Who would have thought a lens could make such a difference in the way you see the world?
The focal length of the XF16mmF1.4 R WR is superb for photographing indoors and outdoors and is often overlooked by many photographers wanting something wide. Being a prime lens you will find it is a welcome challenge in your gear arsenal as you navigate the nonexistent zoom with your legs out in the field. It’s this real world experience when composing that will make you feel part of the scene as you live every moment of your surroundings.
Fujifilm X-Pro2 – XF16mmF1.4 R WR – ISO 200 – F2.0 – 1/1600 sec
Combine the small size with a maximum aperture of F1.4 and photographs seem to ‘pop’ whenever they are printed or presented on a screen. The bokeh performance on this lens is stunning and something many photographers will find appealing when photographing the smaller things in life. If you prefer capturing landscape scenes, you will notice a natural look to them as the lens captures the majority of the surrounds at a 24mm (35mm equivalent) focal length.
Fujifilm X-Pro2 – XF16mmF1.4 R WR – ISO 200 – F5.6 – 1/1600 sec
If you find yourself in the wet and wild outdoors, the XF16mmF1.4 R WR lens incorporates 9 seals to counteract the weather and dust in your environment, so it makes sense to marry this lens onto a weather resistant body like the Fujifilm X-T1 or Fujifilm X-Pro2. Its hardy exterior complements any interchangeable X Series body and the large focus ring turns with ease and precision.
Fujifilm X-Pro2 – XF16mmF1.4 R WR – ISO 200 – F4.5 – 1/80sec
It is no wonder many photographers are starting to take notice of this finely crafted Japanese made lens. Superb image quality without the size and weight make this the perfect lens for travelling and keeping your camera small and compact.
Do you own this lens yourself? What’s the best picture you have taken using it?
From the moment I truly began to pursue photography, I strived to distinguish my work from the millions of images flooding digital media across the world. In doing so, I’ve always been an advocate of doing whatever it takes to get the shot. Whether that means hiking a treacherous mountainside all night to capture the beauty of first light from an unseen perspective, or hanging from an abandoned bridge 2,000 feet above the ground, capturing timeless moments are what I live for. Through my experiences, I have learned that photography is a key factor in the difference between being alive, and actually living. Abiding by this principle, I set out on road trip from Los Angeles to Seattle accompanied by two talented friends and an arsenal of Fujifilm X Series gear.We left LA for Oregon on a Tuesday afternoon, and after a brutal sleepless 16-hour road trip, we made it to our first destination – Abiqua Falls. Fortunately our car for the trip was a 4WD Jeep, and allowed us to take the mile long off-road path to the trailhead for the falls. With tattered sneakers accompanied by a light rainfall, I ventured through Oregon’s lush landscape for my first time. The abundance of massive trees and greenery were like nothing I had ever seen before. The hike down to the river was pretty intimidating, and required you to scale down a lengthy and steep hillside that was only accessible by a rope tied to an old tree at the top. I went first, and discovered that the last hundred meters of the slippery, muddy terrain had no support rope. After my first step I went down with no control, and slid for about a hundred feet, ruining my clothes and scratching up my hands in the process. Nevertheless, we all made it down eventually and hiked alongside the river to our destination. I had never seen Abiqua Falls, so when we turned the corner that revealed it’s jaw-dropping beauty I was in awe.The picturesque landscape was surreal, and I immediately began planning out the perspectives I wanted to capture in order to do it justice. What I didn’t realize was how difficult the blistering backwash from the water crashing to the surface made it to snap a photograph without drenching the camera lens. The remarkable durability and weather-resistance of the X-T1 matched by the speed, precision, and quality of the XF10-24mmF4 R OIS conquered the conditions, and allowed me to capture my experience before the backwash fogged up the lens. From Abiqua, we drove through the countryside to two of Oregon’s most iconic waterfalls, Multnomah and Latourell. These two were conveniently located very close to one another, and neither required a difficult hike to get to. Their overwhelming size was a humbling reminder of the power of Mother Nature, and gave me a challenge to capture them true to scale. Running on no sleep in almost 48 hours, we left the falls and enjoyed the hospitality of a friend and Oregon local, who took us to a famous Portland brewery before getting a couple hours of rest to continue on our photographic journey.Several hours of sleep, a warm shower, and a cup of coffee later we were on the road again… this time headed towards Washington. We got up before sunrise to capture first light from the Rowena Crest. The dynamic range on the X-T1 did Rowena justice by capturing all the tones and colors of the current season. After a brief session at Rowena, we drove straight to Olympic National Park. We encountered wildlife along the way, including a bear and bison. It was my first time seeing such large animals up close, and thanks to compact size of the X-T1 I was able to take it out of my pocket in time to capture the moment. Olympic National Park had otherworldly nature-filled roads whose cinematic foregrounds looked like something out of Planet of the Apes. With the help of the XF16mmF1.4 R WR lens, I was able to capture the detail of the nature before me.After exploring through Olympic, we returned to the hospitality of a friend’s home in Seattle, anxious for the adventures that were to come the next day. After a few more hours of sleep we set off to catch the infamous abandoned railroad known as Vance Creek Bridge for sunrise. Vance Creek is very dangerous if you’re not careful, and trespassers of the area are given a hefty fine if caught by authorities. This didn’t stop us; we were determined to get to the bridge and get our shots as quickly as possible. Running on minimal sleep, the excitement of visiting Vance eliminated any sense of fatigue and gave us motivation to get through the hike to find one of the most amazing abandoned locations I had ever seen. I cautiously maneuvered all the way across the bridge, and after documenting every angle I could, I hung my body off the edge of the bridge to capture the vertigo-induced lookdown perspective that is seen throughout most of my travels.This image gives me a sense of conquering that location, and I strategically waited until I was done shooting to make my mark with the widest lens of my kit, the XF10-24mm. After leaving Vance Creek without any issues, we headed back to Seattle to take on the skies of the city in an R44 helicopter with Classic Helicopters. While I’ve had helicopter shoots across several cities in many different conditions, it was my first time shooting in harsh light, and in an unfamiliar city. Nevertheless the X-T1 and XF10-24mm combo proved their worth, showcasing the very impressive speed and accuracy of the auto-focus feature. About an hour after the flight concluded, the sun had set, signifying the end to an amazing few days spent with friends shooting in new environments with an awesome camera system. We returned to our friend’s house to catch some sleep before we set off on a 20 hour road trip back to Los Angeles.
In addition to my Pacific Northwest road trip, I also had the pleasure of shooting with Fujifilm X Series gear this past December in the winter wonderland that is Alberta, Canada. The camera withstood unbearably low temperatures, snow, and everything in between. I even hung my body out of the car at 100kmh in -20 degree weather to capture a symmetrical road shot during sunset on the way home from our final day, which consisted of a trip to Yoho National Park to capture a direct vantage point of an endless blue river. Although my winter hat flew of my head and my face turned bright red from the extreme temperature and heavy wind, the camera gear had no issues withstanding the harsh conditions and delivering excellent quality images.
In conclusion, the most valuable aspect of traveling for me has always been capturing my experiences. In doing so, I’m able to make my memories timeless and share them with the world. With the help of Fujifilm’s cutting edge X-T1 system and expansive Fujinon XF lens lineup, I was able to document my recent travels throughout Alberta, Canada and the Pacific Northwest. The durability of this mirrorless camera is incredible. The compact size and endless internal capabilities of the X-T1 also set it apart from any camera I’ve used before. One of my favorite design aspects is the moveable LCD; this made it much easier to shoot reflections and difficult perspectives that cannot be seen through a viewfinder. The XF lenses are also very impressive. Their power and design compliment the body by providing lightning-fast images of excellent quality, color and sharpness. The auto-focus feature is also remarkably consistent and accurate across all subjects, and allowed me to make the most of every rare photo opportunity Mother Nature presented along these two trips. I’m very grateful for the opportunity to work with Fujifilm’s X Series gear, and I highly recommend it to all photographers looking to take their work to the next level with a conveniently sized, sleekly designed system.
Pygmy elephants are endemic to the island of Borneo, famous for their slightly smaller size, they are endangered with a population of roughly 1,500 left in the wild. This species is increasingly vulnerable to human impacts as a result of deforestation and conflict with palm oil development. They are the least understood elephant and in my opinion the sweetest, with their oversized ears and long tail to keep them cool and usher away insects.
Our first encounter was through an opening where there were about twenty elephants grazing. Our presence obviously wasn’t too big a concern as we were still observing different behaviour which is only seen in relaxed environments, such as play fighting and suckling.
We moved on in our boat and headed around to a more suitable location and the view that greeted us was unbelievable!
I didn’t think the XF16mm would get much work but I was wrong. Having that mounted on one X-T1 and the XF50-140mm on another, sometimes switching to the XF16-55mm too, made for a brilliant set up.
One set up that proved to really work was the XF10-24mm and the X-T1 on a monopod fired via wireless triggers. Using the electronic shutter mode meant that I could have the camera really close to the elephants with no sound being produced so they stayed nice and calm. I couldn’t have done this with an SLR or in mechanical shutter mode. Using that set up on a monopod meant that I could shoot from a really low (or high) angle and still stay on my feet incase I needed to move. The tilting screen meant that I could see exactly what was in the frame and I used continuous auto focus as I trusted it to keep the focus on the subject. the wide perspective really worked well with these large animals, they may be called pygmy elephants but the adults still stand 2.5 meters tall! The other advantage of this lens was the OIS which worked fantastically. Considering I was holding the camera on the end of a 1.5 meter poll, in a busy environment and still getting sharp photos at 1/60sec is a testament to the OIS.
However when the conditions were particularly gloomy and I didn’t want to push the camera past ISO3200 (ISO6400 is fine but on this occasion I decided not to) I switched to the ever-present XF16mm and utilised the F1.4 aperture. Though the angle of view was much narrower the benefit of the faster shutter speed was huge. This was particularly important as when the sun was shinning it would often create very strong dappled light which would often result in blown highlights. As a result the best results were usually from overcast conditions as it meant that everything was correctly exposed, but this meant there was less light available.
To get some close ups I used the ever-present XF50-140mm utilising the wonderful sharpness at F2.8.
This was a truly incredible experience, one that I will never forget and I am so pleased that the X-Series produced photos to do the interactions justice. From the XF50-140mm to the XF10-24mm, the Fujinon lenses were exceptional across the range. We were even lucky enough to see the elephants beside a river just as the evening light reached its vivid climax.
I hope you have enjoyed this series of photos, let me know your thoughts. The X-Series is developing into a great, lightweight wildlife system, I can’t wait for the forecasted XF100-400mm to complete this fantastic system!
I have been lucky enough to be using a prototype of the XF16mm F1.4 since March and I have to say it is brilliant. I wasn’t entirely sure what I’d end up using it for, but as it turns out it is an extremely flexible lens and helped to produce some shots that would otherwise have not been possible.
This particular story has a bit of an unusual beginning. The location is the Kinabatangan River, Sabah, Malaysia, I was in this region with another photographer, Christian Loader from Scubazoo who I’m currently doing some work with. I have to thank Christian for some of the photos of me here. One morning, we headed up river briefly as our guide Osmon wanted to show us something he had spotted the previous night. We slowed underneath some low lying branches. Before I knew what had happened we had come across a relatively young python and… it fell in the boat! At which point I almost jumped out, much to the amusement of the other two who have handled snakes extensively before. The snake then decided to snuggle up to my Millican Dave camera bag! They calmly caught it and we relocated it inside the forest on a nice tree branch, in return it kindly sat still allowing us to take some pictures.
The close focusing capabilities of this lens really impressed me and allowed me to get some really close wide-angle shots, allowing me to fill the frame with the python and to also capture the environment.
I used the X-T1 with the XF16mm F1.4 attached as well as a Nissin i40 flash I used a rogue flash bender. But because this would involve getting very close to the snake I decided to put the camera on a monopod and used a wireless trigger set up to keep me working at a safe distance. To stress, the snake was absolutely fine and did not once try and strike the set up. The angled screen on the X-T1 was very helpful here as it meant that I could see exactly what was in the frame, regardless of slight angle changes to composition.
Because I was using the i40 flash in TTL mode, I couldn’t shoot above 1/180sec so I had to stop down to F8 for much of the photos. The location was very dark and flat as the vast majority of the tropical sunlight is absorbed by the canopy above. Thankfully the XF16mm seems to have very quick and accurate autofocus, even in these less than ideal conditions.
In an up and coming blog I’ll show the benefit of the F1.4 aperture when photographing Pygmy Elephants.