review – Fujifilm Corporate Blog

X-Pro2 in Barcelona

Fujifilm X-Photographer takes the X-Pro2 on an adventure round Barcelona – how did he get on?..

My aim for a recent trip to Barcelona was to travel light. Last year I was in New York shooting jazz musicians for a book I’m working on and I had to carry a lot of kit. The Fuji gear was light, but I also had a laptop, flashes, light stands and a background too. But traveling light was a high priority for this trip to Barcelona.

I packed the X100T with the WCL-X100 (giving me the full-frame equivalent of 28mm & 35mm), plus the X-Pro2 with the 35mm f2 and the 18-55mm f2.8-f4 zoom. The zoom was the tough choice as I prefer primes, but I wanted to take something longer than the 35mm. The 56mm f1.2 was an option and I also considered the 16mm f1.4 because Barcelona has so much great architecture and I knew a really wide angle would be useful. But I had to be strict about travelling light and so opted for the 18-55mm. In the end, I probably shot 95% of the X-Pro2 pictures with the 35mm f2 and 95% of the X100T pictures with the WCL (so 50mm and 28mm in FF).

“I fell in love with the optical viewfinder all over again”

I have to say upfront that the X100T is probably my all time favourite camera, even though at this point it has been overtaken in performance by newer models. But it’s still a design masterpiece in my opinion that just begs to be held and used.

That said, I’m in love with the X-Pro2. The camera feels great in my hands, especially with the Gariz half case (Fuji half case also available). The performance is amazing and I’m still being surprised on a daily basis by how great the focus is (especially with moving subjects). Autofocus has reached new heights on mirrorless cameras and I can think of two major DSLR brands that could be an endangered species if they don’t wake up, see what’s going on and adapt quickly.

“The X-Pro2 takes things to another level”

Shooting on the streets of Barcelona was a blast! The X100T is my favourite street camera, but I have to say that the X-Pro2 did out-perform it and produced far more keepers. I’ve always been happy with the image quality on the X Series cameras, more than happy in fact. But the X-Pro2 takes things to another level wth the 24 megapixel X-Trans III sensor giving a welcome increase in resolution. But I’m glad to say it is without doubt the same Fuji look and feel, which is more important than megapixels!

Film Simulations have always been a big part of the X Series cameras. A while back Fuji gave us Classic Chrome, which was unexpected, free, and became an overnight success. I use it most of the time and love it. These are my settings for Classic Chrome.

-1 Highlight tone
+2 Shadow Tone
+3 Colour
-3 Noise Reduction
+2 Sharpness

But when light gets low I find this can be a little harsh and the shadows can get blocked up, so I reduce the Shadow Tone setting to -1 or even 0. Sometime I’ll switch over to Provia as it’s a good general all rounder and much more forgiving.

I don’t often use Velvia (too saturated for me), but I found myself quickly switching to it when photographing rooftops against an orange Barcelona sunset.

Another film simulation fanfare came along with the X-Pro2 in the shape of Acros. The original black and white film simulations were pretty good, but I didn’t shoot a lot with them unless I was in RAW+JPEG to have the option of the colour version later.

I just preferred to do my B&W conversions in Lightroom or Silver Efex Pro. But with Acros I find myself wanting to shoot in-camera B&W a lot. In fact I have to force myself to switch out of it again.

X Series cameras have always had the option of bracketing three film simulations at a time, but I wish we could shoot two at a time with our own recipe of Highlights, Shadows, NR, Colour and Sharpness baked in, but without the delay of bracketing (where you can see the processing in the viewfinder). Classic Chrome and Acros…ahh. But I digress.

Acros is beautiful, especially with a bit of highlight & shadow tweaking. There’s a grain in Acros files that just gives the pictures a timeless documentary look, and that’s without using the grain feature of the X-Pro2. On the subject of the in-camera grain feature. The two settings of light and heavy are great, but the same again with larger grain would be nice too!

I like high contrast black and whites, so my settings for Acros are:

-1 Highlight tone
+3 Shadow Tone
-3 Noise Reduction
+2 Sharpness

Don’t worry if you like to see tons of detail in the shadows, because Acros can do low contrast B&W too, plus you still have the option of adding a red, green, or yellow filter as well (I mostly use Red).

Derek explores the Acros mode further in ‘Jazz With Fuji’s Acros & The X-Pro2 – SOOC‘

The Hybrid viewfinder is now an Advanced Multi-Hybrid Viewfinder, similar to the X100T’s where you can have a tiny screen in the bottom right corner (as an option) that shows a zoomed area of the focus point to assist with manual focus. I use this now and again and it works really well.

I fell in love with the optical viewfinder all over again on this trip. I wear glasses, but peer over the top of them when looking through the viewfinder (I’m so happy to see a built in diopter on the X-Pro2), so I can’t get my eye right up close. With the OVF I can see the frame lines and some space around them which allows me to see what’s about to enter my picture.

With the EVF I need to move my eye around, looking at the corners of the frame individually, but there isn’t always time to do that. Plus the Harsh sunshine of Barcelona can make it hard to see the EVF because your eyes are adjusted for the brightness, which makes it hard to see if your exposure is ok. That’s when I like to dial in my exposure 100% manually and switch to the optical viewfinder. It’s not as big as the X100T’s OVF, but it’s still big and bright and the frame lines are easy to see. Using the OVF just feels more old school and I like that!

‘My Menu’ is another great feature that allows you to store frequently used menu items on a single page. The best part of this is that it pops up as soon as you press the Menu/OK button. Sometimes it’s the simplest things that make all the difference!

Fuji have took a great camera like the X-Pro1 and improved everything that needed improving. Then they added all the best bits from the other X-Series cameras and threw in a few features that we didn’t even know we needed. The fairies then sprinkled just the right amount of magic dust and hey presto – The X-Pro2. It’s an absolute joy to use!

I now have a dilemma. Do I upgrade my two X-T1’s for two X-T2’s or sell them both and buy another X-Pro2? But while I’m thinking about that one, Fuji – how about a 24mp X100 with identical features and an identical button layout as the X-Pro2.

To see more of Derek’s work, click here.

Press photography with the FUJIFILM X-Pro2 and XF50-140mm lens

Professional press photographer Rachel Megawhat tries the X-Pro2 in action – find out how she got on in this review.

Rachel Megawhat is a British photographer based in London. Having trained as a photo-assistant Rachel has worked both as a Fine art Photographer, and commercially focusing on Fashion, News and Portraits. Her work has been published in countless newspapers, magazines and books, both in the UK and Worldwide, including The Sunday Times, Financial Times, Guardian and The Sun

I’ve had the FUJIFILM X-Pro2 on loan for 2 weeks, along with the FUJIFILM XF50-140mmF2.8 and it’s been a real pleasure (and no, I don’t actually want to return it!). Normally I work with an X-T1 as my main camera and I still have my X-E1 as a back up so that’s what I am comparing with.

“I have to say I was very pleasantly surprised.”

One of the main differences is the dual function viewfinder, at first, I found it a little confusing and found myself automatically using the digital finder, but I realise it has its uses, especially with the longer 400mm lens. The ability to switch between the two is extremely helpful.

Without a doubt my favourite feature is the focus stick / lever. I quickly became so used to it that I was searching for it on my X-T1. This is such a user friendly design, perfect for fast shooting conditions.

The design aesthetic of this camera also really attracts the attention of photographers, I’ve had more people come over and ask what I’m shooting with than a year of using the X-T1!

The 2 card slots is also a major plus. I often shoot jpeg only as much of my work is online and the speed of the edit and distribution is vital, but the option to have separate cards with raw and jpeg makes it a brilliant piece of logic that works well for me. I can still have the speed of a card with only jpegs to upload, but backed up with raw.

The only thing that I did find a little fiddly was the ISO & shutter speed being on a combined dial, as there were times when I wanted to change the ISO but I accidentally moved the shutter speed instead. In most shooting conditions this isn’t an issue but when you need to change quickly back and forth it can be trickier.

I was worried with August being a slow news month that I might not have much interesting content for this review but I have used the X-Pro2 to photograph our two most marmite politicians (people either love them or hate them), a trip to the zoo and a studio shoot with a couple of fashion models.

I covered one of the many rallies that Jeremy Corbyn, Leader of the Labour party has been attending up and down the country. This one was in Kilburn and this shows the range of the 50-140mm lens, obviously 50mm on the left and a slight crop of a 140mm image on the right. As you can see I couldn’t resist experimenting with the distortion through the perspex podium.

The next morning I met with Nigel Farage. Some people will be aware that he recently grew a moustache so I had planned a very simple black and white shot hoping to feature that but unfortunately for me he had shaved. I used the Acros settings for this shoot. Here is a screen shot from Breitbart London.

As I would have gone for something more creative had I not been hoping the moustache would be the main feature, here is an image from the shoot that I played around with just because.

I also managed to do a small studio shoot with a couple of young fashion models, Hazel Fuller and Nathan Taylor.

My absolute favourite way to shoot is very low-light studio work and the Fuji cameras are a joy to work with in these conditions. In fact, it was shooting this that I decided that I have to own the 50-140mm lens asap.

I have also done a few daylight shoots, covered a few protests including two burkini protests in as many days. This man decided he needed a selfie of his ‘beach ready body’ in front of the burkini protest. I’m not sure what it all means.

As well as looking and feeling very stylish the X-Pro2 proved to be a good workhorse of a camera, I think with longer to play with it I would get more out of its settings. I had assumed I would move from the X-T1 straight to the X-T2 but now I need to think seriously about whether or not the X-Pro2 is a better option for me. I guess I need to get my hands on the X-T2 to decide. Fun decisions to be making either way.

X-A2 review by photojournalist, Brad Hobbs

Photojournalist Brad Hobbs talks about his experience with the Fujifilm X-A2, what does he think about it?

Processed with VSCOcam with b5 preset — Knickerbocker Avenue, Brooklyn. NY

About me

I was born in Margate, Kent on the south east coast of England on the 5th July 1990. I grew up about 40 minutes south of Margate in a small seaside town called Deal.

Growing up in the south east of England, there isn’t much to do unless you like being outside. Being a teenager, I wanted to either be in front of a TV sleeping the days away or out skateboarding. When I turned 13, my dad brought me my first camera and I took around with me everywhere. I mostly concentrated on the boats, beaches and surrounding farm land.

I moved to London in 2010, where I started working at a magazine as an intern for 3 months. Once my internship had ended I was quite lost as to what to do next. After networking around the city I fell into a PR job which kept me occupied for 3/4 years working with some big names in music, sports, movies & television. At some point I thought this would be a job for life but I slowly grew away from it and followed my dreams in photography and writing. Over the past 2 years, my life and career has had its ups and downs like most people, but things have recently really take a turn for the better with a few different ambitious projects.

So what do I think about the X-A2 for my style of photography?

When I first picked up this camera my instant thoughts were how lightweight and compact it is. Using the XC16-50MM kit lens it has fed me with everything I need.

With my style of photography I like to be as close to my subject as possible and to paint a scene of what’s happening around me. The Fujifilm X-A2 helps me capture those moments.

Once I started learning how to use the settings to their full capability, I found myself shooting at night, which was something I never used to do. The SR+ setting and High ISO settings really help capture what we as humans can see during the darker hours of the day, if not better than what we see. The end results from this camera are so good it is a shame to edit or tweak images.

During my time thus far with this camera, I have begun to edit less and take more photos that I am proud of. With the 175º tilting screen, shooting buildings and streets at interesting angles has never been easier. The resolution of the screen makes you want to take more and more images.

Myrtle Avenue, Brooklyn. NY

Times Square, NY

Woodland Hills, Los Angeles. CA

This camera is like having a little lightweight best friend around your neck that is never going to disappoint. It maybe even teach you a few things along the way.

Balmaha, Loch Lomond. Scotland

So far I have travelled to Glasgow, New York, London, Los Angeles and have never left the house without my camera. On all of these trips and locations the X-A2 makes me proud to be a photographer and proud to be using a Fuji camera.