Iceland, a most curious island – Part 2

Part 2 of Danny Fernandez’ Icelandic adventure; it will inspire, teach and make you want to visit this beautiful country.

Part 2 of Danny Fernandez’ Icelandic adventure; it will inspire, teach and make you want to visit this beautiful country. If you missed part one, read it here.


By Danny Fernandez

The Highlights

The overall highlight (sorry if this is cheating) was the nature itself. The country is very varied in what it has to offer, and the scenery changes dramatically. You could start the day in rolling green hills, cross the icy snout of a glacier and pass moss covered lava fields in the space of a few hours. There are so many waterfalls, ranging from mighty to tiny. At one moment my girlfriend and I counted 25 waterfalls on the mountain facing us. I would consider it a good day if I saw just one waterfall, but on some days we probably saw more than 100.
Iceland Fuji blog Danny Fernandez Photography (2 of 35)
Iceland Fuji blog Danny Fernandez Photography (22 of 35)
Iceland Fuji blog Danny Fernandez Photography (17 of 35)
Iceland Fuji blog Danny Fernandez Photography (24 of 35)
Iceland Fuji blog Danny Fernandez Photography (11 of 35)
Iceland Fuji blog Danny Fernandez Photography (28 of 35)
Iceland Fuji blog Danny Fernandez Photography (33 of 35)

I kinda of fell in love with the Icelandic horses. They are such beautiful creatures. They all seem to be very tame and friendly. At almost every chance, I would stop the car to get photos of them. I was desperate to get beautiful backlit photos during the golden hour, but unfortunately, that opportunity never arose.

There is no more sagacious animal than the Icelandic horse. He is stopped by neither snow, nor storm, nor impassable roads, nor rocks, glaciers, or anything. He is courageous, sober, and surefooted. He never makes a false step, never shies. If there is a river or fjord to cross (and we shall meet with many) you will see him plunge in at once, just as if he were amphibious, and gain the opposite bank.
— Jules Verne, A Journey to the Center of the Earth

Iceland Fuji blog Danny Fernandez Photography (3 of 35)
Iceland Fuji blog Danny Fernandez Photography (4 of 35)
Iceland Fuji blog Danny Fernandez Photography (5 of 35)

Due to the geothermal activity, there are many natural hot springs and pools. We visited Seljavallalaug (one of the oldest outdoor pools in Iceland, built is 1923), which was spectacular. The pool is set in a picturesque valley next to a river. It takes a short trek to arrive there, but it is definitely worth visiting. Prepare to bathe in algae filled water as the pool is cleaned just once each summer.

Iceland Fuji blog Danny Fernandez Photography (9 of 35)
Iceland Fuji blog Danny Fernandez Photography (10 of 35)

On the second night of the trip, we were fortunate enough to witness the northern lights in Vik. This was an incredible experience. As I had only seen photos/time lapses of northern lights, I was surprised at how they move and dance across the sky. At times they were like the final whisps of a flame, in an attempt to stay alive, at other times they appeared to explode in the sky, spreading in all directions. The last scene of the spectacle looked like ten people flashing torches on the clouds, illuminating them as if the gods were having a party.

Iceland Fuji blog Danny Fernandez Photography (12 of 35)

Skógafoss is one of the biggest waterfallls in Iceland (being 25m wide and 60m tall). We visited early in the morning and there was a rainbow fixed at the base of the waterfall. There is a walk which you can do to the top, which is well worth it. However, I thought the most impressive views were from the base.

Iceland Fuji blog Danny Fernandez Photography (14 of 35)

About 9km from Skógafoss is a wreckage of an US Navy airplane which crashed in November 1973 (fortunately no one died). The remains of the plane can be found on Sólheimasandur black sand beach. Arriving to the location was a little difficult (without a 4×4) and we had to walk a few kms across a barren landscape to get there. We were blessed with sunny weather and really enjoyed exploring the wreckage (you can go inside it, which is a little eerie).

Iceland Fuji blog Danny Fernandez Photography (16 of 35)

Jökulsárlón is a glacial lake where huge chunks of ice break off the Breiðamerkurjökull glacier and enter the Atlantic ocean. This place was phenomenal. We arrived just before sunset, and watched the sky turn red (contrasting the deep blues of the ice) as a thick mist rolled over the glacier and onto the lake. There were seals swimming in the water.

Iceland Fuji blog Danny Fernandez Photography (18 of 35)

A short walk from Jökulsárlón is an area known as ‘Icy Beach’, which is where the lake actually meets the Atlantic. The lake and the ocean push huge lumps of ice around and many of them get washed up on the black volcanic sand. We spent a night and the following morning here and the icy sculptures are forever changing shape and being replaced.

Iceland Fuji blog Danny Fernandez Photography (19 of 35)
Iceland Fuji blog Danny Fernandez Photography (20 of 35)

I love the Eastern Fjords and we spent 2 days driving along them. The fjords are so vast, beautiful and peaceful. I think these were extra special to me as I had never seen a Fjord before. There is one town called Seyðisfjörður (population 665) which I particularly loved. It seems to have a strong artistic community there, with some galleries, public sculptures and beautiful walks. It’s the kind of place that makes me want to rent my flat out and spend a summer there.

Iceland Fuji blog Danny Fernandez Photography (37)
Iceland Fuji blog Danny Fernandez Photography (26 of 35)

We went whale watching in Húsavík, an extremely pretty fishing town. There are many species of whales and dolphin which visit the bay, and we were fortunate enough to have a humpback whale swimming around and under our boat for around 15 minutes. It was the closest I’ve ever been to a whale and was a very memorable experience (freezing cold though!).

Iceland Fuji blog Danny Fernandez Photography (29 of 35)
Iceland Fuji blog Danny Fernandez Photography (30 of 35)
Iceland Fuji blog Danny Fernandez Photography (31 of 35)

Akureyri is Iceland’s second largest urban area as is located in the North of the island. When we drove into the city we were taken aback by seeing so many cars and people. We had come from days of driving through almost unpopulated landscapes and passing perhaps 10/20 people a day, to a city with traffic (albeit not much).

Our trip began and ended in Reykjavik. We spent out first and final 4 days there. Reykjavik is a very nice city, and we particularly enjoyed the many cute cafes. We didn’t experience the nightlife which is it renowned for, but heard it’s very good. I was really impressed by Harpa, a beautiful mirrored concert hall, and Hallgrimskirkja, a modernistic cathedral in centre of the city. We also enjoyed walking along the old fishing harbour and exploring the beautiful botanical gardens (with a nice little cafe in the middle of the gardens).

Iceland Fuji blog Danny Fernandez Photography (1 of 35)

Other general observations.

The country is extremely sparsely populated. According to Wiki ‘it has a population of 329,100 and an area of 103,000 km2 (40,000 sq mi), making it the most sparsely populated country in Europe.’ Bearing in mind that more than two-thirds of the population live in Reykjavik, when you leave the capital city, it’s gets very, very lonely.

Iceland Fuji blog Danny Fernandez Photography (13 of 35)

I got the impression that nature seems to be the highest priority. It appears as if no river were diverted, or mountainside cut into, in order to accommodate humans. There seems to be a harmonious balance of humans living alongside the beautiful virgin nature of the country.

Iceland Fuji blog Danny Fernandez Photography (32 of 35)

Being a witness to the untouched landscapes of Iceland was a unique experience: being able to see what the world may once have been like, before humans came and messed things up.

Iceland seems to be a good model for other countries:

‘Consistently rated the most peaceable of all countries in the world by the Global Peace Index, Iceland has reduced its military expenditure to zero, has no armed forces, and has reduced the inequality gap between rich and poor.’ -Scilla Elworthy

The Icelandic people are very jolly and most of their surnames end in ‘son’.

The names of places are mostly unpronounceable.“Eyjafjallajökull”. ‘Nuff said.

There are sheep everywhere (there are many more sheep than people). They often run across the road so you have to be very careful as you drive.

No one uses cash. In fact I only saw cash twice in 16 days. You can pay for everything by card.

Because of the lack of people, it was great to get out of the car and observe the silence.

Iceland Fuji blog Danny Fernandez Photography (7 of 35)

Driving along, you can see many huge boulders that have fallen down the sides of mountains. These things can be huge – easily large enough to smash through a house or destroy a car.

Everything is very expensive (at least compared to Barcelona, where I live).

They eat all parts of animals (the least appetising being boiled sheep’s head and ram’s testicles). In Iceland, I was happy to be a vegetarian.

They have their own type of yoghurt (but it’s not actually a yoghurt) called Skyr, and it’s delicious.

There were many more obese people that I expected (which could be explained by their love of hotdogs and coca-cola). I didn’t see any vikings.

They seem to like good coffee and have many cute cafes with good cakes (at least in the cities).
Iceland Fuji blog Danny Fernandez Photography (15 of 35)
Iceland Fuji blog Danny Fernandez Photography (6 of 35)
Iceland Fuji blog Danny Fernandez Photography (8 of 35)
Iceland Fuji blog Danny Fernandez Photography (23 of 35)
Iceland Fuji blog Danny Fernandez Photography (27 of 35)

What’s next?

On the way back from Iceland we had to stop over for a few hours in Oslo. Flying over Norway made me want to visit! The older I get, the more I realise my love for nature (perhaps as I’ve always lived in cities). I love forests and lakes and Norway seems to be full of them. I definitely want to experience the northern lights again, and they can be seen there.

Reflections on the trip.

I couldn’t give a higher recommendation than to visit Iceland, and think everyone should see it in their lives. It is unlike anywhere I have ever seen, and the beauty of the place is breathtaking. We were extremely lucky with the weather (it was sunny most days of our trip) and this made a huge difference to our experience. I would recommend visiting in the summer, but I imagine it would be equally as beautiful (but in a different way) during the winter (plus you would see the northern lights in the winter). It is an expensive trip, but it’s one which I will never, ever forget.


To see more images from Danny’s trip to Iceland, please click here.

Iceland, a most curious island – Part 1

Danny Fernandez takes you on a two part journey to explore the stunningly varied landscapes of Iceland with his X series cameras.

By Danny Fernandez

I could not help observing with interest the mineralogical curiosities which lay about me as in a vast museum, and I constructed for myself a complete geological account of Iceland, [a] most curious island.
— Jules Verne, A Journey to the Center of the Earth


Iceland; a place which I had never considered visiting before, became the destination of my most recent, and most beautiful venture.

Why Iceland?

The reason I had never considered visiting Iceland was due to a lack of knowledge of this magnificent country. The name ‘Iceland’ conjured images of Björk, vikings and ash clouds. However, around 1 year before the trip, my girlfriend (who had been to Iceland 6 years ago) suggested that we visit. As I began looking at google images of Iceland, I soon realised that there would definitely be much more to see than Björk, vikings, and volcanoes (I acknowledged that the likelihood of seeing the first two were slim.) I reacted to the image search by quietly saying colourful profanities under my breath. It was at that point that my mind was made up, and soon after our flights had been booked.

Our ideas for exploring the island changed throughout the year leading up to our departure. Limited to time (15 days) and budget, we quickly decided that we wanted to explore at our own pace and freedom, so any type of tour was out of the question. Our original plan was to cycle and camp around the island (thank god we changed our minds. It would have been an incredible, but incredibly challenging experience.) We then decided that a car+tent combination would be better, but after hearing stories of gale-force, tent-destroying winds, plus the expectation of a lot of rain, we finally decided to rent a camper van. For our needs, the camper van (from KuKu Campers) was perfect; giving us our own freedom and shelter, and being able to wake up and travel at a moments notice. Our camper was modest (more like a builders van with a mattress in the back) but it did the job perfectly!

In preparation for this trip, I had decided to prioritise our own travel experiences above those of photography. This wasn’t, after all, a dedicated photography tour of Iceland, but instead (probably) a once-in-a-lifetime trip. I like to remember special moments as myself being in the moment, and not just being a witness to the moment through a viewfinder. Also, I’ll be the first to admit that I’m not a landscape photographer, and there is no way I could compete with the thousands of awe inspiring images of Iceland, so once I had taken the pressure off myself of trying to get the best images of Iceland, I was left to enjoy the journey for what is was; an exceptionally breathtaking one.

That being said, I did try to plan as much as I could, and some resources which I found invaluable were: The lonely planet (my ‘go to’ for guide books), an ebook called ‘Photo guide to Iceland’ by Hawk and Finn (http://www.icelandontheweb.com/articles-on-iceland/travel-info/photo-guide-to-iceland) and The Photographers Ephemeris (a website and app which allows you to view the sunrise/sunset time and direction from any point in the world. I bought the app so that I could use it on my iPad without internet connection.)

The gear

Iceland Fuji blog Danny Fernandez Photography (36)

I spent a long time (as always) deliberating what camera equipment to bring. Having a van meant that I didn’t have too worry (as much as normal) about travelling lightly. I wanted to have as much versatility as possible. I decided to bring:

X-T1 + grip.
XF14 prime.
XF10-24.
XF16-55.
XF55-140. (the zooms were generously on loan from the friendly guys at Fuji Spain).
X100S (I kind of saw the X100s as my ‘personal documentary’ camera while the X-T1 was the workhorse. It would also serve as a backup if I dropped the X-T1 in a volcano).
Haida 10 stop ND filter (plus step up rings so I could use it on all lenses).
Manfrotto BeFree tripod.
A remote timer (for exposures longer than 30 seconds).
A bunch of batteries (along with car charger).
And my MacBook Pro/Hard drive (so I could add photos to Lightroom/Backup on the road).
All of this was packed inside a Billingham Hadley Pro bag (which holds all the essentials plus fits on as cabin baggage on the plane).

Other important items included a Moka pot with damn good coffee, a notepad, and a miniature dancing hula girl. All the essentials.

The experiences

I’m a road trip newbie (Iceland being my second; my first was in New Zealand several years ago), but picking up our van instantly reminded me of the huge sense of freedom that comes with road tripping. The van was to become our carriage, our kitchen, our restaurant, and our penthouse for the next 11 days.
Iceland Fuji blog Danny Fernandez Photography (35 of 35)
Iceland Fuji blog Danny Fernandez Photography (21 of 35)
Iceland Fuji blog Danny Fernandez Photography (34 of 35)

With a fully loaded iPad and tank of petrol, we hit the road with an electrical level of excitement. The industrial area surrounding the car pickup location quickly opened up into a wide expanse of green mountains. I couldn’t stop smiling at the landscapes and was amazed at how ‘big, open and beautiful’ everything was. My girlfriend looked at me, and with a soft laugh said “This is just the tip of the iceberg”. And she was certainly right, as what we saw during those first 30 minutes (although incredible) paled in comparison to what we would see during the following weeks.

Doing a road trip in Iceland is very easy, as there is one ‘ring road’ that goes around the circumference of the island. The recommended time to do the ring road was about 7 – 10 days. We had 11 to do the ring road so were sweet. This also gave us time to deviate from the ring road and explore as much as we could. Our first decision was in which direction to drive. We decided to drive anti-clockwise as by the time we were on driving the northern stretch, there would be a higher chance of seeing the northern lights (a lifelong wish of ours). On average, I would say we spent between 3 – 6 hours a day driving/stopping to take photos.

If you’re thinking of doing a trip around Iceland, I would strongly recommend a camper van (if on a budget), or renting a 4×4 and staying in accommodation (if you don’t mind splashing out). Having a 4×4 would have been a big advantage for taking photographs as you are able access many places which you are unable to in a van. But saying that, the ring road (accessible by all vehicles) leads you to an uncountable number of stunning places.

This was our route:

Roadtrip-route

Reflecting on the trip, it is very difficult to put the experience into words. I hope that my photos can somewhat evoke the sense of natural beauty and magnificence in you (the reader) that Iceland did on me. I will do my best to share some experiences.


TO BE CONTINUED..

Check out part two where Danny takes you right into the heart of Iceland and shows what it really has to offer..

Iceland Fuji blog Danny Fernandez Photography (14 of 35)

 

X-Photographer’s Spotlight – Greg Whitton

Outdoor Photographer of the Year 2014 winner Greg Whitton is the latest Fujifilm X Photographer to be featured in our Spotlight series.

Tell us about yourself and what got you into photography?

Profile1Well, I’m married to Lisa and as we don’t have any children, it leaves us plenty of free time to enjoy stuff outside of the home. We met through our walking group as we both have a love for the outdoors and it is that which helped me discover a love for photography. Initially I started heading to the hills with mates and just enjoyed climbing hills and mountains, but over time I came to appreciate the landscape and I was ended up trying to capture more than just snapshots of our hiking activities. This then developed into a strong affinity with photography.

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How did you develop your style in photography?

I don’t think I really have a style, although just the other day someone said they could single out a “Greg Whitton shot” from others. I wasn’t sure how to take that but they assured me it was a good thing. I’m not sure I really believe it. I’m very much a photographer who strives to capture epic landscapes, typically made that way due to the pattern of weather in them. They tend to be very moody. I’m not a heavy user of post-processing, although I would say that I think I use most of the tools that Lightroom offers. Typically my images follow the same processing workflow which takes two or three minutes. It’s perhaps why they are easier to single out, they exhibit the same characteristics. I’m using colour a lot more these days. By that I mean I’m playing with individual colour channels to achieve a ‘mood’ that I want. It’s surprising just how effective this is, a minor nudge of the blue primary colour channel for example can do wonders.

Why did you choose Fujifilm cameras?

A friend of mine introduced me to them. He was searching for his ‘perfect camera’ and seemed to have a new camera every week, Nikon, Sony, Ricoh, etc. I was using Canon, a 5DmkII. Eventually he got a Fujifilm X-E1 and was raving about the image quality. It was small and lightweight, and it wasn’t full frame. Naturally I didn’t really believe him. However, I started to notice I wasn’t using my own set up very effectively. I was hiking a lot and it was just too heavy. I wasn’t carrying it around my neck and was leaving it in my rucksack. As a result I was missing a lot of shots (I very much tend to shoot handheld on the fly as things happen quickly in the mountains). He showed me some of his RAF files and I have to say, I was impressed. I decided to experiment and bought an X-Pro1 and a bunch of lenses in a cashback deal. I took it on one dual shoot with the Canon. The Canon was on the tripod the whole time for ‘the big shot’ while I ran around the summit of a mountain with the X-Pro1 shooting handheld. When I got home to check the results, I had more useable images from the Fuji than I did from the Canon. When comparing images that were shot side by side, the Fuji had better clarity, less noise and were sharper. That was it, that one shoot persuaded me to ditch the Canon and go full Fuji. I don’t regret it a single bit.

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Do you have a photographic philosophy you live by?

Simply shoot what you love and don’t listen to others.

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Key inspirations – What & who inspires you?

Colin Prior is one of my photographic heroes. My photographic eye has certainly been influenced by his amazing body of panoramic work. In recent years I’ve followed Julian Calverley because his use of mood in landscape photography is almost second to none. I’ve also become a bit of a fan of David Ward. Every image I see from him fills me with wonder. He can make the most benign foreground subject so incredibly intriguing and unique. It blows my mind sometimes.

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Do you have any tips or tricks you could share with us?

Oh crikey, not really. If I told you how I got most of my images you’d realise just how un-professional I am! My few words of wisdom would extend to, if you enjoy shooting the outdoors, then you must do it because you love the outdoors. Try to appreciate them for what they are and don’t get hung up on ‘the shot’. I go out to enjoy the outdoors first. A good photograph is a bonus.

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What’s next for you?

Winning Outdoor Photographer of the Year has given me a massive boost in self confidence and opened one or two doors. But I’m learning that it still doesn’t mean people are knocking down your door for stuff. You still have to be pro-active to make the most of it. I’ve been really busy since then, but it’s not all photography, I have a full time job to do too. So, you’d be surprised how little I’ve been able to capitalise on the accolade. I do have a book coming out in August, ‘Mountainscape’ published by Triplekite. It is a book that contains many of my favourite mountain images from the UK, from vistas to more personal work. It’s available to pre-order from www.triplekite.co.uk. Beyond that I’m hoping to launch workshops later in the year (folks can sign up for news on them by contacting me through the website). Mind you, if anyone wants to commission me for anything else, I’m all ears!

I’m looking forward to the next generation of cameras from Fuji, I think we are going to be treated to something special. Recently we’ve seen huge advances in resolution & technology in the digital photography world, mind you, we don’t seem to have been held back by lower resolution, I won a major competition with only 16 megapixels to play with, it was the overall image that won, not how detailed it was. Others have achieved much more with much less. It is an exciting time for digital photography and it’s great to be involved.

Contact info

Website
Twitter

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Official X-Photographer’s site – Galleries updated!

Check out the latest updates to the Fujifilm X Photographers galleries. Featuring inspirational imagery by Damien Lovegrove, David Cleland, Jeff Carter, Kevin Mullins, Kerry Hendry and Matt Hart

So here’s some exciting news, the official X-Photographers website has been updated!

Six of our UK X-Photographer’s have seen further images added to their current galleries to bring even more beauty to the site. So relax, grab a cuppa and take a moment to discover some stunning new works of art within the Fuji realms.

Damien Lovegrove

damien lovegroveDamien Lovegrove left his role as a cameraman and lighting director at the BBC back in 1998 after 14 successful years to create the renowned Lovegrove Weddings partnership with his wife Julie. Together they shot over 400 top weddings for discerning clients worldwide. In 2008 Damien turned his hand to shooting beauty and portraiture and has since amassed a dedicated following for his distinctive art. Damien now divides his time between teaching the next generation of photographers and photographing personal projects. His book Chloe-Jasmine Whichello is highly regarded as a portrait style guide and his website galleries have over 2000 images to browse through among the 30 categories.

Described as a living legend, Damien is on a roll with the best of his work yet to come.

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damien

David Cleland

david clelandDavid Cleland is a landscape and reportage photographer based in Belfast, Northern Ireland.
He is best known for his landscape and documentary photography which has featured in a number of photographic exhibitions. His solo exhibition, an exploration of the decay of a 400-year evacuated mill received critical acclaim. David also teaches film and animation applying the rules of still photography to the art of moving image.
David’s work has been accepted by Getty Images and been published in a number of national publications and used in numerous book covers.
David has written for a number of publications on the importance of photography in education and also produced tutorials and papers on a range of photography techniques.

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david cleland

Jeff Carter

jeff carterMacLean Photographic was founded in 1996 and takes its name from owner Jeff Carter’s full name – Jeffrey Stuart MacLean Carter.

With over 20 years experience in several fields, including commercial, sport, landscape, travel and photo-journalism, Jeff Carter is based in Dunbar, near Edinburgh in Scotland. However he travels the world with his work in the motorsport and automotive industry and is constantly on the lookout for that next great image to capture.

As well as providing photographic services to editorial and commercial clients, MacLean Photographic runs a number of Photographic Workshops and Tours for individual or small groups of photographers of all abilities in and around East Lothian.

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Around the track in Belgium

Kevin Mullins

kevin mullinsKevin is pure documentary wedding photographer. He started shooting weddings professionally in 2008 and since then has photographed weddings right across the UK and Europe. Shooting in a documentary style he strives to tell the story of the wedding through photojournalism, rather than “traditional” contrived wedding photography.

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kevin mullins

Kerry Hendry

kerry hendryKerry is an award winning fine art equestrian photographer, shooting commissions across the UK and worldwide. Her work has also been published in a number of UK and international magazines, websites and blogs. Kerry was also the first female UK photographer to be named as a Fuji X-Photographer, joining a group of brand ambassadors worldwide.

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Kerry Hendry

Matt Hart

matt hartMatt is a black & white street and event Photographer based in Liverpool, England.
His journey through photography has been over 40 years mostly using film. He still shoots film, but most recently he prefers the freedom and flexibility of the digital medium striving to retain the integrity of the original image.
Annual projects have helped him to focus on his personal development within the industry, constantly challenging his own ideas and concepts and forcing him to learn new skills. In 2013 he carried out a Year of Black and White project, this made him rethink his whole style and camera system.
Matt’s stock images have been used in advertising all over the world, his work has also been published in many books and magazines, including many photography magazines.
Matt runs Street Photography workshops and courses around Liverpool and other UK cities passing on his tricks and techniques in Street Photography and processing in black and white.

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matt hart

Tutorial: Shooting landscapes

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w360_6415757_tutorialbannerfordotmailerIn this tutorial I wanted to give you some of my favourite tips to get you started with landscape photography from the more obvious tips to some of the lesser known ones. I have not listed them in order of importance as I believe this is subjective, more so the order in which they came to mind.

Remember, you don’t have to apply any or all of these ideas to take a great landscape picture, but it may just help you on your way.

Shoot Raw

Although Fujifilm JPEGs are renowned for their quality, when shooting landscapes I strongly recommend that you shoot RAW. This is because more image ‘information’ is retained in the image than from a JPEG and this will allow more flexibility when correcting exposure, enhancing colours and boosting tones. RAW files can be processed & converted with the camera specific bundled software or you can use popular programs like Adobe Lightroom, Capture One etc.

Essential accessories you may have overlooked

When you’re going to be standing in the dark on a misty morning up to your kneecaps in mud there is nothing worse than not having the right gear to keep you warm and comfortable; after all, you may be out for a few hours in these conditions. Here are some accessories that you might have overlooked taking with you:

  • Wellies – May be obvious for wearing in marshland environments but also extremely helpful on the beach (where you might normally associate wearing sandals)
  • Headtorch – When going out to shoot a sunrise, finding the perfect location can be really hard if you cannot see where you are going. Make sure that it is a headtorch rather than standard torch to keep your hands free for more important things.
  • Strong windproof umbrella – When shooting long exposures it is vital to keep the camera as still as possible. A tripod is a must-have accessory but I’d also recommend using an umbrella to keep strong winds from hitting the tripod & camera during these long exposures. As an obvious bonus it will also keep you dry, which is particularly important if you need to switch lens.
  • Waterproof jacket with zip-lock pockets – Not just to keep you dry, but more importantly to keep useful camera accessories close to hand. Things like spare batteries, remote release cable, cleaning cloth etc. Whether dawn or dusk, when the sun rises or sets it happens very quickly and this is exactly when you want all accessories within easy reach.

A further tip is to keep as much gear in your car boot at all times. That way in your daily travels if you see a beautiful landscape, you can just jump out whatever the weather, walk cross-country across muddy terrain and have a much more enjoyable experience.

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Think about composition even when you don’t have a camera with you!

Training your eye to ‘see‘ the best possible shot is probably the most important skill you could hone. The key point here is to imagine the frame of your camera whenever you see something beautiful. Think about all aspects of the shot; where would you stand to take the picture? Where would you position the tree/boat/sun in the frame? What lens would you choose and why? What aperture might you select to impact on the depth of field?

The more you ask yourself these questions, the quicker you answer them too. This means when you actually go to take a picture, you might just get it perfect first time round.

You should also check out my rule of thirds tutorial.

Try different perspectives

When you find a nice landscape location, try every conceivable angle you can think of until you get ‘that shot’ that brings a huge smile to your face. If that means getting down on your hands and knees, let it happen. After all, the picture you take could end up being your favourite of the day, month or even the year. And don’t be afraid to try an angle, look back at the image and think ‘That was no good’ because it is all about learning what works and what doesn’t.

Remember, the more you experiment, the more ‘mistakes‘ you make, the quicker you will find your own style and know what works for you. Here’s a shot I took that ruined my jeans and shoes, but to me, it was worth it!

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Use ND grad filters

You may have heard the term ‘ND grad filter’ or ‘Graduated neutral density filter’ but not necessarily known what it means. Think of an ND grad filter as a pair of gradient sunglasses (the ones that go from dark to transparent) for your camera lens. Its job is to stop a specific amount of light from reaching the sensor of your camera – but why would you want to do this?

Well, when you look at a sunset with the human eye, you can see all the detail in the lights of the sky and shadows of land without any problem. Unfortunately, even the best cameras cannot do this as well as the human eye can. Therefore to try and get the best reproduction of what the eye can see the camera is going to need a little help.

This is where the ND grad filter comes in. By choosing the right strength ND grad filter and positioning it correctly in the frame, you can perfectly balance the exposure above and below the horizon to give a stunning image that is colourful, full of tonal detail and a much truer representation as to how you saw it with your own eyes.

Your next question may be which ones should I buy? Or how exactly do I use them? My recommendation is to read forums, ask other photographers and watch videos on YouTube to get a good understanding of the best practices to ensure great results.

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Check the weather

Even within small regions the weather can vary quite a bit. You may find that location A is raining in the morning but location B is not. Use this information to your advantage, amend your itinerary to get the very best out of your day. There are lots of free weather apps for smartphones out there so have a look around to find one that suits you best.

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Prepare an itinerary

When you go away on a specific landscape photography trip, take the time to plot out the locations you want to visit, what times you want to visit them and how long you will spend at each location. Although this sounds very regimented it will help to keep your trip on track. Of course, if you find one of the locations particularly beautiful stay there longer, enjoy the experience. Simply think of the itinerary as a check list or a guide to get the most out of your trip as possible.

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Find the sweet spot for your lens

Getting the best out of your lens is important, especially in landscape images. Now if you are looking to get as much in focus as possible in your photo, simply set your lens to the smallest aperture available (which is the largest number) for example: f/16 or f/22. But if you are looking for the sweet spot of your lens (where it performs best in terms of clarity and sharpness), this is usually around 2-3 stops from the maximum aperture of the lens (which is the smallest number) for example: if you are using the XF14mmF2.8 lens then you expect to see the sweet spot at around f/8 as this is 3 stops from f/2.8.

Here are some other examples:

Lens Maximum Aperture +1 stop +2 stops +3 stops
XF14mm f/2.8 f/4 f/5.6 f/8
XF10-24mm f/4 f/5.6 f/8 f/11
XF18-55mm f/2.8* f/4* f/5.6* f/8*

* at 18mm

It doesn’t mean that you have to abide by this rule of thumb but it can help you find the best quality from your lens quickly. If you find some spare time, I would recommend setting the camera on a tripod, take the same picture on a few different apertures with the same lens and then look back at the results – find an aperture that gives you the perfect balance between depth of field, sharpness and image quality. Once you know what it is, use it as a starting point when out and about taking shots.

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Is there a ‘right’ hour to shoot landscapes?

One of the first tips to help capture better landscape images is to shoot at the ‘right‘ time of day. The golden hour is widely considered as the ‘best‘ time of day to take a landscape image. It is the hour in which the sun is rising or setting. This is due to a number of reasons but the main ones being the rich warm colours in the sky and the long trailing shadows that are created.

Don’t think that the only time you can take great pictures is at golden hour however, so many stunning images have been created at all times of day. Just think of it as a good starting point.

Extra tip: The time just before a sunrise or after a sunset is a great opportunity to take pictures too. This is known as the Blue Hour, it is called this because the indirect sunlight creates a blue hue in the sky and can help produce some of the most beautifully natural subdued tones.

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Example image of the blue hour

The Photographer’s Ephemeris (TPE)

This is one of the most useful tools in a landscape photographer’s bag of tricks. It is a third party application map-centric sun/moon calculator that shows how the light falls on the land. This allows you to know precisely where the sun is going to rise/set in a specific location way ahead of actually being there. It can come in handy when creating your itinerary as you can plot out the suns movements across a virtual map. The application is available on desktop, iOS and Android devices so it can be taken on-the-go as well.

Find out more here.

Use the Histogram

When shooting any image it is very important to maximise the amount of detail captured from the lowlights to the highlights. This is especially the case with landscapes due to the difference in the exposure between the land and sky. You can use your eye to judge whether an image is overexposed or not when it is very obvious, but I strongly recommend you use the camera’s histogram to tell the full story. It will allow you to make much smarter decisions when deciding the best exposure for the shot.

You may or may not know that when the highlight details in a scene are overexposed and burned out they are impossible to recover and get back regardless of how good you might be in post-editing. This could mean white blobs in the sky instead of detailed clouds or white mass areas in the sea instead of crashing waves etc.

So how do you avoid it? Well, shoot RAW (to maximise post production flexibility) and then look at your histogram. You want to aim to get the bulk of the histogram information to sit on the right hand side of the scale – this is known as exposing to the right. The most important part of this technique to ensure that the trace of the histogram does not peak right at the end of the right hand side as this would mean the highlights have been lost / burned out. An easy way to adjust this can be to use the Exposure Compensation dial / button found on the camera and decrease the exposure in 1/3EV at a time and then recheck the histogram until it looks perfect.

Don’t panic

Making mistakes is a natural part of learning any skilled craft. Accept that you are going to make mistakes along the way. You may take blurred shots, blow the highlights to kingdom come and delete your favourite image from the memory card by accident, but in the end, with practice, you will be a creative machine that can make beautiful images wherever you are, whatever time of day and with any camera & lens combination. Enjoy the journey and don’t panic, it will happen.

As with any tutorial there is always more that could be said, more tips that could be shared but the idea here is to give you a good starting point which you can grow from. Ask questions with other photographers, search tutorials online, share your images and ask for constructive criticism, look at work from inspirational landscape photographers and most importantly, enjoy photography.

Happy snapping!

 

Desert Road Trip – California and Nevada

Photographer Ian Boys takes you on a photographic journey around California and Nevada and shares some insightful information in case you are thinking about undertaking a similar journey yourself

by Ian Boys

I’m a people photographer normally – portraits, the odd wedding and so on. But on this trip I decided I’d give landscape photography my first serious attempt ever, after 25 years of shooting. Of course, I’d taken landscapes before when I happened to come across something that looked good but this was different: I’d make sure I got to the right place at the right time for the best light even if it meant sleeping (or failing to sleep!) in the car.

Before I went I researched my route using Flickr and Google maps. The latter was especially helpful not just for seeing if a mountain would be lit at dawn or dusk but also to see what other images had been taken nearby. This pointed me towards quite a few fascinating sights that I would never have come across otherwise. In the very bottom right hand corner of a Google maps screen is a double up arrow that reveals scenes you may not otherwise have considered.

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Dear reader – I even bought a tripod. Many of you will wonder what the big deal is but it went so against my usual style of shooting that it felt like a jet pilot shopping for a submarine. But as it turned out it proved invaluable.

One last act of preparation – I looked at the absolutely stellar landscape work shown on the fredmiranda.com landscape forum and learned about things like focus stacking and night photography, things I vaguely knew about only in theory. One night before I left I went out and practised the techniques, with terrible results. But that’s how I learn.

Why the Desert?

In 1993 I worked in Somalia during the war there and travelled and lived in the northern desert communities. I fell in love with the open spaces, the peace of the evenings and the huge skies. Since then I’ve visited other deserts, notably on the India-Pakistan border and Arizona. I like the open road, the small communities and the sense that in the desert everyone can just be themselves. It is the polar opposite to the metropolitan posing of modern cities. In England I live in a small village on the doorstep of the Peak District National Park. Manchester is very close but I rarely visit.

I wanted to shoot the road, the space, the ghost towns, the mountains and the night skies, with a detour to Yosemite. There are so many fantastic wilderness parks on the Nevada/California border that going to LA or San Francisco was never an option. One tip though – when they say don’t walk in parts of Death Valley after 10 am they mean it! I once walked out at night and got back to the car at 0845 and it was already so hot. Those pictures of graves aren’t put there for your amusement.

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Kit List

For the last several years I have travelled only with a Fujifilm x100 series camera – Hong Kong, New York, Volgograd, Sri Lanka and elsewhere. The x100 series are superb, not only because of the results but also because of their size and weight. But this time I’d need a bit more choice in lenses.

I decided to take the X-T1 and the 14, 23 and 56mm lenses. These are widely recognised as the best primes available (although the new 16 may have usurped the 14, I don’t know for sure yet). The 23mm would be my standard landscape lens, the 56mm would give me the extra reach one sometimes needs to isolate part of the scene and the 14mm would be perfect for night sky photography as it allows a 25 second exposure under the “600 rule” that governs whether stars are rendered as points or streaks.

The 18-55mm was under consideration but although it’s good, these other lenses are fantastic. The difference does really show.

I also took my new Manfrotto 055 tripod, 4 batteries and a remote cable release as well as a charger that allowed the batteries to be recharged while driving. Definitely a bonus for this kind of trip. I also took a big LED video light that allowed me to get set up in the moonless desert night and sometimes to light paint foreground rocks. Backlit dials and controls would be nice but are probably impractical in a small camera.

Technical Notes

Although I shot everything in JPG+RAW, all the final images except the night shots were actually from the in camera JPG’s. I used the Astia setting for all of them – it helped keep the set coherent and provides great colours without the overblown look that Velvia brings. In particular Astia renders skies very well, better (to my taste at least) than any of the other settings.

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In general, I shot in Aperture Priority and used the Exposure Compensation Dial to give me the look I wanted. For some shots, especially those shot in the evening or at night I used manual exposure. One morning I rode the shutter dial all the way from 2 minutes to ¼ second as the sun rose over a freezing mountain lake. I was inside an aluminium shelter bag loving every minute of it as the light changed. The shots were terrible, as you’d expect from someone who has never done that kind of shot before. As I say, I’m not a landscape photographer but I’m so glad I saw it.

Some things did work better than expected though. Focus stacking involves sticking your camera on a tripod (weird!) and gradually changing focus so that over the course of a dozen shots or so you have focussed on all parts of the shot. You then combine them automatically (or manually, for the masochists) in Photoshop. The 14mm is absolutely perfect for this as the manual focus “pull clutch” allows you to gradually work the focus through the scene at an optimum aperture for sharpness of f5.6. In combination with the tilt screen and focus peaking (Red High for me) of the X-T1 it really couldn’t be easier, certainly much easier than with the optical viewfinder of a standard DSLR. Because it was a new technique for me, I also took a “safety shot” at f11 in case the intricacies of the procedure were beyond me but actually it is simple and the results were very much better than with the single high depth of field shot. It doesn’t matter how many times you read about it, doing it in the field is the best way to learn it. Here is a focus-stacked shot from Death Valley:

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Another technique that worked well was ultra high resolution patchwork shooting with the 56mm, where I’d take perhaps 20 shots of a scene in rows and columns and stitch them together afterwards. I’m not really sure what I’d need a 200 megapixel file for but it’s nice to know it works really well and that you can zoom in one the tiniest detail from miles away. One day I’m sure I’ll find a use for it and now that I’ve done it, it’s a technique in my arsenal. Sometimes though it was more practical to use the sweep panorama feature. In this particular shot I tried both techniques (a 4 shot manual blend and the in-camera panorama) and the in camera stitch was smoother, although lower resolution. At 6400 pixels across, it still has plenty enough for me.

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Night photography was fantastic in the desert: there are few lights to begin with and in Death Valley those that exist must be shielded from the sky. This was my first ever attempt at a Milky Way shot (thank you Youtube!) and as laughable as it might be to the more experienced night shooters, I’m rather pleased with it.

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Notes on individual shots

This shot was actually taken on Aperture Priority from the driver’s seat with -2 stops exposure compensation dialled in. I was using the 23mm at iso 1600. The extraordinary EVF of the X-T1 let me ensure that there was still some light visible on the ground while at the same time allowing me to make sure the highlights weren’t blowing out. The high dynamic range of the X-T1 kept it all together.

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This is a stitch of two horizontal shots taken at Mono Lake. There’s not a stack more to say about it except that a single 14mm shot would have looked quite different. Modern tools make this kind of stitching quite easy, even for a landscape novice and the methods are a simple search away.

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This was a ten second shot of my hire car. I had stopped for a sunset but frankly I’ve seen better. I did like the way the car looked though and with the interior light on and a long enough exposure to lighten the sky and ensure passing traffic left pleasing trails and illumination I think the shot works. It was also shot with my 56mm lens, perhaps an odd choice but something I’ll bear in mind to try again next time. I love that lens.

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Here’s a very different kind of car shot, a quick snapshot as I crossed the street. This old Mustang matched the sky and worked well with the yellow lines. It is (clearly) a quick grab shot – I was on my way to get a burger after several hours shooting one searingly hot morning – but it is a testament to how quickly the X-T1 will react if necessary. It starts up quickly, focuses quickly and fires without shutter lag. That’s what I want in a camera.

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OK, two last shots before I’m told to knock it off! Nevada’s an odd place. But I’d never have found either of these without doing some research before I went.

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So in summary – every camera is a compromise. But the X-T1 offers high quality, superb lenses, light weight and bulk, accurate focus, exposure and white balance, a tilting LCD that is way more useful than I thought and a very high chance of getting the right photo on the first shot thanks to the excellent EVF with its exposure preview, focus peaking, colour rendition and other features. I use it for all my more serious work, together with the x100T. But the X-Pro 1 still has a piece of my heart.

You can see more of Ian’s images on his Flickr page here.