Leigh Diprose

Leigh works at Fujifilm Australia as a Direct Market Communications Specialist. He is an experienced photographer and blogger who enjoys sharing his extensive imaging knowledge with photographers around the world. To learn more about Fujifilm Australia's products visit http://www.fujifilm.com.au/

The Number One Focus Tip When Using a Rangefinder in Low Light

Creating beautiful scenes at night can be difficult and sometimes frustrating if you don’t have the experience needed to master your camera settings.

Knowing the correct focus settings, shutter speed, aperture and ISO does take the time to master, so hopefully this article provides you some clear insight into photographing at night or in low light.

Vivid Sydney 003Fujifilm X-Pro2 with XF16-55mmF2.8 R LM WR – ISO 320 – 1/55 second at F2.8

To start with you need to understand what type of camera you are using because all cameras perform differently when capturing the same scene. For instance, is the camera a heavy digital SLR, premium compact camera or lightweight rangefinder?

Types of cameras

Based on what type of camera you are using many of the same settings apply, however, there will be variances in shooting technique due to the way the camera performs. An example of this can be found between a digital SLR and a rangefinder like the new Fujifilm X-Pro2.

Vivid Sydney 004Fujifilm X-Pro2 with XF10-24mmF4 R OIS – ISO 3200 – 1/210 second at F4

At the Vivid Festival in Sydney, Australia the light instalments attract large crowds and there are plenty of opportunities to photograph in low light. The problem is when there is little light falling on a subject, focusing can become a struggle. This wasn’t the case for the new X-Pro2 rangefinder though. Using one of the advanced features on the X-Pro2 it was easy to overcome the out of focus hurdles that many Digital SLR might have struggled with.

Vivid Sydney 009Fujifilm X-Pro2 with XF56mmF1.2 R APD – ISO 320 – 1/250 second at F1.2

The Challenge

Photograph a low light scene from the festival with a shallow depth of field.

To achieve the shallow depth of field in low light shown in this photo above there were a few settings that needed to be set on the camera. The first was changing the camera to aperture priority and selecting F1.2 as the aperture. This would give a shallow depth of field. The second step was to select manual focus on the front of the X-Pro2.

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Now that manual focus was selected the attention turned to the rear of the camera to change the manual focus mode. To select the correct mode simply hold down the rear dial and ensure ‘Focus Peak Highlight’ is selected. If you don’t see this mode when you first hold down the rear dial, continue the process to cycle through the other modes until Focus Peak Highlight appears.

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Next, select your desired ISO setting based on the amount of light in the scene. Don’t be afraid to use high ISO likes ISO 2000 through to ISO 5000 or even higher as Fujifilm cameras are famous for their low noise at high ISO’s when photographing in low light scenes.

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At this stage make sure you are using the electronic viewfinder on the X-Pro2 as this will provide the huge advantage of being able to see in low light. If you are looking through the viewfinder found on a larger Digital SLR you won’t be able to see in the same lighting conditions because the optical viewfinder will not be able to gather enough light. This is one of the biggest advantages of low light photography on a mirrorless camera like the X-Pro2 over a Digital SLR.

The only way around this on a Digital SLR is to utilise the rear LCD screen as the ‘viewscreen’. This shooting setup almost always leads to a higher chance of capturing an out of focus image or a blurry photo due to the camera missing focus and not being as supported next to the photographer’s’ eye like a rangefinder camera would. Plus, you are bound to get a sore back from holding a heavy camera away from your body all the time!

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Finally, while looking through the electronic viewfinder adjust the smooth focus ring on the lens and you will be able to see areas within your frame ‘peaking’ (you can’t do this on a Digital SLR). What is peaking?

It means the camera will automatically add a thin white and black line around every object, and at the sharpest point-of-focus, these lines will suddenly ‘peak’. This peaking area equates to the area of sharpest focus in the frame. Therefore, if you nail the peaking on your subject, you will nail your focus every time!

As shown in the video below, you can also change the colour and contrast of the focus peaking lines to see them more clearly. The viewfinder shown in the video is from the Fujifilm X-T1.

http://www.youtube.com/watch?v=uq5h132vVxQ

Remember, photographing in low light can be a challenge and we encourage you to step out of your comfort zone and try a new setting. Practice the new setting when there is plenty of light and then master it before you attempt a low light scene. You should know where all your settings are without having to look at your camera. Master this and you will go far.

Introducing The New Fujifilm X-T2

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Imagine a camera that takes the best features of the Fujifilm X-T1 and X-Pro2 and combines them together to create the ultimate photographers and videographers tool.

Well, today we are excited to announce the combination of these cameras in the new Fujifilm X-T2!

The Fujifilm X-T2 is one of the most anticipated cameras in Fujifilm’s history. Not only will the impressive 24.3MP APS-C X Trans CMOS III sensor capture the joy of photographers around the world, but now with the addition of 4K and 2K video formats you will be able to film the emotion too!

Adding to this is a bundle of features that includes an electronic shutter with a limit of 1/32,000 second, an Intelligent Hybrid Phase detection AF, a robust weather resistant body, an impressive 3-way tilting 3.0” LCD and a 2.36 Million dots Electronic Viewfinder and dual SD UHS-II memory card slots that will capture up to 14 frames per second with the Performance Boost Mode turned on.

All of these features sound impressive (and they are), but the list of specs doesn’t stop there. As mentioned earlier the 4K video quality this camera now records is on par with some of the other professional cameras out there. When filming video you can expect excellent sharpness and low noise when recording up to a maximum of ISO 12800.

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Another important feature unique to videographers is the ability to choose a video frame rate. Fujifilm has liaised with various professionals and industry leaders to determine what settings best suit. Within the new Fujifilm X-T2 videographers will be able to select 29.97P, 25P, 24P and 23.98P when filming in 4K and if Full HD is selected; 59.94P, 50P, 29.97P, 25P, 24P and 23.98P at a 100Mbps Video Bit rate.

There are also a lot of settings that can be changed once you press the record button. You will be able to change exposure in ⅓ stop increments, correct the colour and the angle of view. Added to this is the option to change the exposure via the external HDMI port, which is well suited for videographers using external monitors.

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When you first handle the Fujifilm X-T2 you will immediately feel the magnesium alloy chassis that has been redesigned based on photographers feedback. With weather resistant sealing to suit rugged outdoor conditions, this professional body is slightly larger than the Fujifilm X-T1 due to improved control dials that turn easily with or without gloves. The new lock buttons located on the shutter and ISO dials are easily pressed to turn on or off the action of selecting a new setting. Also the enlarged drive mode and photometry selection dials can easily be accessed due to this new ergonomic design.

As shown in the video (above) the 1.62 million-dot 3-inch LCD screen has been redesigned to suit photographers. Now with a 3-way tilting screen, the photographer can turn and rotate the screen to a visible position when holding the camera above their head in a portrait orientation. Previously on the Fujifilm X-T1 the screen was only visible in a horizontal orientation.

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The launch of the Fujifilm X-T1 saw photographers from many different genres switch over to Fujifilm due to the large range of Fujinon lenses available. Sports and wildlife photographers were among the newly acquainted, but this was not only due to the lens selection, but also the features on the Fujifilm
X-T1 like autofocus and UHS-II memory card compatibility. Learning from this the new Fujifilm X-T2 takes autofocus speed and memory card storage to the next level.

The Fujifilm X-T2 is slightly different in the way the camera focuses when compared to the Fujifilm X-T1. This is because of the new Intelligent Hybrid Phase detection autofocus. The new X-T2 will allow you to select up to 325 autofocus points allowing for precise focus. What this means is no matter whether the subject is within the frame, the camera will autofocus very quickly to pick up the subject.

Adding to the list of new features is also a dual memory card slot that is now capable of recording to two UHS-II compatible cards. What this means for photographers is they can record photos up to 14 frames per second (when Performance Boost mode and Electronic Shutter is selected), which will result in a total of 42 Jpeg frames or 28 RAW frames stored at Lossless compression. This option is only available when the VPB-XT2 grip is on the camera.

Not only does the optional VPB-XT2 (Vertical Power Booster Grip) increase frame rate, but it also will accommodate two additional batteries (NP-W126S) at the same time to boost in shooting interval, shutter release time lag and blackout time while extending 4K video recording to a maximum of 30 minutes.

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As mentioned, when you use the optional VPB-XT2 battery grip you can select different frame rates like 14 frames per second, however, if this is too fast 11 frames per second can also be selected.

When 11 frames per second is enabled 75 Jpeg frames or 30 RAW frames stored at Lossless compression can be captured. However, if you require more frames to be recorded before the cameras buffer fills, the frame rate can be dropped to 8 frames per second enabling 83 Jpeg frames or 33 RAW frames to be stored at Lossless compression. Finally, if you need to record an endless amount of Jpeg frames, 5 frames per second can also be selected.

The X-T2’s ISO range of 200 – 12800 (RAW shooting) is exactly the same as the Fujifilm X-Pro2. When recording at high ISO like 3200 or 6400 photographers will find images and video to be very clear resulting in smooth graduation and deeper blacks.

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Studio and wedding photographers will enjoy using the Fujifilm X-T2 as the camera can now act as a commander when firing off multiple flash units when using the newly announced Fujifilm EF-EX500 flash. Found within the camera’s menu is the ability to select ‘COMMANDER’ mode, which enables full manual control of up to three supported Fujifilm flash units. Each supported flash can be manual adjusted to ensure you get the best possible picture.

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It is Fujifilm’s hope to design a camera that will suit a photographer’s requirements and it is refreshing to see that the X-T2 does this. Something many were not predicting though was the ability to film in 4K. Having mentioned this, it is worth thinking about to expand upon your skills to embrace this chance. Not all photographers will embrace this addition and that is okay, but to those who wish to expand on their skills the feature is there for you to explore and the same can be said to videographers when it comes to taking photos.

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This article hasn’t covered all of the specifications nor the implementations of the Fujifilm X-T2, so we would encourage you to follow this global Fujifilm blog which is now supported by Fujifilm Australia, Fujifilm UK, Fujifilm USA and Fujifilm Canada. We also ask you subscribe to the global Fujiguys YouTube channel to learn more about the Fujifilm X-T2 from contributions around the world. Together we are one and together we are here to listen to you the photographer – and now the videographer too.

Interview: The Most Comprehensive Guide on the X-Pro2

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Tony Phillips is an author, photographer, pilot, teacher, and lecturer, and has a long-standing passion for photography. To date he has 8 published books on photography. Four on Fujifilm X cameras and lighting. All are available on the following website.

He is recommended by MirrorLessons as one of 6 Authors of Mirrorless Camera Manuals Whose Books You’ll Actually Enjoy Reading. He conducts photographic seminars on the fundamentals of digital photography through to advanced lighting.

Tony Phillips - X-Pro2 001
I reached out to Tony with some questions to learn more about his latest book – “The Complete Guide to Fujifilm’s X-Pro2“, in which he examines the highly anticipated camera to form a detailed 545-page guide.

Can you tell us about yourself and how long you have you been using Fujifilm X-Series cameras for?

Over the years I’ve been a teacher, businessman and entrepreneur. I started shooting film in high-school, using an SLR as a school photographer. This ongoing passion has led me to writing books to help people understand photography and their equipment – so they shoot the kinds of pictures they are interested in.

I dipped my toe in the water with the Fujifilm X-E1. The first Fujifilm X camera I really fell in love with was the X100S. It’s difficult for people who have never shot Real High Speed sync with a leaf-shutter lens to understand why X100 cameras are so magical.

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A preview of what’s covered in the X-Pro2 Guide

When you write a detailed guide that covers a camera what are the steps you like to take to ensure all content is accurate?

Accuracy is essential in a book like this, and is a significant part of the undertaking. I handle a camera quite a bit over many months during the writing process. So it’s safe to say I become quite familiar with it. I read available Fujifilm information – including the manual and test everything I say. I sometimes ask questions of Fujifilm to seek clarification of technical details, and I have proof-readers who are Fujifilm (X-Pro2) photographers. In this book, for instance, I requested information from Fujifilm to cross-check my explanation of the new Depth-Of-Field Scale setting.

When the entire work is completed, I read, edit and test everything – every setting, suggestion and idea – to ensure nothing is missed and my explanation is complete and clear. I usually write the opening introductory chapters last.

What is the biggest stand out feature (or your favorite feature) of the Fujifilm X-Pro2 that you have been able to uncover?

I’ve shot with many cameras, so this is actually a tough question.

What people mostly ask me is what “hidden” features I discovered. And after handling the camera so much, I usually feel it is all pretty straight forward. Handle it for a while, and the X-Pro2 is an easy camera to use.

Since I am a photographer, I value image quality, then camera handling. The notable features for me are IQ, speed, and the hybrid viewfinder. I also like the new menu structure and customisations which help streamline shooting workflow.

Technically I’m impressed the bump to 24MP comes without added noise. It might not be obvious to people, but that is quite a feat!

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A preview of what is covered in the X-Pro2 Guide

In what formats can people view the X-Pro2 guide and is the guide interactive?

The X-Pro2 book is available in PDF, .MOBI, and .EPUB electronic formats and print on demand B&W and Colour printed books. Whichever format a customer buys entitles them to the electronic formats if they send their receipt (as proof of purchase) to the publisher. Instructions are in the book.

The electronic formats are all internally hyperlinked, and the PDF has an extended index and hyperlinked table of contents.

Based on your own experience, is there a particular piece of content that Fujifilm instruction manuals may lack?

The manual does a reasonable job outlining camera settings. It’s tough to cover everything in detail without writing a huge book.

Can you make any suggestions about how Fujifilm could improve their instruction manuals for X Series cameras?

I’ll be cheeky here, and say give everyone my book

But seriously, the manual has a logical structure. Hyperlinked PDF versions are always welcome.

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A preview of what is covered in the X-Pro2 Guide

When you talk to other Fujifilm users who have purchased your guides, what has been the best feedback you have received?

I receive lots of great feedback ranging from suggestions, questions, and occasionally a typo. What I mostly get is people telling me how much the book has helped improve their understanding and use of the camera in the pursuit of their photography. People often comment on the accessible style – which is something I aim for.

Here’s just a few from X-Pro2 owners since the launch:

“The book is really (can’t put it down) really great … such a relief to find a friendly conversational style of writing. I have used the X-Pro2 professionally and for recreation… I’m still fine-tuning how I use it, and I find it most informative to cross check how I use the Camera with the recommendations in the book.” – Roland Herrera

“Just want to let you know that I’m finding your new X-Pro2 ebook extremely helpful, and this after using my X-Pro2 camera for 3 1/2 weeks in Europe. Finding all kinds of helpful info on settings, etc. Thanks for writing it.” – Chris Morrow

“Thanks for the dedicated book. It’s really enjoyable and helpful.” – Hidenori Yamada

“This is a very well put together guide book, and I’ve read a ton of them in my time! Excellent!” – Steve MacDonald

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A preview of what is covered in the X-Pro2 Guide

 

Typically, how long does it take you to create a detailed guide, and did you face any challenges when creating the X-Pro2 guide?

This varies. This is my fourth Fujifilm-specific book. The first took 7 months. This last one came in at just over four.

The typical challenge is the long developmental lead time, and of course it’s a solo effort. That’s a long time to spend without an income.

If you are interested in obtaining Tony’s X-Pro2 guide then you can pick up your own copy for $26.45 USD. Over the coming weeks it will also be listed on Amazon, iTunes and other eBook outlets so stay tuned.

Understanding the Advanced Multi-Hybrid Viewfinder on the X-Pro2

When photographing different events under extreme lighting conditions it is good practice to understand how your camera works before the start date. The Fujifilm X-Pro2 is new on the market and therefore learning the advantages of the Advanced Multi-Hybrid Viewfinder is essential to great imaging success. Many new photographers starting out would bypass the viewfinder altogether and stick with the clear bright LCD, but there are many advantages to the different screen modes the camera offers.

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For starters, take this example at Sydney’s light festival – VIVID (below). When trying to photograph bright bursts of flames at 1/8000 second using the XF100-400mm at full extension – handheld, looking on the back of the LCD screen becomes almost impossible. This is because holding the camera away from your face will present some unwanted movement causing blur plus achieving focus in the pitch black becomes almost impossible, as the fireballs only appear for less than a second in different positions.

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To overcome this situation the X-Pro2 has a handy trick. Positioning your eye up to the viewfinder presents a welcome opportunity to either select the Optical Viewfinder (OVF) or the Electronic Viewfinder (EVF). Both modes have advantages, but there are a few default settings that are worth changing to obtain the best results.

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The image above was captured while looking through the OVF with an electronic overlay over the optical image. What this means is when you look through the viewfinder you can see the focus point, but the rangefinder view (framing) doesn’t change – it stays at the widest point. The advantage of this is you can see what’s happening outside of the frame you will end up recording. The disadvantage is you won’t be able to see all of the frame due to the long XF100-400mm lens protruding into your optical view.

Using the X-Pro2’s amazing single point autofocus in this mode you can easily half-press the shutter button to obtain correct focus, all while seeing the subject in low light conditions. Of course with all things digital there are many ways to operate the camera to obtain the same result. The second way of going about taking the same photo is the far better option, however as mentioned previously, you will have to change a few default settings in the menu.

When you put your eye up to the viewfinder and turn the viewfinder selector clockwise (located on the front of the X-Pro2) you will notice that the screen changes from OVF to EVF. Now you can see what the final image will be. This is a fantastic mode to photograph in if you are in excellent lighting conditions.

The default setting for this mode is to show you exactly what the end result will be. If you are photographing a bright blue sky at 1/250 second then you won’t have any troubles, but if you are photographing at a high shutter speed like 1/8000 of a second the image you will see through the viewfinder will become dark, making it impossible to see anything and obtain focus on whatever you might be looking at.

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The camera will still work automatically of course and pick up focus (but the obvious thing is you can’t see anything). To obtain the same image you will need to change the default setting in the ‘SET UP’ menu.

Navigate to the following and turn each setting to ‘OFF’

SET UP > SCREEN SET-UP > PREVIEW PIC. EFFECT
SET UP > SCREEN SET-UP > PREVIEW EXP./WB IN MANUAL MODE

Turning off these settings will now reward you with the ability to see at a high shutter speed while using the EVF.

From what we hear, this seems to be one of the main frustrations many photographers face when trying to photograph using the EVF on the X-Pro2. Now that you know what to do to overcome the frustration, we encourage you to share this with your friends.

This camera just might be brilliant

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Being a small camera, the Fujifilm X70 has been designed to be the everyday carry around for photographers who enjoy quality without the need for carrying heavy equipment. The general design of the camera follows X Series heritage, but with a few added bonuses that are sure to please the eager fans and it is these features that just might make this camera brilliant.

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Featuring a new touch screen users can now select whatever shooting mode suits them. Selecting from either touch ‘Shot’ or ‘Focus’ photographers can now engage directly with the back of the screen, bypassing the shutter button to either focus on a subject or to touch to take the shot. While this is a welcome option, if you prefer to be ‘touch free’ then turning off one of these functions is simple. All you have to do is touch the screen on the back until you see the ‘Off’ function.

The footprint of the X70 compared with the X100 series is somewhat smaller. With that said, the X70 still incorporates a generous grip for larger hands, while one hand operation is enhanced due to the ergonomic button layout of the back of the camera. Accessing the shutter speed dial is a breeze and if you find 1/4000 second isn’t going to be fast enough we would recommend you turn on the ‘MS+ES’ (Mechanical Shutter + Electronic Shutter) setting that will enable up to 1/32,000 second – perfect for shooting those direct sunlight shots at F2.8!

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Something many Fujifilm photographers rave about is the Fujifilm X Series Film Simulations that really provide a unique shooting experience. Selecting RAW+Jpeg will provide the best advantage when photographing in a film simulation. The film simulation can only be applied to a jpeg in camera, however when you shoot in RAW you can apply the film simulation when processing the photo in Adobe Lightroom. All you will need to do is navigate to the develop module and scroll down to find the ‘Camera Calibration’ and then ‘Profile’. It’s here that you would select the desired film simulation. You can see in the images below the difference it makes to a photo without having to compromise on quality.

It’s here that you would select the desired film simulation. You can see in the images below the difference it makes to a photo without having to compromise on quality.

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How to apply a Film Simulation in Adobe Lightroom

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In this example notice the colour difference when we applied the Velvia Film Simulation

The other setting that’s worth trying out on the X70 is the film simulation bracketing mode. Located within the DRIVE button this mode will capture three different images using a selection of three film simulations. You can program in whatever film simulation you want by accessing the menu – MENU/OK > FILM SIMULATION BKT. This setting is a great way to capture black and white images and colour at the same time – just note that this mode doesn’t support RAW capture. You should think about using this mode to give you an idea of what film simulation will look the best for the scene you want to photograph.

MENU/OK > FILM SIMULATION BKT.

This setting is a great way to capture black and white images and colour at the same time – just note that this mode doesn’t support RAW capture. You should think about using this mode to give you an idea of what film simulation will look the best for the scene you want to photograph.

So, if you are looking for a new premium camera or one that will become your everyday shooter, then the Fujifilm X70 is most likely it. Don’t feel you have to compensate by downgrading in quality or even features for that matter, because the X70 is unlike most mirrorless cameras around this price point. You still get a hot shoe for on-camera flash, an electronic shutter, excellent battery life and even an aperture ring around the lens for ultimate control. The only thing that’s missing is the viewfinder, but Fujifilm have you covered on that – there’s an optional VF-X21 external optical viewfinder that provides a bright frame for the 28mm and 21mm angles of view (35mm equivalent).

All that’s left is to get the camera in your hands to test out the full range of features for yourself, and if you’re not impressed, just turn the screen around and take a selfie!

X-Thusiast Featured Photographer of the Month: Michael DeBeen

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Fujifilm Australia is thrilled to introduce our June 2016 X-Thusiast Featured Photographer: Michael DeBeen. Hailing from Geelong, Victoria, Michael is a horologist, calligrapher and gifted photographer with a penchant for exploring the great outdoors. In this month’s Q&A, Michael shares how he uses the science of photography to capture striking shots in vivid detail with his Fujifilm X-T1.

LittleGepetto“Little Gepetto,” Fujifilm X-T1 + XF56mmF1.2 @ F2.5

How did you develop an interest in Fujifilm photography, and how would you describe your photographic style?

This is a tough question—I’m not sure what was the pivoting point that led me to photography. Throughout my life, I have been attracted to ideas and pursue them obsessively. It is simultaneously a gift and a fault of my personality, and photography is a product of this.

I consider myself technical-minded, and it may have been the science of photography that initially gained my attention. Things like lens and sensor design are fascinating to me. One of the reasons I became interested in Fujifilm was its unique X-Trans sensor array that negates the need for any anti-aliasing filter to minimise moiré.

My first exposure to photography was almost two years ago now, when, after much deliberation, I bought my first camera: the Fujifilm X-T1.

Before my interest in photography sparked, I never considered myself creative. I had a clear structure in my mind where science and arts were on opposite sides of a great divide. It wasn’t until recently when a friend commended my creativity that I realised there isn’t such a divide, and you can’t have one without the other.

While consistency is important to me, I don’t actively seek it in my photographs. I take each photograph as they come and try to find an ideal look for that particular image. It has a little to do with intuition and a lot to do with over-analysis and micro-adjustments. Perhaps some day someone wiser than I will help me understand and articulate my photographic style. Until then, I’ll continue being my usual oblivious self.

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“Cappuccino” Fujifilm X-T1 + Fujinon XF56mmF1.2 @ F1.2, 1/2000sec, ISO200.

What’s your favourite location to shoot in Australia? Your favourite subject?

So far, in Australia, my favourite location to shoot is the Great Otway National Park and the Great Ocean Road. It is wonderfully refreshing and calming, even from a non-photography perspective.

I look forward to exploring more of Australia in my future, and discovering more of its sights.
As for my favourite subject, that can change by the day. I appreciate minimalism—especially if I can find something striking without distractions.

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“Beach” Fujifilm X-T1+ Fujinon XF56mmF1.2 @ F1.2, 1/4000, ISO200

Why did you choose the Fujifilm X-T1, and what is your favorite aspect?

Touching on what I mentioned before: The X-Trans sensor contributed to my choice, but it wasn’t the only deciding factor. My priorities for a camera system were quality (both image and physical), functionality, weight/size and support.

The Fujifilm X-T1 ticked all these boxes.

I was (and still am) impressed with the clarity and colour rendition of the X-Trans II sensor. Fujifilm’s choice to implement additional features such as an intervalometer, filmic profiles in-camera and their commitment to support even their dated cameras via software updates is a benefit some other manufacturers often overlook.

The X-T1 was Fujifilm’s current flagship interchangeable lens camera. I liked the X-Pro1 aesthetically, but couldn’t justify it over the technical improvements that the X-T1 offered. I love the idea of the X100 series, but I wasn’t in the market for a fixed lens system.

It is difficult for me to choose one feature over any other as a favourite, but the 0.005-second refresh rate of the electronic viewfinder is at the top of the list.

Which Fujinon lens(es) do you prefer to use with your Fujifilm X-T1 camera?

My favourite X-Mount lens is the Fujinon XF56mmF1.2 (~85mm full frame equivalent). It is such a flattering lens, it’s practically impossible to take a bad photo.

And while I was traveling through Europe, the Fujinon XF23mmF1.4 (~35mm equivalent) was invaluable. It is an incredibly versatile lens.

Could you describe your photographic workflow/process? Do you prefer any particular editing tools, social networks or camera accessories to enhance your work?

There is not much to say other than I still have a lot to learn. That is true of everything in life.

Although the X-T1 is very capable of producing brilliant results straight out of the camera—especially when you consider Fujifilm’s film simulations—I always finalise whatever I envisioned in post-production.

Beyond exposure, my most valued in-camera settings are the RAW file-type and the Adobe RGB colour space. I pay close attention to the histogram. The dynamic range of the X-T1 is admirable, so unless I am in an unusual situation, I will prioritise highlights and do my best to not clip them unless it is unavoidable.

Ideally I try to keep a rounded histogram so that when I get it to my computer I have as much data as possible.

My post-production workflow is probably best described as disorderly. I have not yet found a single software solution that can do everything I need in one neat package. I extensively use Adobe Photoshop CC as a tool to refine, polish and offer greater levels of photo manipulation. To complement Photoshop, I also use Adobe Lightroom and Phase One Capture One Pro 9 regularly.

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London Tourist, Fujifilm X-T1 + Fujinon XF23mmF1.4 @ F1.4, 1/2000, ISO800, polarising filter

Do you have any advice to new photographers?

Do not delete your photos! Once you become more confident in your abilities, you will return to them with a fresh perspective, and you will find hidden gems that you previously overlooked. If you are happy using your camera on auto, the best thing you can teach yourself is how spot, matrix and scene metering modes affect your exposure.

Any final thoughts, tips or advice?

A significant influence to my ideas and final results as a photographer is print and framing—how the image will appear on different paper stock, and how it can be complemented by a different frame.

Photography now being a predominantly digital format makes it easy to forget about your photos. Even if you are just starting out, don’t shy away from printing them. It’s important to have a tangible representation of your work.

MichaelDeBeen

You can find more of Michael’s compelling work on his Instagram account here.

Interested in joining the X-thusiast community and sharing your own story? See the full X-Thusiast Gallery and Submission details here.