Through a Photographer’s Eye: 10 Photographers Share Their Advice

Over the last 10 weeks you would have seen ten interviews forming series two of Through a Photographer’s Eye. In each interview, we heard from a handful of Australian photographers and how they use Fujifilm X Series cameras to photograph the world around them.

Before Series Three of Through a Photographer’s Eye begins next week, let us take a look back at what advice was shared when each photographer was asked the question:

If you have some advice for someone starting out in photography what would it be?


Rhys Tattersall

Don’t get caught up on the gear side of things. I learned using film and an old analogue camera. Photography being an art in a sense means there is no wrong way of doing things, only how you perceive it and portray it. Don’t be a copycat, find your own style.


Jared Morgan

My advice for someone starting out in photography would be to really learn the basic stuff like composition, colour, exposure, etc. Once you have the basics really sorted, you will be able to make the creative ideas you have in your head.


Vision and creativity are of course important, but if you don’t understand how to make it happen, it’s not of much use. I think being good at one will often make you better at the other. Secondly, don’t try and force a particular style. Your own style will develop naturally over time. Don’t follow the latest trends just because something may be popular right now. Develop YOUR photography style.


Don’t think the journey ends, never stop learning. Study other photographers, try new techniques and explore your ideas. Remember you will fail, learn from your failures. Lastly, always remember you make your images not the latest gadget!


Tony Gardiner

Persistence, keep shooting. Shoot as often as you can and learn from every shot you take. I have been working on professional sets since I was 16 and almost every day I still learn new tricks or techniques that I can store in my bag of tricks.


Greg Cromie

A lot of people seem to have a fear about how to use their new gear. I see a lot of questions appear on forums from new photographers saying that they have camera X and lens Y and they want advice on the best settings to shoot something straight forward. This is so unnecessary as unlike in the film days, digital cameras give us limitless opportunity for trial and error. Your only real obstacle is how long your battery will last or how much your SD card can hold.

Be brave and take lots and lots of photos. If you are using a camera like one from the Fujifilm X Series, then set the Aperture and ISO to A (Auto) and just experiment with the Shutter Speed manually for a day or two. At the end of your shoot review your images and take note of the ones that you love and the ones you hate. What settings did you use? The next day, just use ISO on manual to see how this changes your images. Carry your camera everywhere and shoot everything. Don’t be afraid to experiment with your camera. As long as there is a hint of light, you can make an image.


Clèment Breuille

The great thing about photography is that you have a lot of different genres to explore. For example, someone who is an excellent portrait photographer might find a new challenge in landscape photography. That’s why I love photography. You always have news technique and things to learn, it never stops.

My first piece of advice would be to not invest too much money in your gear. The most important aspect of your gear is to understand how it works. For that, you should bring it with you daily, take it to work for instance. Shoot as many different subjects as possible, until you learn what settings are best. There’s no need to have a professional camera body to start off with. I’ve seen a lot of people investing in professional cameras without even understanding it.

My second piece of advice would be not to limit yourself and your creativity. Recently I’ve participated in a creative meetup at the Vivid festival in Sydney. The purpose of the event was to produce an image based on the particular brief. By participating in meetups like this, you will find your creativity. As a designer, I’ll never be able to produce something if I didn’t have direction from the client. The same should be said when it comes to your photography. Try and push your ideas so that they develop into photos.

My final advice would be to stay aware and connected. With the chance to live in a connected world, where it’s easy to share and learn from other people it’s a great place to learn. I have watched a lot of tutorials on YouTube and other social media platforms to understand how to achieve things in my photography journey.

Share your work and ask for feedback. Even if the feedback is negative, remember people are judging an image not you. By listening and exploring your creativity, you will only improve your work.


Bhagiraj Sivagnanasundaram

Learn how to be a tough critic of your images. You can book a trip for a few thousand, buy the most expensive photography gear to take to your exotic location, but at the end of the day in the hotel room; you should be brave enough to delete most of those images which you think are not the best. You shouldn’t reflect on the amount of effort you put in to get those shots.

There is a difference between ‘creating’ images and ‘taking/capturing’ images. Photography is an art; we have to be the creators of the art. Perfection needs experience, and even with the best experience, it’s highly doubtful that anyone would become just perfect in image making, but keep fighting for it. Cherish the better pictures that you make today and compare these to the ones you shot last week and keep going. Keep connecting well with fellow photographers and share knowledge. Remember, it is not about the destination, but more about the journey. Good Luck!


Joe Allam

The best advice I can give to anyone starting out is to always have a camera with you. Sometimes you never know when you may come across a shot, but more importantly, it’s about knowing your camera inside out, so that when you do come across the right shot, you’re prepared for it, with a camera you know how to use.

On too many occasions I see beginner photographers get frustrated in a situation because they can’t get a look or style they have in mind, or the camera is “acting weird”. Take the time to truly get to know your equipment by shooting often, and you’ll soon find that your creative side will start to improve as you try to find better ways of shooting your everyday life!


Chelsey Elliott

When I dusted off the old Canon DSLR, I took a couple of intensive online courses to brush up on the basics and just started to take shots of everything. The more I practised, the easier it was to remember what the best aperture was for a certain light, what the ISO was for, white balance, metering and all those things that slip the mind.


Then once I was comfortable with the basics – I picked a decent camera system (X Series) that I knew I would use ALL THE TIME. So choose a camera that you will have on you, as the best camera to buy is the one you will use. The X Series cameras fit in my jogging backpack, so I take one with me every day I go for a run. That way it’s there for a quick snap if the light looks good, or if something interesting pops around the corner.


I encourage everyone to get an Instagram account… even if it’s just for inspiration from the thousands of talented artists sharing their knowledge. It’s a fantastic media channel to review different styles, research your next shoot location or to build a connection with other like-minded photographers. It’s extremely satisfying when one of your favourite photographers leaves a positive comment on your photo; it encourages me to get back out there and create another beautiful image.


And finally I recommend taking up a daily photo challenge for a month, it will force you to take chances, put yourself out there and be creative.


Athol Hill

Don’t become despondent about the number of good photographs you get when you start out. Novices often have a flawed perception about photography because they’ll see the 50 perfect wedding photographs in an album, not the 400 that didn’t make the cut. They aren’t aware that a studio photographer might take 100 photographs to get that one perfect shot. There are very few perfect first shot photographs, that is reality of photography. In time, your success rates will improve and you’ll have a higher percentage of keepers, but it’s a journey fraught with learnings and failure.

It’s also important to find a medium that allows you to get constructive criticism. It’s great to post a photo on Facebook or Instagram and get 50 likes, and don’t stop that because the endorphins help keep your enthusiasm going. The challenge is 50 likes on Facebook won’t teach you how to make a good photo into a great photo, or a great photo into a spectacular photo and that’s the key to your progression. Don’t be scared of constructive criticism; we all started somewhere and making mistakes is a natural part of learning. Every mistake is an opportunity to do it better next time.


Thomas Brown

I grew up on the beautiful mid-north coast of New South Wales. My interest in photography evolved through my interest in cinematography and video editing. I picked up my first real digital still camera in 2011 for the purpose of creating high-resolution time-lapse sequences for a personal short film project.


Around 2014 things started to change, and my photography interest overtook my filmmaking interest. Since then I have been in the constant pursuit of making pictures and have really enjoyed the journey so far. Career wise, up until a year and a half ago I had worked as a camera operator and video editor in TV commercial production. I am currently undergoing a bachelor degree in Creative Arts & Graphic Design.

Through a Photographer’s Eye: Thomas Brown

Welcome to the Second Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our last interview in Series Two is with New South Wales based photographer, Thomas Brown.

Thomas, your landscape and contemporary work is unique, can you tell us a bit about yourself and when you first picked up a camera?

I grew up on the beautiful mid-north coast of New South Wales. My interest in photography evolved through my interest in cinematography and video editing. I picked up my first real digital still camera in 2011 for the purpose of creating high-resolution time-lapse sequences for a personal short film project.


Around 2014 things started to change, and my photography interest overtook my filmmaking interest. Since then I have been in the constant pursuit of making pictures and have really enjoyed the journey so far. Career wise, up until a year and a half ago I had worked as a camera operator and video editor in TV commercial production. I am currently undergoing a bachelor degree in Creative Arts & Graphic Design.



If you have some advice for someone starting out in photography what would it be?

My advice would be just to start shooting and creating. It’s all time spent experimenting and doing, that’s where all the learning happens. I would tell anyone starting out just to hang a camera around your neck and go for a walk; you will most likely be drawn to certain scenes that will naturally appeal to your creative eye.


Study different photographic genres, you will probably find that you are interested in more than one, and that is totally fine. Consider it all a personal, evolving journey of learning and experimentation. Most of all it is important to have fun.



When using your X-Pro2 is there any particular settings you use for night shots?

I use the X-Pro2 mostly handheld at night. The benefit of shooting this way allows me to quickly visualise the idea, frame the image, take the exposure and continue on. That’s what I love about the X Series cameras they perform very well in situations like this.

For my handheld contemporary/night work my settings hover around low shutter speeds, which are just high enough not to introduce handheld motion blur. My ISO is normally around 800 to 1600, and the aperture usually sits between F2 and F4, which is all dependent on the scene’s brightness. Similar settings are used when I’m shooting with a tripod too.



You said you currently use a Medium Format camera, what was your reaction when Fujifilm’s GFX 50S medium format was released based on your experience with APS-C sized X Series cameras?

Yes, I had been shooting on a Pentax 50MP medium format camera for over two years. The problem was that once I got my Fujifilm X100T and X-Pro2, I noticed that I stopped reaching for the 645Z. The X Series cameras were too much fun!


When I heard about the GFX 50S, I couldn’t help but think how special it would be, especially if it had the same magic in it that I first felt when introduced to the X100T. I decided to move away from the Pentax medium format camera and have gone all in with Fujifilm X Series cameras.


For the work, I create they really allow me to be more mobile and discrete. X Series cameras get out of your way and let you focus on creating work, and I love that aspect of shooting with them.



What Fujifilm gear do you take with you on the road when capturing your travels? Do you have any storage tips you could share?

In my kit, I have two camera bodies, the X-Pro2 and X-T2, as well as four lenses; a 12mmF2, XF23mmF2 R WR, XF35mmF2 R WR and the XF56mmF1.2 R. Generally, I reach for the X-Pro2 mounted with either the XF23mmF2 or XF35mmF2, that’s my go to setup.


I keep all my gear safe in a craft-wright hard case while at home, and in a Vanguard Sedona 45 Backpack while out and about. I’m paranoid about dampness and mould, so I would advise having some form of a dehumidifier in your camera bag or case.




You have recently published a book which includes images captured using the Fujifilm X Series system. What was the biggest challenge you faced in this project?

I spent the majority of the 2016 working on a series of images I named “Regional Moments”. Capturing regional scenes and presenting them is cinematic ways. The hardest part of the project was trying to work out when to complete the series.


Right when I thought I was finished, another idea or location would present itself. Although the first book has been published, the series continues, so a sequel is on the cards. I made well over half of the images in the book with the X100T and X-Pro2, the ability to have a small yet very capable package proved to be invaluable to the project.



Can you provide some insight into your workflow process from capture to the final result?

I always capture my images in RAW, and they go straight into Adobe Camera Raw for initial adjustments and then into Adobe Photoshop for masking and further colour work. Depending on the image and idea the workflow can vary quite a bit.

For the contemporary and night images, I usually start off with either Provia Standard or Classic Chrome profiles in camera raw. I generally process quite dark for most of my images, so tweaking the exposure is the next step. I usually utilise a tonal curves adjustment to slightly lift the blacks, and even introduce some blue into the shadows. Depending on the image I may add some subtle film grain to give the image some life. A key ingredient to my workflow is the use of one of my many custom created LUT’s (Colour Look Up Tables).

For landscape post-processing, I like to capture at least 3-5 images with the focus at varying distances in the scene. I then will use these frames to merge them into one razor sharp image. Then the rest is usually tonal curves, blending, colour balance and sometimes dodging and burning.




If you could add a feature on a future Fujifilm X Series camera what would it be and why?

I had to really think about this question. It’s hard to fault the Fujifilm X Series cameras especially with the regular firmware updates we get. I’m pretty happy with everything but if I were to ask for something extra it would be to enable 4K video on the X-Pro2.


To view more Thomas’s work visit his website or follow him on Instagram or Facebook.


Other interviews in this series

Through a Photographer’s Eye: Rhys Tattersall

Through a Photographer’s Eye: Jared Morgan

Through a Photographer’s Eye: Tony Gardiner

Through a Photographer’s Eye: Greg Cromie

Through a Photographer’s Eye: Clèment Breuille

Through a Photographer’s Eye: Bhagiraj Sivagnanasundaram

Through a Photographer’s Eye: Joe Allam

Through a Photographer’s Eye: Chelsey Elliott

Through a Photographer’s Eye: Athol Hill