Tag: jeff carter

Motorsport Photographer Jeff Carter has his say about the NEW X-T2

jeff carterAbout Jeff Carter

Jeff Carter founded MacLean Photographic after leaving the Royal Air Force in 1996.  The company name is from Jeff Carter’s full name – Jeffrey Stuart MacLean Carter.

With over 20 years’ experience in several fields, including sport, landscape, wildlife and travel, Jeff is based in Dunbar, near Edinburgh in Scotland. However he travels the world with his work in the motorsport and automotive industry and is constantly on the lookout for that next great image to capture.

As well as providing photographic services to editorial and commercial clients, MacLean Photographic runs a number of Photographic Workshops and Tours for individual or small groups of photographers of all abilities in and around the South East of Scotland.

Landscape photography with the X-T2 in East Lothian
Landscape photography with the X-T2 in East Lothian

Belhaven Bay in East Lothian
Belhaven Bay in East Lothian

Why did you choose Fujifilm?

A camera is the tool of my trade and the best tool is one that becomes an extension of my creativity, something that I can use without thinking about how to capture an image. I have used all different types of cameras over the last 20+ years but, for me, the three X Series cameras I use are like an extension of my eye and brain.

The first X Series camera I bought was an X100 black limited edition for a business trip to Shanghai. The X100 was like a mini version of the Fujifilm GA645 medium format camera that I had used in the early 1990s and the fixed focal length camera put a spark back into my photography, it was a joy to use. The ability to travel light and still get ‘the shot’ really opened up my mind to the possibilities of the compact system camera. This led to an X-Pro1 a year later, then the X-T1, an X-Pro2 in 2016 and now the X-T2, with a good selection of XF lenses to match.

The X-T2, X-Pro2, X-T1 and X100 I currently use, along with the range of quality XF lenses, are tools that allow me the freedom to be creative but they have also put the joy back into the image making process.

 


How have you found the new Fujifilm X-T2 camera?

This is the camera I have been waiting for ever since I moved from Nikon to Fujifilm in 2014.  Each step that Fujifilm has made in the past four years have culminated into this camera.  It is like an extension of my arm and eye when working trackside or in the pitlane.  The X-Pro2 is a great camera and pointed the way to the next step. And the X-T2 doesn’t disappoint.

On track battles during the TCR International Series at Spa-Francorchamps
On track battles during the TCR International Series at Spa-Francorchamps

I can follow focus a car moving at 200mph and I can follow focus a bird in flight.  I can also switch focus from one subject to another quickly and seamlessly.  The Electronic View Finder is beautiful, a joy to use, and doesn’t black out when shooting long bursts.  The 11 frames per seconds on boost mode adds to the flexibility of the camera, as does the ability to shoot 4K video.

The 24MP sensor produces the same stunning image quality as the X-Pro2 and 6000 x 4000 pixel images gives greater flexibility to crop the image in post production.  The film simulations are to the same high standard as always with Fujifilm and gives me the option to take the images straight off the camera if speed is of the essence, which in sports photography is usually the case.

The quality of the images when shooting at high ISO settings is really outstanding and I have no hesitation in pushing the dial to 6400 or even 12800 when needed.

The ergonomics of the X-T2 have taken the best that the X-T1 had to offer and improved the overall operation of the camera.  The new dials and locking mechanism are really good to use and the joystick on the back of the camera also speeds up the operation in the field.  Finally the new tilting screen which means I can shoot in a landscape or portrait format from down low or above my head is a big plus point and something I was using all of the time at the 24 Hours of Le Mans.

The weather proofing got a thorough test at Le Mans too as it rained for most of the week leading up to the race and the X-T2 never missed a beat, which is more than I can say for the photographer!

For me this is the ultimate X Series camera!

Heavy Rain during qualifying for the 24 Hours of Le Mans caused the session to be stopped fo r20 minutes due to deep water on the circuit
Heavy Rain during qualifying for the 24 Hours of Le Mans caused the session to be stopped fo r20 minutes due to deep water on the circuit

What’s your most loved image taken on the X-T2 so far and can you tell us little bit about it?

Capturing the moment at a top international sporting event like the 24 Hours of Le Mans is hugely important for any photographer working in editorial photography, especially sport.  The new X-T2 allows me to react to a situation quickly and this was essential in capturing my favourite image so far.

The image is of the podium celebrations following the 24 Hours of Le Mans.  Porsche had a dramatic win in the final five minutes of the 24 hour race when the leading Toyota stopped on the final lap, allowing the Porsche to take the chequered flag.  The emotions on the podium were there for all to see.

The winning Porsche drivers Marc Lieb, Neel Jani and Romain Dumas were celebrating in true motorsport style and afterwards Romain Dumas was speaking to the circuit commentator on the podium after his second overall win at Le Mans.  While he was speaking he was ambushed by four of the other drivers and they tipped champagne all over his head.

I was able to react quickly and capture a whole sequence of images with the X-T2 and the XF50-140mm f2.8 + 2x converter.  This image sums up the relief and elation of winning the most famous motorsport event in the world and this is why this is my favourite image from my time with the X-T2 – so far!

Romain Dumas (FRA) celebrates winning the 2016 24 Hours of Le Mans for Porsche.
Romain Dumas (FRA) celebrates winning the 2016 24 Hours of Le Mans for Porsche.

What lens do you think best pairs up with this camera for your shooting style?

For sport most people would probably think I would say the XF100-400mm f4.5/5.6 but for me, the best all round lens is the XF50-140mm f2.8.  This lens gives me the greatest flexibility and produces images that can match anything produced on the XF56mm f1.2 or XF90mm f2 (which I own and use as well).

Photographing the Gannets of Bass Rock in flight. A good test of the AF capabilities of the X-T2 and 50-140mm lens
Photographing the Gannets of Bass Rock in flight. A good test of the AF capabilities of the X-T2 and 50-140mm lens

The XF50-140mm f2.8 coupled to the X-T2 is a powerful combination, especially with the improvements made to the continuous Auto Focus function on the new camera.  The ability to follow focus a fast moving subject, such as a race car, or a randomly moving subject such as a Gannet diving into the sea for fish, is a huge plus point for my work.

Another advantage of the XF50-140mm is the ability to fit the 1.4x and 2x converters, meaning I have a focal range of 50mm to 280mm available to me in a relatively small package.


To see more of Jeff’s work please visit his website and social sites:

Website:             www.macleanphotographic.co.uk

Twitter:               @macleancomms

Facebook:          www.facebook.com/macleanphotographic

Flickr:                 www.flickr.com/macleancomms/

Instagram:         www.instagram.com/maclean_photo/

REVIEW: 10mm to 560mm – the pulling power of Fujinon lenses

BY JEFF CARTER – X-PHOTOGRAPHER

jeff carterIn June last year I did a blog on the pulling power of the then current line up of Fujinon XF lenses from 10mm up to 200mm.

Since then Fujifilm have added a 1.4x converter and the XF100-400mm f4.5/5.6 to the line up. With just four zooms and a 1.4x converter the pulling power of the Fujinon line up is now 10mm to 560mm or 15mm to 840mm in full frame terms, which is more than enough for most photographers needs.

My current four lens zoom line up is as follows –

XF10-24mm f4R OIS
XF16-55mm f2.8R LM WR
XF50-140mm f2.8R LM OIS WR
XF100-400mm f4.5/5.6R LM OIS WR

The 1.4x converter fits on the two longest lenses taking them to 70-196mm and 140-560mm respectively but with the loss of one stop on each – f4 across the full range of the 50-140mm and f8 at 560mm.

It is difficult to visualise in your head the zoom range so I fitted each lens in turn to the X-T1, which was fitted to a Manfrotto tripod, and shot the same scene, the lighthouse at Barns Ness near Dunbar.

Here are the shots starting at 10mm and ending with 560mm.

Fujinon XF10-24mm f4 @ 10mm
Fujinon XF10-24mm f4 @ 10mm
Fujinon XF16-55mm f2.8@ 16mm
Fujinon XF16-55mm f2.8@ 16mm
Fujinon XF10-24mm f4 @ 24mm
Fujinon XF10-24mm f4 @ 24mm
Fujinon XF50-140mm f2.8 @ 50mm
Fujinon XF50-140mm f2.8 @ 50mm
Fujinon XF16-55mm f2.8 @ 55mm
Fujinon XF16-55mm f2.8 @ 55mm
Fujinon XF100-400mm f4.5 5.6 @ 100mm
Fujinon XF100-400mm f4.5 5.6 @ 100mm
Fujinon XF50-140mm f2.8 @ 140mm
Fujinon XF50-140mm f2.8 @ 140mm
Fujinon XF100-400mm f4.5 5.6 @ 400mm
Fujinon XF100-400mm f4.5 5.6 @ 400mm
Fujinon XF100-400mm f4.5 5.6 + 1.4x converter @ 560mm
Fujinon XF100-400mm f4.5 5.6 + 1.4x converter @ 560mm

These images were used in the #5YearsofXSeries event on the 15th of Jan 2016, to see the video, click HERE

As you can see the quality of the XF lenses is the same throughout the zoom range and the reach of the Fujinon lenses available for the X-Series now has been extended so you stand further away and still fill the frame with your subject.

The new XF100-400mm is perfect for sport and wildlife and is also useful for landscapes. You can read my review of the new Fujinon superzoom HERE.

Official X-Photographer’s site – Galleries updated!

So here’s some exciting news, the official X-Photographers website has been updated!

Six of our UK X-Photographer’s have seen further images added to their current galleries to bring even more beauty to the site. So relax, grab a cuppa and take a moment to discover some stunning new works of art within the Fuji realms.

Damien Lovegrove

damien lovegroveDamien Lovegrove left his role as a cameraman and lighting director at the BBC back in 1998 after 14 successful years to create the renowned Lovegrove Weddings partnership with his wife Julie. Together they shot over 400 top weddings for discerning clients worldwide. In 2008 Damien turned his hand to shooting beauty and portraiture and has since amassed a dedicated following for his distinctive art. Damien now divides his time between teaching the next generation of photographers and photographing personal projects. His book Chloe-Jasmine Whichello is highly regarded as a portrait style guide and his website galleries have over 2000 images to browse through among the 30 categories.

Described as a living legend, Damien is on a roll with the best of his work yet to come.

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damien

David Cleland

david clelandDavid Cleland is a landscape and reportage photographer based in Belfast, Northern Ireland.
He is best known for his landscape and documentary photography which has featured in a number of photographic exhibitions. His solo exhibition, an exploration of the decay of a 400-year evacuated mill received critical acclaim. David also teaches film and animation applying the rules of still photography to the art of moving image.
David’s work has been accepted by Getty Images and been published in a number of national publications and used in numerous book covers.
David has written for a number of publications on the importance of photography in education and also produced tutorials and papers on a range of photography techniques.

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david cleland

Jeff Carter

jeff carterMacLean Photographic was founded in 1996 and takes its name from owner Jeff Carter’s full name – Jeffrey Stuart MacLean Carter.

With over 20 years experience in several fields, including commercial, sport, landscape, travel and photo-journalism, Jeff Carter is based in Dunbar, near Edinburgh in Scotland. However he travels the world with his work in the motorsport and automotive industry and is constantly on the lookout for that next great image to capture.

As well as providing photographic services to editorial and commercial clients, MacLean Photographic runs a number of Photographic Workshops and Tours for individual or small groups of photographers of all abilities in and around East Lothian.

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Around the track in Belgium

Kevin Mullins

kevin mullinsKevin is pure documentary wedding photographer. He started shooting weddings professionally in 2008 and since then has photographed weddings right across the UK and Europe. Shooting in a documentary style he strives to tell the story of the wedding through photojournalism, rather than “traditional” contrived wedding photography.

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kevin mullins

Kerry Hendry

kerry hendryKerry is an award winning fine art equestrian photographer, shooting commissions across the UK and worldwide. Her work has also been published in a number of UK and international magazines, websites and blogs. Kerry was also the first female UK photographer to be named as a Fuji X-Photographer, joining a group of brand ambassadors worldwide.

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Kerry Hendry

Matt Hart

matt hartMatt is a black & white street and event Photographer based in Liverpool, England.
His journey through photography has been over 40 years mostly using film. He still shoots film, but most recently he prefers the freedom and flexibility of the digital medium striving to retain the integrity of the original image.
Annual projects have helped him to focus on his personal development within the industry, constantly challenging his own ideas and concepts and forcing him to learn new skills. In 2013 he carried out a Year of Black and White project, this made him rethink his whole style and camera system.
Matt’s stock images have been used in advertising all over the world, his work has also been published in many books and magazines, including many photography magazines.
Matt runs Street Photography workshops and courses around Liverpool and other UK cities passing on his tricks and techniques in Street Photography and processing in black and white.

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matt hart