Y Not Festival 2017: How Weather Resistant is the X-Pro2?

After battling against the torrential downpours at the UK’s Y Not Festival, Tony Woolliscroft talks about how his X Series kit fared when exposed to the elements.

By Tony Woolliscroft

The ‘Great British Summer’… We all remember it, don’t we?

As a photographer, who makes a living from shooting music events, the summer time means swapping my cameras and lenses, from my rolling camera case, to a heavy rucksack that I carry on my back. ‘Why?’ you may ask. I think you’ll understand as you read on.

From June until mid September I’m often asked to shoot at different festivals up and down the UK. A dream job in most peoples’ eyes and, yes, I’d be lying if I said I haven’t had amazing times and memories at festivals all over the world.

I must admit though, over the past few years the thought of shooting a festival for 3-4 days, as Y Not Festival is, does bring me out in a cold sweat. The great British summer time, we all know, is very unpredictable to the extreme, and I usually end up photographing these events in bad weather. Take this year’s Nottingham Splendour festival for example, an outdoor one day event where the weather was fine until 4pm, when the Buzzcocks came on, and the heavens opened up. The rain did not stop pouring all evening and in to the night it became torrential – even as I drove along the A52 home.

The first thing I do before I go to ANY festival is to swap my Fujifilm kit over from a rolling case to a rucksack because, quite simply, you cannot roll through all the mud and rain where the grass used to be!

I have learned over the past few years, and this is a tip for those reading this, that if you shoot mirrorless Fujifilm cameras, chose what lenses you use the most at a festival, and only take those. To cut down the amount of time spent changing lenses, I now carry three Fujifilm camera bodies with me at festivals. I always take my two X-T1 bodies with my XF16-55mmF2.8 (which is my go to lens) and my XF50-140mmF2.8. On my FUJIFILM X-Pro2 camera I take an XF14mmF2.8 as this is a really wide lens, perfect for close ups and backstage pictures.

Due to the amount of dust, mud and rain at festivals, I never take these lenses off. This helps keep my sensors in top-notch condition against whatever the summer weather throws at them.

Y Not Festival 2017

This year’s Y Not festival opened on the Thursday night with Feeder playing in the evening summer sun. I managed to grab some portraits with Grant and the lads before they went on stage and played a great set to the early bird festival goers, who had arrived on the Thursday afternoon to set up camp.

Did I mention the summer sun on the Thursday evening? Well, that was the last we saw of it! Come midday on Friday, due to a few hours of a very heavy, torrential downpour, the whole festival site had changed completely.

What was green grass had now turned into a muddy swamp. Maybe these are the perils of holding a festival on the Derbyshire moorlands, but I think the conditions on the Friday took everyone by surprise. The main stage was particularly badly affected, driving rain had soaked the stage and there were fears of the bands getting electrocuted if they plugged in and played. A few acts were cancelled as the rain did not relent, until someone had the idea to put up four gazebo type marquees on the stage for the bands to try and play under.

This did help provide some shelter and two bands powered on through, performing in the height of the driving rain. I was at the festival to photograph one of these two bands; Nothing But Thieves. While the band had temporary cover, I, however was not so lucky. As a photographer, I, and my kit, needed to be at the front of the stage.

When I’m shooting at festivals, I’m always being asked about how weathered my Fujifilm X Series cameras are. I will admit that I’d never pushed my equipment as much as I had before experiencing the conditions at Y Not Festival. The rain was just horrendous. For the first three songs (around 17 to 20 minutes) I was photographing the band at the front of the stage. I was then side of stage to shot another two songs from there – once again I was exposed to the elements and continued to get soaked.

I can honestly say that my cameras passed their weathering ordeal with flying colours! I had no problem with the bodies and lenses in this heavy rain.

The rain continued throughout the evening and the main headline act, The Vaccines, was cancelled as the weather became so extreme. Therefore, it was time to go home and give my equipment a good clean up.
Although Saturday was blue sky, the night brought more torrential and a decision was made to call off the last day of the festival due to health and safety issues.

The ‘Great British Summer’, as I said, I get the cold sweats just thinking about it!

Please note: Not all of the X Series cameras feature Weather Resistance. Please check the specification of each model before purchase.


More from Tony Woolliscroft

Website: http://tonywoolliscroft.co.uk

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Shoot like a pro, with a pro – win the chance to shoot a band live with one of the biggest names in live music photography

We’re offering you the opportunity to learn from and shoot with one of the UK’s best music photographers, Tony Woolliscroft, and to win a Fujifilm X-T1 and XF10-24mm.

Fujifilm and Tony have created an amazing opportunity for one lucky person. What you’ll win:

  • One-to-one mentoring from one of the biggest names in live music photography during a gig with a world famous band.
  • Learn what it’s like to be on the road with a band.
  • Learn how to shoot with the X-T1 and XF lenses and understand from Tony why he’s moved over to the Fujifilm X system, the best techniques, the optimum settings and some of Tony’s best kept secrets.
  • Meet the band, shoot the sound check and crew and understand what can be improved / worked on before the live gig.
  • Shoot the fans waiting to get into the gig.
  • Shoot the headline gig – shoot the first three songs in the photo pit with Tony.
  • After the first three songs you can enjoy the remainder of the gig.
  • Post-show feedback. After the gig, the winner will sit down with Tony and you can talk about the whole experience and a summary of what you’ve learnt.
  • On top of all this, you’ll be using your brand spanking new Fujifilm X-T1 and 10-24mm, the same kit which Tony uses.

About Tony

Tony has shot some of the biggest rock bands on the planet today – Foo Fighters, Red Hot Chilli Peppers and The 1975, with over 20 years photographic experience the winner will be in safe hands.
Click here to check out his website

The Fujifilm X-T1 and XF10-24mm

The X-T1 features evolved SLR-style handling, mechanical dials and weather-resistance, together with all the benefits of an X-Series camera, such as compact size, excellent mobility and high-speed performance. What’s more, its newly developed electronic viewfinder is almost indistinguishable from an optical viewfinder thanks to its ultra fast display speed. The XF10-24mm is ultra wide to standard focal length capabilities make it the perfect choice for shooting dynamic, high impact images with excellent detail from the foreground to the far distance.
Click here to learn more about the Fujifilm X-T1

Event details

Date of event: September 29th
Time: Mid afternoon onwards
Location: Wolverhampton Civic Hall

How to enter

Send an email to competitions@fujifilm.co.uk that contains a link to your portfolio and a short explanation as to why you want to win the prize. Tony Woolliscroft will then make his selection.

The deadline for entries is 17:00 BST on Monday 15th September 2014 and the winner will be notified by 17:00 BST on Friday 19th September 2014.

Good luck!

Terms and conditions

1. Entry is open to residents of the UK
2. The entrant must be aged 18 or over.
3. Proof of identity and age may be required.
4. Use of a false name or address will result in disqualification.
5. All entries must be made directly by the person entering the competition.
6. No responsibility can be accepted for entries lost, delayed or corrupted, or due to computer error in transit.
7. The prizes are as stated, are not transferable to another individual and no cash or other alternatives will be offered.
8. The winner is responsible for expenses and arrangements not specifically included in the prizes, including any necessary travel arrangements
9. In the event of a prize being unavailable, the promoter reserves the right to offer an alternative prize of equal or greater value.
10. The winner agrees to the use of their name, photograph and disclosure of county of residence and will co-operate with any other reasonable requests by Fujifilm UK Ltd relating to any post-winning publicity.
11. Reasonable efforts will be made to contact the winner. If the winner cannot be contacted, or are unable to comply with these terms and conditions, Fujifilm reserves the right to offer the prize to the next eligible entrant drawn at random, or in the event that the promotion is being judged Fujifilm reserves the right to offer the prize to the runner-up selected by the same judges.
12. Confirmation of the prize will also be made in writing to the winner.
13. Failure to respond and/or provide an address for delivery, or failure to meet the eligibility requirements may result in forfeiture of the prize.
14. The decision of the judge is final and no correspondence will be entered into over this decision.

All images in this post are © Tony Woolliscroft and taken on a Fujifilm X-T1