I could not help observing with interest the mineralogical curiosities which lay about me as in a vast museum, and I constructed for myself a complete geological account of Iceland, [a] most curious island.
— Jules Verne, A Journey to the Center of the Earth

Iceland; a place which I had never considered visiting before, became the destination of my most recent, and most beautiful venture.
Why Iceland?
The reason I had never considered visiting Iceland was due to a lack of knowledge of this magnificent country. The name ‘Iceland’ conjured images of Björk, vikings and ash clouds. However, around 1 year before the trip, my girlfriend (who had been to Iceland 6 years ago) suggested that we visit. As I began looking at google images of Iceland, I soon realised that there would definitely be much more to see than Björk, vikings, and volcanoes (I acknowledged that the likelihood of seeing the first two were slim.) I reacted to the image search by quietly saying colourful profanities under my breath. It was at that point that my mind was made up, and soon after our flights had been booked.
Our ideas for exploring the island changed throughout the year leading up to our departure. Limited to time (15 days) and budget, we quickly decided that we wanted to explore at our own pace and freedom, so any type of tour was out of the question. Our original plan was to cycle and camp around the island (thank god we changed our minds. It would have been an incredible, but incredibly challenging experience.) We then decided that a car+tent combination would be better, but after hearing stories of gale-force, tent-destroying winds, plus the expectation of a lot of rain, we finally decided to rent a camper van. For our needs, the camper van (from KuKu Campers) was perfect; giving us our own freedom and shelter, and being able to wake up and travel at a moments notice. Our camper was modest (more like a builders van with a mattress in the back) but it did the job perfectly!
In preparation for this trip, I had decided to prioritise our own travel experiences above those of photography. This wasn’t, after all, a dedicated photography tour of Iceland, but instead (probably) a once-in-a-lifetime trip. I like to remember special moments as myself being in the moment, and not just being a witness to the moment through a viewfinder. Also, I’ll be the first to admit that I’m not a landscape photographer, and there is no way I could compete with the thousands of awe inspiring images of Iceland, so once I had taken the pressure off myself of trying to get the best images of Iceland, I was left to enjoy the journey for what is was; an exceptionally breathtaking one.
That being said, I did try to plan as much as I could, and some resources which I found invaluable were: The lonely planet (my ‘go to’ for guide books), an ebook called ‘Photo guide to Iceland’ by Hawk and Finn (http://www.icelandontheweb.com/articles-on-iceland/travel-info/photo-guide-to-iceland) and The Photographers Ephemeris (a website and app which allows you to view the sunrise/sunset time and direction from any point in the world. I bought the app so that I could use it on my iPad without internet connection.)
The gear

I spent a long time (as always) deliberating what camera equipment to bring. Having a van meant that I didn’t have too worry (as much as normal) about travelling lightly. I wanted to have as much versatility as possible. I decided to bring:
X-T1 + grip.
XF14 prime.
XF10-24.
XF16-55.
XF55-140. (the zooms were generously on loan from the friendly guys at Fuji Spain).
X100S (I kind of saw the X100s as my ‘personal documentary’ camera while the X-T1 was the workhorse. It would also serve as a backup if I dropped the X-T1 in a volcano).
Haida 10 stop ND filter (plus step up rings so I could use it on all lenses).
Manfrotto BeFree tripod.
A remote timer (for exposures longer than 30 seconds).
A bunch of batteries (along with car charger).
And my MacBook Pro/Hard drive (so I could add photos to Lightroom/Backup on the road).
All of this was packed inside a Billingham Hadley Pro bag (which holds all the essentials plus fits on as cabin baggage on the plane).
Other important items included a Moka pot with damn good coffee, a notepad, and a miniature dancing hula girl. All the essentials.
The experiences
I’m a road trip newbie (Iceland being my second; my first was in New Zealand several years ago), but picking up our van instantly reminded me of the huge sense of freedom that comes with road tripping. The van was to become our carriage, our kitchen, our restaurant, and our penthouse for the next 11 days.



With a fully loaded iPad and tank of petrol, we hit the road with an electrical level of excitement. The industrial area surrounding the car pickup location quickly opened up into a wide expanse of green mountains. I couldn’t stop smiling at the landscapes and was amazed at how ‘big, open and beautiful’ everything was. My girlfriend looked at me, and with a soft laugh said “This is just the tip of the iceberg”. And she was certainly right, as what we saw during those first 30 minutes (although incredible) paled in comparison to what we would see during the following weeks.
Doing a road trip in Iceland is very easy, as there is one ‘ring road’ that goes around the circumference of the island. The recommended time to do the ring road was about 7 – 10 days. We had 11 to do the ring road so were sweet. This also gave us time to deviate from the ring road and explore as much as we could. Our first decision was in which direction to drive. We decided to drive anti-clockwise as by the time we were on driving the northern stretch, there would be a higher chance of seeing the northern lights (a lifelong wish of ours). On average, I would say we spent between 3 – 6 hours a day driving/stopping to take photos.
If you’re thinking of doing a trip around Iceland, I would strongly recommend a camper van (if on a budget), or renting a 4×4 and staying in accommodation (if you don’t mind splashing out). Having a 4×4 would have been a big advantage for taking photographs as you are able access many places which you are unable to in a van. But saying that, the ring road (accessible by all vehicles) leads you to an uncountable number of stunning places.
This was our route:

Reflecting on the trip, it is very difficult to put the experience into words. I hope that my photos can somewhat evoke the sense of natural beauty and magnificence in you (the reader) that Iceland did on me. I will do my best to share some experiences.
TO BE CONTINUED..
Check out part two where Danny takes you right into the heart of Iceland and shows what it really has to offer..





When Fuji released this lens (75-210mm DSLR Equivalent), my intrigue questioned whether this would be an equal to the 70-200mm F2.8L series I had used on my DSLR; would the optics be as good? After trying it I could only describe the results in 2 words ‘Blown away’; the image quality was absolutely outstanding. I use this lens a lot in the studio for its narrower angle of view and the compression it applies to the depth of my images. The focusing & sharpness of this lens, even when hand held is amazing!… I had no need to question this lens, it more than equaled my DSLR equivalent and it’s much lighter too.

I’ve shot on Fuji for almost two years now, but it was the release of the 50-140mm lens that really sealed the deal for me. Shooting fast equestrian sports needs a fast, longer lens – whether you are looking to capture pin sharp action pictures, or deliberately looking to include creative movement with interesting bokeh.
I shoot prime lenses most of the time, but as my primes top out at 56mm (85mm in old money), I often need the reach and speed of the 50-140mm f2.8 for music photography (especially for stage work). With a full frame equivalent of 75-210mm, this is the the classic workhorse zoom that has the beautiful look of a full frame 70-200mm f2.8. Put it together with the 16-55mm f2.8 and you have the ultimate fast twin lens zoom setup that can cover just about any type of event. The OIS is essential on a lens of this size and it does an amazing job, even allowing me to shoot handheld at 1/15th sec while zoomed all the way in.
This is strapped to the front of one of my X-T1s at all times. Sharp, fast and built to withstand some strong abuse, the XF50-140mm is designed for those who need a lens to rely on and not to let them down. With beautiful bokeh and tack sharp wide open, this F2.8 zoom has such a useful focal range that it is in the kit bag of nearly all working X-Photographers. The autofocus is able to track moving animals and it has turned out to be the game changer for many of my recent wildlife encounters. 
I love to shoot prime lenses but at events and festivals you just cant get close enough to your subjects due to the crowed density, so the next best lens to a fast prime is a fast Zoom and the 50-140mm lens is just stunning. I have used top of the range glass from all the other big names when I used to use DSLR’s but nothing compares to the sharpness of this 75-210mm equivalent. What makes it even better is I can shoot with this lens all day and still not have shoulder and neck ache. It gives me beautiful out of focus areas, pin sharp subjects and the image stabilisation comes in to its own when the light drops.
The XF50-140 is a real workhorse of a lens and without doubt, a lens I am loathed to leave behind.
When this lens was created there was nothing else much like it in the range. And to date, it is still the finest long lens in the line up. Tack sharp from 50mm to 140mm – this constant f2.8 lens is fast enough & stabilised enough for you to think less and shoot more. Combined with the most recent updates leaves this lens as one of the most reliable lenses – regardless of genre or type of photography.
Click here to see retailers selling the XF50-140mm lens 


















































s




