Tell us about yourself and what got you into photography? How did you develop your style in photography?
I am a photographer based in Nottinghamshire, UK with a passion for Travel, Landscape and Social Documentary photography.
My love of photography started in my teens when I used the camera to record walking and climbing trips around the UK but especially in the Peak District and Lake District. As my knowledge developed and results improved, the emphasis changed from less walking to more photography. In those days I was shooting 35mm slide film and enjoyed processing my own black & white prints in my darkroom at home. As with many other photographers the shift to digital helped to improve my photography and it’s certainly more comfortable processing images in the digital whiteroom!
Over the years I have been fortunate to travel widely and consequently this has become my favourite genre of photography. I find it an amazing experience to observe and photograph a variety of cultures, people and landscapes, and hope that through my photographs I can bring a little of this to the viewer and inspire others to experience the beauty and diversity of the world for themselves.
Why did you choose Fujifilm cameras?
Having used a DSLR system since their launch I had always hankered after a small rangefinder style camera that I felt would offer more freedom and enjoyment in my photography. When the Fuji X-E1 was launched I bought one straight away thinking it would complement my DSLR and would be a great walk around camera. As soon as I got the camera I was smitten. It was so lovely to use, it felt just right, it was intuitive and it made me want to take pictures. The only area where I needed reassurance was image quality, could an APSC sensor really match my full frame DSLR? Well I should have had no concerns. The combination of camera and stunning Fujifilm XF lenses delivered superb results and there was a further revelation, jpegs! I hadn’t shot jpegs for a long time but when I saw the results I was amazed. They were sharp, the colour rendition was spot on and the overall feel of the image was beautiful, almost film like in their appearance. I bought a couple more lenses, the XF10-24 and the XF55-200 and the brilliant Fuji X-T1, and this opened up more creative opportunities. I started to use the Fuji kit more and more, no longer was it a back up to the big, heavy DSLR. It had earned its stripes and I loved the combination of a smaller, lighter, robust system that was so intuitive and simply a joy to use. Today the DSLR system sits in the cupboard waiting for the inevitable ebay listing as the Fuji accompanies me everywhere at home and abroad.
What & who inspires you?
I love great pictures whatever the subject matter and as a travel photographer you have to be pretty adept at different genres as you will be shooting architecture, people, landscape, detail, street and many other subjects in the quest to capture the spirit of the place. Therefore I have many sources of inspiration. I marvel at the landscape work of Charlie Waite who seems to capture scenes at their absolute best with sublime composition and feeling. David Noton, Elia Locardi, Ric Sammon and Steve McCurry are among my favourite travel photographers and Art Wolfe’s images combine the best of nature and travel with fine art. Sebastio Salgado has to be there for his amazing documentary and people pictures. I just think it’s important to open your eyes to the world out there and draw inspiration from as many sources as possible.
Do you have any tips or tricks you could share with us?
Without doubt the number one priority with Travel photography is planning. We don’t have unlimited time or budget when travelling so we have to make use of every moment. That means understanding key locations, viewpoints, weather conditions, sunrise & sunset times and direction and any local factors such as opening & closing times. The internet is an invaluable resource for this and I will check out tourism websites, Google images, flickr and 500px. You will find some stunning images of your locations that you should use as a starting point. Of course you will want to shoot the iconic views of famous locations but when you have those in the bag look for something different, put your stamp on the place. You will be surprised that it’s so often those images that give you the most satisfaction.
The majority of my images are taken using a tripod. Now whilst some photographers regard a tripod as an unnecessary evil there are many good reasons to use a tripod other than just avoiding camera shake. Sure there are times when I shoot handheld but using a tripod slows you down and makes you think more carefully about your subject, enabling more precise composition. It also helps makes the use of gradual neutral density filters easier with more accurate positioning. Creative opportunities are also opened up by using longer shutter speeds in daylight, including the use of ND filters, to capture movement. But of course it’s the ability to capture the best light of the day at sunrise and sunset that make the tripod an invaluable part of any travel photographers kit.
I love photographing people, but for many the prospect of approaching a stranger and asking to take their picture is a real challenge and that’s why some take the easier route of a long lens grab shot. Whilst there is certainly a place for the candid approach I have found that taking pictures with permission yields far better results. So I would urge you to pluck up the courage and try to make that connection with your subject. I always try and learn a few words in the local language which, even if I get wrong, usually results in smiles and breaks the ice, creating a perfect start for your people photography. Check your equipment before you approach your subject including lens selection, aperture, battery life and frames remaining on your memory card. Also once you have permission don’t just take one shot and move on. Shoot a few images, move around and work with your subject. Resist the temptation to keep chimping your screen but use it to show your subject the results, this works really well with children and of course thank the person when you’ve finished.
What’s next for you?
I have just completed a major Social Documentary project on the closure of Thoresby Colliery, the last pit in Nottinghamshire. Being such a significant event in the county’s industrial and social history I was keen to produce an enduring record of the colliery and to share the images with as wide an audience as possible. So I am delighted to have produced a major touring exhibition which opens in Mansfield, Nottinghamshire and runs until 27th February and have also published a book, “Thoresby The End Of The Mine”. Full details of both can be found on my website www.chrisuptonphotography.com So in the short term I am busy publicising and promoting but I am also looking forward to a few trips abroad including Venice, India and Andalucia.
Contact info
Kevin Mullins is a Wiltshire-based award winning wedding photographer who specialises in telling stories, through pictures, of weddings. The style of wedding photography he uses is known as documentary wedding photography, or reportage wedding photography and he is passionate about photographing weddings authentically, sympathetically and responsibly.
The super fast aperture of f1.2 and the full frame equivalent of 85mm make this lens an essential part of my kit. It doesn’t matter if I’m shooting a documentary wedding, a jazz artist in a dimly lit room or a well lit portrait, the 56mm lens has a unique look and produces some of the best shallow depth of field creaminess of any lens I’ve ever used. Like all the Fuji XF lenses, the 56mm is also razor sharp and it beats the best of the high end 85mm lenses from the other big manufacturers. I haven’t tried the 90mm f2 yet, but it looks like that too will be an amazing portrait lens.
Many photographers came to the X-Series because of this lens. Offering F1.2 at 85mm equiv. focal length in a compact package that happens to be one of the fastest focusing lenses in the range… The F1.2 effect has so many benefits, from striking portraits to being invaluable in low light conditions. The later is particularly helpful for me. In tropical rainforests you don’t often see wildlife from a far but instead stumble across it. Here the F1.2 helped to capture this baby elephant dozing, ISO1600 F1.2 1/120sec. If this were with a F2.8 lens I would have been shooting at 1/30sec, risking motion blur as I tried to contain my excitement.
The 56mm F1.2 is my most used lens, it’s almost always the first lens I reach for on every shoot. I love the narrow depth of field and the super fast focusing. As a landscape photographer people are surprised when I say that I often shoot with the lens quite wide open, but for my style of long exposures where I’m trying to create a sense of infinite space the wide aperture looses the background nicely obscuring details I don’t need in the image. 
Click to see retailers selling the XF56mm lens