landscape

Explore Marvels in The Deep with Emily Endean and the FUJIFILM X-T5

Underwater photography is always a dance with the unknown. Here, where gravity seems optional and light is oddly distorted, you face a completely alien world of colour that challenges basics of conventional photography.

As you go deeper, the water filters out colours from the spectrum. Red, for instance, is among the first colours to disappear, which can result in photos dominated by blues and greens. Water’s higher density affects how light and objects are perceived, causing distortions in size, shape, and perspective. Thus, achieving sharp focus, balanced lighting, and vibrant colours here demands dedication and expertise. And this world requires a camera as adventurous as the photographer to unlock and capture what’s hidden in the deep.

For the UK based nature photographer Emily Endean, the underwater world is a bottomless well of inspiration. Following it, she grabs her FUJIFILM X-T5 and dives into the waves to document the morning beauty of the water landscape.

FUJIFILM X-T3 + FUJINON XF18-55mmF2.8-4 R LM OIS, 1/250 sec | F4 | ISO 250
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Do you recognize this image?

https://blogs.microsoft.com/wp-content/uploads/prod/2014/04/HD_2D00_Windows_2D00_XP_2D00_Bliss_2D00_Wallpaper_2D00_Backgrounds.jpg

We are sure that almost everyone is familiar with this. Exactly! This image depicts the famous default wallpaper hill of Microsoft’s Windows XP™ operating system.

A ‘digital window’ overlooking a green hill and blue sky in the Los Carneros American Viticultural Area of the California Wine Country. This photo, named Bliss, consistently makes a Windows XP™ PC recognisable.

However, if you think Microsoft© created it in one of its design studios, you are wrong. The Bliss is a completely original photo with slight editing.

Charles O’Rear, former National Geographic photographer, took the photo in January 1996 and Microsoft© bought the rights to it in 2000. O’Rear used a 1980 Mamiya RZ67 SLR camera and Fujifilm Velvia film to take the image, a film often used among nature photographers and known to saturate some colours.

Since it was the beginning of the millennium and technology was not as advanced as it is today and it was not possible to send the photos digitally Microsoft© decided to obtain the actual negative film for the best results. Microsoft© decided to have O’Rear fly in to have the film delivered personally: it was the cheapest and fastest way to get his hands on the film that would become one of the world’s most iconic photos.

The photo is mostly as it was taken in reality. Although there was later speculation that the image had been created with software such as Adobe Photoshop, O’Rear claims that it never was.

Microsoft© retouched the photo by slightly darkening the green spot on the hill, but other than that, O’Rear’s camera did the rest. The saturated colours are the result of Fujifilm Velvia film, which is known to saturate colours somewhat.

Microsoft© gave the photo its current name and made it a key part of its marketing campaign for XP.

It is estimated that billions of people have seen the image, making it perhaps one of the most viewed photographs in history.

Look the iconic hill on Google Maps.

Leading By The Hand – How to shoot landscapes without a tripod

By Mark Gilligan

You are out on a day walk with friends and suddenly the view that opens up before you all is fabulous. You really want to photograph it. After all, photography is your hobby and you never turn a good opportunity down. It makes your walks all that more interesting and memorable.

Whilst you enjoy taking pictures of the places you have visited, you are now getting more serious about photography. However, no matter how appreciative your friends are of the landscape, they don’t seem to match your enthusiasm when it comes to photography. Whilst they are content to snap away with their cameras or phones, they bemoan you for ‘holding’ them up as you go to get your tripod out. Of course you will enter into a bit of banter but they will probably just leave you to it and walk ahead.
Sound familiar?

The obvious solution is to have ‘me’ time and go out alone so you can shoot at your pace but before you decide to go solo, there is an answer to your predicament. Shoot hand held. Read More

True Blue: Shooting landscapes in the twilight with the GFX 50S

By Mark Bauer

All photographers are familiar with the famed ‘golden hours’ around sunrise and sunset and it’s probably fair to say that the majority of landscape images are shot in these periods. The low, warm light is extremely flattering to the landscape, so it’s easy to understand why. However, it would be a mistake to restrict your landscape photography to these times, as you would then miss the magic of the ‘blue hour’.

The blue hour is the period of twilight each morning and evening when the residual sunlight takes on a predominantly blue hue. During this time, the sun is below the horizon, but it illuminates the upper layers of the atmosphere – the longer, red wavelengths pass straight out into space, while the shorter, blue wavelengths are scattered in the atmosphere. his results in images with a blue colour cast and saturated colour. The cool, blue tones in this period can create an atmosphere of mystery and romance – so if you like your landscapes moody, this is the time to shoot. Read More

A Quest to Capture the Golden Hour: Wild Camping in the Lake District

By Mark Gilligan

Ah, the simple pleasures of life. They invigorate the soul! Changes and new experiences are great but it’s nice to do what you enjoy. It gives us you a lift. Genesis, my favourite band of all time, summed it up nicely when Peter Gabriel lent his unmistakable voice to, “I know what I like” and I am, sure many of you reading this will feel the same.

We are all ‘routined’ to a point and I suppose I fall into that bracket. Whilst I may be laid back I am never complacent. I regularly slip out of the ‘comfort zone’ and push myself, but if there is one thing I do not like to disrupt, it is enjoying a good night’s kip! A comfy bed with clean sheets, bit of a read, lights out and I am off.

I awake, have an invigorating hot shower, get dressed and breakfast. Then it is time to attack the day. I definitely know what I like and I approach my photography in exactly the same way. I love the mountains and great views. I will never tire of them but it would be easy to keep going along to regular haunts never being bored with them and marveling at what they give me. That won’t change. After 40 odd years of shooting professionally, I am still learning my craft and I enjoy exploring new ways to enrich my skillset. It was on one of my, “what can I do now?” days that I thought about wild camping. Read More

Here comes the sun – a guide to photographing sunbeams

By Chris Upton

Photography is all about the light and, as landscape photographers, we are constantly searching for the most interesting and evocative lighting conditions. Without it our pictures can be dull and lacklustre but when Mother Nature performs her magic, the landscape is transformed enabling us to capture some stunning imagery.

Some of my favourite conditions are shooting into the sun to capture those dramatic sunbeams, starbursts or beautiful back-lit scenes. Although this is counter intuitive to everything we are taught early in our photographic journey, this technique helps emphasise, shapes, lines and silhouettes to produce some striking images.

Here are some hints and tips to help you capture atmospheric sun kissed images. Read More