portrait photography

Why do I love the XF18-135mm lens? Composition.

Good day everyone, I will have to call this a mini-blog as normally I ramble on for ages and bombard you with images – who knows, maybe I still will šŸ˜‰

1504372_10154010549280534_5836271885610257265_oAs you may or may not knowĀ I’m an amateur photographer who loves to try out new types of photography – I’m sure this is not to different from many of you out there. When I first started out with photography I was educated that the more zoom you had the better. So when I was given the X100 for the first time I was quite baffled as to how to work a fixed prime lens. I felt restricted and puzzled as to why I would want one. Of course once I looked at the pictures from it, I was sold and this opened my eyes to the real aspects of what makes a great camera. The images were crisp, clear and full of vibrant colour, all I had to get used to was zooming without a telephoto lens – AKA the Hokey Cokey. Once I got this down though, there was no stopping me, I was out with my original X-E1 and 35mm prime lens and I loved every minute of it!

This leads me to the XF18-135mm. This time I had the promise of excellent image quality but with that lovely versatility of a zoom lens. When I first clicked it into position on the camera body and fired up the camera I was taken back by just how much I could see or not see depending on the focal length. It was something that took me back to the olde days of me using a camera, I was VERY excited to get out and use this new kit.

I decided upon a location in the local area that always seems to make a good picture, this being the Stevington Windmill. I looked at when the sun was going to set and got there about 50 minutes earlier to allow time for running across fields, fumbling with tripods and such like. Once I got a good position near to the windmill I shot this image.

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Focal Length: 49mm – f/5.6 – ISO200

I shot this image at the slightly wider-side of the lens toĀ open up the landscape a bit – this to me gives a very peaceful feel to the shot. Compositionally (is that really a word?) I have dedicated two thirds of the frame to the sky as it is a sunset after all, and I think this really helps the landscape silhouette ‘POP-OUT’ from the skyline.

This next shot I really wanted to focus on the windmill and give a more intense feel. To do this I have used the lens at a longer focal length as this has a very clever effect on the composition. The more you zoom towards a subject, the more the background and foreground are compressed together. So this in turn pulls the Sun closer to the windmill and vice-versa. Not only that, but it also reduces the angle of view – cutting out all the peripheral stuff we perhaps don’t want in our shot.

As a side note – To get the composition I wanted using more zoom, I did have to move further back to accommodate the extra focal length. Basically this means I had to run like crazy across a field and keep checking to see if the composition was right as every moment I wasted meant the sun was getting lower and would soon disappear behind the hillside.

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Focal Length: 98.6mm – f/7.1 – ISO200

These next two shots show this compression effect quite well I feel. It really brings the background closer to the foreground making for a more intense composition that would not have been possible with my 35mm prime lens.

And in case you were wondering, this is my better-half with her camera at her side relaxing whilst I’m running about like a madman saying things like “That’s great, just don’t move. Pretend I’m not here..” which was all great fun. Photography should be fun and if you can get your friends and family involved, so much the better.

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Here’s a playful shot of some hot air balloons in the distance. I framed it up so that they sat on the furthest third of the frame to sweep your eyes across the beauty of the landscape. Because of the compression effect (pulling the background and foreground together) I could give the hot air balloons a bit more presence in the shot, especially when you consider the real distance between the main tree and the hot air balloons.

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I really hope this inspires you to go out and have a play with your camera, shoot a sunset, bring a friend, mix up your compositions and most of all have fun. When you do all that great pictures will naturally follow.

P.S: Seems I managed to get a good ramble and bombardment of images in after all šŸ˜‰

 

Aspire and Fujifilm – Becoming a Storyteller with the X-Pro1 and X-T1

For those who don’t know, Aspire Photography are based in the Lake District. Set amongst the beautiful and dramatic landscape, along a windy road and built within converted stable yard, you have to walk over an old cattle grid to enter. This may not sound like a very poetic or creative start, but hang on a mo. As you walk over the cattle grid something really rather magical happens. You can’t see it, you can’t smell or taste it, but you can feel it. It’s as though invisible fairies are perched on the gates and sprinkle you with fairy dust as you walk into the entrance.

You may be thinking that I’ve had a bit too much to drink, or perhaps been out in the sun for too long, but bear with me.

Aspire Photography (rather, multi-award winning Aspire Photography) are a very special group of photography trainers, running courses for all different levels throughout the year. They specialise in styled shoots and empowering photographers to understand how they can become better photographers, and how to run a successful photography business. They also have a strong, but by no means exclusive, female engagement. It’s not just down to things looking pretty, or sets being styled to the most amazing standard. What Aspire teach is that it’s a totally safe environment to ask questions, to challenge your limits and to play – to really play with photographic techniques and leave with a portfolio of new images and a fresh outlook on your personal style of photography.

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One of the reasons we wanted to engage with the Aspire ā€œtribeā€ is because the X-Series of CSC cameras has really connected with female photographers – they love how light the system is, the amazing image quality and the damage limitation the price point has on their business expenditure.

The day started with Kerry Hendry, our first UK female photographer, talking us through her journey from Nikon to Fujifilm. Why did she decide to make the switch? What did it mean to her style of photography? We then move on to the technical aspects of the X-T1, X-Pro1 and lens line-up. There’s a mixture of attendees. Some are curious and open to the idea of the X-Series and others are already X converts but want to know how to get more out of their camera.

6After lunch the real fun begins, and I mean the opportunity to play! Three models have been dressed to embrace the Midsummer’s Night Theme and amazing stages of beautiful woodland fantasy scenery were created to make an amazing photographic landscape. Everyone was encouraged to interact with the models, to capture stunning still images that would demonstrate the creative capabilities of the camera and to have fun. The images from the day, from all the attendees were stunning.

I interviewed both Kerry and Catherine to understand their view of the day:

Why Fuji?

Kerry Hendry – Love The Image

Going back to using Fuji has been a remarkably natural progression for me.Ā  I shot grainy Fuji film as a teenager and fell in love with the Fuji way right back then.

I am the one who misses the smell of film in the fridge!Ā  More recently I’d gotten drawn into the whole ‘bigger is better’ perception – and that’s all it is, a perception – and it just didn’t feel right.Ā  I was looking to find my photographic mojo again – and bought a Fuji X-E2 and one kit lens, and I’ve not looked back.

I adore the unique image quality the Fuji’s produce, after all, quality is still the primary influencer.Ā  The smaller, lighter system gives allows me to feel free again – to try new things, to capture landscapes without 10kg of kit in my bag.Ā  Travelling light in any respect is liberating – and for me, using Fuji kit has made me excited about photography again, given me new inspiration – and it also seems to bring a smile to my face.

I’ve worked with Aspire for almost a decade, in a marketing capacity and as a photographer – the Aspire way really does change your life!

The team teaches you to look at your strengths, concerns, opportunities, your creative ‘wish list’ and so many other aspects of becoming a better photographer – whether that’s as a hobby or with the aim to going pro.Ā  And then of course, they help you achieve these goals.

On the Aspire/Fuji courses we leave the every day aspects of life – pressures, distractions and worries – at the Aspire gate.

Once you drive onto the estate it’s all about freedom to express your creativity within – while learning and developing too.

On the Fuji days of course we talk kit – and there’s the opportunity for guests to try and of the cameras and lenses they like – including all the latest releases.

Many courses will talk theory, but there’s no better way that putting what you learn, or new things you want to try, straight into practice on a professionally styled shoot.

It’s the perfect opportunity to capture amazing images for your portfolio, or simply immerse yourself in a friendly, explorative environment in which to learn.

Think gorgeous models, magical styling, likeminded new friends to work with, technical expertise to quiz – and of course Fuji freedom & fun!

Catherine –

Aspire Photography Training designs educational programs that teach and inform whilst inspiring those to push the boundaries of their photography.

We train those that have a keen interest in photography and those who are passionate about photography.Ā  Whether you are a hobbyist or seasoned professional we have a range of courses to suit all.Ā  We have been a significant influencer on some of the best businesses in the UK.Ā  Education is at the core of all we do.

We believe the Fujifilm X-Pro1 range will revolutionise the perception of what a professional photographer should look like and already is essential gear for a professional to have over their shoulder. Women and men alike are leaping to change over to the X range, all for differing reasons.Ā  We have witnessed photographers reach out to the X-range to seek sheer quality of the product, we also have seen many photographers change to the X-range to liberate themselves from an overweight camera bag, enabling them to deal with any scenario with ease. The Fuji X-Pro1 is high on Aspire’s agenda, we will be giving this camera and system a great deal of conversation, time and training space. The X range is making it’s mark with the professional photographers who are at the coal face of weddings, commercial and portrait shoots, mainly due to the freedom given and the sheer level of technical ability it gives them on a daily basis.

Aspire Photography Training is all about looking ahead, liberating and thinking out of the box.Ā  In fact we don’t even have a box, just a broad and open mind to all the possibilities photography can give you when you choose to think creativity.

The next Aspire and Fujifilm workshop takes place on Wed 20th Aug, in the Lake District.

All images byĀ Kerry Hendry atĀ Love the Image.

 

 

Illumination Part 5 of 5 – Location Portraits using Flash and Natural Light

We’ve been working with professional portrait photographer Damien Lovegrove to bring you some videos that will inspire you to get more from your camera and help you take your photography to the next level.

Part 5Ā of 5

Damien finds that the available natural light in the garden is enough for close up portraits of Claire, but decides to use a flash system to brighten up some wider shots and provide some more “sun light”.

https://www.youtube.com/watch?v=987JPL-RbuE

We hope you enjoy and please feel free to share with other people who might also like it.

About Damien

Damien Lovegrove is a renowned photographer and lighting guru. He specialises in portrait and beauty photography and teaches professional photographers his craft across the world.

Read more

Illumination Part 4 of 5 – Location Portraits using Flash and Natural Light

We’ve been working with professional portrait photographer Damien Lovegrove to bring you some videos that will inspire you to get more from your camera and help you take your photography to the next level.

Part 4Ā of 5

Damien goes down into a darker basement to make use of the ambient light to create some wonderful portraits.

https://www.youtube.com/watch?v=GD9fJag0r-8

We hope you enjoy and please feel free to share with other people who might also like it.

About Damien

Damien Lovegrove is a renowned photographer and lighting guru. He specialises in portrait and beauty photography and teaches professional photographers his craft across the world.

Read more

Illumination Part 3 of 5 – Location Portraits using Flash and Natural Light

We’ve been working with professional portrait photographer Damien Lovegrove to bring you some videos that will inspire you to get more from your camera and help you take your photography to the next level.

Part 3 of 5

DamienĀ takes his model Claire to the edge of a field and tries different compositions and usage of the natural light to produce very different images.

https://www.youtube.com/watch?v=OEBJ9vO_PB4

We hope you enjoy and please feel free to share with other people who might also like it.

About Damien

Damien Lovegrove is a renowned photographer and lighting guru. He specialises in portrait and beauty photography and teaches professional photographers his craft across the world.

Read more

Illumination Part 2 of 5 – Location Portraits using Flash and Natural Light

We’ve been working with professional portrait photographer Damien Lovegrove to bring you some videos that will inspire you to get more from your camera and help you take your photography to the next level.

Part 2 of 5

Damien takes his model Victoria outside to a magnolia tree and shoots into the light using an X-T1 and XF56mm.

https://www.youtube.com/watch?v=x0HVaRedsT8

We hope you enjoy and please feel free to share with other people who might also like it.

About Damien

Damien Lovegrove is a renowned photographer and lighting guru. He specialises in portrait and beauty photography and teaches professional photographers his craft across the world.

Read more