My work as a photographer has been characterized largely by my choice of subject matter and composition. Best known for photographing dancers against uncommon backdrops, I frequently get asked why and how I choose the backdrops that make it into the final frame. The truth is, when I travel (other than researching photography laws in each respective country), I don’t spend much time researching the “best places to photograph”.
Why not?
I prefer to be surprised by the places I visit and let them speak to me as I make my way into the unknown. Avoiding preconception of a physical location helps my process: I believe it helps me to create more honest images. Honest, because the final output reflects my own discoveries as opposed to try to emulate what I have seen others do – even subconsciously. This can be frustrating at times, but frustration is a part of the creative process which welcome with open arms. Much as necessity is the mother of invention, frustration can be the propeller of creativity.
I found myself traveling in Mexico City, where I was able to enlist and schedule several dancers before my trip. I had a full schedule of shoots before landing. Yet, I had no idea where was I going to photograph. While the thought frightened me, it also motivated me. Throughout the trip, I relied both on the advice of my dancers and local Fujifilm X-Photographer Jaime Ávila who, out of his own initiative, pre-scouted a few places for me (thanks a lot, brother!).
However, seeing is believing. In spite of their local knowledge and willingness to help, it is not until I am at the actual locations that I face the real challenges: Will this location work for me? How can I make this place my own? How can I translate it into my visual language? My mission is to make the dancer the protagonist. It’s my responsibility to feature him or her in the location while creating a narrative evocative of the city. I can only achieve this through patience and observation.
No matter where I am, I need to observe what makes each place unique. And, more importantly, what is unique to me at that particular moment in time. That takes time and some trial and error – that’s where patience needs to kick in.
Here in Mexico City, more so than architectural elements, the one thing that has caught my attention is its density. LOTS of it. There are as many people in the streets as there are cars. While the density initially felt like a hardship, I took the time to discover how to use it to my advantage – and more importantly, how to use the density to tell the story of my experience here. Instead of running away from it, I decided to place the dancers between congested areas of people and between heavy traffic lanes.
To my advantage, working with FUJIFILM X Series gear has been a great blessing in these types of situations. Surfing waves of people, I was carrying equipment so light that I was able to move easily through the crowds. Having lightweight gear and fast autofocus, I jumped in and out of traffic swiftly (and safely).
Also, I have used the lightness of my X-T2 in combination with its burst mode to create slow exposures in areas where there are a lot of people moving. The result is an image of a magnificently elegant dancer standing strong with a blurred sea of moving people. I rarely carry a tripod; these images were easily created handheld.
I have been using the tilting screen quite often to shoot from extremely low angles. Shooting from low angles often helps in diminishing visual background noise.
My journey in Mexico City started with many revelations about my own process and creativity. I found myself slowly unraveling the unknown with the help of X Series and a true sense of adventure and exploration…
After being awake for 30 hours, we arrived at dusk. On the way into Yosemite, we stopped off at tunnel view. It was my first glimpse of California that wasn’t being hidden away by the night. The rock faces lit up underneath a sea of endless stars. In that moment, it all felt like a dream. I was now experiencing this miraculous destination that I had experienced so many times before through someone else’s eyes. We spent an hour shooting before heading to drop off our bags and get settled in our condo. At 4:30 AM, we were off to glacier point to prepare for our first sunrise.
I stared into the face of half dome, brilliant and gleaming in front of me. In some ways, I was taking a photo that millions of people had taken before me – but at the same time, I took pause to remember that the beauty of photography is that each moment captured is infinite and unique in its own way.
The sun began to glow, and I was able to catch the last few stars in the sky over half dome. My X-Pro2 clicked away on a timelapse and my X-T2 shifted in my hand as I tried to find my perfect composition. I was awaiting the shot that I was planning on taking since the trip’s inception.
I framed up a shot with a 10-stop ND and 3-stop ND Grad to get some cloud and water movement. Shooting long exposures during the day is one of my favorite things to do because it gives me some time to enjoy the scene around me. Oftentimes I get so caught up in getting the shot that I don’t “see” things for myself. The photos are the best way to relive the moment, sure. But it’s equally as important to live in the moment and enjoy your surroundings.
As the light started to drop in the sky, I shifted into creative mode trying to make the absolute most of the light that I have left. I set up another timelapse in front of the half dome with my X-Pro2, and with my X-T2 and XF16mmF1.4 R WR attached, I began walking around finding different compositions to maximize my last few moments.
Over the course of the next few days I experienced close to all that Yosemite and the surrounding area had to offer: Taft Point, the 7,503 ft lookout point, Tioga Pass, and the desert-laden Eastern Sierras that lie just outside of Yosemite proper. The trip was full of friendship, laughter, and best of all, amazing scenes to photograph.
From the moment we exited the airport doors of Jose Marti International, taxi drivers lined the terminal swiftly coaxing the array of people to follow them to their cars. Being able to speak Spanish has proven valuable on many occasions, and helped us find a fair deal for such a late time of the night. The 30-minute drive from the airport to our apartment in the city of Vedado felt like Havana’s version of Tokyo Drift, lead by an aggressive local cab driver in his beat up old school car. Weaving through pedestrians, alleyways, and several animals we made it to our apartment in one piece. Upon arrival the driver insisted the price was higher than he had agreed upon, introducing us to our first taste of the local Cuban hustlers. After relentless persistence from the driver, we settled for a new deal and made it up to our apartment to call it a night. As I went to bed, I couldn’t wait to explore the city of old Havana, Habana Vieja, in the morning.
Before I visit a new destination, I always do my research to ensure that I’m well prepared, know what to expect, and plan out locations to shoot. After taking our first cab ride in an old school car, or coche viejo, to Habana Vieja, I quickly learned that Cuba is by far the most unique country I’ve ever visited. The shock factor of wandering the post-apocalyptic streets of Habana Vieja made it nearly impossible to comprehend what I was seeing. The streets were lined with colorful decaying buildings guarded by locals who spend much of their day on their front porch observing their surroundings. From stray dogs to barefoot kids running through alleyways playing soccer to the cigar-selling hustlers on every street corner, the ambiance of the city was something you have to physically experience to believe.
The most exciting aspect of this trip was the addition of my Fujifilm X-Pro2 to my X Series arsenal. After my first day with the camera, I immediately fell in love with the system. My favorite aspect of the X-Pro2 is the aesthetic of the body. The sleek, classic design avoided the intimidation of the locals when I kindly would ask for their portrait or to enter their residence. Whether the body was accompanied by the compact FUJINON XF10-24mmF4 R OIS, XF35mmF1.4 R, or the XF55-200mmF3.5-4.8 R LM OIS, the camera always stunned the locals when they asked to see the images.
While I did encounter a couple strict denials from potential subjects, the sketchiest moment of the trip took place when I noticed a very interesting opportunity for a photograph of a mother and her infant son. When I approached what appeared to be their home, I realized it was the gateway to an entire storage lot of bike taxis. Slowly making my way forward, I called for the attention of the mother to softly introduce myself and ask for permission to take a photo. As she shook her head no, a dog that looked like a hyena out of The Lion King on steroids emerged from the darkness and bolted towards me, snarling and foaming from the mouth. I took off, and after a few blocks I made my way back to meet with my friends, avoiding whatever plans the mutant dog had for me.
As the day continued, we explored just about every neighborhood we hadn’t seen in the area. Thanks to my cousin’s strong sense of direction, we continuously encountered new people, hole-in-the-wall restaurants, and a wide variety of subjects throughout the day. From the reflective puddles, to the daily life of the Cubanos, to the hissing hustlers of the streets, there were endless moments to photograph. We ended the day off along the seaside Malecón street for sunset. The array of classic cars, ocean views, and fisherman lining the Malecón made it one of my favorite spots in all of Havana. I was able to document the experience in all of its glory with the help of my X-Pro2 and FUJINON XF10-24mmF4 R OIS lens. After a very eventful first day in Havana, I could not wait to experience what the city would have to offer throughout the rest of the week.
Specializing in portrait, lifestyle and travel photography, Victoria’s goal has always been to create photographs that possess a thoughtful approachability, bringing the viewer into the moment rather than leaving them on the outside. She has worked with global brands including GAP, AMEX, Coach, and Airbnb, capturing people, places, and moments in time that others might overlook. In search of the next story worth telling, Victoria has traveled to and photographed many locations around the United States (including remote regions of Alaska), the mythical countrysides of Scotland (fairies and all), the endless landscapes of Iceland, and elsewhere, all while on assignment.
This fall, she will be hitting the road and the skies again as she travels through New Mexico, Utah, Texas, and then back to California to finally visit Yosemite National Park for the first time. Next summer, she is planning to reconnect with her European roots on a trip to Lithuania — her first trip back since moving to Washington when she was only two — with her father, a man whose model of unquestioning generosity and inspiring drive to work hard have helped her find her own path.
Victoria will of course be traveling with her Fujifilm camera in tow. After purchasing her first X Series camera — the X-T1 — Victoria knew she had found the perfect match. The ease, flexibility and photo quality of the X Series quickly won her over and she recently moved to the X-T2, though her T1 remains close by.
Living in the PNW, Victoria never shies away from bad weather, especially while on the road, and the X Series allows her to brave the elements without worrying about her gear. The cameras are compact for easy travel, the lenses are sharp and fast, and the Wi-Fi capability makes remote uploading and shooting incredibly easy, including the ability to adjust exposure, aperture, ISO and other settings right from her phone.
More than anything, Victoria admires how well Fujifilm listens to its photographers. Through both software and hardware updates, she has found that the X Series continues to improve in ways that truly benefit photographers. The X-T2, with updated 4K video capabilities, impressive Autofocus functions, and a Vertical Power Booster Grip that allows for brilliantly fast continuous shooting, is no exception. It is safe to say that Victoria is excited to see what lies ahead for Fujifilm and she can hardly wait to get her hands on the GFX 50S. The new G Format sensor is definitely going to shake up the world of medium format photography.
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