X-Photographer

A series of interviews with professional and high-end amateur photographers that have made the switch to Fujifilm. Learn about all of their different photographic journies that led them to becoming official Fujifilm X-Photographers.

Flight of The Swans – Final Chapter

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X-Photographer strip BLACK

Recap – My name is Ben Cherry, I’m a Fujifilm X-Photographer focusing on environmental photojournalism. Currently I am part of the WWT Flight of the Swans conservation project, where Sacha Dench is flying from Arctic Russia back to the UK; following the declining Bewick’s swan as they migrate to overwinter in warmer climates.

You can find the first blog explaining how I got involved in this unique project and what I’ve brought along with me here.

While the second installment, talking about incredible Russia can be found here.


Well we eventually got out of Russia, after a 19 hour border crossing. Estonia was instantly different. It had a significantly different feel to it, from seemingly greener, richer forest to just a different culture. It was all quite refreshing!

I broke off from the core team to focus on finding Read More

Baby It’s Cold Outside..

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X-Photographer strip BLACK

By Elli Cassidy

At Christmas it’s almost compulsory to take photographs and when you add a newborn baby into the equation it’s the perfect opportunity to create something extra special.

Whether you’re a fan of full-on Christmas decor, or prefer just a subtle nod to the season I hope this fills you with hints, tips and a sprinkle of festive inspiration.


If you are new to photographing babies you can keep it simple and natural, have baby lying on the back and photograph them awake and relaxed. Newborn babies can’t focus their eyes well, so I wait for them to stare into the distance and then move my camera into their line of sight, it can take a bit of patience but is usually worth it.

For this shot, I dressed the baby in a soft white romper and a berry headband which sets the season without needing a santa hat.

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1/100s, f/2.8, iso 100, X-T2, XF16-55

Another simple image to capture is baby toes, they can be awake or asleep for this, though for wrigglers I’m grateful for the fast focusing of the X-T2.  In the first shot you can see the out of focus fairy lights which add an interest to the composition, and for the second shot I used a berry coloured wrap to create a warm festive feel.  In the second shot I was actually gently holding the baby’s toes in place underneath the fabric to keep them at the angle I wanted.  The tilt screen on the X-T2 was handy here as I could both hold her feet and shoot one handed comfortably.

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1/100s, f/2.8, iso 100, X-T2, XF16-55
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1/100s, f/2.8, iso 200, X-T2, XF16-55

Overhead shots are also easy shots to get whilst keeping baby safely lying down on fabric. The wreath I used is mainly fabric so is quite soft and not prickly, and I padded the middle out with a furry cushion cover so that she was well supported at all times.

If a baby isn’t the most settled then I will swaddle them with a wrap so they feel secure, and more often than not they fall asleep when wrapped.  For all these shots I stand over the baby, using a camera strap, and then use live view on the tilt screen of my X-T2 to compose the image.

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1/160s, f/2.8, iso 200, X-T2, XF16-55
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1/125s, f/2.8, iso 200, X-T2, XF16-55
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1/125s, f/2.8, iso 200, X-T2, XF16-55

This shot is a more typical newborn baby pose, but using a seasonal coloured wrap keeps the image simple whilst adding a slight festive touch.

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1/100s, f/2.8, iso 100, X-T2, XF16-55

Christmas is a great excuse to pull out some of my favourite props too, so here are a few where I’ve tried to recreate some of the magic of the holiday.  All of these images were taken with a spotter, which means I had someone on hand (usually a parent) to stay very close to the baby with the sole purpose of holding them if they start to move or roll.  Spotters are either just outside the frame but still within reach of the baby, or I edit them out in Photoshop.

To make it a bit more interesting I wanted to include some lights within these set-ups too, one having a candle lit effect lantern and the other incorporating some fairly lights.  Each of these meant I had to work out the best way to capture the lights whilst not overpowering them with flash.  I needed to shoot fairly wide open to be able to record as much of the ambient light as possible, yet I still needed to light the subject too with my flash. I had the ISO at 100 (or Low) and my aperture at 2.8 on the 16-55mm, if I shot at 1/250s I overpowered the fairly lights and you couldn’t really see any light from them at all, when I slowed down to 1/125s they were visible but quite small and hard. I couldn’t shoot any wider unless I swapped lenses, so the next option was to reduce the shutter speed further. As my baby model was asleep, as long as I held the camera steady, I was able to shoot at 1/15s which enabled the flash to still perfectly light my model without overpowering the ambient so I captured the nice effect of the lights too. Again using the tilt screen was invaluable as I could sit down and hold the camera steady without having to lie on the floor to see.

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1/15s, f/2.8, iso 100, X-T2, XF16-55

With the lantern shot the candlelight wasn’t giving any spread at all as it was just so low powered, so I photoshopped the glow in afterwards. I thought including both images will show you the different ways of achieving the same kind of end result.  Where possible I do prefer to get it right in camera, but I’m not opposed to editing small things if it helps create the right feel either.

1/125s, f/2.2, iso 100, XT2, XF56,
1/125s, f/2.2, iso 100, XT2, XF56,

And finally a slight twist on a more advanced newborn pose known as The Potato Sack, I wanted to give a bit of a snowman feel so added a hat and then in photoshop I added some snow, just for the fun of it.  This pose is usually done with baby being supported and then the hand edited out afterwards.

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1/125, f/2.8, iso 200, XT2, XF16-55

All images were shot with the X-T2 and lit with a single Elinchrom d-lite1 and a 1m² softbox. I almost always position the light so that it flows down the baby’s face to give either a butterfly shadow under their nose or a loop shadow at the side of their nose.


And finally I few tips for you to help get your newborn model to sleep:

1. Heat – A toasty warm room and a fan heater near baby, I find it’s the warm breeze that helps settle them
2. Milk – A ‘milky drunk’ baby, I always ensure they have a full feed before we start so they are nice and full
3. White noise – Background noise helps send most babies to sleep and masks any noise you might make whilst working
4. Blankets – I use a blanket from home to hold them in whilst getting them to sleep as it smells familiar to them
5. Dummy – I always ask if they have one at all, you can pose the baby with their dummy and then just remove it for the individual shots
6. Patience – sometimes it takes a while for them to drop off to sleep but having all the above in place can make it much easier.

I hope you all have a great Christmas and I’d love to hear how you get on with your festive baby photographs!

Elli Cassidy
www.minimemories.co.uk

X-Thusiast Featured Photographer Janice Kho

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Our final X-Thusiast photographer of 2016 is Janice Kho. Born in Malaysia, Janice now calls Perth her home, using her X-T10 to capture landscapes, food and nature.

Tell us a little about yourself, Janice. Where are you from? What are your hobbies? What inspires you from day to day?

My name is Janice Kho and I live in the beautiful coastal city of Perth in Western Australia. I was born in Malaysia and spent some of my childhood there before I migrated to Perth. For as long as I can remember, I always had a passion for the arts and creative pursuits. While I ended up pursuing a career in health care, photography has become my passion and creative outlet. Besides photography, I love travelling to new places, sharing food with friends and family and curling up with a good book.
Exploring new places, meeting interesting people and gaining new experiences is what inspires my photography. I’m also inspired by people who pursue their passions while contributing to the world in a positive way.

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“A view of Mt. Cook at the end of Hooker Valley walk, New Zealand,” by Janice Kho, Fujifilm X-T10 + XF18-55mmF2.8-4.

 

How did you develop an interest in Fujifilm photography? How would you describe your photographic style?

Before jumping into the Fujifilm X-Series, I was using a Canon DSLR. While I loved shooting with that camera, I found the weight and size of it was stopping me from taking it everywhere I went in my day-to-day life. It was also harder to blend into the crowd when I was travelling. Since the first Fujifilm X-Series camera came out several years ago, I was instantly attracted to the retro look and have been looking for the perfect mirrorless system to switch to. When the X-T10 came out, that sealed the deal. I was attracted to the inconspicuous look and the small size. It was perfect for everyday use and for longer trips.
I think my photography has evolved over the years and I’m still trying to find my photographic style. I enjoy shooting a variety of subjects but landscapes, nature, urban life and food dominate what I shoot. With that in mind, I would say I’m driven to document life and experiences through my eyes in an unobtrusive way.

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“Urban reflections,” by Janice Kho, Fujifilm X-T10 + XF18-55mmF2.8-4

What constitutes a good photograph for you? Could you describe your shooting strategy?

I think a good photograph is definitely in the eye of the beholder. Personally, though, I’m attracted to photos with really strong composition, especially when I’m viewing landscapes, portraits and architecture photos. I’m not sure if I have a shooting strategy as such, but I try to take my camera with me when I head out of the house on the weekends and will think about the sorts of photo opportunities that will be there so that I’m prepared with the right camera/lens combination. I’ll also do the same when I’m packing for a longer trip away.

Why did you choose the Fujifilm X-T10? Why do you prefer the X-T10 model and what is your favourite aspect?

When I was looking to get a smaller, nimbler camera, I spent some time researching the various mirrorless systems available on the market but I kept coming back to the Fujifilm X Series cameras. At the time, the Fujifilm X-T1 was the closest to what I was looking for but the price point and weight put me off a little. When the X-T10 came out, I knew that was the camera I was looking for. It was the right price point for me to swap from my DSLR and it had a familiar DSLR feel to it in my hands. It’s also smaller and lighter while still maintaining the same excellent image quality of the X-T1. My favourite aspect is definitely the small weight and size. It means I take out my camera more often and I have the freedom to shoot unhindered.

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“Beautiful Perth city at twilight,” by Janice Kho, Fujifilm X-T10 + XF35mmF1.4

Which Fujinon lens or lenses do you prefer to use with your Fujifilm X-T10 camera? Tell us why.

I currently have three Fujinon lenses, the XF27mmF2.8, XF35mmF1.4 and XF18-55mmF2.8-4. It’s a tough choice to state which is my favourite lens of the three as they are all such high-quality lenses, each with a specific purpose in my kit. I found the XF18-55mmF2.8-4 to be the perfect lens for travelling because it’s versatile and can cover a variety of subjects, but it’s probably the lens I use the least because of its heavier weight compared to my other two lenses. The XF35mm F1.4 creates beautiful images with amazing bokeh, and it’s the lens I use whenever I’m photographing people or night scenes. The XF27mm F2.8 is by far the most used lens of the three. It’s super light and small. It’s a great focal length for everyday shooting. It’s the lens I have sitting on my camera by default. With all that being said, I’m itching to get my hands on a fourth lens to shoot some wide, sweeping landscapes!

Could you describe your photo processing? Do you prefer any editing tools, social networks or camera accessories to enhance your work?

My post-processing is pretty simple and I don’t tend to spend a lot of time on editing. I use Lightroom for photo editing on the computer. Given how good the Fujifilm jpegs are, I will generally only do some small adjustments before it’s ready to be shared on my blog or social media. My more recent photos tend to have a subtle, faded look, but I’ll mix it up and create something with more saturation and colour when I feel like it. If I want to share a photo fairly quickly on social media, I will upload the photo directly from the camera via Wi-Fi to my phone using the Fujifilm Camera App. I’ll then use VSCO to edit the photo on my phone before sharing it on Instagram and Facebook.

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“Coffee stop at Hylin Café after a hike,” by Janice Kho, Fujifilm X-T10 + XF35mmF1.4

Do you have advice for new photographers or the next potential X-Thusiast?

Don’t worry so much about the gear you have, just get out there, shoot and experiment. Eventually, you’ll find what you like and dislike shooting. If you’re new, focus on learning the basic principles of the exposure triangle (ISO, aperture and shutter speed). I think it’s also important to slow down when you’re shooting and focus more on composition. I find a lot of inspiration following photography blogs and looking at photos on places like Instagram.

Any final thoughts or tips?

Keep shooting what you love and eventually, your passion will be noticed. But most importantly—have fun shooting!

If you would like to see more of Janice’s work follow her on Instagram, Twitter or visit her blog.

If you, or someone you know in Australia, is interested in joining our X-Thusiast community, check out the full X-Thusiast Gallery and Submission details.

Leave Nothing To Chance

X-Photographer strip BLACK

By Omar Z Robles

A good friend once told me that success often comes when two things take place: chance and readiness. I am a firm believer that it takes more of the latter than anything else. Chance…well, that could be a matter of perception. Too many people believe that situations must be just right in order to be successful, only to end up disappointed and frustrated.

Let’s rethink that approach. Replace chance with persistence, and see how that goes. Don’t worry; this is not solely a self-help post…photography, coming right up.dscf1650On my recent trip to Mexico, there was a multitude of moments where things were not how I planned – or, where circumstances changed unexpectedly. When you are traveling into new territories, you are most likely going to run into these types of scenarios. What’s important is how you handle them. I’d like to share just a two examples with you and how persistence and readiness help me pull through.dscf3393A few local people had told me that I should consider shooting in Xochimilco due to the colorful “trajineras”. Trajineras are boats colorfully adorned which take groups of people along the canals. I did a little research and thought it was a great idea. I consulted it with one of the dancers and she was thrilled with the concept. The excitement grew alongside my expectations. In order to make it there, we had to travel nearly an hour outside of the city. Upon arrival, my heard sank. I soon realized that shooting at this location was going to be more than challenging. The place was PACKED with people and to make matters worse, light was fading fast.dscf2061My initial idea was to photograph the dancer on a floating boat with other boats on the background. It was going to look AWESOME, or at least it did in my head. Unfortunately, the canal was overcrowded and we would be unable to execute the initial plan. Light was still fading and we were too far away from the city to turn back and find a different location. I would have to make due.dscf1324The important thing is that I had already been rolling with the punches. Since I arrived on location, despite the location being less than ideal, I was constantly shooting. I wasn’t waiting for the perfect setting; I was ready to make the setting work for me. We continued scouting a few locations around the area and shooting simultaneously. At the end of the day, I was really satisfied with the images we achieved.dscf2022The next example had even higher expectations. It was the Day of the Dead. The plan was to visit two cemeteries with two dancers and use with the festivities happening as part of the backdrop for the images. Again, it all looked incredible in my head. This time we had to travel even farther away, about 2 hours, to Cuernavaca.dscf3419When we arrived to the first cemetery, I quickly knew the day would be not as I had imagined. Did I quickly pack up and leave? No, I told the dancers to get ready and we shot a few frames. After some time, I decided to move to the next location. As we were approaching the next cemetery, we diverted into an interesting alleyway. We shot some frames and as we headed back, I stopped to shoot once or twice along the way.  I saw the sunset starting to break and made the decision to keep shooting on that street. After a few minutes passed, an adjacent street caught my eye …so we kept shooting.dscf3873I felt a few drops of rain as the sunset came into full effect. I changed my lens to XF90mmF2 R WR just in case, even though I didn’t see many clouds. What happened next none of us was expecting: a heavy storm broke and the day transformed into night almost immediately. Thanks to the X-T2 and XF90mm’s solid weather sealing, we were able to push on and continue shooting.dscf4100In both of these examples, the reality of each situation was nowhere near my expectation. Yet in both cases, I was able to capture some beautiful images beyond my imagination. We weren’t quite able to shoot at the locations we had set out to shoot. That didn’t stop me. I was persistent and kept shooting, making the circumstances work for me and not the other way around. I took control of my “fate” and didn’t allow the obstacles set the tone or disappoint me.dscf4065Shooting with the X Series system also contributes greatly in these moments. Being able to see an exact preview of how my images are going to look like on the EVF and rear screen helps me visualize what is going on and make sound decisions towards my goal. The weather sealing and excellent high ISO performance also keep me confident in all sorts of tricky moments. In those moments, I know I’m capable of capturing the perfect shot, but it’s up to me to persist.