We asked a few of our X-Photographers why they love the widest of our super-fast aperture prime lenses, the FUJINON XF16mm F1.4 R WR. Here is what they said..

Kevin Mullins – Reportage Weddings

At first I wasn’t sure if I would be attracted to the 24mm full frame focal length having tried that several times in my Canon days. However, as soon as I got the 16mm I just knew it was going to be a flyer. This lens is PIN sharp wide open, focuses incredibly quick and works so well with the continuous shooting mode of on the X-Series. It gives that extra width when shooting in tight areas at weddings and is perfect for shots such as the recessional and really close up but powerful images of the confetti throwing etc.

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 Derek Clark – Music

I love the 16mm f1.4! It’s a surprisingly versatile lens that is equally at home shooting portraits as it is landscapes. The X-Series lenses are all fantastic, but I would say the 16mm f1.4 has something extra special. I can’t really put my finger on it, but there is just something magical about it. There’s a cinematic quality, an epic look, yet a sense of real intimacy when working in close. I like to work with two bodies at a time and the 16mm paired with a 35mm or 56mm is an amazing combo that gets any job done, no matter how low the light!

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Ben Cherry – Environmental Photojournalism

A mother watches on as her herd while eating ripe figs.

Stuck in dark, hot conditions with F2.8 being on the borderline of usability, even with high ISOs, the XF16mm offers a popular standard focal length with a wide aperture range that makes it surprisingly versatile. Though you can stop this down for a larger depth of field, many want to use this at F1.4 or there abouts. A very close minimum focusing distance and beautiful out of focus rendering make this a superb lens for placing your subject within an environment but keeping the viewer focused on the subject thanks to that narrow depth of field.

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Matt Hart – Street

This is lens is so sharp and so fast it’s unbelievable, I carry it with me at all times to get me out of trouble in low light conditions. I used to use a 24mm on my old film camera for Street when I was shooting wide, but now I use the XF16mm. It really comes into its own on busy city streets as it allows me to get in close but also grab lots of other detail in the background. I love the lack of distortion when shooting in cities with lots of vertical & horizontal lines.

Click here to see more of Matt’s work