Photography

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Fujifilm’s History – Nearly a Century of Innovation

Fujifilm has become a household name. It is a publicly traded company and a leader in digital cameras and accessories. That level of success does not come instantly or easily, though. More than eight decades of history have contributed to building the film behemoth Fujifilm is today.

 

When you get a sense of Fujifilm’s history, then you can even better appreciate how legacy influences the characteristics of Fujifilm products today.

 

An innovative company enters the photography industry.

In the early 1930s, the Japanese government set out a plan to create a local industry for photographic film. That mandate led to the Fuji Photo Film Company’s formation in 1934. Its first factory, Ashigara, sat at the foot of Mount Hakone, but because the “Hakone” title was registered to another company, the film business took the name of a nearby mountain, Fuji.

As Fuji grew, it produced photographic, motion picture and X-Ray films. By 1948, it manufactured its first camera, the Fujica Six, which was known for its compact body and being lightweight. The camera became popular, and Fuji launched a series of Fujica still-photo and motion picture cameras and continued production of that line well into the 1980s.

 

Fujifilm goes digital with the DS-1P.

In 1988, at a photography trade show in Germany, Fujifilm forever changed the industry by unveiling a new toy, the FUJIX DS-1P, the world’s first digital camera. There had been electronic cameras before, but those cameras had stored images in an analog way. The DS-1P did so digitally with its semiconductor memory card. That first model retained only five to 10 images on its card, but Fujifilm further developed its digital technology and, in 1989, released an improved successor, the DS-X, for commercial purchase.

 

The FinePix X100 brings Fujifilm to pros.

Fujifilm continued to build digital cameras—most were designed with the casual user in mind. But in 2010, Fujifilm had something new for the pros when it released the FinePix X100. This camera fused worlds old and new with its APS-C sensor and contemporary viewfinder stashed in a vintage body.

 

Instant success leads to a series.

The X100 was so high in demand that it sold on secondary markets for double its retail price. So the following year, Fujifilm launched an entire series of high-end cameras like the X100. The next in the series, the X10, was released later that year and boasted a larger sensor and an EXR color filter, and the X-S1, the first in a series of interchangeable lenses, came soon after.

 

As the X Series continues today, its products are united not by a particular feature, but by the company’s commitment to create advanced controls for serious photographers.

 

The series is just another way Fujifilm continues its company-wide legacy of advancing technology and anticipating user needs.

 

Springtime at 50 megapixels

GFX 120mm F10 1/280 ISO400

By Ben Cherry

I first moved to the X Series four years ago because I was carrying too much equipment on trips and I wanted to switch to a smaller, lighter alternative. Now with X-T2s and the superb range of lenses available it is often difficult to decide what to take on assignments or trips, making sure it all fits in one backpack. But my kit is still smaller item for item than what it used to be before, its just a question of knowing exactly what you’ll need for each job (not always easy, particularly with nature photography). Read More

Now Available: Which X Series Should I Buy – 3rd Edition

FUJIFILM Australia is proud to release the third instalment of the X Series Buying Guide. In this new 140-page magazine edition, you will find real world thoughts, sample images, side by side specifications and recommendations on the full range of XF Lenses, current X Series cameras and the newly announced FUJIFILM GFX 50S Medium Format camera.

If you are interested in the FUJIFILM range but don’t know where to start due to the overwhelming amount of equipment, then this ebook is for you.

To navigate to the download page visit the link here.

Shooting the Captivating Italian Lakes with the GFX

By Mark Bauer

Landscape photographer, Mark Bauer lives near Dorset’s Jurassic coast, which is world renowned for being stunningly beautiful. This part of the country, as well as travelling with photography provides him with a constant source of inspiration. Mark recently visited the captivating Italian lakes. Armed with a FUJIFILM GFX 50S he captured some stunning images. In this blog he talks about his experience with medium format, and how the GFX was the perfect companion for his trip. Read More

Reasons to Shoot Monochromatic and Colour Photography

With the ease of publishing colour photography, both digitally and in print, monochromatic photos can seem like relics of the past. But there are moments when your shots are best served in black and white. The shapes and busyness of your composition might suggest it is time to break from colour and go monochromatic.

 

Look for a few reasons to make your next shot monochromatic.

 

Simplify composition and emphasise basics.

If the colour in your background and light sources is too busy, a monochromatic shot brings focus back to your subject. Your background elements still matter for the shot, but you need not worry about balance and blend of colours.

“Artillery” by Dennis Vogelsang, Fujifilm X-T1

 

Bring stark shapes to the forefront.

Images that utilise jarring shapes especially benefit greatly from monochromatic. Viewers’ eyes have less to look for when colour is removed, so more of their attention goes toward the geometry in your image.

“Brooklyn Bridge” by David Guest, Fujifilm X100S

Compensate for light sources with ugly hues.

You may have adequate lighting for your shot, but your light source is too warm or cool. If a lamp, fluorescent bulb or car headlight presents an unflattering hue, try the shot in black and white.

“A rainy night in Sydney” by Francis Gorrez, Fujifilm X-T10

 

Connote timelessness.

Because monochromatic photos were more common decades ago, we still associate them with history. Invoke timelessness in your shots today by going back to black and white. Portraits and cityscapes shot in monochromatic feel like they have a place in the photographic past.

“Look At Me! Lunchtime Rendezvous” by Justin Curtis, Fujifilm X100S

 

See faces in a new way.

People of all races and backgrounds can be photographed well in monochromatic, which diminishes blemishes and discolorations. Get a full range of black-and-white hues with a well-lit portrait.

 

Of course, not every moment is best served in black and white. Remember why your image might need a full spectrum of colour.

“Country Meets City” by Grant Ashford, Fujifilm X-Pro2

 

Show clarity between objects of similar value.

If your image includes items of different colours but similar values, like navy blue and green, then a colour photo may be necessary to distinguish the hues from one another.

 

 

Communicate the time of day.

From golden hour to blue hour, times of day come through when your outdoor photo is in full colour. Catch not only the angle of natural light but also its hue to set a more vivid scene.

 

Make fashion the focus.

When you take a portrait focused on a person’s fashion as much as his or her facial features, colour photography showcases the colour combinations of clothing and accessories.

 

Allow trees and birds to show their coats.

Most outdoor photography is best suited for colour. While monochromatic works for some waterbody shots, colour shows trees changing with the seasons and birds donning their kaleidoscope of feathers.

 

Establish your background as more than an afterthought.

Monochromatic photos bring the most attention to subjects and their shapes. But if you have an alluring background, that may not be your goal. Stick with colour if you want viewers to appreciate much more than your foreground.

 

Monochromatic and colour photos both have their place in your repertoire, and knowing the best uses for each will give you confidence as you shoot with intention.