Through a Photographer’s Eye: 10 Photographers Share Their Advice

Over the last 10 weeks you would have seen ten interviews forming series two of Through a Photographer’s Eye. In each interview, we heard from a handful of Australian photographers and how they use Fujifilm X Series cameras to photograph the world around them.

Before Series Three of Through a Photographer’s Eye begins next week, let us take a look back at what advice was shared when each photographer was asked the question:

If you have some advice for someone starting out in photography what would it be?


Rhys Tattersall

Don’t get caught up on the gear side of things. I learned using film and an old analogue camera. Photography being an art in a sense means there is no wrong way of doing things, only how you perceive it and portray it. Don’t be a copycat, find your own style.


Jared Morgan

My advice for someone starting out in photography would be to really learn the basic stuff like composition, colour, exposure, etc. Once you have the basics really sorted, you will be able to make the creative ideas you have in your head.


Vision and creativity are of course important, but if you don’t understand how to make it happen, it’s not of much use. I think being good at one will often make you better at the other. Secondly, don’t try and force a particular style. Your own style will develop naturally over time. Don’t follow the latest trends just because something may be popular right now. Develop YOUR photography style.


Don’t think the journey ends, never stop learning. Study other photographers, try new techniques and explore your ideas. Remember you will fail, learn from your failures. Lastly, always remember you make your images not the latest gadget!


Tony Gardiner

Persistence, keep shooting. Shoot as often as you can and learn from every shot you take. I have been working on professional sets since I was 16 and almost every day I still learn new tricks or techniques that I can store in my bag of tricks.


Greg Cromie

A lot of people seem to have a fear about how to use their new gear. I see a lot of questions appear on forums from new photographers saying that they have camera X and lens Y and they want advice on the best settings to shoot something straight forward. This is so unnecessary as unlike in the film days, digital cameras give us limitless opportunity for trial and error. Your only real obstacle is how long your battery will last or how much your SD card can hold.

Be brave and take lots and lots of photos. If you are using a camera like one from the Fujifilm X Series, then set the Aperture and ISO to A (Auto) and just experiment with the Shutter Speed manually for a day or two. At the end of your shoot review your images and take note of the ones that you love and the ones you hate. What settings did you use? The next day, just use ISO on manual to see how this changes your images. Carry your camera everywhere and shoot everything. Don’t be afraid to experiment with your camera. As long as there is a hint of light, you can make an image.


Clèment Breuille

The great thing about photography is that you have a lot of different genres to explore. For example, someone who is an excellent portrait photographer might find a new challenge in landscape photography. That’s why I love photography. You always have news technique and things to learn, it never stops.

My first piece of advice would be to not invest too much money in your gear. The most important aspect of your gear is to understand how it works. For that, you should bring it with you daily, take it to work for instance. Shoot as many different subjects as possible, until you learn what settings are best. There’s no need to have a professional camera body to start off with. I’ve seen a lot of people investing in professional cameras without even understanding it.

My second piece of advice would be not to limit yourself and your creativity. Recently I’ve participated in a creative meetup at the Vivid festival in Sydney. The purpose of the event was to produce an image based on the particular brief. By participating in meetups like this, you will find your creativity. As a designer, I’ll never be able to produce something if I didn’t have direction from the client. The same should be said when it comes to your photography. Try and push your ideas so that they develop into photos.

My final advice would be to stay aware and connected. With the chance to live in a connected world, where it’s easy to share and learn from other people it’s a great place to learn. I have watched a lot of tutorials on YouTube and other social media platforms to understand how to achieve things in my photography journey.

Share your work and ask for feedback. Even if the feedback is negative, remember people are judging an image not you. By listening and exploring your creativity, you will only improve your work.


Bhagiraj Sivagnanasundaram

Learn how to be a tough critic of your images. You can book a trip for a few thousand, buy the most expensive photography gear to take to your exotic location, but at the end of the day in the hotel room; you should be brave enough to delete most of those images which you think are not the best. You shouldn’t reflect on the amount of effort you put in to get those shots.

There is a difference between ‘creating’ images and ‘taking/capturing’ images. Photography is an art; we have to be the creators of the art. Perfection needs experience, and even with the best experience, it’s highly doubtful that anyone would become just perfect in image making, but keep fighting for it. Cherish the better pictures that you make today and compare these to the ones you shot last week and keep going. Keep connecting well with fellow photographers and share knowledge. Remember, it is not about the destination, but more about the journey. Good Luck!


Joe Allam

The best advice I can give to anyone starting out is to always have a camera with you. Sometimes you never know when you may come across a shot, but more importantly, it’s about knowing your camera inside out, so that when you do come across the right shot, you’re prepared for it, with a camera you know how to use.

On too many occasions I see beginner photographers get frustrated in a situation because they can’t get a look or style they have in mind, or the camera is “acting weird”. Take the time to truly get to know your equipment by shooting often, and you’ll soon find that your creative side will start to improve as you try to find better ways of shooting your everyday life!


Chelsey Elliott

When I dusted off the old Canon DSLR, I took a couple of intensive online courses to brush up on the basics and just started to take shots of everything. The more I practised, the easier it was to remember what the best aperture was for a certain light, what the ISO was for, white balance, metering and all those things that slip the mind.


Then once I was comfortable with the basics – I picked a decent camera system (X Series) that I knew I would use ALL THE TIME. So choose a camera that you will have on you, as the best camera to buy is the one you will use. The X Series cameras fit in my jogging backpack, so I take one with me every day I go for a run. That way it’s there for a quick snap if the light looks good, or if something interesting pops around the corner.


I encourage everyone to get an Instagram account… even if it’s just for inspiration from the thousands of talented artists sharing their knowledge. It’s a fantastic media channel to review different styles, research your next shoot location or to build a connection with other like-minded photographers. It’s extremely satisfying when one of your favourite photographers leaves a positive comment on your photo; it encourages me to get back out there and create another beautiful image.


And finally I recommend taking up a daily photo challenge for a month, it will force you to take chances, put yourself out there and be creative.


Athol Hill

Don’t become despondent about the number of good photographs you get when you start out. Novices often have a flawed perception about photography because they’ll see the 50 perfect wedding photographs in an album, not the 400 that didn’t make the cut. They aren’t aware that a studio photographer might take 100 photographs to get that one perfect shot. There are very few perfect first shot photographs, that is reality of photography. In time, your success rates will improve and you’ll have a higher percentage of keepers, but it’s a journey fraught with learnings and failure.

It’s also important to find a medium that allows you to get constructive criticism. It’s great to post a photo on Facebook or Instagram and get 50 likes, and don’t stop that because the endorphins help keep your enthusiasm going. The challenge is 50 likes on Facebook won’t teach you how to make a good photo into a great photo, or a great photo into a spectacular photo and that’s the key to your progression. Don’t be scared of constructive criticism; we all started somewhere and making mistakes is a natural part of learning. Every mistake is an opportunity to do it better next time.


Thomas Brown

I grew up on the beautiful mid-north coast of New South Wales. My interest in photography evolved through my interest in cinematography and video editing. I picked up my first real digital still camera in 2011 for the purpose of creating high-resolution time-lapse sequences for a personal short film project.


Around 2014 things started to change, and my photography interest overtook my filmmaking interest. Since then I have been in the constant pursuit of making pictures and have really enjoyed the journey so far. Career wise, up until a year and a half ago I had worked as a camera operator and video editor in TV commercial production. I am currently undergoing a bachelor degree in Creative Arts & Graphic Design.

Through a Photographer’s Eye: Joe Allam

Welcome to the Second Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our seventh interview in Series Two is with Melbourne based photographer, Joe Allam.

Joe, tell us about yourself and how you ended up with a camera in your hand travelling the world?


Hey, thanks for inviting me to the blog! I’m a mid-20s “independent creative” as I like to label it. Descending from a background in graphic design and a passion for photography from a young age, I’ve slowly been becoming more and more self-sufficient with my work and more remote with my clients, to allow extended travel around the world.

Fujifilm X-T2 with XF23mmF2 R WR – 1/40 second – F4 – ISO 1000


It all started from a personal goal with my partner Elly, to pack everything up and go travelling for at least a year, with the intention of basing ourselves in Melbourne for the majority of that time. Throughout the past couple of years, I’ve been documenting my photography experiences to a growing audience on YouTube. In short, this has all helped to create a lifestyle that opens further opportunities for even more travel content creation!

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/140 second – F5.6 – ISO 200



What are your impressions on the Fujifilm X-T2?


I love the X-T2! In fact, I’ve been falling heavily for Fujifilm cameras ever since I recommended Elly get the X-T10 last year. They’ve easily been the most enjoyable cameras I’ve ever used. The X-T2, in particular, is just incredibly functional and usable, with everything I need fully accessible while shooting. I’ve been dabbling with various mirrorless setups over the past few years, but always took note of them not being DSLRs. With the X-T2, I have to remind myself that it is actually a mirrorless camera! There’s always been talk about when the DSLR will truly die off in favour of mirrorless, but I’ve never been so confident of that coming sooner until I used the X-T2.

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/1600 second – F5 – ISO 200


One of the standout features I’ve loved about the X-T2 and other Fujifilm cameras is the viewfinder. I’ve never been much of a fan of electronic viewfinders in the past. I’ve always been very conscious of them, which can be quite distracting when taking photos. There’s just something extremely comfortable and enjoyable with the Fujifilm ones though. Coupled with just the right settings for customisation, I’ve been able to make them personal to me and my shooting style very easily.


For my travel lifestyle, using the X-T2 has been an extremely welcome change regarding the size and weight of my equipment. It’s been able to replace almost all needs that I had for a photography camera, in a body that’s about half the weight and size of my previous cameras.

Fujifilm X-T2 with XF23mmF2 R WR – 1/30 second – F10 – ISO 200



Recently you travelled to New Zealand, in your opinion what was the best photo you captured using the X-T2 during the trip? Can you tell us the story behind the image?


An image that really stands out for me was taken in Arthur’s Pass overlooking “the viaduct”. It’s a viewpoint I’d seen visiting New Zealand for the first time last year and still amazes me having seen it a couple more times since.

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/125 second – F9 – ISO 200


Previously I’d been unlucky with the light and time of day for travelling through Arthur’s Pass, as it’s always been during a day of 5+ hours of driving, which doesn’t give much flexibility for an itinerary. This year was much the same, driving through Arthur’s Pass slap bang in the middle of the day with flat cloud cover and drizzling rain. However, just as I reached the viewpoint for the shot, some cloud cover broke, and the rain stopped to add some extra variation to the lighting which was very welcome!

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/125 second – F9 – ISO 200


I wanted to display the landscape’s diversity with the foreground grass interest, to show how varied the terrain is; rather than it just looking like a drone shot; which is why I got low for the shot poking the lens through the metal railings. With the coach driving through the middle, I was also able to show a sense of scale for the bridge, and hopefully, with this shot, I’ve been able to inspire other people to visit New Zealand.



What Fujinon lens did you reach for most when you were travelling? Why was this your favourite lens?


I found myself using the XF18-135mmF3.5-5.6 throughout most of the trip, which actually surprised me. I honestly thought I was going to have the XF23mmF2 almost permanently fixed, but I think the convenience of the wide to telephoto focal length really came into play while travelling.


The trip was very hectic, with multiple long distance driving routes, helicopters, 4-wheel driving and boat trips. All that added up to very tight opportunities for actually capturing a moment, which is why the versatility of going from 18mm to 135mm really helped. I especially enjoyed the longer end of the lens and ended up composing more images with telephoto styles than my original style would suggest.

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/800 second – F5.6 – ISO 250



Throughout your travels, in Australia and New Zealand, you used the Fujifilm X-Pro2 and X-T2. What did you find was the main advantage/disadvantage of one camera over the other?


Even though both cameras are very similar, they both still have their distinct features and use cases. This may sound a bit contradicting, but I find the X-T2 to be much more of an all-round camera, yet the X-Pro2 feels more like a camera that I would actually have with me everyday. I really enjoy the stealthy approach to the X-Pro2 when shooting in urban environments. The form factor felt ever so slightly more portable than the X-T2 as well. Overall it just felt like a camera I could pretty much always have in my bag or pocket, no matter where I was going in the city.


The X-T2 on the other hand felt a little more substantial as a camera. It felt like something that I would bring for a particular shooting intention. Of course, this is all relative to just my personal experience, as I know photographers who shoot weddings and such with an X-Pro2…


One aspect of the X-T2 that I found so much more comfortable however was the SLR-styled design, especially with the viewfinder inline with the lens. Not that I disliked the side orientation on the X-Pro2, it just took an extra bit of a conscious effort to hold the camera to my face in the right place. Again, it sounds silly, but when transitioning between so many different brands of cameras at the same time, sometimes my muscle memory just couldn’t keep up with itself!

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/60 second – F5.6 – ISO 2500


The dial locks and placements were somewhat better implemented on the X-T2, but in reality, it barely changed my shooting style between the two cameras. There is definitely a lot of crossover within the tech specs between the two cameras. Yet, I can still distinctly see a use case for either body.



When filming on the Fujifilm X-T2, are there any settings you would recommend using?


I pretty much always follow the cinematic style of shooting video with an 180º shutter angle. So I would mostly be using a shutter speed of 1/50th or 1/100th depending on whether I was shooting at 25fps or 50fps. Specific to Fujifilm, however, would be using the film simulation “Pro Neg Hi.” I found it to be the most neutral and pleasing to use with regards to colour grading the footage in post production.


I did also shoot some F-Log footage into my Atomos Ninja Assassin via HDMI out, which worked very well. However, a setting I discovered I needed to disable was the auto-off feature. F-Log video is recorded externally rather than to the SD card, which means the camera is technically idle and would need some form of interaction to stop it from going to sleep.

Fujifilm X-T2 with XF23mmF2 R WR – 1/30 second – F5 – ISO 200



If you were to design the next Fujifilm X Series camera what feature(s) would you include based on your vast experience with mirrorless cameras?


Although I very much enjoy the Fujifilm system for my work, there are still a few very specific features I feel are missing. Most notably would be an 180º flip-out touch screen so that I could consider using an X-T2 for vlogging. It would also be suitable for when filming in tight spaces when the back of the camera is up against a wall. Mix in some in-body image stabilisation to compliment a lens based image stabilisation, and there could be some serious video specs to tick all the boxes!


I switch between photo and video modes often when out shooting, yet I get frustrated having to adjust settings between the two every time I switch modes. A simple solution would be a setting that could enable a “last-used settings” for each mode, rather than carrying everything over each time. For example, when in video mode, I would set my shutter to 1/50th and film a scene for a cinematic frame rate. Yet in photo mode, I may want to use a higher shutter speed to freeze the motion rather than introduce blur. I’ve experimented with setting custom modes for each setup, but this still doesn’t fulfil the “remember last settings” for each particular mode. Along similar lines would be a dedicated video button similar to what is used on the X-Pro2, but is missing from the X-T2.


I’d also love to see the XF lenses have reduced friction on the lens barrel for smoother zooming and manual focus, along with a constant physical size using internal moving components — I’ve never been a fan of lenses that “grow” when zooming.

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/680 second – F5 – ISO 200


If you have some advice for someone starting out in photography what would it be?


The best advice I can give to anyone starting out is to always have a camera with you. Sometimes you never know when you may come across a shot, but more importantly, it’s about knowing your camera inside out, so that when you do come across the right shot, you’re prepared for it, with a camera you know how to use.

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/180 second – F10 – ISO 200


On too many occasions I see beginner photographers get frustrated in a situation because they can’t get a look or style they have in mind, or the camera is “acting weird”. Take the time to truly get to know your equipment by shooting often, and you’ll soon find that your creative side will start to improve as you try to find better ways of shooting your everyday life!

Fujifilm X-T2 with XF18-135mmF3.5-5.6 R LM OIS WR – 1/1000 second – F20 – ISO 3200

To view more Joe’s work visit his blog, watch him on YouTube or visit his Instagram account or Facebook page.

Other interviews in this series

Through a Photographer’s Eye: Rhys Tattersall

Through a Photographer’s Eye: Jared Morgan

Through a Photographer’s Eye: Tony Gardiner

Through a Photographer’s Eye: Greg Cromie

Through a Photographer’s Eye: Clèment Breuille

Through a Photographer’s Eye: Bhagiraj Sivagnanasundaram