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Interview with professional landscape photographer Paul Sanders

We recently held a small internal training course for the Fujifilm UK team and we asked professional photographer Paul Sanders to join us and help teach us more about landscape photography. After spending some time with Paul and listening to him talking about his work and his thought process in regards to photography, it became apparent that Paul had a very interesting story that I’d love to share.

Below is Paul’s story from being a trainee photographer in 1991, up to his current passion, hobby and luckily for him, profession – Fine Art Landscape Photography. If you have any thoughts or questions for Paul, please feel free to leave a comment at the bottom of this blog.

Fine Art Landscape Photographer Paul Sanders

Paul Sanders avatar“I’ve been involved in news photography since 1991 when I started as a trainee photographer at The Daventry Express in Northamptonshire. I’m incredibly driven and knew straightaway that I wouldn’t settle for life on a weekly newspaper, I wanted the big time, the only place I could see myself working was for a national newspaper and one in particular; The Times. I think essentially it was because The Times is in my opinion the best newspaper in the world for it’s reporting and accuracy. I got my head down, worked hard sacrificed everything, relationships, family, friends and social life all in the single minded pursuit of my dream job.

X-T1 with XF10-24 @10 - F8 - 120 Seconds - ISO200
X-T1 with XF10-24 @10 – F8 – 120 Seconds – ISO200

“By 1998 I was working for the international wire agency Reuters in London and in 2002 I got the call from The Times to join their team. When The Times changed from broadsheet to the more modern compact format I was given the job of revitalising the way pictures were used in the new format. Finally on 1 April 2004 I was made Picture Editor, I had total responsibility of the entire visual content and a team of the finest researchers and photographers working with me. To say I was in my element was an understatement. However success at that level comes with a high price. Daily I would view between 17 and 20 thousand images, direct photographers, manage budgets, layout pages and train young hopefuls. By 2010 I had reached breaking point, I suffered with chronic insomnia and depression, my marriage started to break down and the wheels came off my train. I hid this all from the world until December 2011 when I announced that I was leaving the job I had pursued for years.

XT-1 with XF10-24 @ 14mm - F14 - 180 Seconds - ISO200
XT-1 with XF10-24 @ 14mm – F14 – 180 Seconds – ISO200

“When you have a breakdown your body and mind are telling you to change a few things, I needed to slow down, take stock and recover. My recovery began with shooting large format landscapes. I’d wander the country 5×4 camera and tripod over my shoulder trying to be Ansel Adams or Joe Cornish and failing miserably. The process of shooting film again slowed me down, enabling me to organise my mind a little and start to get in touch with the joy of photography. In many respects my early foray into landscape work was such a failure because I wasn’t being true to myself – I wasn’t connecting with my subject at all.

X-Pro1 with XF14mm - F16 - 140 Seconds - ISO200
X-Pro1 with XF14mm – F16 – 140 Seconds – ISO200

“During 2013 I had an epiphany in seeing, I realised that actually it was ok to shoot the images I wanted, not the classic views, but using my emotional and spiritual connections with the landscape to create images that resonated with my soul. I had switched from 5×4 to DSLR during 2012, to save weight and money. Still I was finding it hard to work, I would always think can I be bothered, many times I would lug my equipment to a location and not bother getting it out of the bag; it was too much hassle. I wasn’t enjoying my work at all.

“However what I had realised was that to truly see what I wanted, the sitting, watching and listening had really opened my eyes and my heart to the images I wanted to create. What I needed was a camera that didn’t get in that way of my connection or creativity.

X-Pro1 with XF14mm - F22 - 1/2 sec - ISO 200
X-Pro1 with XF14mm – F22 – 1/2 sec – ISO 200

“In early 2014 I handled the Fuji X-T1 for the first time and instantly fell in love, I actually had goose bumps on my skin, such was my connection with this camera. It was a bit like the moment Harry Potter picked up his wand for the first time!

“As soon as they came to market I bought two, a variety of lenses, and swapped out much of my DSLR equipment totally committed to these tiny miracle workers.

XT-1 with XF55-200 @ 100mm - F4.5 - 1 second - ISO320
XT-1 with XF55-200 @ 100mm – F4.5 – 1 second – ISO320

“My energy and creativity were revitalised, the camera wasn’t in the way, it was literally a plug in to my imagination allowing me to record what I wanted in the way I wanted without the weight or cumbersome nature of my previous equipment. I pushed myself out of my comfort zone and shot the images I had been feeling. I stopped trying to be accepted by the majority and concentrated on being true to myself. If no one likes my work really it doesn’t matter to me at all. If people do and I sell a few pictures then that’s a bonus.

X-T1 with XF10-24 @10mm - F16 - 800 Seconds - ISO200
X-T1 with XF10-24 @10mm – F16 – 800 Seconds – ISO200

“I still sit for hours watching and feeling the landscape in front of me, but now I feel that I am truly connected with my work through the little Fuji. The X-T1 isn’t a barrier like my Canon, it’s a conduit. They are virtually invisible to me, instinctively my hands fall in all the right places, there’s a wonderful simplicity to them which helps me as I’m quite simple in many ways too. The less complex the process of making pictures the less I have to be concerned with. I have no desire to pixel peep or get bogged down in the technical arguments about shadow detail or sharpness, I just want to create images that please me.

X-T1 with XF55-200 - F16 - 180 Seconds - ISO200
X-T1 with XF55-200 – F16 – 180 Seconds – ISO200

“The work I shoot now totally reflects how I feel about the world and myself, I can pour my soul into those little black bodies and know that they are keeping it safe for me.”

 

XT-1 with XF10-24 @ 16mm - F22 - 70 Seconds - ISO200
XT-1 with XF10-24 @ 16mm – F22 – 70 Seconds – ISO200
X-Pro1 with XF14mm - F16 - 200 Seconds - ISO200
X-Pro1 with XF14mm – F16 – 200 Seconds – ISO200
X-Pro1 with XF14mm - F11 - 280 seconds - ISO200
X-Pro1 with XF14mm – F11 – 280 seconds – ISO200
XT-1 with XF18-55 @ 22mm - F20 - 8 Seconds - ISO200
XT-1 with XF18-55 @ 22mm – F20 – 8 Seconds – ISO200

More info

All of the images featured in this blog post are available to purchase as Fine Art Prints on Paul Sanders’ official website
You can also follow Paul on Twitter or Facebook.

Weather resistance in windy Wales

A friend and I decided to go camping in Wales, which perfectly coincided with the passing of the ex-hurricane Bertha! To many this is a bizarre time to choose to go camping, but from a landscape photography perspective, angry weather equals exciting weather.

At the moment I am trying to train myself to only use prime lenses as Fujifilm offers such a wide variety covering lots of helpful focal lengths (the announcement of the XF90mm f2 R and XF16mm f1.4 R being added to the lens roadmap is very exciting). The reason for this is that to me they inspire creativity, using the fixed focal length makes me think more about composition and simply take more time with each picture. However, the thought of changing lenses in high winds and heavy rain atop a cliff wasn’t particularly appealing so the ever-camera-bag-present XF18-135mm came into its own. Having previously used a prototype version of the lens on the Farne Islands (see my initial impressions here) this was the first time I had really put the production version through its paces and I have to say it passed with flying colours.

Because I was generally taking landscape photographs I didn’t miss the wonderful wide aperture capabilities of prime lenses. The other bonus of using the XF18-135mm was the fast auto focus and probably, more importantly, the weather sealing. Once mounted to the X-T1 the weather resistance system left me with one less thing to think about while battling the hazardous conditions.

I wasn’t the only thing out enjoying the powerful winds though, a few fulmar were flying around the cliffs, putting on a very impressive aerial display. This was a great opportunity to try the continuous focus in mirky conditions with a very fast moving subject. Once locked on the keeper rate was very high.

Enjoying the conditions

Fulmar

Target ahead

Fulmar-3

Cliff flyby

Fulmar-2

Fulmar in the scene

Welsh cliffs

The other very helpful feature of the XF18-135mm lens is the 5-stop image stabilisation which proved very helpful in countering the blustery and often dark conditions.

Setting Welsh sun

Welsh sea

Going further against my plan to use only prime lenses, the other lens used extensively was the XF10-24mm R OIS on the X-Pro1. Again I went with the practicality and versatility offered by this wide angle zoom lens. Despite this being a zoom, I loved using it at the ultra wide 10mm end to capture as much of the impressive scenes in front of me as possible.

Incoming shower

Welsh coast

Boisterous waves

Welsh coast-2

Overall it was a great few days for photography, but before you go off camping in inclement weather, make sure you check with others you drag along, as the X-T1 – XF18-135mm set up is weather resistant and ready for anything, but they might not be so obliging.

Taking the X-T1 into the deep blue

Just to make it clear, I am not an underwater photographer. I have dabbled in it from time to time in locations of incredible marine life, such as snorkelling around coral reefs. The North Sea has a high abundance of marine life and the coast of Penzance is one of two places that you can consistently see blue sharks (the other is Cape Town). So when Danny Copeland, a fellow University of Sheffield Zoology graduate, spoke about his plan to go and see them with Charles Hood, a local charter skipper (http://charleshood.com), I jumped at the chance to join him.

Previously I have used DSLRs for underwater photography in a Ewa-Marine underwater housing. This time though I wanted to continue to push the X-T1 in difficult conditions so I put it in the same housing with the 10-24mm. Despite being dwarfed by the bag, the set up worked really well.

Thanks to Danny Copeland for this photo of me and the camera. Follow Danny on twitter to get the latest on underwater photography and marine conservation.

Ben Cherry XT1 underwater

Once we reached 10 miles out to sea we started chumming using mackerel heads (yum) to attract the sharks. Once they were in the area the four of us that went on the trip were able to slip into the water. Once I had checked the housing was sealed I swam around to find some subjects and came across this large jellyfish surrounded by lots of little fish. This example highlights the benefit of using a zoom lens underwater as I was able to get two very different perspectives using different focal lengths.

24mm

Blue Shark trip-6

10mmBlue Shark trip

Conditions were generally slightly overcast which actually meant there was a lovely soft light, which helped control the highlights that would have been a problem if it was a clear, sunny day. However this did mean that it was slightly dark in the water, even at the surface, so I shot at ISO 1600 to start and pushed this as the sediment levels rose throughout the day. Other settings I made sure I had set up on the boat were: continuous focus with focus priority, continuous high speed shooting (8fps), matrix metering and LCD only display. Generally I was using aperture f5.6 to strike a balance between a fast shutter speed and a good depth of field.

Because I was wearing a mask and the camera was in a housing I couldn’t utilise the wonderful EVF but instead found the LCD screen to be a great alternative. It allowed me to have a clear view of the shark(s) by not having my face to the camera and provided easy viewing of composition through the back of the camera. The advantage of the X-T1 is that I have not noticed any difference in focusing speeds between the EVF and LCD, which isn’t always the case. All of these factors meant that I could really take in this remarkable experience as one shark in particular became more and more inquisitive…

Rising out of the depth

Blue Shark trip-4

Coming in for a closer look

Blue Shark trip-8

Closer…

Blue Shark

Moments before bumping the lens!

Blue Shark trip-5

The camera only helped to make the experience more memorable, with the shark showing interest in it. With an animal like this it was so interesting to witness its intelligence and curiosity, the term ‘spaniels of the sea’ I feel is very apt. At one stage the shark photo-bombed a picture of Danny!

Shark photo-bomb

Blue Shark trip-7

Despite coming very close, it whole situation was very calm and meant that the interaction was an absolute joy. The shark even seemed to show a happy expression.

Playful shark

Blue Shark trip-2

Overall, the X-T1 and 10-24mm set up exceeded my expectations. I knew it would follow subjects well but I thought that shooting through water would probably lower the hit rate. However, the only factor that affected this was human error. With a specifically designed underwater housing, this camera and lens set up would be a brilliant choice for any underwater photographer, with its small size, clear controls and superb image quality.

Why do I love the XF18-135mm lens? Composition.

Good day everyone, I will have to call this a mini-blog as normally I ramble on for ages and bombard you with images – who knows, maybe I still will 😉

1504372_10154010549280534_5836271885610257265_oAs you may or may not know I’m an amateur photographer who loves to try out new types of photography – I’m sure this is not to different from many of you out there. When I first started out with photography I was educated that the more zoom you had the better. So when I was given the X100 for the first time I was quite baffled as to how to work a fixed prime lens. I felt restricted and puzzled as to why I would want one. Of course once I looked at the pictures from it, I was sold and this opened my eyes to the real aspects of what makes a great camera. The images were crisp, clear and full of vibrant colour, all I had to get used to was zooming without a telephoto lens – AKA the Hokey Cokey. Once I got this down though, there was no stopping me, I was out with my original X-E1 and 35mm prime lens and I loved every minute of it!

This leads me to the XF18-135mm. This time I had the promise of excellent image quality but with that lovely versatility of a zoom lens. When I first clicked it into position on the camera body and fired up the camera I was taken back by just how much I could see or not see depending on the focal length. It was something that took me back to the olde days of me using a camera, I was VERY excited to get out and use this new kit.

I decided upon a location in the local area that always seems to make a good picture, this being the Stevington Windmill. I looked at when the sun was going to set and got there about 50 minutes earlier to allow time for running across fields, fumbling with tripods and such like. Once I got a good position near to the windmill I shot this image.

TFST0106 - Copy
Focal Length: 49mm – f/5.6 – ISO200

I shot this image at the slightly wider-side of the lens to open up the landscape a bit – this to me gives a very peaceful feel to the shot. Compositionally (is that really a word?) I have dedicated two thirds of the frame to the sky as it is a sunset after all, and I think this really helps the landscape silhouette ‘POP-OUT’ from the skyline.

This next shot I really wanted to focus on the windmill and give a more intense feel. To do this I have used the lens at a longer focal length as this has a very clever effect on the composition. The more you zoom towards a subject, the more the background and foreground are compressed together. So this in turn pulls the Sun closer to the windmill and vice-versa. Not only that, but it also reduces the angle of view – cutting out all the peripheral stuff we perhaps don’t want in our shot.

As a side note – To get the composition I wanted using more zoom, I did have to move further back to accommodate the extra focal length. Basically this means I had to run like crazy across a field and keep checking to see if the composition was right as every moment I wasted meant the sun was getting lower and would soon disappear behind the hillside.

TFST0109
Focal Length: 98.6mm – f/7.1 – ISO200

These next two shots show this compression effect quite well I feel. It really brings the background closer to the foreground making for a more intense composition that would not have been possible with my 35mm prime lens.

And in case you were wondering, this is my better-half with her camera at her side relaxing whilst I’m running about like a madman saying things like “That’s great, just don’t move. Pretend I’m not here..” which was all great fun. Photography should be fun and if you can get your friends and family involved, so much the better.

TFST0092 TFST0089

Here’s a playful shot of some hot air balloons in the distance. I framed it up so that they sat on the furthest third of the frame to sweep your eyes across the beauty of the landscape. Because of the compression effect (pulling the background and foreground together) I could give the hot air balloons a bit more presence in the shot, especially when you consider the real distance between the main tree and the hot air balloons.

TFST0083

I really hope this inspires you to go out and have a play with your camera, shoot a sunset, bring a friend, mix up your compositions and most of all have fun. When you do all that great pictures will naturally follow.

P.S: Seems I managed to get a good ramble and bombardment of images in after all 😉

 

Aspire and Fujifilm – Becoming a Storyteller with the X-Pro1 and X-T1

For those who don’t know, Aspire Photography are based in the Lake District. Set amongst the beautiful and dramatic landscape, along a windy road and built within converted stable yard, you have to walk over an old cattle grid to enter. This may not sound like a very poetic or creative start, but hang on a mo. As you walk over the cattle grid something really rather magical happens. You can’t see it, you can’t smell or taste it, but you can feel it. It’s as though invisible fairies are perched on the gates and sprinkle you with fairy dust as you walk into the entrance.

You may be thinking that I’ve had a bit too much to drink, or perhaps been out in the sun for too long, but bear with me.

Aspire Photography (rather, multi-award winning Aspire Photography) are a very special group of photography trainers, running courses for all different levels throughout the year. They specialise in styled shoots and empowering photographers to understand how they can become better photographers, and how to run a successful photography business. They also have a strong, but by no means exclusive, female engagement. It’s not just down to things looking pretty, or sets being styled to the most amazing standard. What Aspire teach is that it’s a totally safe environment to ask questions, to challenge your limits and to play – to really play with photographic techniques and leave with a portfolio of new images and a fresh outlook on your personal style of photography.

5

One of the reasons we wanted to engage with the Aspire “tribe” is because the X-Series of CSC cameras has really connected with female photographers – they love how light the system is, the amazing image quality and the damage limitation the price point has on their business expenditure.

The day started with Kerry Hendry, our first UK female photographer, talking us through her journey from Nikon to Fujifilm. Why did she decide to make the switch? What did it mean to her style of photography? We then move on to the technical aspects of the X-T1, X-Pro1 and lens line-up. There’s a mixture of attendees. Some are curious and open to the idea of the X-Series and others are already X converts but want to know how to get more out of their camera.

6After lunch the real fun begins, and I mean the opportunity to play! Three models have been dressed to embrace the Midsummer’s Night Theme and amazing stages of beautiful woodland fantasy scenery were created to make an amazing photographic landscape. Everyone was encouraged to interact with the models, to capture stunning still images that would demonstrate the creative capabilities of the camera and to have fun. The images from the day, from all the attendees were stunning.

I interviewed both Kerry and Catherine to understand their view of the day:

Why Fuji?

Kerry Hendry – Love The Image

Going back to using Fuji has been a remarkably natural progression for me.  I shot grainy Fuji film as a teenager and fell in love with the Fuji way right back then.

I am the one who misses the smell of film in the fridge!  More recently I’d gotten drawn into the whole ‘bigger is better’ perception – and that’s all it is, a perception – and it just didn’t feel right.  I was looking to find my photographic mojo again – and bought a Fuji X-E2 and one kit lens, and I’ve not looked back.

I adore the unique image quality the Fuji’s produce, after all, quality is still the primary influencer.  The smaller, lighter system gives allows me to feel free again – to try new things, to capture landscapes without 10kg of kit in my bag.  Travelling light in any respect is liberating – and for me, using Fuji kit has made me excited about photography again, given me new inspiration – and it also seems to bring a smile to my face.

I’ve worked with Aspire for almost a decade, in a marketing capacity and as a photographer – the Aspire way really does change your life!

The team teaches you to look at your strengths, concerns, opportunities, your creative ‘wish list’ and so many other aspects of becoming a better photographer – whether that’s as a hobby or with the aim to going pro.  And then of course, they help you achieve these goals.

On the Aspire/Fuji courses we leave the every day aspects of life – pressures, distractions and worries – at the Aspire gate.

Once you drive onto the estate it’s all about freedom to express your creativity within – while learning and developing too.

On the Fuji days of course we talk kit – and there’s the opportunity for guests to try and of the cameras and lenses they like – including all the latest releases.

Many courses will talk theory, but there’s no better way that putting what you learn, or new things you want to try, straight into practice on a professionally styled shoot.

It’s the perfect opportunity to capture amazing images for your portfolio, or simply immerse yourself in a friendly, explorative environment in which to learn.

Think gorgeous models, magical styling, likeminded new friends to work with, technical expertise to quiz – and of course Fuji freedom & fun!

Catherine –

Aspire Photography Training designs educational programs that teach and inform whilst inspiring those to push the boundaries of their photography.

We train those that have a keen interest in photography and those who are passionate about photography.  Whether you are a hobbyist or seasoned professional we have a range of courses to suit all.  We have been a significant influencer on some of the best businesses in the UK.  Education is at the core of all we do.

We believe the Fujifilm X-Pro1 range will revolutionise the perception of what a professional photographer should look like and already is essential gear for a professional to have over their shoulder. Women and men alike are leaping to change over to the X range, all for differing reasons.  We have witnessed photographers reach out to the X-range to seek sheer quality of the product, we also have seen many photographers change to the X-range to liberate themselves from an overweight camera bag, enabling them to deal with any scenario with ease. The Fuji X-Pro1 is high on Aspire’s agenda, we will be giving this camera and system a great deal of conversation, time and training space. The X range is making it’s mark with the professional photographers who are at the coal face of weddings, commercial and portrait shoots, mainly due to the freedom given and the sheer level of technical ability it gives them on a daily basis.

Aspire Photography Training is all about looking ahead, liberating and thinking out of the box.  In fact we don’t even have a box, just a broad and open mind to all the possibilities photography can give you when you choose to think creativity.

The next Aspire and Fujifilm workshop takes place on Wed 20th Aug, in the Lake District.

All images by Kerry Hendry at Love the Image.

 

 

Ben Cherry – Who am I?

Hi there, my name is Ben Cherry and I am a guest blogger for Fujifilm. My primary interests are wildlife and travel photography but I’ve previously covered events from motorsport and snowboarding films to fashion shoots and weddings.

I have been a Fujifilm X-Series user for a year now, ever since I used an X-Pro1 for a trip Malaysian Borneo.

Ben Cherry X-Pro1
This is me…

What I look for in a photograph is a moment, from a smile to unusual animal behaviour, I try to capture a photograph that encompasses a situation and can tell a story. To me, photography is a form of story telling, like writing and painting it is how the content is perceived by the viewer that is important. If someone experiences an image, feeling and/or viewing the subject the way the photographer did at the moment of clicking the shutter, then to me that is the ultimate prize in expressing your experience of a moment.

Why Fujifilm?

I use Fujifilm cameras because for me this is the best system for my work, offering superb image quality, a small compact size for travelling and a wonderful enjoyment factor through the manual controls. From the X100s to the X-T1, all of the products I use offer something different to my photography, whether it’s the low light capabilities of the 23mm f1.4, 35mm f1.4 and 56mm f1.2 or the pocket-ability, go nowhere without it, design of the X100s.

The clear purpose and design of each product gives me the clarity needed to choose the right gear for the job at hand. In future posts I will be discussing what the Fujifilm X-Series offers me and also explain some helpful hints and tips for those who are new to photography and to those who are new to the X-Series.

In the meantime you can check out some of my previous blogs here and check out my website and social media:

www.bencherryphotos.com
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Twitter
Instagram