Photography Subjects

Hints and tips on specific types of photography

It’s all in the AUTO – X-A2

With the sunlight beating through the window and falling across my work monitor I knew I had to take a camera out for a play. And I thought that this was the perfect excuse to really try out the SR+ AUTO mode on the X-A2 camera.

X-A2_LineUP

To give some background on the Fujifilm X-A2, it’s one of our entry-level mirrorless cameras which is aimed at photography enthusiasts and individuals that want great pictures without all the complicated settings that can come with DSLRs.

DSCF4095
SR+AUTO MODE

The idea behind my little afternoon shoot (other than to enjoy the sunshine 😉 ) was to really see just how good the Auto mode is on this camera. I have so many family members who love to take pictures but they don’t know all about apertures, shutter speeds, ISO etc. They just want a proper camera that takes nice pictures and which is easy to use.

So this is what I did:

I drove to my local country park, put the camera in the auto mode and set about my walk.

For those who know the film simulation modes, I kept it on PROVIA to give the most true-to-life colours and tones. 

DSCF4028

DSCF4021

DSCF4031

DSCF4090

The thing that is nice about any AUTO mode on a camera, is if it works well, you can just enjoy your surroundings and let the camera do all the hard work. Not only that, but I know that if I was out walking with my family and friends, I wouldn’t want to think about all the settings. I would just want to snap away and enjoy the atmosphere and conversation.

DSCF4019

DSCF4048

Another area that this camera excels in, is the colour reproduction. I have not boosted the colour saturation in post-production – these images are pretty much all straight out of camera…

In fact, the only post-production I used was in Picasa (a free to download editing suite by Google – find it here.) to crop a couple of the images into squares (1:1 format) and a one click ‘Auto-Contrast’ adjustment, which basically creates a better balance between the brightest point and the darkest point of an image – in many cases this will make the whites brighter and the blacks darker.

auto contrast

I did this to make the images ‘pop’ out of the screen a bit more as our eyes are naturally drawn to high contrast scenes.

DSCF4017

DSCF4095

DSCF4094

As I continued my walk on this beautiful day, I turned my attention to macro (close-up) photography. I wondered how the SR+ AUTO mode would cope with close-up photography. Now what I haven’t told you is what SR stands for – it stands for Scene Recognition, which basically means the camera automatically detects what the camera is going to shoot. This helps the camera decide what settings it’s going to use for a particular shot. Of course, for me, this just meant I could point and shoot again.

DSCF4080

DSCF4063

DSCF4078

All in all, I was very impressed by the overall performance of the AUTO mode. Especially as I normally shoot using my own custom settings, apertures, etc. I think it really helps prove that having a good eye at photography is what it’s really all about. I didn’t have to fiddle with the settings on the camera, I only did that tiny bit of post-production which was to enhance my creative style, but it was certainly not necessary.

And the most important part was that I really enjoyed it! I could have gone walking without the camera and still had a nice time – it was a beautiful day after all. But because this mode does the hard work all I was left with was the fun part of photography, which made my walk a great one. I think I’d have to call SR AUTO carefree mode! 😉

If you’re looking for a camera that’s incredibly easy to use and takes great pictures, perhaps the X-A2’s the one for you. Please feel free to share this blog post with anyone else you think might be in the market for a carefree, no-nonsense camera.

Any questions, please leave a comment below.

Happy snapping! 🙂

Monument Valley, Arizona with Gary Collyer

Technical details Lens: XF18-135mm OIS WR Exposure: 1/400sec at F8, ISO 200
Technical details Lens: XF18-135mm OIS WR Exposure: 1/400sec at F8, ISO 200

The trip of a lifetime for X-T1 user Gary Collyer delivers some truly memorable imageGary Collyer mugshots

A photographic enthusiast for many years, Gary Collyer got more serious six years ago and started going on ‘urban safaris’ to shoot candid and street images. His switch to Fujifilm came two years ago when he bought an X-E1 and XF35mm lens, and he’s since sold all his DSLRs and moved to using two X-T1s, an X-Pro1 and various lenses. “Using Fujifilm cameras takes me back to what felt to me, as a very natural form of photography,” he told us. “Their ease of use coupled with a very high-quality output leaves me to concentrate on the content and story of the image.” Recently, Gary’s storytelling quest saw him visit Monument Valley, which is where these shots were taken. “It had been on my list of places to visit for a while,” he said. “For me, it presented a unique opportunity to capture images that I had seen not only in the movies, but throughout photographic history.”

The Totem Pole and Yei Bi Chei Mesa (Holy People)

“We had been out for about an hour watching and photographing the sunrise, on a beautiful clear morning. The sun had risen just enough to start bringing out the colours in the sand, whilst still being low enough to give definition to the ripples. The low-light capability of the X-T1 coupled with Fujifilm’s excellent stabilisation system allowed this to be taken handheld at a relatively slow shutter speed.”

MV-4
Technical details Lens: XF10-24mm R OIS Exposure: 1/60sec at F4, ISO 400

Sun’s Eye Arch

“These eroded holes in the sandstone pepper the landscape, with some being more spectacular than others. This one stood out with me because of the water patterns in the rocks matched by the direction of the thin strips of cloud in the sky. The capability of the X-T1 to cope with difficult lighting conditions meant that I could shoot with confidence, knowing that the dynamic range would cope with the shade of the cavern against the bright sky.”

Technical details Lens: XF10-24mm R OIS Exposure: 1/60sec at F9, ISO 200
Technical details Lens: XF10-24mm R OIS Exposure: 1/60sec at F9, ISO 200

Old shack, backcountry area

“It’s difficult to explain the sheer scale and beauty of these lands. Much of it is sacred to the Navajo people, and it is a privilege to be invited onto it, and to capture images of it. “By this time of the day, the sun had brightened considerably, causing deep shadows on this side of the shack, and this for me was the most interesting side to shoot from. That meant really testing the Fujifilm X-T1’s ability to get a balanced shot that delivered details in both light and shade. For this I relied heavily on the manual exposure preview, to get just the right balance.”

Technical details Lens: XF10-24mm R OIS Exposure: 1/1000sec at F4, ISO 200
Technical details Lens: XF10-24mm R OIS Exposure: 1/1000sec at F4, ISO 200

Juniper tree, Mystery Valley near the Square House Ruin

“I had been fascinated by the fallen and broken juniper trees from the start of the tour of Monument Valley and the adjacent Mystery Valley. All day I had been lining up shots, and taken a few, but they just didn’t feel right. Then we came across this tree, and I was really happy with the shots.”

MV-13
Technical details Lens: XF10-24mm R OIS Exposure: 1/2000sec at F4, ISO 200

Mitchell Mesa at sunrise

“This image was taken from the public balcony area of the View Hotel. I had been out an hour, capturing silhouettes of the nearby rock formations, when the sun came up over the horizon, revealing the cloud formations and lighting the Mitchell Mesa. For the sunrise I had two X-T1s set up. The first was on a tripod, taking longer exposures, the second that took this was handheld.”

MV-20
Technical details Lens: XF18-135mm OIS WR Exposure: 1/125sec at F3.5, ISO 200

West Mitten from the WildCat Trail

“The Wildcat Trail is the only unaccompanied walking trail available to visitors. At 3.2 miles long, in high temperatures, it can prove to be fairly challenging, particularly at the end, walking steeply uphill on shifting loose sand. So everything was stripped down… one camera, one lens, one spare battery, one spare card, sunblock, hat and plenty of water. Not knowing what to expect, I also needed maximum versatility from the lens, hence the choice of the 18-135mm. It allowed me to take this image of West Mitten (and believe me it’s only when you get close up on foot, that you realise the scale of these rock formations), and later fallen trees and stone piles. The dust and weather sealing proved invaluable with the occasional swirling wind.”

Technical details Lens: XF18-135mm OIS WR Exposure: 1/400sec at F8, ISO 200
Technical details Lens: XF18-135mm OIS WR Exposure: 1/400sec at F8, ISO 200

X-Photographer’s Spotlight – Kerry Hendry

Tell us about yourself and what got you into photography? How did you develop your style in photography?

I was really into photography as a teenager – I remember saving up to buy my first SLR camera and two kit lenses from Dixons!  I won’t mention brands but I soon moved onwards and upwards to a beautiful Nikon SLR, shooting grainy black & white film and then developed an addiction to Fuji Velvia.   I spent many an evening cycling and driving round chasing sunsets and beautiful light.

Style-wise has taken a lot longer – I had a big gap in photography when horses and work took over – until I revisited my then hobby, about 12 years ago.

Since then photography has become a significant part of my life and now business. I’ve shot portraits, boudoir, bumps, babies, business portraits and even an odd wedding or two, but that didn’t do it for me.  I found myself shooting images to keep others happy – not fulfilling my own creative destiny.

These days, subject wise, I’m entirely focused on my other passion in life: horses. I have ridden all my life, and I truly believe if you totally love and connect with your subject, it makes your work stronger.

X-T1 – ISO 200 – f/4.5 – 1/1250 – XF50-140mm

Why did you choose Fujifilm cameras?

I’d been carrying around heavy Nikon kit for years and frankly was quite tired!

I started shooting mirrorless fairly early – and given my love of Fuji way back, it seemed the logical place to start.  Plus, there is no denying the cameras are beautiful.  I love beautiful things…  I love the images which the Fuji kit produces, I love the handling – and I love the lightness and flexibility the system affords me.

I’ve tested, tested and tested a bit more – some days I think my X-T1 might actually go into meltdown shooting high speed horses day in day out, but it continues to deliver.

Alongside my workhorse 50-140mm, I’ve also become a complete convert to the fast Fuji prime lenses. The quality and sharpness is amazing. Favourites include the 14mm, 23mm and 35mm lenses.

X-T1 – ISO 200 – f/5.6 – 1/1000 – XF50-140mm

Do you have a photographic philosophy you live by?

I guess my philosophy is a recent and personal one:  Follow your dreams and shoot what you love.

As a photographer you have to develop a thick skin – and that’s something I wasn’t good at!  I’ve spent most of my life trying to keep everyone happy all of the time.  Obviously a fruitless task, but I still do my best!

Especially when you shoot one very niche subject, some people will love what you do, others just won’t get it.  So long as I stay true to my core and get to the end of each year with images I am proud of, I’m happy.  I shoot horse pictures for horse lovers – they get it, they see it, they feel it.

The fact that people then buy those images for their own walls is a huge compliment.  It was a real buzz when prints were first sold to overseas clients in the USA and New Zealand – the hard work is paying off.

X-E2 – ISO 200 – f/9 – 1/1000 – XF18-55mm

Key inspirations – What & who inspires you?

Wow, how long have you got?! I was the kid who saved up her pocket money to go into Waterstones (still love Waterstones!) to buy the Ansel Adams calendar each year.  When the year was done I framed the pictures.  My world was black and white, surrounded by snow-laden trees and lived under inky skies.

I’m a book person – and the bookshelf is crammed with a variety of beautiful publications which I revisit regularly:  Helmut Newton, Herb Ritts, Colin Prior, Paul Kenny, Tim Flach, Amanda Lockhart, Jonathan Chritchley and most recently Michael Levin. Michael’s work is a quest for modern perfection – I admire him tremendously.

Mother nature also inspires me – light, breeze, weather, the ocean and of course, horses.

X-T1 – ISO 200 – f/5.6 – 1/1000 – XF50-140mm

Do you have any tips or tricks you could share with us?

My tip is to stay true. There’s another good quote I live & work by: ‘A flower does not think of competing with the flower next to it.  It just blooms.’

Another photographer recently said to me that ‘I make my life more difficult trying to shoot horses with a mirrorless camera’ – why didn’t I shoot an easier subject?  What would be the joy or fulfilment in that?!

Do your own thing – if it’s difficult, try harder.  If you have an idea – work out how to achieve it.  If you are not sure – seek & learn!

X-T1 – ISO 200 – f/4.5 – 1/1250 – XF50-140mm

What’s next for you?

I’m off to Wyoming to a remote ranch to shoot…you guessed it, horses!

It’s a completely new location for me.  If I don’t shoot different horses soon, I’ll be ‘the woman who was obsessed with grey horses’.

The Polo season has just started too, so I’m working on a creative idea to produce beautiful art prints from this adrenaline fuelled sport.

I’ve also just taken on a beautiful but slightly broken racehorse. She’s likely to feature in future work – and she’s NOT GREY!

In fact this is her, in her previous life…my amazing girl.

X-T1 – ISO 800 – f/18 – 1/1000 – XF18-135mm

Contact info

Website
Facebook
Twitter

The Fujifilm X Magazine is here! – Issue 9

Issue 9 of the Fujifilm X Magazine is now available to view online, or download to your mobile or tablet via the Android or Apple app.

In this issue check out the brilliant fine art landscape work of Pete Bridgwood and Bruno Morandi’s colourful Lisbon cityscapes. If you’re more of the indoor type, there’s advice and tips to help you shoot still-lifes and close-ups. Plus, don’t miss your chance to win a superb XF18-135mm weather-resistant zoom!

 

 

 

Interview – Pete Bridgwood

Pete Bridgwood explains how X-series cameras and lenses help him to produce stunning fine art landscapes.

Click here to read the full interview »

 

X Marks the Spot

Fujifilm cameras come in very handy for Bruno Morandi as he transports us to some of the most photogenic locations in Lisbon.

Click here to read the full article »

 

Still life technique

Camera tips and picture-taking advice to help you get better shots of still-life subjects. Great for rainy day photography!

Click here to read the full article »

 

Exhibition – People

A superb collection of people pictures from X Magazine readers, complete with how they were taken.

Click here to read the full article »

 

Master the X-series

How to capture close-up images using a macro lens or extension tubes, plus a review of the latest addition to the XF weatherproof line-up: the 16-55mm F2.8.

Click here to read the full article »

 

Competition

You’re just one simple question away from scooping a weather-resistant XF18-135mm zoom lens. Don’t delay, get your entry in today!

Click here to read more »

X-Photographer’s Spotlight – Bert Stephani

Tell us about yourself and what got you into photography? How did you develop your style in photography?

I’m from Belgium and recently when I turned forty, I realised I’ve been a professional photographer for ten years now. I shoot quite a wide range of subjects but it’s almost always about people. Although I’m a one man band, I feel my company has three divisions: The biggest division is my commercial photography in which I usually employ documentary techniques to capture real images for companies and agencies. Teaching is my second division. I really enjoy teaching and encouraging other photographers during workshops and video lectures. The smallest division is the one that caters to individuals, capturing weddings, family portraits, … It’s what I started my career with and it still gives me a lot of satisfaction.

As a kid, I was intrigued by the buttons and dials on my great-aunt’s camera but I didn’t give it much thought then. When I was seventeen I discovered some Time/Life books in the library. I got so intrigued by documentary and particularly war photography that I asked for an SLR for my 18th birthday. I played around with photography and developing my own film but soon photography had to make place for filmschool and writing. I rediscovered photography ten years later while I was following a Photoshop course in order to learn how to make nice DVD menus for my video work. I can still remember the moment I held my neighbour’s first DSLR and decided I wanted one too. Only a couple of months later, I decided that I wanted to become a professional photographer.

I spent all my free time (and some of the company’s time I was working for back then) to understand the world of f-stops, shutterspeeds and focal lengths to learn the craft. When bad weather and short days in the winter, forced me to learn about lighting, I discovered a whole new dimension and developed an ongoing passion for light. But after a couple of years I had become a photographer’s photographer. My work had become about the techniques, the gear and the fashion of the moment, while the pictures I really cared about where the simple, timeless, often imperfect shots of my friends and family. That was the moment that I went back to what I’ve been doing all my life: simply telling stories.

20140814_an-roald_041

Why did you choose Fujifilm cameras?

Very early on in my career, I already realised that a big camera can get in the way of photography and a friend recently reminded me that I once told him: “I wish someone would find a way to put a big sensor in a small camera with a compact fast prime lens”. So I guess I pre-invented the X100 back then ;-). But it would take a couple more years before mirrorless cameras became a reality and a usable option for professional photographers. I used a number of Panasonic and Olympus mirrorless cameras for family pictures and started thinking about using a small camera for part of my professional work. Although the prospect of reducing the weight and size of my kit, got my back and neck excited, it wasn’t the main reason to consider mirrorless cameras. Much more important to me is the fact that I can shoot without attracting attention and that a smaller camera removes the barrier between me and my subjects.

My X-story started out with the X-Pro1 and just a 35mm lens, but I have to admit that we got off to a pretty stormy start the first few months. Coming from a well established high-end DSLR, it took a while to get used to the X-Pro1 in it’s first firmware version days. Although I had my share of frustrating experiences, I had to conclude that the X-Pro1 made me a better photographer and I just fell in love with the files it produced when I worked hard for my shots. I kept my DSLR within range for a while until I realised I hardly ever used it anymore. That’s when I sold all my DSLR gear and went all Fuji. As an early adopter I have seen the X-system going through it’s growing pains but I’ve been very impressed with the way Fuji has responded by spectacular firmware updates, listening to its customers and developing a complete system in such a short time. There are a lot of technical reasons why I choose to work with Fujifilm cameras but the main reason, is that I just love to shoot with them.

_DSF6213

Do you have a photographic philosophy you live by?

Most of the time, I would say: “keep it real”. But every now and then, I want to create something larger than life, surreal or whatever. So ultimately … no

20140319_cpxl-cdc_024

Key inspirations – What & who inspires you?

My inspirations comes from everywhere and sometimes I can’t find anything at all. I follow young emerging Instagram photographers but I’m also hugely inspired my masters like Sally Mann, Jeanloup Sieff, Elliott Erwitt, … There are also photographers who’s pictures may not blow me away, but who inspire me by how they approach their work. In the last few years, I’ve been finding a lot of inspiration in reading about the history of photography. And then that’s just photography. Music is also a great source of ideas. When I listen to good music and close my eyes, I see images. I’m often jealous about how musicians can convey emotions. When I’m stuck I sometimes ask myself the question: “How would Pearl Jam or Sinead O’Connor tell this story?”.

Life in general is my biggest inspiration, just take the time to really look around and you’ll see so many inspiring things.

20131015_hunting-les-vallons_082

Do you have any tips or tricks you could share with us?

Like with a good meal, a good picture starts with quality ingredients. For me, a photo always has to tell a story or convey an emotion. So let the story/emotion be the starting point of the photographic process. That’s not an excuse not to worry about technique, equipment, experience and skill. The more you know, the better you’ll be able to translate that story into a picture.

I see myself as a fat athlete that wants to become a top player in the sports of photography. In order to get there, just playing streetball with my buddies every Saturday, won’t cut it. It’s about recognising your weak points and target a lot of practice towards them. It’s about getting out of your comfort zone and working hard to become comfortable in new zones.

Instagram in combination with a small camera like the X30 or X100T has been an important training tool for me lately. I try to post a nice picture every day with mixed success. But the journey is more important than the goal. I’m training my eye, get my shots right in-camera, try out new things (like long exposures or landscapes), I learn how to get the most out of my small camera, … I can see the things that I learned that way slowly enriching my paid work and I love the interaction resulting from my Instagram activity.

20141104_chana_1894

What’s next for you?

I’m not entirely sure what’s next but I should. The last couple of years have been a crazy rollercoaster that gave me amazing moments but also left me with a bit too much chaos. Life threw me some curveballs that I didn’t see coming and I was forced into a kind of short-term survival mode. I didn’t have much time and energy to spare to look at the big picture and think ahead. It’s time to change that, make some big decisions and move forwards.

20150107_Uplace-BMC_0679

Contact info

Commercial website and blog: www.bertstephani.com

I’m a proud member of the KAGE Collective: www.kagecollective.com

Private commissions and weddings: www.lifelovebybert.com

Facebook page for workshops: https://www.facebook.com/bertstephaniworkshops

Twitter: https://twitter.com/bertstephani

Instagram: https://instagram.com/bertstephani/

YouTube: https://www.youtube.com/user/bertstephani/videos

 

Fuji Guys: Hands-on with the new X-T10 and X-T1 Autofocus modes

We’re all very excited by the new Autofocus features that were announced last week for the X-T1, and that will also be present on the brand spanking new X-T10 digital camera announced this morning.

After reading all about it, the first thing we wanted to do was go out and try it out ourselves. Marc and I were able to get hold of a pre-production X-T10 for the day so we made this little video for you.

Here’s a few more sample images shot on the day using the setup described. Keep in mind that this is a pre-production model so the final results may vary. All images are straight out of camera.

X-T10 with XF18-55mm lens – ISO200 – f/5.6 – 1/600
X-T10 with XF18-55mm lens – ISO200 – f/5.6 – 1/600
X-T10 with XF18-55mm lens – ISO200 – f/5.6 – 1/350
X-T10 with XF18-55mm lens – ISO200 – f/5.6 – 1/350
X-T10 with XF18-55mm lens – ISO400 – f/5.6 – 1/500
X-T10 with XF18-55mm lens – ISO400 – f/5.6 – 1/500
X-T10 with XF18-55mm lens – ISO400 – f/5.6 – 1/500
X-T10 with XF18-55mm lens – ISO400 – f/5.6 – 1/500
X-T10 with XF18-55mm lens – ISO500 – f/5.6 – 1/500
X-T10 with XF18-55mm lens – ISO500 – f/5.6 – 1/500
X-T10 with XF18-55mm lens – ISO500 – f6.4 – 1/500
X-T10 with XF18-55mm lens – ISO500 – f6.4 – 1/500

Other X-T10 videos

Fuji Guys – Fujifilm X-T10 – First Look

Fuji Guys – Fujifilm X-T10 XF16-50mm Kit – Unboxing & Getting Started

Fuji Guys – Fujifilm X-T10 “Body Only” – Unboxing & Getting Started