stock. I am continually floored and inspired by the talent and images on there. The fact that it’s a co-op makes a difference too. The more you put in, the more you get out. We have a great community of Photographers worldwide and there’s always people travelling and meeting up like long lost friends. I know that I could turn up in almost any city, send a message and find someone to have a beer with.

 

 

You attended a Fujifilm Stocksy Photowalk in Sydney where you had the opportunity to test the Fujifilm GFX 50S. What were your initial thoughts of the camera considering you had previously used the Fujifilm X-T2?

 

I loved the GFX 50S and if money were no object 😉 The quality is so good. However it is pretty large and hefty like most medium format cameras and you certainly can’t be stealth with it. So to compare it back to the X-T2, I am sad to admit that I found the compact / lightweight X-T2 worked easier for me for those unplanned in my bag camera adventures.

 

 

After seeing the image quality, would you recommend the GFX 50S as a camera for stock photographers? Can you show us some image examples?

 

I think it definitely depends on the types of images you make and obviously your budget to spend on gear. I loved having some time using the GFX 50S – the quality and detail is amazing. It is a beast of a camera. However, in terms of affordability and stock potential, it is a lot to outlay on a camera when you have no guaranteed income coming in from stock photography month to month. You’d want to be a prolific shooter and have some good arm muscles using it out and about on locations!

 

 

What advice can you give for someone who wishes to make their start as a photographer and why did you choose Stocky to represent your work?

 

Oh that’s a hard one. I started out in the world of film, pre social media and Instagram photo stars. I think you need to make good connections with people and offer them something different. Don’t copy the latest style or trend. There really are so many genres and opportunities out there.

 

Funnily enough I came across Stocksy in 2013 on Instagram via one of their first photographers posting they had just joined. Back when I was studying at RMIT, my dream was to travel and shoot for Lonely Planet / stock libraries, however the logistics then were slide film and sending catalogues out to clients – it all seemed too hard. Fast forward 13 years to the digital world, I liked the idea of Stocksy’s co-op model. They curate the collection – so there is a definite style and quality to the images and video content. So you are not scrolling forever at same, same imagery. The biggest plus is that they pay the artists fairly. We receive between 50-75% of the license. I have images elsewhere and it’s so depressing to see what your work sells for at times.

 

 

 

Introducing Stocksy Photographer Skye Torossian

Since the start of February, we are featuring eight Stocksy photographers who use Fujifilm X Series cameras to capture their images for commercial use. Discover what they like about their kit and how they utilise the equipment to obtain the best results.

 

Our sixth interview is with Victorian based photographer, Skye Torossian.

 

Can you tell us about yourself and what you most love about photography?

 

I’m a Melbourne based photographer; I concentrate mostly on contributing to stock photography at Stocksy United. I specialise in children, lifestyle and capturing those quirky real-life moments hopefully with an aesthetic appeal. As a mum of three and also working with animals I run a hectic life and love most about photography the way it slows me down, helps me to stop and appreciate the beautiful little moments in life that might otherwise get lost amongst the daily chaos.

 

What Fujifilm camera have you shot with previously and can you tell us why you chose it?

 

I have shot with an X100 and then upgraded to the X100T. I chose this camera as I felt like I needed something a little smaller to be able to bring my camera with me when I’m on the go in my day to day activities. I loved the potential of having something a little less conspicuous – especially with teenage kids who don’t want to be seen in public with me shooting away. Also having something that has more range of options and quality than just a phone. I was also drawn to the WiFi capabilities and loved the retro look, so there were many reasons why I felt this might be a good fit for me.

 

 

As a DSLR user, how do you find the switch to a smaller camera body? Did you have any problems understanding the features and functionality of the X100T?

 

I found the switch to be fine; actually, I love the smaller body as it brings with it flexibility to take it almost anywhere. I saw that it was indeed straightforward to learn how to use this camera and was off and running with it from the start, although I do continue to discover and learn more as I go.

 

 

In your eyes, what makes a great photo?

 

There are so many different genres and styles of photography, and I find so much amazing and compelling work out there. I personally really enjoy a photo that is not just visually interesting but has some layers in the storytelling, an image that uses light or space as a way to convey more than only the subject matter within that image. I love using negative space and also everyday realism in my pictures.

 

 

How do you find the dynamic range of the Fujifilm X100T?

Do you find it performs well in harsh Australian daylight?

 

I find the dynamic range of the X100T to be pretty great, especially in our harsh daylight and there is simply no way of avoiding that light here sometimes! It seems to be able to record both highlight and shadow information well but importantly maintains really natural colours and contrast even in mixed lighting.

 

 

When working with children to produce a collection of images do you have any tips you can share?

 

I think its really important to not be too pushy with kids, especially with your own when shooting. I often find the best results really do come from capturing them doing something they love especially when they are really consumed in it or enjoying what they are doing. When you don’t want to ruin a mood, a moment or be too intrusive the X100T’s capacity to be completely silent is actually great for this.

 

 

What advice can you give to someone who wishes to make their start as a photographer and why did you choose Stocky to represent your work?

 

Anyone wishing to make their start I would just recommend going slowly, not trying to learn everything at once as it can be very overwhelming. I think to begin just capturing what you love or are passionate about is the best place to start. Don’t be too hard on yourself as improvement is a process, it does take time and practice.

 

I chose Stocksy to represent me as I just loved the look and style of images they promote. I love that they aren’t selling old-style posed, sterile stock photos, but instead real-life, dynamic, authentic imagery. They also have such amazing artists and editors; the community is great where everyone is open and approachable and ready to help – I really have to pinch myself most days that I get to be a part of it all.