Fujifilm EMEA

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6 Great tips for better portraits

Winter isn’t just about shooting landscapes, you can grab some great portraits too – just follow our advice for better people pictures

Good portraits don’t just happen, some planning is essential. Preparation can be a constant process; bookmark websites with images that inspire you, tear out pictures from magazines, grab shots of billboards that appeal. That way you’ll have some ideas to draw on.

When it comes to taking the pictures, share those ideas with your subject; see the shoot as a collaboration. Keep talking to them as you take pictures and show them the images on the rear LCD – silence isn’t golden in portraiture.

At this time of year, you may want to shoot indoors or out. Outdoors on a cloudy day, the light is beautifully soft, which is very flattering for portraits. Use a reflector to even the light up as much as possible and consider changing the white-balance to the Shade preset to warm up the scene. Sunny conditions work well too, but make sure you use a lens hood to avoid excessive flare and ghosting. Indoors, position your subject near a window for an available light shot or use flash lighting for greater control.

No matter where you work, keep the shooting time short, especially if you’re photographing kids.

Sharp focus on the eyes is crucial otherwise the portrait will lack impact, but don’t feel your subject has to look straight at the camera. Be bold with your compositions – you don’t have to take everything with the camera held upright.

When it comes to lenses, anything goes! The XF50-140mm and XF56mm APD lenses are obvious options, thanks to their excellent bokeh effects, but wide-angle optics are worth consideration, especially if you want to include more of the surroundings. Need some portrait ideas? Try these…

Open wide

Portraits aren’t all about cropping in close, they can also work well when shooting wide to include the surroundings. Use this approach when you want to tell more of a story with your subject, or simply want to make the most of a fantastic location you’ve found.

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Go for bokeh

Fujifilm’s new XF56mm F1.2 APD lens is perfect for portraits. Position your subject in front of a background with bright highlights, then use the maximum aperture for stunning bokeh effects. This approach also works well with other fast-aperture prime XF lenses.

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Keep it simple

If you’re shooting in a studio, don’t try to use too many lights. One main light and a reflector is all you need to get some great shots, especially if the light has an umbrella or softbox to diffuse the light for a more flattering result.

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Form a group

Make portraiture more social by shooting a group. Avoid lining everyone up in one row; try having some people sitting with others standing behind, or look for a slope or steps for compositional variety. Silhouettes like this work well, too. Take plenty of shots – you’ll be surprised how many group shots can be spoiled by one person blinking!

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Creative candids

Getting your subject engrossed in an indoor or outdoor activity gives you the perfect chance to shoot natural candids. Set your X-series camera to continuous AF and continuous shooting so you can keep up with any movement, then fire away. Choosing one of the Auto ISO options will increase your hit rate of sharp shots.

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Add some colour

When the weather is colder, natural colours are more muted. Give your portraits a colour boost by adding in bright accessories such as a hat, scarf, coat or gloves. Then select the Velvia Film Simulation mode to give them extra saturation.

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X-Photographer’s Spotlight – Jefferson Pires

Tell us about yourself and what got you into photography?

downloadMy name is Jefferson Pires and I am the founder of a menswear and lifestyle online magazine called SchoolBoyCouture. I got into photography due to multiple reasons. When I was younger I used to always carry a sketchbook and sketch whatever I saw, capture whatever inspired me. Photography was a natural progression of that. Also when I first started my site, I wanted to create original content that stood out from competitors. It is then that I started taking photography seriously. The first proper camera that I got was a Fujifilm X100 when it was first released.

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Why did you choose Fujifilm cameras?

I was drawn towards Fujifilm because of the unique form factor and the emphasis on physical dials. It’s great to see how much the ‘X’ camera lineage has progressed since the X100 and even how much the X100 has changed due to regular software updates. I’ve still got mine and it holds a special place in my heart, even after all these years.

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Do you have a photographic philosophy you live by?

A lot of people tend to get caught up in the technicalities of things. ‘Pixel Peeping’ and ‘Spec Wars’ are all a waste of time in my opinion. There is always going to be something better around the horizon and the camera that you spent hours contemplating and comparing online is going to be obsolete before you know it. What’s important is that you buy something that works for ‘you’ and that makes you want to go out and shoot. That’s exactly how I work. Think of the bigger picture.

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Key inspirations – What & who inspires you?

I spend a lot of time on social media platforms like Tumblr, Pinterest and even the VSCO Grid. I think there’s some fantastic inspiration that can be had from those channels. But the simplest thing you can do is put your smartphone away when you are travelling and look around you. There’s inspiration to be had everyday, right in front of your eyes.

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Do you have any tips or tricks you could share with us?

Be yourself. Try not to copy someone else’s style of photography because that is unique to them. Instead try different things and you will eventually find your niche. And, like I mentioned earlier, you don’t need the latest gear to take the best pictures. It’s all in the eye. Capture what you see!

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What’s next for you?

I’ve recently launched The SBc Journal on my site with its own dedicated Instagram account. It’s a page where photographers from around the world can showcase their work. All they have to do is submit their images on the site via email or tag their images with #TheSBcJournal on Instagram. The Instagram account handle is @TheSBcJournal.

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Contact info

instagram
twitter
facebook
website

Top 10 fashion portrait tips by Brian Rolfe

By Brian Rolfe

I love shooting fashion portraits, easy to plan, far less work than an editorial or commercial job! Give me a good model, quite often no team, just me, the model and an idea of what we want to create and almost without fail we’ll come away with some great shots that look uncontrived and natural. These are my tips for approaching this kind of portraiture…! !

#1 Put together a mood board beforehand that gives the general idea of what you’re aiming for, this doesn’t have to be an exact guide of the result you’d like but more of an overview so that everyone is on the same page. If you’ve not yet got a clearcut style then it’s good to find an image that’s close to what you want to create.!

#2 Pick the right model for the style you’re shooting, it sounds obvious but casting a very commercial girl next door type model when you want an editorial style with attitude is generally not going to work.!

#3 Remember models are people too, take the time to chat with them, get to know them a
little. Fashion portraits and people photography in general is as much about your personality as it is a model’s, create a relaxed and enjoyable atmosphere and it will show in your results!!

#4 Try not to over direct, I always find a good professional fashion model allowed to pose free will usually create magic you never thought of yourself, that pretty much goes for fashion portraits as well as editorials.!

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#5 Don’t ever put your camera down while the model is in front of you, you may just miss a candid shot that is a killer! I’ve done it and you will kick yourself.!

#6 Don’t get hung up on having a full team, some of my favourite shoots have been with no make up, hair or styling aside from what the model brings with her or him. I’ve shot models in an old pair of my jeans and that’s it.!

#7 Keep things simple, good lighting doesn’t need multiple light sources and expensive
modifiers, one light or daylight works best for a fashion portrait.!

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#8 Play with angles, shoot from the floor, move around the model and experiment.!

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#9 Keep make up natural or even shoot without any at all, a blank canvas and unstyled hair bring a realism to the shoot.!

#10 I generally keep styling basic for this kind or shoot, denim, t-shirts, vest tops, basics underwear, again give your model some ideas in advance or get something in yourself if you don’t have a stylist.! !

Have fun!

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 About Brian

pic22648Brian Rolfe is a professional photographer based just outside of London with a clean and classic style specialising in beauty, hair, fashion and portraiture.

Inspired by the classic photography of the sixties and the supermodel era of the eighties and nineties, he takes a simplistic approach, preferring to work with one or two lights and keep retouching to a minimum in order to enhance rather than overpower an image.

THE FUJIFILM X MAGAZINE IS HERE! – ISSUE 8

Issue 8 of the Fujifilm X Magazine is now available to view online, or download to your mobile or tablet via the Android or Apple app.

In this issue Swedish photographer Knut Koivisto shares his approach to people pictures, we give you seasonal portrait ideas, the X100T gets a test drive and to top it off, we showcase a superb set of desert landscapes taken in the Wild West!

 

 

 

Interview – Knut Koisvisto

Every photographer can learn from Knut Koivisto’s approach to portraiture. He explains how he works and why he uses Fujifilm X-series.

Click here to read the full interview »

 

X Marks the Spot

Monument Valley was on Gary Collyer’s photo bucket list for years. When he finally visited, it didn’t disappoint – and nor did his images.

Click here to read the full article »

 

What to shoot

Whether you want to work in the studio or outdoors, this is a great time to be shooting portraits. We’ve got all the advice you need.

Click here to read the full article »

 

Exhibition

Head to your local town or city and shoot urban images – that’s exactly what these X Magazine readers did and look at the results.

Click here to read the full article »

 

master the xMaster the X-series

How to take better portraits with off-camera flash, plus we get our hands on the third generation of the X100 models, the X100T.

Click here to read the full article »

 

Competition

If you’ve got a blog, we want to hear from you. X Magazine’s best blogger will win a fabulous new Fujifilm X-A2 outfit.

Click here to read more »

X-Photographer’s Spotlight – Matt Hart

Tell us about yourself and what got you into photography?

I was born in Hammersmith in London, England UK. I was born Dyslexic and I struggled at school with the more academic subjects, but did very well in the Arts and Science. I found being Dyslexic more of a gift than a disability. My Dyslexia was one of the more rare forms where two areas of the brain are not connected in the Wernicke’s area and Broca’s area, so there was no hope for me to improve my academic skills. After I found out Einstein was Dyslexic along with quite a few photographers at the time, there was no holding me back. I had a dream of one day becoming a photographer. I left school with average grades and started out shooting events and weddings with 35mm film. This was short lived due to starting a family so the photography was hit and miss over the years. I am now a professional photographer shooting events and street photography, as well as teaching photographers on training courses and workshops in Street photography.

I moved to the North West of England about 9 years ago to be with my girlfriend Jane, at first it was quite hard to adjust but now I find that Liverpool inspires me to take more and more images. The North West is also in a great position in the UK for me to travel up and down the country to teach courses and talk at events.

I have always been a people watcher, it’s in my nature to want to know what is going on out there on the street, and I feel at home out in the streets of our cities. I think Street is very important even to this day of digital. There have been so many amazing Street photographers in the past and if it had not been for them documenting the streets of the world we would not be able to look back at our history.

What I love about Street is that you never quite know what you are going to get. Things happen all the time in fractions of a second that will never happen again, and only the person who is there that day with a camera can get that shot. No one can recreate or set up some of these amazing Street moments and that’s what makes Street photography unique. So my style is still developing, I was heading in one direction but now I use the X Series, I have slowed down to re-evaluate where I am going.

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Why did you choose Fujifilm cameras?

I was shooting with Nikon for over 30 years but started to get fed up with the weight of the equipment. I had a fall on the Isle of Skye whilst shooting landscapes on holiday and broke a few ribs; this was down to the sheer weight of camera gear on my back.

When I got back home I started to look for new options and bought myself a Fuji X100 – Wow! What a great little camera. I started to use the X100 more and more and found myself leaving the Nikon D3s in the bag.  For street photography, the X100 was amazing.  Soon after that I bought the XPro1 and shot Liverpool International Music Festival with the Fuji and the Nikon D3s. Following the festival, I decided to shoot Fuji only. I sold all my Nikon Pro gear! It was a big brave move but one I do not regret. I shoot mainly black and white and the Fuji X series are perfect for my style of shooting.

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Do you have a photographic philosophy you live by?

I learnt my craft from the days of film, so I guess my philosophy is to keep it real. I would much rather go back to a landscape 20 times in my life and capture the perfect landscape than to create the landscape in Photoshop. When I look back over the years, the images that mean the most to me are the ones that are the most real. I don’t always look for the sharpest most perfect images, I want the images to speak to me and tell me a story that means something to me as well as the viewer. So its got to be right from the moment of capture, that is why I love Street and Fuji cameras, its all about keeping it real.

 

Key inspirations – What & who inspires you?

Most people can come up with list of great names for inspiration but I always struggle with this question. David Bailey was my inspiration as a young lad and also Michael Boys. I guess I love how creative these guys were and still are. I do admire some of the great Street Photographers work and styles but try not to let their images change what I am trying to achieve in my work.

The images my parents took of each other and myself as a child are the images that are stuck in my head from childhood. So I guess I draw my inspiration from family street photography.

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Do you have any tips or tricks you could share with us?

  1. My style of street photography is more candid so I try and dress for the area I visit to blend in. This is why I love to use the X100T it’s so very discreet. I very rarely ever ask to shoot a portrait. I try and shoot the subject as naturally as possible, but if they do notice me at the point I am taking the shot, I will just smile and say thanks. On these occasions I have made many new social media contacts, given out business cards or even sent a print as a thank you.
  2. I like to pick busy days in the city or town I choose to shoot my street photography. This opens up the options for lots of opportunities and subjects. People tend to be busy going about their everyday business and won’t even notice me, even if I am standing right in front of them. The busy towns always have great side streets where people walk in and out of town to shop or visit friends.
  3. If I find a great area I like to spend a lot of time just hanging and blending in, just taking a few shots like a fumbling tourist so that people lose interest in me, that way I can catch them as naturally as possible. Train stations are very interesting especially the seating areas, as people are thinking more about their journey or their day.
  4. I like to look for interesting subjects, someone who stands out from the crowd, people dressed in an interesting way or with an interesting look that will compliment the background. Flamboyant, outgoing people make great subjects, but are also very aware of cameras and photographers so are better subjects to ask for a portrait.
  5. I like to find great atmospheric areas that have lots of character, I then wait for the right subject to walk in to frame. This can take quite a while, sometimes hours on some occasions. I can revisit great areas a few times before I have success. Some days you get great light in a fantastic area but no subject, the next day lots of subjects and poor light, it’s a waiting game but worth it, every time.

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What’s next for you?

I always do a yearly project and this year its natural light street photography with a bit of a twist. I am starting it towards the end of march and the images will be on my website here and I will be talking at the photography show for Fujifilm on the street stage in March http://ow.ly/JcdsE

Contact info

Blog: https://matthewhartphotography.wordpress.com/

Facebook: https://www.facebook.com/matthewhartphotography

Twitter: @matt6t6

Website: www.lighttraveler.co.uk

Email: matt@matthewhartphotography.com

Google +: https://plus.google.com/+MattHart/posts

 

 

Edinburgh Street Photography Workshop with Matt Hart

Spend the day with renowned Fujifilm X Photographer Matt Hart, exploring the exciting streets of Edinburgh picking up tricks and tips from Matt along the way. This will be delivered in a relaxed and often, very entertaining way. You will also have personal guide Ami Strachan for the day to reveal all the best locations to shoot street in Edinburgh.

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The course will give you an insight into the way Matt works and his style of Street Photography. You will learn how to anticipate and capture decisive moments throughout the city.  And, having a guide for the day will help to future-proof your knowledge of the area. So, if you choose to come back – you’ll know all the best spots!

What you will learn:

  • The skill in spotting a possible subject.
  • What  to look for in a great scene.
  • How to blend in and be invisible.
  • See and compose a subject with a scene or background.
  • Capture a subject without intrusion.
  • Develop confidence in shooting in the street.
  • Photography in public places safely.
  • Use different depths of field for different types of shot.
  • Use varying speeds for different effects.
  • How to review your own work.

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After the event you will be able to post your work and talk to Matt through his Social Media pages or by e mail; this can include online critique and coaching when requested.

When and where?

The workshop will take place on Sunday the 8th of March from 10:30am till 4:30pm with a break for lunch. Don’t worry – there will be plenty of comfort breaks for those who need them throughout the day.

In addition to Matt’s expertise, a Fujifilm representative will also be on hand with a selection of the latest cameras and lenses to try, and will be there to help answer any of your technical questions.

The exact location will be made known when a ticket is purchased and will be distributed via email.

For more information on cost or to book, please visit the event page here.

Images from past events can be found here.

About Matt

matt_hart__headshot_186x280Matt is a black & white street and event Photographer based in Liverpool England.
His journey through photography has been over 40 years mostly using film. He still shoots film, but more recently he prefers the freedom and flexibility of the digital medium striving to retain the integrity of the original image. Matt’s stock images have been used in advertising all over the world, his work has also been published in many books and magazines, including many photography magazines.

X-Photographers Spotlight – Matt Hart