Australia

Kayaking with a Fujifilm X-T1 and XF100-400mm

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By Jon Vause

I am a keen kayaker with a passion for photography so with the estuary and wetlands near my home having prolific birdlife it has been a natural progression to combine both. Using a kayak gives you unique access to the areas you just can’t get to on foot or by boat so this means less (usually no) people, which results in more bird activity. But let’s face it an open kayak isn’t necessarily a camera friendly zone and a DSLR with a zoom lens fitted isn’t the most buoyant combination around so it was a bit daunting at first to take this out in my kayak but over the past couple of years I have developed a reasonably successful and safe technique.

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There are a number of advantages using a kayak for photography as birds move with the tides and their feeding patterns so you can cover a lot of ground throughout the wetlands and estuary paddling the kayak. It is low to the water so gives a good angle for photography, is quiet and doesn’t alarm the birds as if on foot, allowing you to drift down onto your subject so you can get close. Sometimes very close as the birds seem to accept your presence. Being 10m away from an Osprey feeding on a fish without alarming it is a memorable experience. Also, it’s a lot more fun that sitting in a hide for hours waiting for something to come to you or wading knee deep in the mud.

I had been using a Canon DSLR, 70mm-200mm F2.8 lens with a 2x converter but wasn’t really happy with the image quality when using the converter so had resorted to just the lens which meant I had to try to get closer to my subject and crop images. To progress further I really needed a longer lens but it had to be practical to use in my kayak and without having to take out a second mortgage.

Enter Fujifilm.

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The lens went on the back burner and in July last year I attended a Camera Expo looking for a travel camera as we had an overseas trip planned in 2017 and I didn’t want to take my heavy DSLR. I bought a Fuji X-T1 with the XF18-135mmF3.5-5.6 R LM OIS WR lens as it was compact, light in weight and promised good image quality.

I initially had no real intention of using the X-T1 for wildlife photography but I took it out in the kayak a few times to compliment my DSLR and get familiar with using it for landscape and the occasional bird life, and I was blown away by the image quality. There was also something special about the images compared to my DSLR. They had a vibrancy and just seemed better particularly the jpegs straight from the camera and having used many rolls of Fuji Velvia in my film days it took me back to images produced then. I loved the retro feel of the camera, it was just like my very first SLR many years ago and when I did try it on birdlife it captured the colours and details in the feathers beautifully and when I zoomed in on the image the lens proved to be sharp and I was impressed.

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I was hooked and the Fujifilm X-T1 became my go to camera for landscape and general photography but I needed a longer lens for my wildlife. I was pleased to see that Fujifilm had a XF100-400mm lens planned for release in early 2016. So, I waited and read the pre-release reviews with anticipation. It rated well so once released in Australia I parted with my hard earned cash and purchased the XF100-400mmF4.5-5.6 R LM OIS WR lens.

The camera, lens set up I had now, even with the optional vertical grip battery grip fitted to my X-T1 was half a kilo lighter than my previous DSLR and lens. This may not sound a lot but the weight reduction at eye level in a kayak plays a big part in balance.

Rule number one in kayaking with a camera – stay upright.

Not only was the weight reduced but when the XF100-400mm lens was fitted to the X-T1 it felt far better balanced and wasn’t “nose heavy” like my previous gear.

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So far so good but the proof would be how does the combination perform in the field or should I say in the boat? I just had to find out.

The lens is a similar physical length to my Canon 70-200mm lens, so I now had a 400mm lens that was compact enough lengthwise to fit into my waterproof camera bag in my kayak hatch with the lens hood permanently attached. This allows quick access when an opportunity arises.

And the performance of the lens did not disappoint.

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Rated at 5 stops the OIS is just brilliant and I can confidently get hand-held shots at 400mm from the kayak at shutter speeds of 1/400 second and the results are pin sharp. This has allowed more flexibility following birds on the move, as in the past I would try to use a monopod for support which was restrictive should the bird fly away, but now this wasn’t a necessity. The image quality of the lens still impresses me as it is so sharp and quick to focus. It tracks subjects well in continuous focus mode although fast birds in flight can be challenging, in more ways than one. Pan too quick and you can end up having a swim! When combined with the burst speed of the X-T1 you can still get some great shots and this provides a great combination. For my style of photography, this lens is fantastic. I love it.

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I’ve also had use of the Fujifilm 1.4X TC WR teleconverter for a weekend and whilst you lose a stop this gives you an 840mm equivalent lens with no noticeable loss of image quality.

But it’s not just the lens, the combination with the X-T1 works so well I’ve left the DSLR at home now. I have been using the X-T1 exclusively for some months while learning its capabilities. The EVF I’ll say took me a little while to get used when compared to an optical viewfinder but that was really me not understanding its capabilities. Once I had the menu options of the X-T1 set up right I realized how good this was and how to use it to get the maximum out of it. I love the WYSIWYG image in the viewfinder as I can spot meter on a bird which may have very contrasting plumage. I see exactly the image and by changing the metering position, I’m able to prevent blown highlights or even change the background exposure. Also to be able to check your images in the viewfinder and use the focus assist button to zoom in check sharpness is a great feature in bright light conditions. I can also shoot at far higher ISO ratings now without any noticeable noise, which I couldn’t do with my DSLR. This allows me to use more of the lower light conditions available in “the golden hour” than before and also keep up the shutter speed and obviously with both camera and lens being weather resistant this is a great advantage in the environment I use it in.

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Like all photography though it’s what’s behind the image that makes a good image. When using a kayak you can have a 360-degree possibility of the approach angle on the subject so you have to plan you method of approach. Not only do you have to work out the lighting and sun angle you also have to judge the wind, tide and any current so that ideally you can drift down onto your subject with the camera at ready and eye to the viewfinder. Not to mention a co-operative subject or being in the right place at the right time. There’s a lot of hit and miss and it varies day to day as the birds move, but with Fujifilm and the X-T1 and XF100-400mm lens combination, this has helped to reinvent me in my photography as my results are much improved. This makes the hours of paddling and the effort all the more worthwhile. I am still learning and trying to get that perfect image but now with Fujifilm it’s a lot more fun trying.

I look forward to trying the X-T2 with the XF100-400mm lens one day.

About the author

Jon Vause

I live in Mandurah, 70kms south of Perth in Western Australia and have a keen interest in photography seemly always having a camera since the days of my first Kodak Instamatic. I also had a period of developing and printing with my own darkroom back in the film days but had to give that away when we moved to the Pilbara region in WA as the tap water was too hot.

Photography runs in the family and although I work in the telecommunications industry with constantly changing technology I didn’t initially embrace the digital era of photography until my daughter started studying it at school then going on and becoming a professional photographer.

My passion is the outdoors and outdoor activities. I enjoy bushwalking, mountain bike riding and kayaking. Having moved to Mandurah six years ago I now have the extensive waterways of the Peel Estuary at my doorstep and have combined kayaking with photography to pursue my main interest in bird photography.

Capturing bird images in the wild is challenging and using the kayak gives you access to unique areas. I also engage in landscape, seascape and water sports and with retirement coming it in a few years I am working on my skills to make photography my main pastime.

I’m still chasing the perfect shot. More photos are on my website www.jonvausephotography.com

Panoramas and Life: X-Thusiast Featured Photographer Ian Burrows

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We at Fujifilm Australia are excited to introduce Mr. Ian Burrows as our next X-Thusiast Featured Photographer for July 2016. When he’s not busy with his family, Mr. Burrows enjoys capturing the dark, unnoticed corners of Sydney metro and stitching together engaging, multi-photo panoramas with is Fujifilm X-T1 and X-E2.

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“Big Bend” by Ian Burrows, Fujifilm X-T1 + XF35mmF1.4 R, Auto bracket exposure, Manual, 3.2 sec, F8, ISO 200 (42 pictures)

Introductions first: Who are you and where are you from? Can you tell us about your hobbies? What inspires you from day to day?

My name is Ian Burrows and I am from Sydney, NSW. I’ve lived in the west, north and south of Sydney, but I’ve also spent brief stints on the NSW Central Coast and in the UK. Along with photography, I love riding my pushbike, shooting hoops and spending time with my kids. There are so many beautiful places in this world, but I find day-to-day life more relevant. It is what I do in my life, my life experiences, that inspires me and my photography preferences.

How did you develop an interest in photography? How did you start out? How would you describe the development of your photographic style, if you have one?

I think I have always enjoyed photography. The act of making an image stimulates the brain.

When I first started shooting, I was travelling a bit for work, mostly coastal towns in NSW. I was naturally drawn to the beaches, so I started out shooting seascapes and landscapes wanting to emulate the big names in Australian landscape photography. As life got busier and I spent less time near the ocean, I experimented more with night photography and urban shooting. It immediately appealed to me. Dark, desolate, urban scenes make me smile.The other influence on my style has been my obsession with panoramic images. Shooting wide and extreme views has driven many of my favourite images.

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“Belly of the Beast” by Ian Burrows, Fujifilm X-T1 + XF10-24mm, auto bracket exposure, Manual, 1/4 sec, F8, ISO 400 (24 pictures)

What’s your favourite location to shoot in Australia? What are your favourite subjects to shoot?

Shooting around the streets of Sydney is enough for me. I have a young family and so reality dictates that I stay local and shoot when I can, which is usually at night. I would love to head farther west, but that can wait.

What’s your favourite X Series camera? Why do you prefer that particular model?

The X-T1 has grown to be my favourite. The viewfinder and general speed are a winning combination for me.

Which Fujinon lens or lenses do you prefer?

The XF10-24mm for wide and XF56mmF1.2 R for long; wide for urban and long for portraits of my kids. The 10-24mm is so flexible and the 56mm just produces beautiful images under most circumstances.

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“Jaca Warra” by Ian Burrows, Fujifilm X-E2 + XF35mmF1.4 R, Manual exposure, 1/256 sec, F8, ISO 400 (49 pictures)

Could you describe your photographic workflow? Do you prefer any third-party camera accessories or post-production software?

My workflow is fairly set. l usually shoot multi-shot panoramas. I open the RAW files in Capture One, make adjustments to exposure and colour and then sync those across the Pano frames. I export to the individual frames for the panorama to TIFF format and stitch in auto-pano. I finish in Photoshop usually using colour and silver EFEX. I often apply a film simulation to alter the overall colour balance and feel to give a slightly unreal look something subtle but enough to register in the brain.

My favourite effect is a slight green toning similar to what you often see in movies shot at night on film.

What are some of your favourite features or aspects of the Fujifilm X-T1?

The big EVF, rotating EVF view and WiFi for on-the-go edits.

Do you have any advice to new photographers or the next potential X-Thusiast?

Start with a middle-of-the-road camera, maybe a kit zoom and one prime. Keep it simple. Do not get caught up in the gear lust. Work smart. Hang out with good shooters. Observe them, and above all—observe life.

Any final thoughts, tips or advice you’d like to share?

It’s all about the light. And, lest we forget, a good picture tells a thousand words.

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“Fairground” by Ian Burrows, Fujifilm XF18-55mmF2.8-4 R LM OIS, Auto bracket exposure, Manual, 4 sec, F8, ISO 200, Compensation: +1, (3 pictures)

Interested in joining the X-Thusiast community and sharing your own story?

See the full X-Thusiast Gallery and Submission details here.

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Introducing The New Fujifilm X-T2

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Imagine a camera that takes the best features of the Fujifilm X-T1 and X-Pro2 and combines them together to create the ultimate photographers and videographers tool.

Well, today we are excited to announce the combination of these cameras in the new Fujifilm X-T2!

The Fujifilm X-T2 is one of the most anticipated cameras in Fujifilm’s history. Not only will the impressive 24.3MP APS-C X Trans CMOS III sensor capture the joy of photographers around the world, but now with the addition of 4K and 2K video formats you will be able to film the emotion too!

Adding to this is a bundle of features that includes an electronic shutter with a limit of 1/32,000 second, an Intelligent Hybrid Phase detection AF, a robust weather resistant body, an impressive 3-way tilting 3.0” LCD and a 2.36 Million dots Electronic Viewfinder and dual SD UHS-II memory card slots that will capture up to 14 frames per second with the Performance Boost Mode turned on.

All of these features sound impressive (and they are), but the list of specs doesn’t stop there. As mentioned earlier the 4K video quality this camera now records is on par with some of the other professional cameras out there. When filming video you can expect excellent sharpness and low noise when recording up to a maximum of ISO 12800.

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Another important feature unique to videographers is the ability to choose a video frame rate. Fujifilm has liaised with various professionals and industry leaders to determine what settings best suit. Within the new Fujifilm X-T2 videographers will be able to select 29.97P, 25P, 24P and 23.98P when filming in 4K and if Full HD is selected; 59.94P, 50P, 29.97P, 25P, 24P and 23.98P at a 100Mbps Video Bit rate.

There are also a lot of settings that can be changed once you press the record button. You will be able to change exposure in ⅓ stop increments, correct the colour and the angle of view. Added to this is the option to change the exposure via the external HDMI port, which is well suited for videographers using external monitors.

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When you first handle the Fujifilm X-T2 you will immediately feel the magnesium alloy chassis that has been redesigned based on photographers feedback. With weather resistant sealing to suit rugged outdoor conditions, this professional body is slightly larger than the Fujifilm X-T1 due to improved control dials that turn easily with or without gloves. The new lock buttons located on the shutter and ISO dials are easily pressed to turn on or off the action of selecting a new setting. Also the enlarged drive mode and photometry selection dials can easily be accessed due to this new ergonomic design.

As shown in the video (above) the 1.62 million-dot 3-inch LCD screen has been redesigned to suit photographers. Now with a 3-way tilting screen, the photographer can turn and rotate the screen to a visible position when holding the camera above their head in a portrait orientation. Previously on the Fujifilm X-T1 the screen was only visible in a horizontal orientation.

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The launch of the Fujifilm X-T1 saw photographers from many different genres switch over to Fujifilm due to the large range of Fujinon lenses available. Sports and wildlife photographers were among the newly acquainted, but this was not only due to the lens selection, but also the features on the Fujifilm
X-T1 like autofocus and UHS-II memory card compatibility. Learning from this the new Fujifilm X-T2 takes autofocus speed and memory card storage to the next level.

The Fujifilm X-T2 is slightly different in the way the camera focuses when compared to the Fujifilm X-T1. This is because of the new Intelligent Hybrid Phase detection autofocus. The new X-T2 will allow you to select up to 325 autofocus points allowing for precise focus. What this means is no matter whether the subject is within the frame, the camera will autofocus very quickly to pick up the subject.

Adding to the list of new features is also a dual memory card slot that is now capable of recording to two UHS-II compatible cards. What this means for photographers is they can record photos up to 14 frames per second (when Performance Boost mode and Electronic Shutter is selected), which will result in a total of 42 Jpeg frames or 28 RAW frames stored at Lossless compression. This option is only available when the VPB-XT2 grip is on the camera.

Not only does the optional VPB-XT2 (Vertical Power Booster Grip) increase frame rate, but it also will accommodate two additional batteries (NP-W126S) at the same time to boost in shooting interval, shutter release time lag and blackout time while extending 4K video recording to a maximum of 30 minutes.

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As mentioned, when you use the optional VPB-XT2 battery grip you can select different frame rates like 14 frames per second, however, if this is too fast 11 frames per second can also be selected.

When 11 frames per second is enabled 75 Jpeg frames or 30 RAW frames stored at Lossless compression can be captured. However, if you require more frames to be recorded before the cameras buffer fills, the frame rate can be dropped to 8 frames per second enabling 83 Jpeg frames or 33 RAW frames to be stored at Lossless compression. Finally, if you need to record an endless amount of Jpeg frames, 5 frames per second can also be selected.

The X-T2’s ISO range of 200 – 12800 (RAW shooting) is exactly the same as the Fujifilm X-Pro2. When recording at high ISO like 3200 or 6400 photographers will find images and video to be very clear resulting in smooth graduation and deeper blacks.

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Studio and wedding photographers will enjoy using the Fujifilm X-T2 as the camera can now act as a commander when firing off multiple flash units when using the newly announced Fujifilm EF-EX500 flash. Found within the camera’s menu is the ability to select ‘COMMANDER’ mode, which enables full manual control of up to three supported Fujifilm flash units. Each supported flash can be manual adjusted to ensure you get the best possible picture.

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It is Fujifilm’s hope to design a camera that will suit a photographer’s requirements and it is refreshing to see that the X-T2 does this. Something many were not predicting though was the ability to film in 4K. Having mentioned this, it is worth thinking about to expand upon your skills to embrace this chance. Not all photographers will embrace this addition and that is okay, but to those who wish to expand on their skills the feature is there for you to explore and the same can be said to videographers when it comes to taking photos.

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This article hasn’t covered all of the specifications nor the implementations of the Fujifilm X-T2, so we would encourage you to follow this global Fujifilm blog which is now supported by Fujifilm Australia, Fujifilm UK, Fujifilm USA and Fujifilm Canada. We also ask you subscribe to the global Fujiguys YouTube channel to learn more about the Fujifilm X-T2 from contributions around the world. Together we are one and together we are here to listen to you the photographer – and now the videographer too.

Interview: The Most Comprehensive Guide on the X-Pro2

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Tony Phillips is an author, photographer, pilot, teacher, and lecturer, and has a long-standing passion for photography. To date he has 8 published books on photography. Four on Fujifilm X cameras and lighting. All are available on the following website.

He is recommended by MirrorLessons as one of 6 Authors of Mirrorless Camera Manuals Whose Books You’ll Actually Enjoy Reading. He conducts photographic seminars on the fundamentals of digital photography through to advanced lighting.

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I reached out to Tony with some questions to learn more about his latest book – “The Complete Guide to Fujifilm’s X-Pro2“, in which he examines the highly anticipated camera to form a detailed 545-page guide.

Can you tell us about yourself and how long you have you been using Fujifilm X-Series cameras for?

Over the years I’ve been a teacher, businessman and entrepreneur. I started shooting film in high-school, using an SLR as a school photographer. This ongoing passion has led me to writing books to help people understand photography and their equipment – so they shoot the kinds of pictures they are interested in.

I dipped my toe in the water with the Fujifilm X-E1. The first Fujifilm X camera I really fell in love with was the X100S. It’s difficult for people who have never shot Real High Speed sync with a leaf-shutter lens to understand why X100 cameras are so magical.

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A preview of what’s covered in the X-Pro2 Guide

When you write a detailed guide that covers a camera what are the steps you like to take to ensure all content is accurate?

Accuracy is essential in a book like this, and is a significant part of the undertaking. I handle a camera quite a bit over many months during the writing process. So it’s safe to say I become quite familiar with it. I read available Fujifilm information – including the manual and test everything I say. I sometimes ask questions of Fujifilm to seek clarification of technical details, and I have proof-readers who are Fujifilm (X-Pro2) photographers. In this book, for instance, I requested information from Fujifilm to cross-check my explanation of the new Depth-Of-Field Scale setting.

When the entire work is completed, I read, edit and test everything – every setting, suggestion and idea – to ensure nothing is missed and my explanation is complete and clear. I usually write the opening introductory chapters last.

What is the biggest stand out feature (or your favorite feature) of the Fujifilm X-Pro2 that you have been able to uncover?

I’ve shot with many cameras, so this is actually a tough question.

What people mostly ask me is what “hidden” features I discovered. And after handling the camera so much, I usually feel it is all pretty straight forward. Handle it for a while, and the X-Pro2 is an easy camera to use.

Since I am a photographer, I value image quality, then camera handling. The notable features for me are IQ, speed, and the hybrid viewfinder. I also like the new menu structure and customisations which help streamline shooting workflow.

Technically I’m impressed the bump to 24MP comes without added noise. It might not be obvious to people, but that is quite a feat!

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A preview of what is covered in the X-Pro2 Guide

In what formats can people view the X-Pro2 guide and is the guide interactive?

The X-Pro2 book is available in PDF, .MOBI, and .EPUB electronic formats and print on demand B&W and Colour printed books. Whichever format a customer buys entitles them to the electronic formats if they send their receipt (as proof of purchase) to the publisher. Instructions are in the book.

The electronic formats are all internally hyperlinked, and the PDF has an extended index and hyperlinked table of contents.

Based on your own experience, is there a particular piece of content that Fujifilm instruction manuals may lack?

The manual does a reasonable job outlining camera settings. It’s tough to cover everything in detail without writing a huge book.

Can you make any suggestions about how Fujifilm could improve their instruction manuals for X Series cameras?

I’ll be cheeky here, and say give everyone my book

But seriously, the manual has a logical structure. Hyperlinked PDF versions are always welcome.

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A preview of what is covered in the X-Pro2 Guide

When you talk to other Fujifilm users who have purchased your guides, what has been the best feedback you have received?

I receive lots of great feedback ranging from suggestions, questions, and occasionally a typo. What I mostly get is people telling me how much the book has helped improve their understanding and use of the camera in the pursuit of their photography. People often comment on the accessible style – which is something I aim for.

Here’s just a few from X-Pro2 owners since the launch:

“The book is really (can’t put it down) really great … such a relief to find a friendly conversational style of writing. I have used the X-Pro2 professionally and for recreation… I’m still fine-tuning how I use it, and I find it most informative to cross check how I use the Camera with the recommendations in the book.” – Roland Herrera

“Just want to let you know that I’m finding your new X-Pro2 ebook extremely helpful, and this after using my X-Pro2 camera for 3 1/2 weeks in Europe. Finding all kinds of helpful info on settings, etc. Thanks for writing it.” – Chris Morrow

“Thanks for the dedicated book. It’s really enjoyable and helpful.” – Hidenori Yamada

“This is a very well put together guide book, and I’ve read a ton of them in my time! Excellent!” – Steve MacDonald

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A preview of what is covered in the X-Pro2 Guide

 

Typically, how long does it take you to create a detailed guide, and did you face any challenges when creating the X-Pro2 guide?

This varies. This is my fourth Fujifilm-specific book. The first took 7 months. This last one came in at just over four.

The typical challenge is the long developmental lead time, and of course it’s a solo effort. That’s a long time to spend without an income.

If you are interested in obtaining Tony’s X-Pro2 guide then you can pick up your own copy for $26.45 USD. Over the coming weeks it will also be listed on Amazon, iTunes and other eBook outlets so stay tuned.

This camera just might be brilliant

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Being a small camera, the Fujifilm X70 has been designed to be the everyday carry around for photographers who enjoy quality without the need for carrying heavy equipment. The general design of the camera follows X Series heritage, but with a few added bonuses that are sure to please the eager fans and it is these features that just might make this camera brilliant.

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Featuring a new touch screen users can now select whatever shooting mode suits them. Selecting from either touch ‘Shot’ or ‘Focus’ photographers can now engage directly with the back of the screen, bypassing the shutter button to either focus on a subject or to touch to take the shot. While this is a welcome option, if you prefer to be ‘touch free’ then turning off one of these functions is simple. All you have to do is touch the screen on the back until you see the ‘Off’ function.

The footprint of the X70 compared with the X100 series is somewhat smaller. With that said, the X70 still incorporates a generous grip for larger hands, while one hand operation is enhanced due to the ergonomic button layout of the back of the camera. Accessing the shutter speed dial is a breeze and if you find 1/4000 second isn’t going to be fast enough we would recommend you turn on the ‘MS+ES’ (Mechanical Shutter + Electronic Shutter) setting that will enable up to 1/32,000 second – perfect for shooting those direct sunlight shots at F2.8!

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Something many Fujifilm photographers rave about is the Fujifilm X Series Film Simulations that really provide a unique shooting experience. Selecting RAW+Jpeg will provide the best advantage when photographing in a film simulation. The film simulation can only be applied to a jpeg in camera, however when you shoot in RAW you can apply the film simulation when processing the photo in Adobe Lightroom. All you will need to do is navigate to the develop module and scroll down to find the ‘Camera Calibration’ and then ‘Profile’. It’s here that you would select the desired film simulation. You can see in the images below the difference it makes to a photo without having to compromise on quality.

It’s here that you would select the desired film simulation. You can see in the images below the difference it makes to a photo without having to compromise on quality.

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How to apply a Film Simulation in Adobe Lightroom

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In this example notice the colour difference when we applied the Velvia Film Simulation

The other setting that’s worth trying out on the X70 is the film simulation bracketing mode. Located within the DRIVE button this mode will capture three different images using a selection of three film simulations. You can program in whatever film simulation you want by accessing the menu – MENU/OK > FILM SIMULATION BKT. This setting is a great way to capture black and white images and colour at the same time – just note that this mode doesn’t support RAW capture. You should think about using this mode to give you an idea of what film simulation will look the best for the scene you want to photograph.

MENU/OK > FILM SIMULATION BKT.

This setting is a great way to capture black and white images and colour at the same time – just note that this mode doesn’t support RAW capture. You should think about using this mode to give you an idea of what film simulation will look the best for the scene you want to photograph.

So, if you are looking for a new premium camera or one that will become your everyday shooter, then the Fujifilm X70 is most likely it. Don’t feel you have to compensate by downgrading in quality or even features for that matter, because the X70 is unlike most mirrorless cameras around this price point. You still get a hot shoe for on-camera flash, an electronic shutter, excellent battery life and even an aperture ring around the lens for ultimate control. The only thing that’s missing is the viewfinder, but Fujifilm have you covered on that – there’s an optional VF-X21 external optical viewfinder that provides a bright frame for the 28mm and 21mm angles of view (35mm equivalent).

All that’s left is to get the camera in your hands to test out the full range of features for yourself, and if you’re not impressed, just turn the screen around and take a selfie!

X-Thusiast Featured Photographer of the Month: Michael DeBeen

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Fujifilm Australia is thrilled to introduce our June 2016 X-Thusiast Featured Photographer: Michael DeBeen. Hailing from Geelong, Victoria, Michael is a horologist, calligrapher and gifted photographer with a penchant for exploring the great outdoors. In this month’s Q&A, Michael shares how he uses the science of photography to capture striking shots in vivid detail with his Fujifilm X-T1.

LittleGepetto“Little Gepetto,” Fujifilm X-T1 + XF56mmF1.2 @ F2.5

How did you develop an interest in Fujifilm photography, and how would you describe your photographic style?

This is a tough question—I’m not sure what was the pivoting point that led me to photography. Throughout my life, I have been attracted to ideas and pursue them obsessively. It is simultaneously a gift and a fault of my personality, and photography is a product of this.

I consider myself technical-minded, and it may have been the science of photography that initially gained my attention. Things like lens and sensor design are fascinating to me. One of the reasons I became interested in Fujifilm was its unique X-Trans sensor array that negates the need for any anti-aliasing filter to minimise moiré.

My first exposure to photography was almost two years ago now, when, after much deliberation, I bought my first camera: the Fujifilm X-T1.

Before my interest in photography sparked, I never considered myself creative. I had a clear structure in my mind where science and arts were on opposite sides of a great divide. It wasn’t until recently when a friend commended my creativity that I realised there isn’t such a divide, and you can’t have one without the other.

While consistency is important to me, I don’t actively seek it in my photographs. I take each photograph as they come and try to find an ideal look for that particular image. It has a little to do with intuition and a lot to do with over-analysis and micro-adjustments. Perhaps some day someone wiser than I will help me understand and articulate my photographic style. Until then, I’ll continue being my usual oblivious self.

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“Cappuccino” Fujifilm X-T1 + Fujinon XF56mmF1.2 @ F1.2, 1/2000sec, ISO200.

What’s your favourite location to shoot in Australia? Your favourite subject?

So far, in Australia, my favourite location to shoot is the Great Otway National Park and the Great Ocean Road. It is wonderfully refreshing and calming, even from a non-photography perspective.

I look forward to exploring more of Australia in my future, and discovering more of its sights.
As for my favourite subject, that can change by the day. I appreciate minimalism—especially if I can find something striking without distractions.

Beach

“Beach” Fujifilm X-T1+ Fujinon XF56mmF1.2 @ F1.2, 1/4000, ISO200

Why did you choose the Fujifilm X-T1, and what is your favorite aspect?

Touching on what I mentioned before: The X-Trans sensor contributed to my choice, but it wasn’t the only deciding factor. My priorities for a camera system were quality (both image and physical), functionality, weight/size and support.

The Fujifilm X-T1 ticked all these boxes.

I was (and still am) impressed with the clarity and colour rendition of the X-Trans II sensor. Fujifilm’s choice to implement additional features such as an intervalometer, filmic profiles in-camera and their commitment to support even their dated cameras via software updates is a benefit some other manufacturers often overlook.

The X-T1 was Fujifilm’s current flagship interchangeable lens camera. I liked the X-Pro1 aesthetically, but couldn’t justify it over the technical improvements that the X-T1 offered. I love the idea of the X100 series, but I wasn’t in the market for a fixed lens system.

It is difficult for me to choose one feature over any other as a favourite, but the 0.005-second refresh rate of the electronic viewfinder is at the top of the list.

Which Fujinon lens(es) do you prefer to use with your Fujifilm X-T1 camera?

My favourite X-Mount lens is the Fujinon XF56mmF1.2 (~85mm full frame equivalent). It is such a flattering lens, it’s practically impossible to take a bad photo.

And while I was traveling through Europe, the Fujinon XF23mmF1.4 (~35mm equivalent) was invaluable. It is an incredibly versatile lens.

Could you describe your photographic workflow/process? Do you prefer any particular editing tools, social networks or camera accessories to enhance your work?

There is not much to say other than I still have a lot to learn. That is true of everything in life.

Although the X-T1 is very capable of producing brilliant results straight out of the camera—especially when you consider Fujifilm’s film simulations—I always finalise whatever I envisioned in post-production.

Beyond exposure, my most valued in-camera settings are the RAW file-type and the Adobe RGB colour space. I pay close attention to the histogram. The dynamic range of the X-T1 is admirable, so unless I am in an unusual situation, I will prioritise highlights and do my best to not clip them unless it is unavoidable.

Ideally I try to keep a rounded histogram so that when I get it to my computer I have as much data as possible.

My post-production workflow is probably best described as disorderly. I have not yet found a single software solution that can do everything I need in one neat package. I extensively use Adobe Photoshop CC as a tool to refine, polish and offer greater levels of photo manipulation. To complement Photoshop, I also use Adobe Lightroom and Phase One Capture One Pro 9 regularly.

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London Tourist, Fujifilm X-T1 + Fujinon XF23mmF1.4 @ F1.4, 1/2000, ISO800, polarising filter

Do you have any advice to new photographers?

Do not delete your photos! Once you become more confident in your abilities, you will return to them with a fresh perspective, and you will find hidden gems that you previously overlooked. If you are happy using your camera on auto, the best thing you can teach yourself is how spot, matrix and scene metering modes affect your exposure.

Any final thoughts, tips or advice?

A significant influence to my ideas and final results as a photographer is print and framing—how the image will appear on different paper stock, and how it can be complemented by a different frame.

Photography now being a predominantly digital format makes it easy to forget about your photos. Even if you are just starting out, don’t shy away from printing them. It’s important to have a tangible representation of your work.

MichaelDeBeen

You can find more of Michael’s compelling work on his Instagram account here.

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