Month: September 2016

5 Tips for Sharper Images

Australia strip BLACK

You set up your shot, with its lighting and composition just as you want. But when you see your image, you find it is ruined by blur or debris. The lack of clarity in your picture may be caused by many things, such as a moving camera, incorrect focal range or dirty lens. Though difficult to detect as you shoot, these complications diminish your picture clarity.

Do not settle for little mistakes that defile your shots. Follow these five tips to make your images sharper.

untitled

(“It doesn’t get better than this” by @greyugly via tumblr, Fujifilm X-T1)

Get an extra leg (or three) of support.

Monopods and tripods are useful for all photographers, novice and expert alike. Invest in a sturdy tripod or monopod that you are comfortable maneuvering. In low-light situations especially, pull out your tripod. Its three legs are more solid than your two for steadiness when you’re also dealing with slow shutter speeds.

Even the best tripods aren’t perfect, though. Weigh down your tripod as needed and use your body to block any wind that might tip it.

5tipsforsharperimages

(“Belmore Falls” by Brian Mann (@bmannphoto), Fujifilm X-T1)

Hold your camera with a sturdy posture.

Most blur is caused by mid-shot camera movement, however slight. If you are not using a tripod or monopod, at least use the best posture possible. Keep your camera in both hands and close to your body, with your elbows locked. When possible, support your balance with an external surface, such as a wall or tree.

 

Use a mirrorless camera or a lock-up setting.

Even when you do your part to maintain steadiness, your camera’s mechanics can foil the shot. Many DSLRs rely on mirrors, which swing as they send visuals from the lens to the viewfinder. Movement from that swing, known as “mirror slap,” can lessen image sharpness.

To avoid mirror slap, work with a mirrorless camera, such as any in the Fujifilm X Series, or select your camera’s lock-up mode, which swings the mirror into place well before you activate the shutter.

 

Set your aperture and ISO right for the moment.

Most lenses have an aperture that produces the sharpest images. If you set your aperture to either extreme of your lens range, you may have softness because of light diffraction. Whatever your lens, test it at various apertures to gauge its top performance. For a traditional lens, the ideal setting is likely in the middle of its range. For a wide-angle angle lens, it may be a small aperture (or large f number), because the lens is designed to capture a big focal range.

5tipsforsharperimages2

(It is definitely not an eyebrow-raising lens and will not attract a lot of attention, making it that much easier to grab a shot unnoticed.- Sven Schroeter (@bokehmonster)

Maintain a tidy camera lens.

Every so often, pause from shooting and clean your camera lens of dust and debris. Even material too small to detect with your plain eye can diminish a few pixels of your image. Clean the lens thoroughly, because smudges may warp the light in your shots.

With your camera steady and tidy, and with your lens working from its best range, you can take sharper images consistently.

Meet X-Photographer: Victoria Wright

X-Photographer strip BLACK

Victoria Wright moved to Seattle from eastern Washington in 2007 to finish her degree and finally be in the city she loved. Inspired by her grandfather’s ability to create and share a beautiful moment with brushes on canvas, Victoria took an interest in photography early in life; however, she did not pursue it seriously until moving to Seattle and did not transition this passion into a profession until 2013, when social media began opening doors which allowed her to share with a larger audience.

6178069088
Victoria Wright, captured by Kelly Victoria

When Instagram came to Android in 2012, Victoria experimented with mobile photography and began to connect with other users around the world. Her recognition on social media quickly grew and she helped build the Instagrammers Seattle community as a manager, organizing photo walks, charity events, exhibits, and more in the larger Pacific Northwest (PNW) region. She also began to have her mobile work shown in major exhibitions such as 100-50-1 in San Francisco as well as events and galleries in Seattle.fujifilmxt1_victoriawright-50Specializing in portrait, lifestyle and travel photography, Victoria’s goal has always been to create photographs that possess a thoughtful approachability, bringing the viewer into the moment rather than leaving them on the outside. She has worked with global brands including GAP, AMEX, Coach, and Airbnb, capturing people, places, and moments in time that others might overlook. In search of the next story worth telling, Victoria has traveled to and photographed many locations around the United States (including remote regions of Alaska), the mythical countrysides of Scotland (fairies and all), the endless landscapes of Iceland, and elsewhere, all while on assignment.ny-16This fall, she will be hitting the road and the skies again as she travels through New Mexico, Utah, Texas, and then back to California to finally visit Yosemite National Park for the first time. Next summer, she is planning to reconnect with her European roots on a trip to Lithuania — her first trip back since moving to Washington when she was only two — with her father, a man whose model of unquestioning generosity and inspiring drive to work hard have helped her find her own path.ny-14Victoria will of course be traveling with her Fujifilm camera in tow. After purchasing her first X Series camera — the X-T1 — Victoria knew she had found the perfect match. The ease, flexibility and photo quality of the X Series quickly won her over and she recently moved to the X-T2, though her T1 remains close by.fujifilmxt1_victoriawright-12-1Living in the PNW, Victoria never shies away from bad weather, especially while on the road, and the X Series allows her to brave the elements without worrying about her gear. The cameras are compact for easy travel, the lenses are sharp and fast, and the Wi-Fi capability makes remote uploading and shooting incredibly easy, including the ability to adjust exposure, aperture, ISO and other settings right from her phone.fujifilmxt1_victoriawright-36More than anything, Victoria admires how well Fujifilm listens to its photographers. Through both software and hardware updates, she has found that the X Series continues to improve in ways that truly benefit photographers. The X-T2, with updated 4K video capabilities, impressive Autofocus functions, and a Vertical Power Booster Grip that allows for brilliantly fast continuous shooting, is no exception. It is safe to say that Victoria is excited to see what lies ahead for Fujifilm and she can hardly wait to get her hands on the GFX 50S. The new G Format sensor is definitely going to shake up the world of medium format photography.ny-4

 

5 Tips for Travelling Safely With Your X Series Camera

Australia strip BLACK

As a photographer, your travel adventures would not be complete without your X Series camera along for the trip. Whether you use the photos for work or for personal use, you want to retain the best sights from your expeditions. But be savvy. Travel with your camera in a way that keeps your gear safe and lets you move freely.

To have a great travel experience with your digital camera, follow these five helpful tips.

5tipsfortravellingwithyourcamera

An inspirational perspective” by @kasiasykus, X-Pro1

Secure your camera for a safe ride

As you fly or drive with your X-Series camera, your top priority is to keep your gear intact. To avoid equipment damage, disassemble external flashes and lenses from your camera body. Turbulence during travel might jostle your lens cap from its lens and leave the lens susceptible to scratches, so adhere the cap with a small piece of tape. Store everything in a bag with adequate padding.

If you fly, keep your camera in a carry-on bag rather than with checked luggage. Cameras packed with checked bags are more easily smashed by other luggage or stolen from the baggage claim section of the airport.

 

Pack only what you truly need

If you own a lot of gear, you might feel tempted to lug it all on your trip. But stick with just necessary items when travelling. Pack one or two zoom lenses rather than several prime ones. Carry your memory cards and charger but not too many batteries. If you fly, the number of batteries you can carry may be limited, anyway. Batteries contain flammable lithium, so many airlines restrict the amount you can bring on a flight.

 

Keep your lens tidy and your camera dry

Along with those other necessary items, you should travel with lens wipes and a brush. As you encounter sand and other debris on your trip, especially when you shoot outdoors, you will need to regularly tidy your lens. You may even bring a protector filter to guard your equipment from outdoor elements.

5tipsfortravellingwithyourcamera1

“Capturing the little moments” by Russell Chee (@lordbadwolf), X-T1

 

Guard your gear from theft

If you have great equipment, others around you may take notice. Consider your travel locale and use intuition to determine precautions needed to protect your camera. To avoid unwanted attention, remove your camera from its case only once you are ready to shoot and return it to its case as soon as you are done. If you lodge in a hostel or hotel that lacks privacy or security, ask if the site has a safe you can rent to store your gear between shoots.

 

Protect your camera investment with insurance

The above steps lessen the likelihood of theft or damage, but still it is good to financially safeguard yourself from worst-case scenarios. If you have valuable camera gear, get an insurance policy that compensates you in case of destruction, loss or theft. Many travel insurance policies cover digital camera equipment, but check with your provider.

With your photography luggage light and secure, you can enjoy your adventure and come back with splendid shots.

Flight of the Swans – X Series on expedition – Part 1

wp-1474623951033.jpg

X-Photographer strip BLACK

By Ben Cherry – Environmental photojournalist & Fujifilm X-Photographer.

I’ve been fortunate enough to be a part of the volunteer media team covering a project called Flight of the Swans. This is an ambitious conservation expedition, where Sacha Dench will paramotor from Arctic Russia back to the UK over 10 weeks following the flyway of Bewick’s swans.

This charismatic species was what encouraged Sir Peter Scott to set up Slimbridge and eventually the Wildfowl Wetlands Trust (WWT). Now though, the species is under threat having gone through a dramatic decline over the past twenty years. Between 1995 – 2010 the Europe population fell from 29,000 to just 18,000. The purpose of this expedition is to raise awareness of their plight, to confirm the key reasons for it, and hopefully create solutions.

This is the first of three blogs covering the project. Here we will focus on the lead up to the take off and the ground team reuniting with Sacha. Then there will be a blog during the expedition and one just as we all return to the UK.


How I got involved

Ambitious and ‘out there’ projects like this don’t come around very often so when I saw the advertisement online I jumped at the chance to get involved. I was lucky enough to be shortlisted alongside an amazing group of people and the next step was a selection weekend in Wales, where we were put through a series of exercises to see how well we can adapt and collaborate. This was a fantastic weekend, supervised by seasoned explorers and everyone came together, despite the competition and lack of sleep!

aj8a7806-1024x683
Image courtesy of WWT/Jessica Mitchell

Once I was informed that WWT would like me to be a part of the media team, I became as available as possible to help where I could, leading up to the off. We have been put through a series of training exercises from remote first aid, to satellite phone tutorials, as well as covering some of Sacha’s specialist training, like having to jump into a simulation pool at RNLI College, Poole to see how well her flotation devices for the paramotor work! It does help that she used to be a professional free diver…

You can find out more about the selection process here – choosing our dream team  To read my personal reasons for joining the project you can see that here – Meet Ben Cherry, one of our media volunteers.

fpotd-4
Long road ahead! Autumn is about a month ahead of the UK in Russia, which is why the Bewick’s have started migrating. X100T

What kit I’m taking

I have two bag set ups for two different purposes:

2016_0923_13330800

Shoulder bag/go bag

This is basically the first thing I grab when we arrive at a general location. It contains an X100T, X-Pro2, XF16mm F1.4, XF35mm F1.4, 56mm F1.2 and an SP-1 printer. The set up encourages me to be creative as well as being small and not intimidating when first encountering a new community.

2016_0923_13462200.jpg

Backpack – Wildlife/assignment bag

When I know we are going out to find the swans or capture other aspects of nature, then this is the bag I grab. Inside is an X-T2, X-T1, XF10-24mm F4, XF16-55mm F2.8, XF50-140mm F2.8, XF100-400mm F4.5-5.6. As well as miscellaneous items like filters, cleaning kit and a flash set up.

2016_0923_13440500

Having the two distinct bags means that I can keep my kit focused for particular types of photography, as well as not constantly overloading myself with gear. This particular project has so many interesting factors, from tracking the swans which are very timid in Russia and much of Europe, to engaging local schools, conservation and hunting groups. My kit has to be able to maximise each and every opportunity.

The rangefinder cameras are brilliant as they are particularly inconspicuous. I keep them together as I use my right eye with the rangefinder cameras, while I use my left eye with the SLR style cameras. The X-T range cameras are generally more flexible, particularly the X-T2. So from my perspective it makes sense to keep the most versatile lenses (zooms) and cameras together. Generally the X-T2 has the XF100-400mm attached inside the bag so it is ready in case we come across any wildlife suddenly or Sacha has to take off/land quickly. The advanced autofocus and 4K footage makes the X-T2 ideal for this kind of project.


How has it gone so far?

At the time of writing this (23rd September, now I will hopefully be running around the amazing tundra!) we the ground team have just arrived in Arkhangelsk, Russia. Referencing the map below, that is where the blue line from the UK has stopped, as well as the green line coming down from the tundra, that is Daisy Clarke, one of our satellite tagged Bewick’s! Sacha is the highest, turquoise line. To get the latest on our location be sure to regularly check our live satellite map – https://www.flightoftheswans.org/live-map/

screen-shot-2016-09-23-at-14-12-53

Sacha has made amazing progress so the ground team have had to work double time to make sure we join up and keep on schedule. We left on the 14th September, and have managed to cover over 2,500 miles during that time, along with a 32 hour stay at the Russian border.. We will hopefully reunite with Sacha tomorrow!

wp-1474629750068.jpg
Part of the ground team moving north in Russia

From there we will then steadily start heading back to the UK all together. Along the way we will be conducting lots of press, conservation and community events. Please be sure to follow our social media channels as we will be trying to make our presence known along route and could be passing nearby! I am in charge of the social media channels from the field team, so I will be sharing images straight to my phone via the FUJIFILM Camera Remote app and sharing them across our social media channels (see below).

Once we are back in the UK we will be visiting some of the fantastic WWT nature reserves as well as holding other exciting UK events. We will be running various live broadcasts too so be sure to stay up to date! You can find all the latest information via our social media channels:

Facebook – Flight of the Swans

Instagram – @wwt_swanflight

Twitter -@wwtswanflight

Next month I’ll be giving an update on the project, as well as offering a photo travel guide for the locations we have passed through. Our focus so far has been making as much time as possible, once we are all on the return leg then our media team can really get to work so I promise there will be plenty of photos to share in the next instalment.

Be sure to stay up to date! From Russia with love. 🙂

Ben Cherry

Twitter – @Benji_Cherry

Instagram – @Benji_Cherry

Facebook – Ben Cherry Photography

Fujifilm X-Photographer Page


 

The Best Photography Kit

Australia strip BLACK

Is there such a thing as the best camera or perfect lens?

Maybe for some, but for most you will find that no camera and lens will provide you with what you want. Many professional or enthusiast photographers and videographers would have experienced the question that always seems to be unanswerable when asked by a friend or family member.

The question that typically gets asked is…

What is the best camera or lens to get?

fujifilm-x-series-001

You have to admit it is a valid question, but really it is a hard one to answer. In order to attempt at answering the ‘how long is a piece of string’ question, you have to ask a question rather than an answer. Here’s a good example:

What are you intending to take photos of and what would you like to do with the photos after you have captured them?

It is the final response that will determine what the best camera for them will be.

Technology does play a part in the solution, though, and it is one of those things that will always develop over time. A good example of this is when you look back 10 years, when the Fujifilm Finepix S5 Pro was released on September 25th, 2006. Back then 6 megapixels was amazing and a frame rate of 1.6 frames per second seemed incredible. This to many at the time was a leap in the right direction. The specifications and skin tones produced by the camera seemed very adequate for most portrait and wedding photographers, but for those who required a fast frame rate, like sports photographers it just wasn’t enough.

fujifilm-x-series-002

Fast forward to Fujifilm’s recent X-T2 release and the image quality jumped four times to 24 megapixels while the frame rate increased to 14 frames with the electronic shutter. Now, clearly, with the increased frame rate and megapixels this should be enough to cater for the portrait, wedding and sports photographers out there.

Some will agree with this and others might not. That’s the thing when making a camera – you can never cater for every user out there. Instead, Fujifilm goes the step further to try and provide cameras based on user feedback in response to the questions above. It’s certainly not everyone but it’s the vast majority.

Part of what being a photographer and videographer is all about is learning how to use the equipment to get the best results – despite the specifications.

So, if someone were to ask you – what is the best camera or lens to get – the first reply should always be what are you intending to photograph and use it for?

Based on this information you will be able to guide them with the correct camera and lens combination that will suit their needs. This is why we recommend you visit a camera store, because unlike online where the prices may seem better – you can never put a price on the excellent knowledge and service provided by an expert.

which-x-series-should-i-buy-featured-image

To help you with your decisions while you read this, a free PDF buying guide has been provided in case you have any questions about the current range of Fujifilm cameras (a lens guide is also in the making). In the guide, we take you through each available model, including the new Fujifilm X-T2 and attempt to best describe whom the camera would be good for in a real world situation.

Once you have read through the magazine styled pages, we encourage you to visit our store locator (if you are in Australia) to find the nearest Fujifilm X Stockist where you can ask questions and get a direct response from an expert. On top of this if you are unable to visit a store we encourage you to call us directly on 1800 226 355 and choose option 4, where an expert from our Fujifilm X Series digital help desk will be able to assist.

Lastly, if you own a Fujifilm X Series camera, tell us why you choose your camera and how it best suits your needs. We would love the feedback!

which-x-series-camera-should-i-buy-issue-preview-layers

Just how good is the XF50-140mm zoom lens?

Imogen - Ibiza 1240 web

Guest Blogger strip BLACK

By Brian Rolfe

May this year I picked up a second-hand graphite silver edition X-T1 and wanted a good excuse to go out shooting with it.

_DSF0039 web
Shooting with the XF50-140mm

So.. I arranged to meet a model I’ve known for 5 or 6 years now, Imogen Leaver who’s with Nevs Models in London. We got chatting and I mentioned a friend of mine who’s a makeup artist that had just moved to Ibiza, well she’d been on my case to fly out and shoot on the island, it was something I’d been wanting to do for a long time.

To cut a long story short, we were both fairly quiet work-wise so we looked into flights and within a few days that was it, flights were booked and we were going to fly out the following week for 3 days!

The next thing to decide was what gear to take?

You see my switch to regular use of the Fuji X System was still pretty fresh, my Canon 5D MkIII was and still is part of my kit but I’d only used it once in about 4 or 5 weeks, even in the studio I’d been reaching for the X-T1.

Honestly, I thought I might have deliberated more over what kit to take but I wanted to travel light and I already knew how much I loved Fuji in natural light from past experience so that was that – I took the X-T1, the X100T, my 35mm and 56mm.

I’d also been hearing great things about the XF50-140mm zoom, but being a prime shooter I wasn’t too sure if it would work for me, but Fujifilm kindly loaned me one for the trip so I could try it out and see what all the fuss was about, I wasn’t expecting to use it much – how wrong I was!


The Shoot

First day out we drove to a beautiful beach, Sa Caleta the sun was shining & we were ready to get going, the rocks and cliffs were a beautiful golden colour I just knew would give amazing tones and colour to Imogen’s skin.

Imogen - Ibiza 1125 web

We started with a bit of fashion on the water’s edge before heading up into the cliffs, at this point I pulled out the 50-140mm lens as I thought it would be good to stay fixed to one spot rather than moving around the rocky terrain with the camera to my eye and tripping.

Well, I really wasn’t prepared for how much I was going to fall in love with that lens, it performed like a prime, fast to focus, sharp and the Optical Image Stabilisation (OIS) was a real plus. I’ve not got the steadiest hands so when I’m out in natural light it can be so easy to miss a shot due to camera shake, but with this lens every shot was in perfect focus.

Imogen - Ibiza 0782 web

I was also surprised how balanced it felt in the hand for a large zoom, when you compare it to something tiny like the 35mm F2 you’d expect it to feel very heavy and just a bit odd on a small body, but I found it really easy to use and very comfortable.

Day one was the last time I used my primes, seriously.

The zoom did not leave my camera for the rest of the trip as after reviewing the images on my MacBook Pro every evening I noticed they appeared to have more depth to them, almost a 3D quality. Maybe it was the beautiful Ibiza light I don’t know, but there’s something I can’t quite put my finger on that’s different to the primes and whatever it is, I love it.

Imogen - Ibiza 0853 web

I really did put it to the test on this trip as well, some strong winds on the second day really showed how the OIS helps. We shot alongside those famous Ibiza sunsets where Imogen modeled swimwear out upon a jetty with the sunset behind her – I experimented quite a bit here as it’s not something you get to shoot everyday!

I’d shot sunsets in the past but throwing a model into the mix really offered up a new challenge for me, and I knew Imogen really wanted some sunset shots too… no pressure!!

I exposed for the sunset initially leaving Imogen in silhouette but then found a good middle ground exposure to be able to have enough light on her while still capturing the beauty of the sunset, the colours and reflections on the water. I also tried exposing for the model and blowing out the sunset more and I have to say they all worked out very well.

You don’t get more than maybe 20 minutes to get those shots and yet I was still spoilt for choice with the results. I knew I could push things in post but I’m a bit of a stickler for getting things as close in camera as possible & having all the dials on top of the camera really helps to make those quick adjustments.

I think the ultimate test was as we were driving away from the beach on the cliff road, Lauren, our make up artist and host pointed out to the sun just about to disappear into the water behind us, I wound down the window grabbed the XT and with my upper body hanging out of the moving car I took a shot, as you can see it came out beautifully!Imogen - Ibiza 0928 web

I have to say that I truly missed that lens when it went back to Fuji and I think I’m very likely to get myself one in the near future. The whole trip was a great success and we’ve had great feedback from the images that were taken.

I’d like to thank Fuji for providing the lens for this trip as well as my friends Lauren Buckley make-up artist and Imogen Leaver for making the trip such a successful and memorable one.

To see more of Brian’s work, click here.