Sports Photography as a Spectator – Water Ski and Wakeboard

X-Photographer Jeff Carter gives his guide to capturing great sports images with the FUJIFILM X Series without the need for a media pass – in this blog Jeff talks water ski and wakeboarding.

Malibu 3 Round Trick - Hazelwood Ski World, Lincoln

By Jeff Carter

In a series of articles, X-Photographer Jeff Carter will be shooting at sports events in the UK and showing how to capture great images with the Fujifilm X Series without the need for a media pass. Continue reading “Sports Photography as a Spectator – Water Ski and Wakeboard”

Shooting architecture with the Fujifilm X Series

Architectural photographer Felix Mooneeram shares his favourite X Series lenses, top tips and post-processing techniques.

For as long as I can remember, architecture has been my interest in photography.

By Felix Mooneeram

Before becoming a photographer, I worked as a designer. I’ve always had a great appreciation for architecture and what architects do. I love thinking about the tools in their bag when I shoot buildings. It could be a simple application of a beautiful material, a playful means of connecting two spaces; or just a way of adding natural light to a space. All of these things can influence the way people engage with a building – and that is what I try to think about when I am Continue reading “Shooting architecture with the Fujifilm X Series”

Capturing the Beauty of Spring’s Bluebells

X-Photographer Chris Upton explains how best to capture the beauty of spring’s woodland bluebells.

Chris Upton Bluebells

By Chris Upton

Spring is sprung in the UK and nothing signifies that more obviously than a rich carpet of bluebells under a vibrant canopy of lime green beech leaves. Walk into a forest early in the morning and the wonderful fragrant smell hits you, the scene simply begs to be photographed. So, how do you capture this beauty? Well here are a few tips to help you achieve some stunning bluebell shots.

Continue reading “Capturing the Beauty of Spring’s Bluebells”

The Best Fujifilm Travel Lenses for Your Next Trip

By Stefano Ferro

I have been running a travel photography website for few years. In conjunction, I also run some workshops and commonly receive many photography questions; however, there is one which comes up frequently:

What is your favourite camera for travelling today?

Fair enough, people want to upgrade or just change the model. I find however strange that I almost never get this question:

What lens should I buy for my next trip? Or what lens would you suggest for my travel adventure?

It seems that lenses always come second, based on what is left from the initial camera budget. It’s not uncommon to hear “the kit lens will do” when someone goes travelling.

But is it the right choice?

Maybe not. I may be too drastic, however, I believe that lenses are even more important than the cameras when talking about travel photography. I was once watching a lecture from Prof. Marc Levoy on lenses and differences when using the same camera, it was very interesting. It was part of an 18-lecture workshop that I would suggest everyone watches if they have some spare time. From this I have one lens buying tip: if you buy only one lens then allocate a budget at least similar, if not higher, to the one allocated to the purchase of the camera.

Do not buy a Ferrari with a FIAT engine (although the FIAT Group actually owns the Ferrari brand)!

Sunset on Southgate with the helicopter surprise
Fujifilm X-T1 – XF16-55mmF2.8 – F2.8 – 1/400 second – ISO200

How to choose the best travel lens?

If it is true that the best camera is always the one with you then the best lens is the one that will help to capture the majority of your photos in your trip. 

Think about what lenses to take when travelling. For example, you should take multiple lenses that will cover a wide focal length through to a telephoto length, but also take into consideration the following:

  • Weight of the lens
  • Cost of the lens
  • Risk of theft

I am in love with the Fujifilm X Series cameras. One of the reasons beside the light weight is the compact size, for instance, I can take a Fujifilm X-T2 in my bag for a full day of shooting and almost not feel it.

This is the way I want to travel. It’s important for me to keep my gear light, which is why I take a maximum of two lenses with me. When I travel on my own I usually change location every 2-3 days. Packing multiple lenses and transporting many of them is just not an option.

When I travel with my child I usually stay in a place for seven or more days. To be honest, I already have so many things that taking several lenses is simply not ideal. There is also a simple equation to think about as well, the more lenses you buy the higher the total cost of them. The risk factor of leaving multiple lenses in a hotel room is something you simply should not do.

So what do I do nowadays?

I just take two lenses with me and in some rare cases a third one. I make sure to include an all round zoom lens, a prime and an ultra wide angle or super zoom when absolutely needed.

 

Walking through the tiles
Fujifilm X-T2 with XF35mmF2 R WR – F2 – 1/40 second – ISO800

Recommended All Round Zoom Lens for Travelling

My favourite all-round lens for travelling is in the 24-80mm or 24-100mm focal range (35mm equivalent). As a rule of thumb, the wider the aperture the better, as this typically increases the photo opportunities. Personally, I would suggest using a lens that has an aperture of F2.8 or even lower.

Why such a wide aperture for travel photography?

  1. To have a narrow depth of field. Think of photos of architectural details or simply portraits of local people with a lovely blurred background.
  2. To make photos in low light environments, as the local markets, without pushing the ISO too high. I still remember how dark the fish market was in Port Louis (Mauritius)!
  3. To shoot without a tripod at sunset or at night. The wider you can go with the aperture the more light you will receive on your sensor without the need to use higher ISO levels.

Why as wide as 24mm (35mm equivalent)?

Because it’s a nice average wide angle to capture most of the typical photos you might come across when visiting landscapes, lanes/alleys or a new city.

Why 80mm or 100mm?

Because honestly, you will hardly need more than that. Let’s remember that we have legs too and we can move closer to the subject in most cases. Of course, there will be the time when you will regret that you have left behind the longer lens or you have not bought the lens that has a focal length of 400mm. Compromise compromise…

So, what all-round lens works best for a Fujifilm X Series camera?

I am personally in love with the Fujinon XF16-55mmF2.8 R LM WR lens. This lens provides a super fast F2.8 aperture that delivers beautiful bokeh (35mm equivalent focal length of around 24-85mm). This is my favourite all-round Fujinon lens that I would highly recommend for travel photography.

City view from St.Kilda, Melbourne
Fujifilm X-T1 with Fujinon XF16-55mmF2.8 R LM WR – 55mm – 2 seconds – F3.2 – ISO200

I had the lens for testing and review. I was really impressed with its sharpness across the entire focal range without compromising on the corners. The autofocus was quick and silent too, which is really a feature you want when travelling. I always try to be invisible when taking photos by not making any noise that would alarm people around me. I found the zoom and aperture rings were very smooth and easy to operate. Lastly, the combined weather resistance was also really important when travelling in unpredictable weather conditions.

The only drawback of this lens is that it does not have image stabilisation. If you really want this feature you should check the XFujinon XF18-55mmF2.8-4 R LM OIS.

If you still think that the focal length of 80mm (35mm equivalent) is still not enough when travelling I would recommend the Fujinon XF18-135mm R LM OIS WR which, with a focal length of around 24-200mm (35mm equivalent), should cover everything you want to capture. The lens also is more affordable as well, however, you have to compromise with a slower aperture that offers F3.5-F5.6.

Fujifilm X-T2 with XF35mmF2 R WR – 35mm – 10 seconds – F16 – ISO100

Recommended Prime Lens for Travelling

Why buy a prime lens with a single focal length?

These are my four main reasons:

  • Generally cheaper
  • Offers great image quality
  • Light in weight
  • Smaller in size

A prime lens essentially has only one unique focal length which usually performs at the highest professional level. When travelling, I photograph quite a lot of markets that form an essential part of my work. If you have a mirrorless Fujifilm X Series camera with a small prime lens mounted you will be able to walk around unnoticed. If you arrive at a public place like a market with a zoom lens mounted on your camera then suddenly people around you might start thinking you are a professional photographer with expensive gear. This sort of attention is not something you want, especially in some countries where theft is common.

For a prime, I would suggest going for a focal length in the range of 50mm to 85mm (35mm equivalent). This will allow the most natural portraits to be captured. I personally use a 50mm focal length (35mm equivalent) as I like to get close to my subject, possibly have a talk, even if just with my hands (my Italian background helps a lot).

Love is our truth
Fujifilm X-T2 with Fujinon XF35mmF2 R WR – 35mm – 1/13 second – F2 – ISO3200

I personally suggest the Fujinon XF35mm F2 R WR for a prime lens. I used this lens with the Fujifilm X-T2 and I could only love it. The small package was great to shoot with. Fujifilm does also offer the F1.4 version, however, for travelling, I do not feel I can justify the higher price.

Resting time for the chef
Fujifilm X-Pro2 with Fujinon XF35mmF1.4 R WR – 35mm – 1/40 seconds – F2 – ISO5000 – handheld

Alternatively, you can look also into the Fujinon XF50mmF2 R WR if you prefer a longer focal length.

Recommended Ultra Wide angle and Super Zoom Lens

I own an ultra wide angle lens and I sometimes rent or borrow a super zoom one.

Why an ultra wide angle lens?

I mostly use it for interior and architectural photography. If I am going to explore a city for a long weekend I may take it with me if I plan to visit churches, cathedrals or unique buildings. I use it also for some landscape photography, however mostly when my subject is actually in the foreground. For example a stone formation at a beach.

The Fujinon XF10-24mm F4 R OIS lens is the widest you can get in the XF range. It’s also optically stabilised which comes in handy when photographing in buildings or places where the tripod is not allowed.

Why a super zoom lens?

I need it rarely and that is why I have not bought it. It’s really mostly needed when travelling on a safari, photographing sports or wildlife. Last year, for instance, I used the super zoom for photographing a zoo safari in the middle of Australia – it definitely came in handy. The new XF100-400mm F4.5-5.6 R LM OIS WR lens is probably all you need if you are photographing any of the mentioned subjects. An important note is that it is also a stabilised lens, something that is really a must for this focal length.

 

Sali e Tabacchi

Fujifilm X-Pro2 with Fujinon XF35mmF1.4 R WR – 35mm – 1/40 second – F2 – ISO1000 – Handheld

Final thoughts

An equal budget should be allocated for the camera and the all-round lens. If there is any spare money left over then I would recommend investing in a prime lens as the secondary option. Any other lens can wait or can be rented. Remember that a good lens can always be used on a newer camera. Great lenses will always stay with you.

Happy travelling and enjoy your photography.

Rachel Megawhat’s stunning flower prints on display at Herrick Gallery, Mayfair

Photographer Rachel Megawhat debuts her first solo exhibition at the Herrick Gallery in London’s stylish Mayfair. Read how her first gallery feature came about here.

By Rachel Megawhat

FLOWERS: Herrick Gallery, 93 Piccadilly, Mayfair

21st-29th April 2017

Image credit: Sir Tim Berners Lee

I am excited to be holding a solo exhibition, showcasing my flower photographs at a Mayfair gallery. My previous blogs for Fujifilm have focused on my press work, so I am going to explain how this show came about.

The first thing with any show is, of course, the work. In this case I started photographing flowers as a direct reaction to the news environment. As everyone was talking about fake news, and on a few occasions I had even seen my own (very genuine) news stories shared as ‘fake’, I created a film using flowers to show the difference between real vs fake.  This film forms part of the exhibition and will be on show at the gallery.

Continue reading “Rachel Megawhat’s stunning flower prints on display at Herrick Gallery, Mayfair”

BBC & NatGeo wildlife photographer Ben Osborne switches to Fujifilm

We interview BBC & National Geographic wildlife photographer Ben Osborne on his experiences using the FUJIFILM X-T2 in some seriously harsh environments.

By Ben Osborne

Tell us about yourself and what got you into photography

Photography has been part of my life for as long as I can remember. I still have packets full of black and white negatives taken on 127 roll film with an old Brownie box camera – memories of family holidays and school trips from way back when. At the University of Edinburgh my interest in photography developed when I used still images and Super 8 film to back up field research on the feeding behavior of Ringed Plover, the subject of my Zoology Honours Degree dissertation. Having completed a second degree, my scientific “career” took a series of slightly disjointed steps through various biological research jobs, mainly ones with a wildlife theme. My interest in photography matured during this time until Continue reading “BBC & NatGeo wildlife photographer Ben Osborne switches to Fujifilm”