Dreary clouds, rain, fog and wind are definitely not ideal for an outdoor shooting. But especially bad weather offers many interesting and new sceneries for photo motives.
Rain is a great scenery to capture, but the colors are often not emphasized enough in normal settings. Consequently, the picture looks dull and dreary. Therefore, +Correction helps the colors regain their luster. The adjustment slightly overexposes the subject and lifts the color mood. These corrections can be made in aperture or time mode, as well as in full automatic mode. If the colors still look dull, image processing can help them out.
Raindrops are excellent design elements. Deciding whether to photograph rain drops or threads is the first decision to make. If you want to “freeze” drops, a shutter speed of 1/250 is recommended. For thread rain that runs through the entire image, you need slower shutter speeds. Of course, you can bring out interesting details again. For example, capturing a drop at the moment it hits a water surface. To capture this magical moment with a camera, it is necessary to shoot as close to the ground as possible. This will make the jumping raindrops look even more expressive. Leaves where the rain bounces off also make a fantastic subject.
Explore different motives
Raindrops are one of the go to’s, but there is so much more to discover. Thunderclouds, for example, bring more dynamics into the picture. Light reflections on wet streets or puddles that reflect the skyline can also be skillfully used for image composition. Moreover, the wind is also photogenic. It gives the image more tension and creates that certain something. To capture these elements, it is important to work with motion blur. This will give the image more dynamics.
Photos in fog
Fog creates the mystic atmosphere in a photo. Especially when sunlight hits the fog, fantastic color effects are created. The fog then shimmers in a light yellow-golden or even in a delicate bluish tone. This is not only interesting, it is also the perfect backdrop for captivating photos. Missing out on the classic in fog photography is not an option for any photographer: Rays of light making their way through the fog have a fascinating effect. Here the position is crucial! Standing in such a way that it is possible to work with the backlight. This brings out the light rays particularly well.
However, the autofocus of many cameras can fail with foggy subjects. The reason for this is the often low contrast. Therefore, focusing manually or using the hyperfocal distance is the way to go. In addition, the exposure needs to be readjusted manually as well.
Header Image © Pawel Kosicki
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