fujinon

The primes of my life

Do you know which prime lenses you use more than any others? I do.

dscf8424

Things you and I already know about the Fujinon XF lens range:

1) They’re as sharply designed and as beautifully well made as the cameras they attach to.

2) They can, without exception, deliver outstanding results.

3) There’s already a superb line-up and it’s only going to get better.

But there was something that I didn’t know about my own use of XF lenses and felt that I really should; which lenses did I use for what subject and, perhaps more importantly, why. In order to find out, I decided to apply a small amount of science to this with the aid of Lightroom.

If you select Lightroom’s Library module, you can quickly see which lenses you’ve used and how many shots you’ve taken with them by selecting the Metadata option in the Library Filter bar. Once this option is selected, you can use the individual drop down menus below this bar to further refine your search. I did this and quickly discovered that I’d shot with a wide variety of XF lenses, but some definitely got more use than others. What follows here are my top five prime lens choices, in focal length order, what I use them for and why I love them. It’s worth pointing out before we get started, of course, that my suggestions may or may not be up your street. You can use the XF16mm for portraits just as much as you can use the XF90mm for landscapes, so be sure to experiment!


1) XF23mmF1.4 R

This is a firm favourite for plenty of X Series users, but based on my Lightroom-based search my primary usage seems to be in two main areas: landscapes and travel. Both of these are pretty obvious, I guess. The lens offers a modest, distortion-free wide-angle view that suits a whole range of subjects and flicking through my images it’s easy to see the appeal – the XF23mm is spectacularly sharp, right from F1.4. Delving a little deeper into the metadata, I discovered that I rarely used the lens at its minimum aperture, favouring the wide apertures more, except when I was striving for plenty of depth-of-field. I expect the new XF23mmF2 to get similar levels of usage once I get my hands on one (hint, hint…)

Find out more about the XF23mm lens here. 


2) XF27mmF2.8

Given my regular use of the XF23mm, I was surprised to see that I also gave the XF27mm plenty of outings, too. Looking at the resulting shots, though, it was evident that I shot very different subjects with this more compact lens. It’s definitely the one I pick when I head into a city or town to shoot street images, or just want a lens that I can pop on a camera body and head out. There were an inordinate number of pictures taken with the XF27mm when I was out walking my dog (see the shot at the top of this post) and it was interesting to see that my use of the XF27mm had greatly increased when I was testing the X-Pro2. This duo make a killer combination in both portability and image quality.

Find out more about the XF27mm lens here. 


3) XF56mmF1.2 R

The 35mm focal length lenses barely registered on my Lightroom search, so the next in my top five was this beauty in its non-APD form. Compared to the XF23mm and XF27mm, this is a real lump of a lens, but in a good way. It’s supremely well made and the optical quality is truly exceptional – if you’ve ever used one, you’ll know exactly what I mean. My use of it, however, was a little more surprising. Sure, there were a few portraits in the selection, but the majority of my shots were taken with the lens at its widest aperture (or thereabouts) to make the most of the tremendous bokeh effects it offers. Less than 10% of the shots were taken at an aperture of F4 or smaller.

Find out more about the XF56mm lens here. 


4) XF60mmF2.4 R Macro

Another surprise, given its proximity in focal length terms to the XF56mm but, as with my 23mm/27mm lens scenario, the XF60mm gets used for a different set of images. In fact, I’ve shot a great deal with this lens, probably because it remains one of the sharpest in the XF line-up, despite being one of the first introduced with the X-Pro1 back in 2012. Weddings, portraits, still life images, close ups and product shots have all been shot with the Macro, and on a variety of X Series bodies, too. I even took some street images with it, but I guess it’s because I left the XF27mm at home that day…

Find out more about the XF60mm lens here. 


5) XF90mmF2 R LM WR

A late entry into my list of top five primes largely because I’ve been shooting with it so much of late. This is an absolutely stunning lens that has a look all of its own and delivers outstanding image quality. I used it for a lot of shots in my Fun in the Sun blog from a couple of months ago and since then it has stayed pretty much permanently on a Fujifilm X-E2S body. Yes, it’s great for portraits, but I also found that I shot lots of close-ups and detail images with this lens, making the most of its fast focusing and high quality optics.

Find out more about the XF90mm lens here. 


So, which one have I used the most?

This surprised me. Based on this Lightroom search, my undisputed king of prime lenses is the XF60mmF2.4 R Macro which beats the second most used lens (the XF23mmF1.4 R) by almost two to one. I’ve always loved the 60mm, but I never realised that I used it quite as much as I evidently do. It may not be the fastest focusing lens in the XF line-up, but it’s an optical gem which must be the reason why I keep on going back to it. Right, I’m off to do the same experiment for zooms…

Adventuring with Mother Nature and X Series

X-Photographer strip

By Daniel Malikyar

From the moment I truly began to pursue photography, I strived to distinguish my work from the millions of images flooding digital media across the world. In doing so, I’ve always been an advocate of doing whatever it takes to get the shot. Whether that means hiking a treacherous mountainside all night to capture the beauty of first light from an unseen perspective, or hanging from an abandoned bridge 2,000 feet above the ground, capturing timeless moments are what I live for. Through my experiences, I have learned that photography is a key factor in the difference between being alive, and actually living. Abiding by this principle, I set out on road trip from Los Angeles to Seattle accompanied by two talented friends and an arsenal of Fujifilm X Series gear.DSCF7316We left LA for Oregon on a Tuesday afternoon, and after a brutal sleepless 16-hour road trip, we made it to our first destination – Abiqua Falls. Fortunately our car for the trip was a 4WD Jeep, and allowed us to take the mile long off-road path to the trailhead for the falls. With tattered sneakers accompanied by a light rainfall, I ventured through Oregon’s lush landscape for my first time. The abundance of massive trees and greenery were like nothing I had ever seen before. The hike down to the river was pretty intimidating, and required you to scale down a lengthy and steep hillside that was only accessible by a rope tied to an old tree at the top. I went first, and discovered that the last hundred meters of the slippery, muddy terrain had no support rope. After my first step I went down with no control, and slid for about a hundred feet, ruining my clothes and scratching up my hands in the process. Nevertheless, we all made it down eventually and hiked alongside the river to our destination. I had never seen Abiqua Falls, so when we turned the corner that revealed it’s jaw-dropping beauty I was in awe.DSCF7013The picturesque landscape was surreal, and I immediately began planning out the perspectives I wanted to capture in order to do it justice. What I didn’t realize was how difficult the blistering backwash from the water crashing to the surface made it to snap a photograph without drenching the camera lens. The remarkable durability and weather-resistance of the X-T1 matched by the speed, precision, and quality of the XF10-24mmF4 R OIS conquered the conditions, and allowed me to capture my experience before the backwash fogged up the lens. From Abiqua, we drove through the countryside to two of Oregon’s most iconic waterfalls, Multnomah and Latourell. These two were conveniently located very close to one another, and neither required a difficult hike to get to. Their overwhelming size was a humbling reminder of the power of Mother Nature, and gave me a challenge to capture them true to scale. Running on no sleep in almost 48 hours, we left the falls and enjoyed the hospitality of a friend and Oregon local, who took us to a famous Portland brewery before getting a couple hours of rest to continue on our photographic journey.DSCF7041Several hours of sleep, a warm shower, and a cup of coffee later we were on the road again… this time headed towards Washington. We got up before sunrise to capture first light from the Rowena Crest. The dynamic range on the X-T1 did Rowena justice by capturing all the tones and colors of the current season. After a brief session at Rowena, we drove straight to Olympic National Park. We encountered wildlife along the way, including a bear and bison. It was my first time seeing such large animals up close, and thanks to compact size of the X-T1 I was able to take it out of my pocket in time to capture the moment. Olympic National Park had otherworldly nature-filled roads whose cinematic foregrounds looked like something out of Planet of the Apes. With the help of the XF16mmF1.4 R WR lens, I was able to capture the detail of the nature before me.DSCF7291After exploring through Olympic, we returned to the hospitality of a friend’s home in Seattle, anxious for the adventures that were to come the next day. After a few more hours of sleep we set off to catch the infamous abandoned railroad known as Vance Creek Bridge for sunrise. Vance Creek is very dangerous if you’re not careful, and trespassers of the area are given a hefty fine if caught by authorities. This didn’t stop us; we were determined to get to the bridge and get our shots as quickly as possible. Running on minimal sleep, the excitement of visiting Vance eliminated any sense of fatigue and gave us motivation to get through the hike to find one of the most amazing abandoned locations I had ever seen. I cautiously maneuvered all the way across the bridge, and after documenting every angle I could, I hung my body off the edge of the bridge to capture the vertigo-induced lookdown perspective that is seen throughout most of my travels.DSCF7374This image gives me a sense of conquering that location, and I strategically waited until I was done shooting to make my mark with the widest lens of my kit, the XF10-24mm. After leaving Vance Creek without any issues, we headed back to Seattle to take on the skies of the city in an R44 helicopter with Classic Helicopters. While I’ve had helicopter shoots across several cities in many different conditions, it was my first time shooting in harsh light, and in an unfamiliar city. Nevertheless the X-T1 and XF10-24mm combo proved their worth, showcasing the very impressive speed and accuracy of the auto-focus feature. About an hour after the flight concluded, the sun had set, signifying the end to an amazing few days spent with friends shooting in new environments with an awesome camera system. We returned to our friend’s house to catch some sleep before we set off on a 20 hour road trip back to Los Angeles.

In addition to my Pacific Northwest road trip, I also had the pleasure of shooting with Fujifilm X Series gear this past December in the winter wonderland that is Alberta, Canada. The camera withstood unbearably low temperatures, snow, and everything in between. I even hung my body out of the car at 100kmh in -20 degree weather to capture a symmetrical road shot during sunset on the way home from our final day, which consisted of a trip to Yoho National Park to capture a direct vantage point of an endless blue river. Although my winter hat flew of my head and my face turned bright red from the extreme temperature and heavy wind, the camera gear had no issues withstanding the harsh conditions and delivering excellent quality images.

In conclusion, the most valuable aspect of traveling for me has always been capturing my experiences. In doing so, I’m able to make my memories timeless and share them with the world. With the help of Fujifilm’s cutting edge X-T1 system and expansive Fujinon XF lens lineup, I was able to document my recent travels throughout Alberta, Canada and the Pacific Northwest. The durability of this mirrorless camera is incredible. The compact size and endless internal capabilities of the X-T1 also set it apart from any camera I’ve used before. One of my favorite design aspects is the moveable LCD; this made it much easier to shoot reflections and difficult perspectives that cannot be seen through a viewfinder. The XF lenses are also very impressive. Their power and design compliment the body by providing lightning-fast images of excellent quality, color and sharpness. The auto-focus feature is also remarkably consistent and accurate across all subjects, and allowed me to make the most of every rare photo opportunity Mother Nature presented along these two trips. I’m very grateful for the opportunity to work with Fujifilm’s X Series gear, and I highly recommend it to all photographers looking to take their work to the next level with a conveniently sized, sleekly designed system.

REVIEW: 10mm to 560mm – the pulling power of Fujinon lenses

BY JEFF CARTER – X-PHOTOGRAPHER

jeff carterIn June last year I did a blog on the pulling power of the then current line up of Fujinon XF lenses from 10mm up to 200mm.

Since then Fujifilm have added a 1.4x converter and the XF100-400mm f4.5/5.6 to the line up. With just four zooms and a 1.4x converter the pulling power of the Fujinon line up is now 10mm to 560mm or 15mm to 840mm in full frame terms, which is more than enough for most photographers needs.

My current four lens zoom line up is as follows –

XF10-24mm f4R OIS
XF16-55mm f2.8R LM WR
XF50-140mm f2.8R LM OIS WR
XF100-400mm f4.5/5.6R LM OIS WR

The 1.4x converter fits on the two longest lenses taking them to 70-196mm and 140-560mm respectively but with the loss of one stop on each – f4 across the full range of the 50-140mm and f8 at 560mm.

It is difficult to visualise in your head the zoom range so I fitted each lens in turn to the X-T1, which was fitted to a Manfrotto tripod, and shot the same scene, the lighthouse at Barns Ness near Dunbar.

Here are the shots starting at 10mm and ending with 560mm.

Fujinon XF10-24mm f4 @ 10mm
Fujinon XF10-24mm f4 @ 10mm
Fujinon XF16-55mm f2.8@ 16mm
Fujinon XF16-55mm f2.8@ 16mm
Fujinon XF10-24mm f4 @ 24mm
Fujinon XF10-24mm f4 @ 24mm
Fujinon XF50-140mm f2.8 @ 50mm
Fujinon XF50-140mm f2.8 @ 50mm
Fujinon XF16-55mm f2.8 @ 55mm
Fujinon XF16-55mm f2.8 @ 55mm
Fujinon XF100-400mm f4.5 5.6 @ 100mm
Fujinon XF100-400mm f4.5 5.6 @ 100mm
Fujinon XF50-140mm f2.8 @ 140mm
Fujinon XF50-140mm f2.8 @ 140mm
Fujinon XF100-400mm f4.5 5.6 @ 400mm
Fujinon XF100-400mm f4.5 5.6 @ 400mm
Fujinon XF100-400mm f4.5 5.6 + 1.4x converter @ 560mm
Fujinon XF100-400mm f4.5 5.6 + 1.4x converter @ 560mm

These images were used in the #5YearsofXSeries event on the 15th of Jan 2016, to see the video, click HERE

As you can see the quality of the XF lenses is the same throughout the zoom range and the reach of the Fujinon lenses available for the X-Series now has been extended so you stand further away and still fill the frame with your subject.

The new XF100-400mm is perfect for sport and wildlife and is also useful for landscapes. You can read my review of the new Fujinon superzoom HERE.

8 shots with the Fuji X-T10 & XF27mm pancake lens

By Kevin Mullins

Last week I purchased a Fuji X-T10 as I wanted something a little smaller than the X-T1, but with interchangeable lens options, for my street photography.

Although the camera has been out for a while, I’d never actually used one until my one arrived. But as soon as I got the camera I immediately knew it was going to become my 27mm pancake lens camera option.

The 27mm is a lens I love to bits.  It’s also a lens I’ve lost twice and I’m now on my third XF27mm lens and I suppose it’s a testament to just how small this lens is that I keep losing them!

I won’t be using the X-T10 as a wedding camera; for me, it’s not quite at the level I need for me to be comfortable shooting weddings with it.

However, it will likely be one of my backup cameras for weddings and it will definitely be a camera I take on my street photography trips out.

It really is a very discreet camera.  Couple it with something like the 27mm lens and you can really just blend in and behave like anybody else with a small point & shoot camera.

These are just a few processed snaps from a day I spent in Southampton running one of my street photography workshops.

“I’m a huge fan of the 27mm lens and I think I’ve found the perfect compliment for it in the X-T10.”

I’ve recently been using a prototype of the new Camslinger Streetomatic which is an upgrade to the version I’ve been quite comfortable with for a while.  The new bag is PERFECT for street photography. The clasp is better and yet it’s still possible to quickly remove the camera with one hand and start shooting.  I used it with the X-T10 and 27mm lens.  I had plenty of room for two spare lenses, my wallet, phone and notebook etc.

1
Fuji X-T10 / XF27mm 1/4,000 f/5.6 ISO 200
2
Fuji X-T10 / XF27mm 1/1,700 f/7.1 ISO 400
Fuji X-T10 / XF27mm 1/1,800 f/7.1 ISO 200
Fuji X-T10 / XF27mm 1/1,800 f/7.1 ISO 200
Fuji X-T10 / XF27mm 1/350 f/8 ISO 400
Fuji X-T10 / XF27mm 1/350 f/8 ISO 400
Fuji X-T10 / XF27mm 1/420 f/10 ISO 200
Fuji X-T10 / XF27mm 1/420 f/10 ISO 200
Fuji X-T10 / XF27mm 1/4,000 f/2.8 ISO 200
Fuji X-T10 / XF27mm 1/4,000 f/2.8 ISO 200
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Fuji X-T10 / XF27mm 1/4,000 f/2.8 ISO 200
Fuji X-T10 / XF27mm 1/150 f/3.6 ISO 200
Fuji X-T10 / XF27mm 1/150 f/3.6 ISO 200

About Kevin

KevinMullins-Headshot-200x200Kevin Mullins is a Wiltshire-based award winning wedding photographer who specialises in telling stories, through pictures, of weddings. The style of wedding photography he uses is known as documentary wedding photography, or reportage wedding photography and he is passionate about photographing weddings authentically, sympathetically and responsibly.

Visit Kevin’s website for more inspirational and educational posts


The History of FUJINON: the heritage of XF Lenses

We get a lot of love for our Fujinon XF lenses and it’s hardly a surprise; we’ve been making them for a long time! We’ve created a short series of videos to help you understand the history of Fujinon and the heritage of our XF lenses,

Episode 1 – The history of FUJINON

Shigamitsu Mort, Ex-President of the Fujifilm Optics Mito factory, talks about our lens polishing technology across our wide range of lenses and describes the long time spent designing and perfecting the Fujinon-Z 43-75mm f/3.5-4.5.

Kazunori Oono, Ex-Senior Manager of the Optical Device Division talks about the testing and evaluation that went into the EBC X-Fujifilm 50mm f/1.2 back in 1979

Episode 2 – Professional vs Professional

Takashi Suzuki, Optical Design Division Senior Manager talks about how Fujifilm, professionals in the photography field, responded to professional photographer’s requirements to launch the GX680 Professional large format system in 1986. The lenses for the system had to be high enough in resolution in order to maximise the benefit of large format film.

Takao Araki, Optical Design Division Software Manager talks about Fujifilm’s amazing and unique approach to improve the calculation process that goes into each lens design. In 1956, they built one of Japan’s very first computers!

Episode 3 – The heritage of XF lenses

Taiga Noda and Hiroki Saito, both of the Optical Design Division in Tokyo talk about how without the heritage of Fujinon, many of the new XF lenses would not have been possible.

The result? The craftsmanship of FUJINON

See all of the steps that go into making each and every hand-made XF lens in our factory in Japan.

Fujifilm X Magazine – Issue 1 reader images 1/3

X-series users from across the globe share their finest images and the stories behind them

Here’s a selection of users’ images published in our Fujifilm X Magazine. If you would like to see your images in our magazine, and if you’re an X-series user, we’d love to see your shots. Email your images, along with details of the story behind them and some information about you and your photography to: xmagazine@bright-publishing.com

 

VICENTE DASÍ LÓPEZ – STROLLING WITH MY X100

VICENTE DASÍ LÓPEZ
Camera: X100 Lens: 23mm fixed
Exposure: 1/250sec at f/2, ISO 640

Vicente won his X100 in a Fujifilm-sponsored competition. “The theme was street photography and I entered an image taken in Valencia using my X10,” he says.

Now that I’ve got the camera, I often go walking around Valencia and take it with me; that’s where I took this image. I find the X100 is really comfortable to carry and delivers excellent results with the high-performance Fujinon lens; it’s perfect on detailed subjects like this. There’s very little noise when working with high ISO settings and I like the way the controls are distributed – the design helps me enjoy taking every shot and encourages my creativity.

http://vdlfotografo.blogspot.com.es/

 

BERND TWIEST – DUNCAN

BERND TWIEST
Camera: X-Pro1 Lens: XF 35mm f/1.4R
Exposure: 1/125sec at f/1.4, ISO 200

This is my dog, Duncan. It was one of the first shots I took when I went out testing my new X-Pro1 in a forest near our home in Holland.

I love black & white photography, even more than colour. This image was taken using the Monochrome Film Simulation mode and I tweaked the colour temperature in Adobe Lightroom to give the image a real vintage look.

The X-Pro1’s size and weight are crucially important to me. My health limits how much photography I can do and if the camera was too heavy, I wouldn’t be able to take pictures at all. I also like the image quality – the pictures are sharp straight out of the camera. 90 per cent of the time, I shoot JPEG instead of Raw because the quality is that good. The ISO performance is magnificent, too

I don’t feel scared to push it to ISO 6400.

 

SHANEA GAIGER – FRECKLES AND SPECKLES

SHANEA GAIGER
Camera: X-S1 Lens: Zoom at 55mm
Exposure: 1/160sec at f/4.5, ISO 100

This is my daughter Derryn who has for a long time had some severe body dysmorphic issues. We had talked about a ‘demon-confronting’ shoot for a long time and the idea was to create a few images of her without make up, without retouching, just using natural light, so she could see how beautiful she actually was, despite her own feelings. It worked, so well, in fact, that she gained enough confidence to take up modelling as a part-time hobby.

I moved to the X-S1 from an S100FS and it feels much more solid and produces better results. I was recently asked to do a basic photography lesson with a young autistic lad interested in photography and we used the X-S1. He had never attempted to use a ‘real’ camera before but he found it really easy to get to grips with and by the end of the day he was talking about buying one himself.”

http://harpyimages.deviantart.com