Kevin Mullins has published a fantastic book that will help any X100S user get the most out of their camera. Fujifilm X100S: From Snapshots to Great Shots gives you the perfect blend of photography instruction and camera reference that will take your images to the next level. Beautifully illustrated with large, vibrant photos, this book teaches you how to take control of your photography to get the image you want every time you pick up the camera.
Learn the top ten things you need to know about shooting with the X100S
User the camera’s advanced settings to gain full control over the look and feel of your images
Learn the best tricks and techniques for getting great street photographs, landscapes and portraits.
And lots more…
Win a signed copy
We have a two copies that have been signed by Kevin Mullins to give away to two lucky people. There’s 2 ways of entering, and they’re both really simple:
The competition is now closed.
The winners will be notified and announced shortly.
Kevin Mullins is an accomplished wedding photojournalist based in the United Kingdom. He has been shooting with, and advocating, the Fuji X-Series of cameras since their launch and uses the series with all commercial assignments. Kevin is officially recognised by Fujifilm as an “X-Photographer” and often speaks on the Fuji-X-Series at conventions and seminars. When not shooting weddings, Kevin educates other photographers in the areas of photography business management and wedding photojournalism.
We’ve been working with Alex for sometime now and he’s been creating some eye-wateringly good fashion shoots and editorial work in the UK and abroad for a while now.
X-E2 – 1/60 f/4 ISO3200 Image by Nathan Wake
We wanted to offer a select few the opportunity to come along to London for the day, shoot a top international model (the tallest and most beautiful person I’d ever met and am likely to), try out the Fujifilm X-T1, X-Pro1, X100S and range of lenses. The real pull however was to be working in close
proximity with Alex and get almost one-to-one training with. Alex would generously offer top advice and techniques on how to shoot street fashion, with an edgy feel. We ran a quick competition and notified the lucky people that would be invited to come along.
So, at The Sanderson (FYI if you’re thinking of visiting London try and stay here. The lift alone will blow your mind-honestly) I, along with Nathan and Hannah from Fujifilm, were there to meet the lucky winners.
X-E2 – 1/50 f/2.8 ISO3200 Image by Nathan Wake
The attendees were a real mix of shooting styles and photographic weapons of choice, but all very proficient photographers. Up in the lift (I will bang on about that given half the chance) to the fabulous suite which we were using. Jasmin had her hair and make-up fixed, tips were given from Alex how to direct hair and makeup and how to go about choosing a team of people to work with.
X-T1 – 1/125 f/1.2 ISO250 Image by Nathan Wake
While the styling was taking place Alex talked through how he came to use the Fujifilm system, why its worked for him and why it offers him creative freedom. How he can get shots which wouldn’t be possible with a traditional DSLR (more on this to come). Our competition winners then chose which camera / lens combo they wanted to use, Jasmin was revealed -ta-dar- and we were ready to hit the streets of Soho.
X-T1 – 1/125 f/11 ISO250 Image by Nathan Wake
6 photographers, 3 Fujifilm staff, one International model, one videographer (special thanks to Sinbad) and one Alex Lambrechts out on the streets of Soho. For those unfamiliar with London, its quite common to see lots of creative and exciting things going on, but we were stopping traffic! The public were quite rightly curious as to what was going on, but we all got into the hang of it straight away.
Alex was teaching us on the fly what to look for, angles, backlighting, top lighting, inspiring everyone and giving them confidence to try something new. On the spot, on the go.
X-E2 – 1/350 f/8 ISO200 Image by Nathan Wake
We tried different techniques, going down side alleys, using the urban architecture to frame different shots and learning more and more about how to create ‘wow’ shots using the cameras. Pretty soon anyone who may have been lacking confidence were sharpening their elbows to get in and get the shot.
Streets, alleyways, walkways, building entrances-anything and everything was being shot. SD cards were filling up at a rate of knots.
X-T1 – 1/125 f/11 ISO640 Image by Nathan Wake
After a good few hours of shooting, stopping and dodging traffic we were spent, so decamped to a pizzeria in Soho to take stock.
Cameras were passed around, experiences shared, top tips from all participants were exchanged.
X-T1 – 1/125 f/1.8 ISO1600 Image by Nathan Wake
Throughout the whole experience Alex was there, on hand, giving advice, giving encouragement but also letting you get on with it.
The whole experience was filmed in order to share with others what its like to shoot in those kind of conditions, with this kit. These are cameras which Alex shoots with professionally, not for a past time. They have to help him make a living. But this experience was showing others either new to the system, those thinking of trading up etc what opportunities there are and what they can enjoy from the Fujifilm X-Series.
X-T1 – 1/40 f/8 ISO3200 Image by Nathan Wake
Home, exhausted, happy and with some amazing images and memories which make me want to shoot more, challenge myself more and become a better photographer.
You’ve read the blog, seen the images, now you can watch the video too!
The reason I wanted to attend was to learn from Alex and to try out Fujifilm X series cameras and street photography
I liked the buzz of the street photography experience and the camera was excellent and very manageable due to its size. I was really concerned as I am not technical that I wouldn’t be able to get nice images but I was very pleasantly surprised.
X-T1 with XF23mm f/2.2, 1/140, ISO200
—
Brian Rolfe
Having just purchased my X-Pro 1 and Alex being one of the reasons that helped me make that jump, I wanted to get an insight into how Alex used the system, settings and tips on the X system and get some hands on time with my new camera and try something different.
I’ve had almost no previous experience in shooting street photography.
I really enjoyed the day, Alex took the time to go over how he came to use the X system, how he uses it and the benefits as well as a few pointers on particular settings. Aside from getting a better understanding of the cameras and some of the settings I learned a couple of new focussing techniques and how to shoot ‘on the fly’, totally different to most of my studio work and a refreshing change!
X-Pro1 with XF14mm f/11, 1/500, ISO6400
—
Robert Morgans
I wanted to meet Alex Lambrechts, Fuji staff, and experience an assortment of Fuji cameras and equipment and to have a go at some street photography. I enjoyed being with like minded people, picking up tips, and having a good time.
The day was a massive success despite being late getting outside. I really enjoyed it and met some lovely people who are now Facebook friends, plus got some great shots and learned some things.
I didn’t have a great deal of street photography experience, mainly shooting architecture. I did photograph people but, in my mind, the picture needs to pick up something interesting, an expression or act, to warrant the picture being worth publishing. I see too many nondescript street pics, so my experience is that it’s a difficult area to get expressive images but very rewarding when it happens.
I really enjoyed the day and the company. Alex and his wife, Jasmin, are a great couple and make the day. Jasmin was so good as a model that getting a great shot was fairly easy!
I learned that it is best to utilise the Fuji option of setting a minimum shutter speed to avoid motion blur and let the camera chose whatever ISO as even at very high ISO the file quality is superb. Setting the aperture small (like F11) for getting background sharp and more open for closer work.
X100S f/2, 1/340, ISO200
—
Tuesday Dé Máirt
I carry my dslr (with some heavy lenses) everywhere I go but it’s surely wearing me out so I asked Facebook friends to recommend me a handy camera that produces good quality pictures. Someone told me about the upcoming Fujifilm camera (back in January) so I waited and purchased XT1 when it became available. So coming to the workshop was the best idea – to learn more about the handsome camera’s capabilities.
This is my first time to try street photography.
The experience was remarkable! It was more of a relax kind of just chatting and taking photographs. Alex is very talented when it comes to teaching (aside from capturing great photographs!), he definitely made everyone get excited for the day and encourage everyone to just take pictures, waste no time! I love the tips I got from him, he surely know what he’s doing. And Nathan is there to help with technical stuff which I was expecting to learn that day too. Definitely a memory worth to keep…
X-T1 with XF18-55mm f/2.8, 1/4000, ISO500
—
Gerry Walden
My reasons for attending was to keep myself fresh on trending styles of photography with a hands-on experience.
I have extensive experience of shooting ‘street’ but this was a first for me within the style. My normal work is a more social documentary style.
The day was a great opportunity to interchange ideas with Alex and the others, and to network with fellow Fuji users of various abilities. It took me out of my comfort zone and challenged me to think more progressively about what I am doing.
X-Pro1 with XF14mm f/5.6, 1/320, ISO400
Joshua Brathwaite
Being relatively new to the world of photography the Fujifilm X Street Fashion workshop was fantastic and just what I needed. It gave me not only the technical pointers that I’d hoped for, but being introduced to the Fujifilm X systems changed my whole view of photography. It opened me up to new ideas and techniques that simply aren’t possible with the DSLR camera. I’m now saving up to buy the XT1. Alex and the Fujifilm team were very helpful and put on an awesome day in the streets on London.
—
Finally, a special thanks to Nathan Wake for shooting the lovely images that make up the first part of this blog post!
It’s that time again. A new Fujifilm X Magazine issue is ready to your reading and viewing pleasure.
Interview with Eric Bouvet
This issue features an interview with the amazing award-winning reportage photographer Eric Bouvet who travels the world with his X-Pro1 and X-T1. Learn about what inspired Eric to take up photography and what pressure really feels like when he is standing in the firing line (literally) and trying to capture the events so people like you and I can see first hand what is going on across the world.
Eric Bouvet
Eric Bouvet
Eric Bouvet at the Burning Man festival
Take a walk around Yellowstone National Park
This issue’s “X Marks The Spot” features some amazing infra-red photography by Simon Weir using a modified X-E1 plus Lightroom and Silver Efex Pro.
Simon Weir
Simon Weir
Simon Weir
Be inspired
And the usual features; “What to Shoot Now” provides you with inspiration on what subjects to shoot during the summer months, “Get more from your X series” takes a look at the wireless connectivity function featured on many Fujifilm X cameras and the “Exhibition” shows a fantastic array of images, plus the sotires behind them, shot by our readers.
What to shoot now
Get more from your X series
X Magazine exhibition – Documentary
Competition time
Fujifilm X Magazine competition. Win an XF10-24mm lens!
And finally, you could win a fantastic XF10-24mm lens in our competition. For a chance to win, send us your best wide-angle image. More details in the magazine itself!
A little while back someone showed me the Fujifilm Instax Share SP-1 Smartphoto Printer. At first, I though…meh! I could see it’s uses, but I couldn’t see it’s uses for me.
Instax Share SP-1 next to an X100S for size comparison
This changed once I received it last week.
Let me tell you a little anecdote; My daughter has one of the Instax Mini 8 cameras. It’s pink (she’s five years old). She adores it and she snaps away at anybody who will allow her. She has a little album and it’s been a wonderful way for her to enter into the world of photography.
So, when I received the Fujifilm Instax Share SP-1 Smartphoto Printer I was intrigued, more than anything, to see how I could utilise it in my day to day work.
The Fujifilm Instax Share SP-1 Smartphoto Printer is nicely designed, and rounded. The buttons are tactile and well positioned. There is a neat battery indicator and also an exposures remaining LED.
It looks good and is really quite discrete too. I have a white one, and I’m not sure if other colours will be offered.
Battery indicator and exposures remaining LED are very usefulA very handy reprint button will duplicate your last exposure. Good thinking Fuji!The device simply looks good and the branding is discrete.
Street Photographers I think will simply love this device. If you shoot portraits on the street, as I do occasionally, I usually end up offering the subject a business card and asking them to email me (I always send them a small print in the post if they do email). This is a laborious task right? and an even more pain if you are shooting abroad.
I can see me taking the Fujifilm Instax Share SP-1 Smartphoto Printer with me when ever I shoot street now. It’s small enough (101.6mm x 42mm x 122.5mm / 253g ) to slip into a bag and the two CR2 batteries will last for around a hundred exposures. Plenty for a few shooting trips for me.
So; engage with subject, shoot, print…..away you go. Very cool.
I was a bit reticent about using it at a wedding. My style is totally candid. I don’t really do bridal portraits etc. However, I gladly took the SP-1 with me to a wedding I shot in the South of France last weekend.
This is what I did – and this is where I think it will be amazingly powerful for wedding photographers:
Shot the wedding all day using my X-T1 and X100S
During the down time I WiFi’ed (is that a real word?) over an image from the X-T1 to my iPad. If you don’t have a wifi enabled camera you can of course simply ingest the card to the device.
I used Snapseed to edit the image sightly. A bit of contrast and conversion to black and white.
I printed on the Instax Share SP-1
I gave it to the bride and groom as I left
They cried….said it was wonderful….and showed it to everyone else.
Boom! Added value for wedding photographers right there.
Connecting the printer, editing and printing the image took around one minute in total.
I can see wedding shooters who offer a more formal type of photography benefiting from this as well. Being able to take a portrait of Aunty Mabel and print it there and then is going to make you the good guy (or girl).
The print quality is fine. You are not going to lose print sales post event by handing these out. They are very much aimed at resembling the Poloroids of past and that, they do very well. According to Fuji the print resolution is 10 dots/mm (254 dpi) with 256 levels per color (RGB). It’s not hi-res printing but the images that do come out are snappy and certainly of a high enough quality to make people go “Ooooo” and even, perhaps “Aaaaah”.
The physical size of the images are 62mm x 46mm, so not huge….but perfect for street shooters and wedding photographers a like I think.
Cool things I like about the Fujifilm Instax Share SP-1 Smartphoto Printer:
Very quick to connect.
The App Software is very easy to use.
The printer itself tells you via the green LED lights how many exposures are left on the roll.
The App Software tells you which images you’ve already printed, or if an image is not usable.
Print time is around 9 seconds in total.
Didn’t have a miss communication once.
It’s a pretty small device.
Comes with batteries and two cassettes of film in the box.
A couple of things I’d like to see with the Fujifilm Instax Share SP-1 Smartphoto Printer in the future:
The ability to print direct from a WiFi enabled camera (X-T1 for example) would be awesome.
A better set of templates and editing options in the App
It would be cool to have a strap too. I know, I know, you aren’t going to walk around all day with this around your neck but if you are doing a run of portraits, at a wedding perhaps, it would be useful.
Using the Fujifilm Instax Share SP-1 Smartphoto Printer:
You need the Instax Share App. I believe this is available for iOS (iPhone and iPad) and Android devices. I just used the iPad version.
Simply hold the power button the printer down for about a second and it comes to life.
At the same time, it creates and ad hoc wi-fi network (you can change the name, password etc if you are security conscience).
Go into your device settings and connect to that network.
Launch the Insax Share App.
Select the image.
Edit, add text, rotate the image etc as you see fit.
Press PRINT.
Then wait around 9-15 seconds for the emulation to be exposed in front of your eyes.
Stand back and admire your work.
The application comes with some themes and basic editing functionality (though I suspect any serious photographer will edit the images first in another image editing app on their device). There are some neat uses of the themes where I can see it being useful to put your name or your website address on the image via the software. All very cool stuff. You can make the image Sepia or black and white too but, as mentioned, something like Snapseed is far better positioned for this type of editing.
In summary – I think this is a great device. I know there are similar things on the market but for me this is a well rounded all in one solution for printing your phone photos or from a wi-fi enabled camera.
I really, really, really, really want to be able to print directly from the X-T1 and other wifi enabled cameras though. I think that would make this device go from seriously useful, to absolutely necessary for travel photographers, street photographers and wedding photographers who want to give their clients that little extra.
Kaizen (改善), Japanese for “improvement” or “change for the best”, refers to philosophy or practices that focus upon continuous improvement. – Wikipedia
Way back in February 2014, our Senior Sales and Marketing Manager Toshi Iida mentioned during an interview with DPReview that the X-E2 would be due some loving from the R&D team in the near future.
“We will release new firmware for the X-E2 soon which will improve the refresh rate of the EVF bringing it to the same level as the X-T1 and also add an interval shooting function.”
EVF Refresh Rate
The new firmware version 2.00 has been released today and it includes the improved refresh rate on the EVF that Toshi mentioned. I’ve tested it quickly here and it is a noticeable improvement, but to be honest I didn’t find the previous refresh rate much of an issue to start with.
Selecting different colours when using Focus Peak Highlighting
It looks like the Interval Shooting feature didn’t quite make it into this one (lets hope for v 2.10), but instead we’ve got the ability to select different colours for the Focus Peak Highlighting – a feature that I really like on the X-T1.
In certain shooting situations (like ones that already contain lots of white), it can be difficult to see the white focus peak highlighting.
I personally tend to shoot on manual focus, using the AF-L button to Autofocus and then the focus ring to make minor adjustments. One thing I’ve been doing lately that makes it even easier to focus is to set the camera to B+W and then use the Red highlight peaking as it stands out hugely from the rest of the shot.
Here’s a couple of shots to demonstrate how easy it is to see the focal plane in this way. These shots are actually of an X-T1 screen so they’re for reference only. Also, please remember that these are shots of the LCD screen. When using the EVF the image is far more detailed.
I’ve just realised I’m drinking out of an 8 year old cup
Focal plane at f/1.2 is rather small!
I still shoot JPG+RAW so the final images don’t need to be in B+W. The reason I shoot JPG as well is so you can quickly use the playback mode to see a 100% crop to check you really did hit the focus bang on – handy when shooting at f/1.2!
Face Detection on Fn button
This is something I can see myself using, especially with the fast lenses shooting my kids when they are playing. I find the Face Detection AF very good at picking out their eyes, so to be able to switch it on and off at the single touch of a button when I’m changing between shooting them and shooting things without a face will be nice.
Conclusion
All in all I think this is a really nice upgrade for the X-E2. Perhaps some X-E2 users that were thinking about switching to the X-T1 might think twice now, but that’s OK – it’s all part of our philosophy of Kaizen to continually improve our products and hope that our users get plenty of joy out of their product before they feel they need to upgrade.
Any questions, Tweet me @Fujifilm_UK or leave a comment below.
Date: Sat 3rd May Time: Arrival at 10.00 and continue shooting for six hours. Venue:Sanderson Hotel , 50 Berners Street, London, W1T 3NG Limited to 6 attendees only.
Format of the day
This hands-on Fashion X Street workshop will focus on the various techniques and ideas Alex frequently uses when shooting an ‘On-Street’ Fashion, Press or Portrait, shooting with both daylight and flash for varied environmental and lighting effects. During this free 6 hour course, you’ll be learning/testing loads of tips, tricks and secrets. Suitable for all levels of photographers, you’ll be receiving personal hands-on tuition, tailored to your experience level, especially exciting for those still on the fence about switching to the X-Series from traditional DSLR, rangefinders and/or other formats.
You will receive hands-on coaching to achieve the results which have helped Alex become a very sought after UK fashion photographer.
The street shoot portion will be followed by an hour of post processing, Q&A and optional portfolio review
What you’ll learn
We’ll be shooting a professional international Fashion Model you’ll will be taken right the way through the process, from set up to directing your model for maximum results, learning the following along the way:
In-depth manual control and familiarisation of the various features unique to the X-Series, as well as basic manual photography.
Accurately & confidently selecting and using the new Fujifilm Fujinon lenses, in both Auto & Manual focus modes, with a variety of focusing techniques for different lighting and environmental situations.
Knowing how and when to switch between the various view options of the Hybrid viewfinder and LCD to get the most out of these great tools in every situation.
Looking for, identifying and creating dynamic compositions on the go, for that ‘reportage look’ whilst avoiding the typically boring/posed images.
How to shoot in the ‘real world’ and ‘on the fly’ with varying lighting conditions and moving subjects on the Streets of Soho.
How to use your flash in various ways, for either fill or creative lighting, as well as incorporating existing or external light sources, to enhance your creations.
The final part of this day will then be spent post processing and editing your new images using Lightroom, to prepare them for your portfolio as well as going over any aspects you might want to revisit or discuss again.
Equipment needed
Simply bring your camera, desired lenses and flashes.
Fujifilm will be providing a selection of X cameras on the day for you to use – including the brand new X-T1 and X100S.
Those wanting to post process your own images on the day will need to bring your own laptop (with the latest version of Lightroom already installed)
T + C’s
No additional, further or other costs or expenses are included in any prize unless stated. For example, the costs of transport to and from the event are not included.
There is no cash alternative
Where do I sign up?
The competition is now closed and congratulations to the winners. Details of the day will be shown on here and on Facebook after the weekend!
About Alex Lambrechts
Professional photographer Alex Lambrechts has already exhibited in London and New York and currently shoots commercially for magazines, brands, companies, music and fashion labels, travelling internationally.
Whilst he is well recognised for his ‘Quirky, often Edgy’ Children’s campaigns, and incorporating a ‘raw/street documentary’ style to his fashion editorials, Alex is forever closely studying the Masters of past & present, and is MOST passionate about the genres of ‘Social Documentary and Street Photography’ of which he is tirelessly working on personal projects. Alex’s most recent published works can be found in GQ Japan, Vogue Italia, 3 regional Elle and 2 L’Officiel mags and Nylon to name only a few, all these shoots were executed using Fujifilm X-Series cameras.