Wedding

10 Tips to Capture Natural Wedding Photographs

10 Tips to Capture Natural Wedding Photographs

10 Tips to Capture Natural Wedding Photographs

By Kristian Leven

Kristian Leven

For the past seven years I’ve photographed weddings in an unobtrusive way, preferring the day’s event’s to unfold naturally in front of me rather than coordinating anything. This style has been derived from my love of documentary and street photography, which I shoot outside of weddings as much as possible. Doing so has given me a fresh perspective on the work I’m producing, and I often use what I’ve learnt shooting street photography with me on a wedding day. Here are ten things I’ve learnt about taking better wedding photographs, and how I applied them to a wedding I shot on the FUJIFILM XT-2 last month. Read More

Why I switched BACK to the Fujifilm system

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By Scott Johnson

I first dabbled with Fujifilm WAY back in 2003 while working on a cruise ship.  In an all-film world, we were the first team to go digital with the Fujifilm S2 Pro, and I was really impressed with the quality, so much so, that when I started shooting weddings, I brought an S3 and for the first few years, this was the main camera I used at all of my weddings, but then I went full-frame and moved over to Nikon, and stayed there until the spring of 2016, and the arrival of the X-Pro2.

I’d been lugging around my D4s’ and a handful of prime lenses at weddings for a few years, and it was doing my back no good at all, but it wasn’t until I booked a wedding in the United States that I looked at changing my equipment. “Why change your entire wedding set-up mid way through a season for just one wedding” I hear you shout.  Well, the Read More

X-T2: The Game Changer

 

X-Photographer strip BLACK

By Namour Filho

You might be asking: what’s the point of another FUJIFILM X-T2 review if reviewers all talk about the same things? Luckily for you, I wrote a different kind of review.fotoi%c2%81grafo-de-casamento-sp-namour-filho-04_-13To start, I need to talk a little bit about my experience with this camera. I’ve been working and playing with Fujifilm cameras since the X100S. During the past few years I’ve also shot with the X-E2, X-T10, X100T, X-T1, X70 and X-Pro2.Namour Filho _X Photographer_X-T2 images_0004.JPGAs a curious photographer who gives classes and lectures about the mirrorless revolution all over Brazil, I’ve also tried on Olympus, Samsung and Sony gear together with many a variety of lenses for weddings and portraits. I did this because, as an X-Photographer, I can’t be fully knowledgeably about Fujifilm without also experiencing other brands. I have had great experiences with DSLR cameras, too. I first used Canon cameras back in 2001, testing many different models and lenses.With that brief history, let me begin my X-T2 review.Fotógrafo de Casamento SP Namour Filho - 04_-6.jpgSeveral months ago, I put my hands on the X-T2 with the Vertical Power Booster. My first impression was that I would never use this booster: I hate weight and big cameras, but as I was going to travel for 21 days, I would have time to experiment.Namour Filho _X Photographer_X-T2 images_0028.JPGThe first part of my trip was Portugal. There, I attended a workshop group at “Quinta” in Viseu, a wine farm. I tried the camera in different situations: on hot days and situations of high contrast, on overcast days with softness, and also during times of balanced light. I began testing the advanced filters, film simulations, and the drive modes. namour-filho-_x-photographer_x-t2-images_0023I headed to Paris, where I shot in mixed lighting situations, such as: contrasting scenes and scenes at twilight in the city. Some images were also made with third party lenses with manual focus and an adapter.Namour Filho _X Photographer_X-T2 images_0029.JPGThen, I returned to Brazil and photographed two weddings. I took along my X-Pro2 and shot the weddings with both cameras, just to feel the differences in action. And not surprisingly, I did feel it.namour-filho-_x-photographer_x-t2-images_0012So, l will talk about my recent experiences by making X Series-specific comparisons.

X-T2 versus X-T1

The new camera wins by far when we talk about resolution. With more megapixels, you can crop more, and you can do this without any fear. I know other wedding photographers like that fact as much as I do.

The new LCD screen with vertical movement: when I first heard about this feature, I thought that this wouldn’t be very useful, but with this new dimension of articulation, I challenged myself with the feature many during my street photography, travel photography and in the midst of weddings. This is, surprisingly, a really cool and useful feature.

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The new ISO and Shutter Speed dials are proof-positive that a little change can make a huge difference. Fujifilm is always open to photographers’ feedback and they make the proper changes most of the time. This dial took my workflow to a higher level at weddings. Now, all I have to do is just press the button in the dial to lock or unlock it, and I’ll be rest-assured that my settings are perfect.

Dual card slot: this is another change from the X-T1 that made this body more pro. Dual slots are essential for backup and to separate RAW from JPEG.Namour Filho _X Photographer_X-T2 images_0007.JPGIn my opinion, the compensation dial was a negative change from the X-T1 to X-T2. The dial now takes 2 fingers instead of one like with the X-T1. I know Fujifilm engineers changed it by listening to the demands from photographers, but I prefer the old way.

Continuous Autofocus is a huge improvement. With this advancement in AF, the gap between Fujifilm and DSLRs is gone. I’ve noticed great improvements with 80% to 90% precision. I like that this camera has more focusing points, which helps a lot with face or eye detection on single focus.

ACROS film simulation allows photographers more freedom to create unique JPEG files.namour-filho-_x-photographer_x-t2-images_0026Two good things that I loved were the inclusion of a joystick, which helps a lot for many uses and the continuous shooting that was changed to a controlled one by your finger, so you can shoot even one image on the continuous if you want.

X-T2 versus X-Pro2

Many photographers ask me this question every day: Which is one better: X-T2 or X-Pro2? Which one do I choose?

My answer is: either gives you the same final quality. It is the same sensor and the same processor, but mounted in different bodies, with different design and operational functions.Fotógrafo de Casamento SP Namour Filho - 04_-19.jpgI always say that the X-Pro2 is a camera for rangefinder lovers, documentary or street photographers. In my opinion, it is prettier than the X-T2, but, according to complaints of most users, it lacks an articulating LCD and the ISO dial is also a negative aspect. I suggested that Fujifilm give photographers the option of setting the ISO with the front or back command dials..

The X-T2 is a perfect camera for wedding, sports, outdoor and wildlife photographers. It has a very ergonomic design, everything is reachable and it has a DSLR look, which many photographers still seek (I do not mind it).

The technological advances are not a reason for you to choose between one and the other. Fujifilm takes care about it with constant firmware updates that give both cameras equivalent capacity.namour-filho-_x-photographer_x-t2-images_0003Another important thing is the vertical power booster that is available for the X-T2 allows much longer battery life: the grip adds the power of two more batteries, so it raises to three the number of batteries; which, for me, is enough for my entire wedding. The commands in this new booster grip are very well situated and even include the joystick. This booster grip also increases the number of shots per second in the high-speed drive, and this is a very good thing for sports and wildlife photographers.

The negative aspects are the weight and size that are increased and you must turn it off when not using the grip in order to avoid pressing the shutter button accidentally. This can be a mess if you are in the middle of a wedding.

X-T2 versus DSLRs

This is a difficult comparison to make, because we talk about different systems and, in this case, Full Frame, different sensors sizes.

But I think now is the right time for me to compare.namour-filho-_x-photographer_x-t2-images_0015The lacks that many photographers used to talk about Fujifilm cameras were mainly related to the resolution (that the sensors were 16 megapixels), autofocus speed, sensor size, dual card slots and flash system.

I believe that, with the release of the X-T2, Fujifilm has reached a point of change.namour-filho-_x-photographer_x-t2-images_0010This camera has 24 megapixels with huge quality and increased resolution – the size of its rich RAW files can reach up to 60 megabytes. This size is ideal for photographers who normally crop their images.

Concerning autofocus speed, it is a notorious fact that Fujifilm worked really hard on improving AF: now featuring very good face and eyes detection, as well as 5 different modes of continuous autofocus. I tested it under some situations – including weddings – and it worked very well.continuous-focusIn regards to the sensor size, everybody knows that nowadays, technology has been advancing incredibly fast and that the latest APS-C sensors can now achieve beautiful results at high ISO levels and wide latitude. Fujifilm’s latest generation sensors are very competitive in the DSLR market.

With the unique engineering of the X-Trans sensor, the results reached by the X-Pro2 and the X-T2 are even better – arguably better than many DSLRs.Namour Filho _X Photographer_X-T2 images_0018.JPGThe adding of the dual card slot helped a lot for the wedding photographers who need instantly back up.

Verdict

I always tell my photographer friends that we pay too much attention to irrelevant details about photography gear.

Of course, Canon offers very good cameras and lenses – the same for Nikon, Pentax, Sony, and others. But, the most important thing for me – and the factors that caused me to switch over to Fujifilm were the ergonomic bodies, lightweight design, and very good prices.  Namour Filho _X Photographer_X-T2 images_0017.JPGIt was unthinkable that we could have such great and competitive system with this price and such high quality some years ago.

In just 5 years, FUJIFILM X Series has built a solid system with 22 exceptional FUJINON lenses. FUJINON is known by its superb quality glass in medical diagnosis and broadcasting lenses. This legacy experience is now being used within X Series lenses. And, very importantly: at a very good price.namour-filho-_x-photographer_x-t2-images_0005To sum this review up, I must emphasize that Fujifilm is a brand that listens to their users very carefully, and that is the secret behind their huge success. You can list some cons about them, but they will be happy to listen, take notes and fix them, maybe even in a simple firmware update.Namour Filho _X Photographer_X-T2 images_0016.JPGNowadays, people make decisions based on details. The competition in the camera industry is tremendous. For choosing the best photography gear, we must also make our decisions based on details. Fujifilm has paid attention to the critical details, and the X-T2 is a perfect example of a beautiful result.

Why I chose Fujifilm X – Andrew Billington

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Guest blogger

Tell us about yourself and what got you into photography?

Headshot-1I had a fairly round about route into becoming a full-time photographer. My background is in theatre and that’s where I worked for 20 years, first as an actor then stage manager. I bought myself a point & shoot digital camera to go on holiday with my wife in 2004 and just wandering around taking photos rekindled the interest I had in photography as a child. My dad had been a keen amateur and I often had a roll of film and an old Zenit 35mm to play with – then it was back home to develop and print the results.

Fast forward to 2005 when I started to take photography seriously again. I bought myself a DSLR and started to take photos around the theatre I was working in. I’ve never been interested in ‘posed’ imagery and a camera seemed an ideal instrument to document the ‘process’ of theatre – rehearsal photographs, technicians at work and actors acting. From there the theatre I was working at started to use some of my photos as marketing materials, the Arts Council UK commissioned me to photograph some things they were doing in schools, and I got some freelance work photographing Ballroom dancing for a couple of publications – all this work came through contacts of people I knew or had met, I didn’t even have a website at this stage!

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Why did you choose to shoot with the Fujifilm X series?

I’m interested in documentary photography and telling stories. Once I started playing with the X-Pro1 (in late 2013) I found a camera that let me do this in a really subtle and intimate way. By this stage, I was a full-time photographer photographing mainly weddings and theatre. Walking into a wedding with an X-Pro1 and a 35mm lens was very freeing – I was no longer the person with the biggest kit in the room. People were not intimidated by such a small and interesting looking camera and I found I could be around any situation and get the shot I was looking for without anyone changing their behavior because the ‘official photographer’ was there.

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Most of my work is taken in available light and I’ve never really had a problem getting the results I’m looking for from the Fuji X-series cameras. I work with two X-T1s mostly (with a bit of X100T thrown in) and will shoot on fast primes up to 6400iso without blinking – always I’m looking for the best light in any situation then working out how to tell the story in that light.

HOWEVER when it comes to the evening of a wedding and everyone is getting down on the dance floor that’s when I break out the flash!

By this stage of the day I figure everyone has relaxed and I can go for a more ‘night clubby’ look with the photos. Dance floors are a dark place, bands or DJs don’t often bring enough light to illuminate them so at this stage I often have to ADD light. But I still want to stay discreet, self contained and mobile. That’s why I choose to use the very tiny Fuji EF-X20 flash on a sync cord attached to my X-T1 (often with the 10-24mm).

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With this set up I can get into the middle of the dance floor action, shoot from any angle and no-one cares you’ve got a camera (even when it’s getting ‘messy’ at the end of the night). If I was shooting with ‘Off Camera Flash’ I’d be limited in the look I would get by where my light stands could go – this way I’m a portable studio. Holding the flash in my left hand (usually high above to the side) and the camera in my right but away from my eye. I ‘zone focus’ so the camera is set manually to focus from 4ft to infinity – at f/10 this is really easy and means that I don’t have to worry about AF in low light but just what’s happening in front of my lens.

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These are my default setting for Epic Dance Floor shots: ISO 2000, F10, 1/15th, 14mm, get in close and dance your ass off while photographing.


Do you have any tips or tricks you could share with us?

The best thing I could say is to develop your own style and approach to how you photograph. When we start out we all see amazing photographs in a variety of styles and try to copy those in our work – it makes what we do look a little scattergun and inconsistent. Work out what you love photographing, what you are passionate about and a philosophy about how you should approach your photography and then do that. Then do that some more. Then do that better. Then refine it. Do it more. Do it better. Refine it. And on and on it goes.

Every time I pick up a camera I want to create better photographs than I did the last time – better photographs for me equals better photographs for my clients.

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What’s next for you?

Put simply – see above. Doing more of what I’m doing but hopefully doing it better.

Contact info

To see more of Andrew’s beautiful photography, please visit his website and social channels:

Twitter – https://twitter.com/BillingtonPhoto

Facebook – https://www.facebook.com/Andrew-Billington-Photography-127502644273/

Instagram – https://www.instagram.com/billingtonphoto/

Website – http://documentary-wedding.com

 

 

The Photography Show 2016

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Greetings from Birmingham!

We’re here at The Photography Show at the NEC in Birmingham and it’s been amazing so far.
Our stand is right near the entrance so there’s no excuse to not stop by and pay us a visit. Come and get your hands on the latest kit including X-Pro2, X-E2S and X70 cameras, and we’ve also got an elevated area where you can try out the XF50-140 and XF100-400mm long zoom lenses with X-Photographer Ben Cherry!

Jeannie filling out our Today’s Specials board. Each day we’ve got different X-Photographers presenting around the show.
Jeannie filling out our Today’s Specials board. Each day we’ve got different X-Photographers presenting around the show.


See inside an X-Pro2 and learn how the Hybrid Viewfinder works

The calm before the storm. The stand about 10 minutes before the show opens
The calm before the storm. The stand about 10 minutes before the show opens
Travel and reportage photographer Chris Upton standing next to a huge print of an image from one of his recent projects.
Travel and reportage photographer Chris Upton standing next to a huge print of an image from one of his recent projects.


And we are live. Always a huge rush to get in at the start of the show.

People are able to borrow an X-Pro2 and lens for the day
People are able to borrow an X-Pro2 and lens for the day


Lots of people getting their hands on our products and talking to our helpful staff


Hands on with those long lenses


Very important to have a subject to shoot when testing out the cameras


Our range of instax instant cameras are also on display to try out.

Kevin Mullins did an X-Pro2 product demo to around 40 people. Each day at 11:30 we’ll have an X-Photographer doing the same.
Kevin Mullins did an X-Pro2 product demo to around 40 people. Each day at 11:30 we’ll have an X-Photographer doing the same.
Later, Kevin also spoke as part of The Photography Show’s “Turning Pro” masterclass, giving some great advice to photographers thinking about setting themselves up as a business.
Later, Kevin also spoke as part of The Photography Show’s “Turning Pro” masterclass, giving some great advice to photographers thinking about setting themselves up as a business.


And the Kevin-a-thon was rounded off with a talk on the Live Stage about his type of candid wedding photography. Kevin will be talking on the stage on Sunday as well

We rounded the day off with a photowalk around the NEC entitled “Abstract in the landscape”. Professional photographer Paul Sanders encouraged everyone to look for the finer details and less-obvious patterns to create artistic expression where it’s not obviously apparent. Practising in this way means that when confronted with something truly beautiful, photographers will have the ability to still look further to create something unique.
We rounded the day off with a photowalk around the NEC entitled “Abstract in the landscape”. Professional photographer Paul Sanders encouraged everyone to look for the finer details and less-obvious patterns to create artistic expression where it’s not obviously apparent. Practising in this way means that when confronted with something truly beautiful, photographers will have the ability to still look further to create something unique.

Here’s a few example shots from the photowalk

 

Come say hello!

The show is open until the 22nd March so please come and say hello. Our full schedule for the remaining days can be found here