Tag: guest blog

X-Pro2 Portraits with The Woz, Apple’s Co-Founder

Guest Blogger strip BLACK

By Dan Taylor

It’s not every day that you get the chance to photograph a person who is directly involved in creating a product that has changed the world. And it’s even rarer to have this person’s undivided attention for a few minutes just before getting mic’d up to take the stage.Dan Taylor photographing Steve Wozniak for Fujifilm - Image by Dan Taylor - dan@heisenbergmedia.com-1So, when I first got word that I’d have exactly this opportunity to photograph Apple co-founder Steve Wozniak in Manchester, England, at Business Rocks, I knew I had to be prepared and have everything ready to go the minute he came out of the green room. Striving for absolute image perfection, my choice of gear was clear: The Fujifilm X-Pro2 and XF56mmF1.2 R.

While I’m generally a fan of the SLR body format, e.g. my X-T1, utilizing the new technology and features in the rangefinder format X-Pro2 was too good to pass up. And when combined with the XF56mmF1.2 R (in this case at F8) the results are razor sharp, crystal clear, and absolutely stunning. I’d even venture to say that the XF56mm is the best headshot lens I’ve ever used.

Knowing that I had very little time with Steve, I had prepared my lighting setup in advance, and fired off a few quick test images with a colleague. Given that our time together was to be quite short, I knew that simplicity would be key. Building on this simplicity, I found a plain white wall between the green room and stage and used a slow(er) shutter speed to capture the ambient lighting to help illuminate the background.

Initially, I had a black background setup, but decided at the last minute to go with white. With the black background I could use a fast shutter speed, as ambient light wasn’t needed or wanted. However, with the introduction of the white background, I did want to capture the ambient light generated by the speedlights. At f/8, a shutter speed of 1/60th of a second was just right.

For my headshot with The Woz, I used 1 key and 1 fill triggered via a wireless transceiver in an off axis clamshell lighting setup. The key light is diffused inside a Lastolite Umbrella Box, and the fill light diffused via a standard umbrella.

Depending on the look you’re trying to create, the fill light might not even be necessary. In this case, I’ve used it to fill and soften the shadows the key light would be casting.Dan Taylor and Steve Wozniak headshot  for Fujifilm - Image by Dan Taylor - dan@heisenbergmedia.com-1When shooting with speedlights and any FUJIFILM X Series camera, one crucial menu option you want to turn off is the Preview Exp./WB in Manual Mode. If this option is on, you’ll be presented with things exactly the way the sensor sees things, normally a good thing, but here, without compensating for the light the speedlights are going to generate.

Right. Settings set, lights lit, The Woz ready to go. Let’s make some magic!

I generally turn to humor to get the ball rolling, and always have a joke or two ready. I’ve got a few really, really bad one liners that are just so horrible, there’s really no choice but not to laugh at them, and so far, they haven’t let me down. With The Woz, I actually had to resort to joke number two, as he gave me the punch line to joke number one before I could even finish the sentence. Ever the prankster.  Steve Wozniak for Fujifilm - Image by Dan Taylor - dan@heisenbergmedia.com-1All in all, I’d estimate that Steve and I did 4 shots together in a time period totaling less than a minute. And even though our time together was short, The Woz has been one of my favorite sessions yet. Not only is he an iconic figure, but a true gentleman, as for when I sent him the images we did together, he replied within minutes, stating, “It was great to watch you work. I love seeing great technical skills of all kinds.”

Thank YOU Steve for a great collaboration!

For me, when it comes to quality, portability, and forward thinking, the Fujifilm X-Pro2 is the camera that always makes it in my bag.

Adventures in Nepal and the Unintentional Beginning of a Long-Term Project

Guest blogger

By U.S. Photographer Rebecca Gaal

Day 1: Hey! You remember as a child when your parents explicitly told you not to pet stray dogs? All the CDC warning about rabies? If your first reaction after breaking these basic rules is to sacrifice your trigger finger over your X-T1… there might be a greater issue then the inability to follow directions. The X-T1 was my camera of choice because I needed something as reliable as Imodium, yet flexible enough to condone creativity – all while still resembling the look of film. I mean, come on! When you’re worried about the possibilities of your body failing, health, or basic safety, you don’t have time to second-guess about gear.DSCF9419I’ll spare you the details about the sobering reality of needing to trade my personal snacks for battery space. If you’ve ever encountered the luggage scale of doom in an airport, then you understand the seriousness of airline weight restrictions. Now, imagine restrictions for a 4 or 6 seater plane and the tired muscles of the sweet mules that will inevitably carry the still-too-heavy load.IMG_0245Let me back up a second. Journaling is my way of processing overwhelming amounts of information. Figuring out what works and what does not work, and why. Last September I was lucky enough to join an incredible group of individuals from around the globe to set off on a month-long expedition in the lesser-known mountains of Dolpo, Nepal. The group, called the Nomads Clinic, was created by Joan Halifax and serves some of heartiest, most salt-of-the-earth humans who live in some of the most remote places in the world and are in need of medical aid. There was no set storyline or plan for photographs except to document the journey. It can be challenging to narrow down your focus when everything and everyone is interesting. It’s also tricky to think at high altitude (10-18,000ft) so doing a solid amount of planning and research ahead of time is an integral part of my process. There is a lot to be said about visiting a place and meeting the people before deciding what your story is truly about.

Just as an illustrator uses multiple pens or a chef has his favorite knives, cameras bodies and lenses are no different. Prior to this endeavor I made a list of criteria my gear must meet in order to have the best chance of success. The gear would need to be: lightweight, quiet, have a high ISO range, be durable and weather resistant, have external controls easy to change and most importantly all of these functions needed to come in something small and compact. The camera is a tool, a tool to think with, understand with, initiate conversation with, but it works against you if it’s intimidating or hinders maneuverability. The rotating LCD was also pivotal. Really. Just as the ability to shoot from the hip without it looking like your hip took the shot- fantastic! The X-T1 not only met my basic criteria, but also went beyond and far exceeded expectations.

Gear List

  • 2 Fujifilm X-T1 Mirrorless Bodies
  • 1 Fujifilm XF10-24mmF4 R OIS WR Lens
  • 1 Fujifilm XF18-55mmF2.8-4 R LM OIS Lens
  • 1 Fujifilm XF50-140mmF2.8 R LM OIS WR Lens
  • 12x Extra Batteries for X-T1
  • 1 X-T1 Vertical Battery Grip
  • 1 GoPro4, 8 batteries for GoPro
  • Started with 10, 34GB SD cards and bought more out of anxiety at every airport
  • Gorilla pod
  • iPhone6
  • Lens Cleaners
  • Two battery chargers with extra cords for both Fujifilm and GoPro.
  • Goal Zero Sherpa 100 solar charger w AC converter
  • Circular Polarizers and UV haze filters
  • Peak design backpack clip
  • LowPro pouches
  • 1 XS pelican case

Things Left at Hotel

  • 2 G tech portable HD’s
  • Card reader
  • MacBook pro

DSCF5942Day 17: The clinic is roaring! Mothers carrying infants and men of all ages waiting to be treated. Waiting to be seen. Be heard. Their bodies aged by years of physical labor, scorched, wind-whipped faces with lines as sharp and jagged as the mountains they live in. A baby calf is wailing for it’s mother, the air is starting to smell like rain and dark clouds make the dust start to churn. I tell you this to paint a picture, one that requires all of your senses and mental faculties to pay attention to the life, the art that is happening before your eyes and not a giant pelican case full of electronics.

Day 18: Dolpo, like many other places people explore with cameras is a microcosm of issues and stories waiting to be told. There’s not only climate change but people change. Change in cultural practices, identity, wants and needs. Not everyone believes in climate change and that’s okay; maybe the climate isn’t changing, maybe it’s purely evolving as it has been shifting and morphing for centuries, since the beginning of time. This land is akin to the first camera and now I’m standing in a home with no electricity, no running water or toilet but the father of the dwelling has a smartphone and the children a TV to watch. What allows technology to grow here but not food?Nomads Clinic Dolpo Nepal 2015Day 19: Development is moving faster then the land can handle. There is no fossil fuel, no waste disposal methods; the first signs of growth came in the form of a handful of motorbikes, cup o noodles, soft drinks, beer and a various assortment of cell phones. There are a few crude health clinics, rarely staffed and stocked with outdated medications. Migration is increasing and thus the population is growing. Traditional annual migrations are being challenged due to severe weather and lack of food. No food for humans, no food for animals. Animals cannot transport goods and become ill. People lose money. People live in close proximity with animals and animals eat trash left by humans. Humans eat the animals. Imported and exported goods are slowed or stopped. Imported foods are primarily packaged increasing waste. New illnesses like typhoid and chicken pox are being introduced because of changes in the climate and migration, which has increased: AIDS, Hepatitis and STD rates. Increased births demand more food and water then the land can yield. Water is not sanitary because that is where waste is thrown and animals bath.  Children suffer from blistering lesions caused by lack of hygiene and the spreading of endemic skin diseases. Water scarcity, deforestation, below average snowfall, rainfall, drought, and bad soil, the burning of dried dung, smoke inhalation. A strong alcohol is made locally from barley. Everyone drinks. Muscular skeletal pain is common from hard labor started at a young age and injury, alcohol decreases their pain. Women drink during birth to ease the pain. Women drink during pregnancy causing birth defects. Diets are high in oils and spices and rock salt from Tibet. Stomach issues are common and everyone is dehydrated or has gastritis, hypertension and goiters. They seldom care about their health until it hinders their ability to perform daily functions. Or if they care, is there anything that they can do about it? Anyone to help them? All of these thoughts dance in my head as I try to sleep. 5 am comes all too quickly though and I’m soon reminded of the immense beauty here. The moment you realize you’re finally hydrated can actually have unexpected photographic advantages.Nomads Clinic Dolpo Nepal 2015Day 20: After a number of intense yak run-ins, I was ready for a little down time. I felt the need to make sure I’d backed up all of my images. Just in case. My incredibly patient and understanding tent mate made the remark that at dusk when batteries are charging and cards are downloading our tent resembled that of a rocket launching station. The launch pad was rarely needed however. Not dust, nor rain, freezing temperatures or scalding heat could interfere with the life of my batteries. They traveled between thick socks, down jacket pockets and sleeping bags. Just as I need my morning coffee to wake up, they would occasionally need a few minutes as well. Then we were off!DSCF8011Day 21: There are people on your right and people on your left, donkeys behind and cliffs in front, you can’t move yet everyone is standing in place photographing, you get this funny sensation… is everyone shooting the same thing? Or, is my gear properly attached? Did I drop something into the dusty abyss? A Peak Design backpack clip was the perfect solution. The X-T1 with my heaviest lens was light enough to attach to my backpack strap without hindering my questionable balancing abilities. In a pinch it could hang from my neck, be carried by hand or clipped to my hip without the feeling of being instantly obese on those skinny cliffs.Nomads Clinic Dolpo Nepal 2015Before I knew it: I was on a flight back home furiously downloading cards on my computer, backing them up and backing them up a second time, praying they were all there, feeling for my rescue recovery disk in my backpack just in case. Feeling the swelling in my knee caps and how difficult to impossible it would be to ‘re-shoot’ anything and how the moments never exactly happen the same way twice anyway. Dreaming about how the life of my cards would have been so much better if I only had a second card slot. And BOOM, the X-Pro 2 specs! DSCF8666Back at home: When a project starts to take on a life of it’s own… You’re driving to the market, driving to yoga, driving to work, sitting at the doctor’s office, sitting in bed, laying down in savashsna, and you can’t stop thinking about the place, the people, the culture, their needs, their dreams, and you’re mentally exploring various angles that would have better served your subject visually, how to show others everything you felt, everything you heard, how to more eloquently express the issues, tell the stories of the humans behind the faces, the smells of spices cooking. If I did this again would I change my gear setup? Telephoto? Prime? Zoom? One of each? Two of each? Same body? Different bodies? You get where I’m going with this. A project has begun. During the first two weeks I shot 2576 photos. I figure if I edit 5 or so a day you could potentially view them on my website in 2030. Right. Thank you Fujifilm for allowing this journey to begin.Nomads Clinic Dolpo Nepal 2015P.S. High performance mode makes a wonderful difference. Turn it on.

 

Product photography with the X-A2

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By LAURA HARVEY

Photos are super-important for anyone selling online – our customers aren’t able to pick up our products. They can’t get a feel for our cards, prints or mugs as they would in a traditional bricks and mortar shop.


Although we have stockists in the real world, we also sell our products online via our own website, as well as on marketplaces such as notonthehighstreet.com and etsy. These are ultra-competitive marketplaces, with a lot of products all shouting for attention. Type ‘birthday cards’ into etsy and you get 184,757 (and counting) results.

Having an eye-catching design and an appealing price can only take you so far. You need strong SEO and, just as importantly, professional-looking product shots.

This isn’t only important for catching a customer’s eye, but also for getting the attention of the people running these sites, who will promote products with superior photography.

That’s why we love using the X-A2.

I had been using an old DSLR, which did a job for us, but was a bit of a pain for my partner Jack, who has very little camera experience (he claims to have taken GCSE Photography many years ago, but you’d never know) to use on a day-to-day basis.

The X-A2 is far more intuitive, operating more like the compacts he’s used to from family holidays and so on.

Having a camera we can both use makes taking product shots – and promotional photos for our social media posts – a breeze.

We work from home, in a spare room converted into a store room for all our cards, packaging material, mug press, printers, blank mugs… you get the picture. Oh and this room also doubles as our photo studio. This means that when we need to photograph our products, we have to do a quick transformation of our designated packing area into a mini photo studio. The quicker we can do this, the better. So being able to stick the X-A2 on to our tripod and shoot away is a real bonus.

Of course, we’re not just limited to the studio and with the X-A2 being so lightweight and compact, it has joined us on our travels this summer, including a long-awaited visit to Wimbledon (on the hottest day of the year, no less) which meant I was able to get some great photos that I will treasure forever.


In a nutshell, here are our 10 favourite things about the X-A2

Image quality.

What can we say? When we want a bright, sharp image to show off our colourful designs the X-A2 does not let us down. This gives our customers the closest experience possible to actually picking up the products in their own hands.

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Reduced noise at a low ISO.

I knew that the photos I had taken with my DSLR had more noise on them than I’d like, even at ISO 100, but it wasn’t until I blew up an old image and one taken on the X-A2 side by side that I noticed just how grainy the old photos were in comparison. When your main selling tool is a product shot, quality is everything and could make a huge difference to the overall appearance of our online shop.

Selfies.

You can flip the screen over the top of the camera body and take a mean selfie (Jack particularly likes this feature. Boys…)

Exposure preview.

Being able to preview the exposure before shooting is really time-saving. Our studio doesn’t always have the best light, it’s natural and changes in seconds. With the X-A2 I can keep adjusting and previewing the exposure quickly and easily, which saves heaps of time.

Liveview.

The liveview screen is ultra clear, exceptionally responsive and tiltable. I hadn’t really fully appreciated the point of an tiltable liveview screen until I started using the X-A2. Our studio space-cum-photography studio is pretty pokey, with stacks of cards, boxes of envelopes and postage tubes all coming in and out all the time. Being able to tilt the screen rather than stand back and crouch down makes photography a pleasure rather than a chore.

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It ain’t heavy.

How can a camera packed with so much clever stuff be so lightweight? It must have come from the future. Going back to the DSLR after using this is like trying to pick up a Rottweiler when you’re used to a Pomeranian.

Hip to be square.

The square format mode is a big bonus for us. The standard photo format on our website and notonthehighstreet.com is square, so this not only saves us time in cropping, but also helps us to shoot specifically with these websites in mind. Seeing the crop in camera first, rather than having to imagine a square crop from a landscape or portrait image is a huge benefit for us.

Battery life.

We kicked the heck out of the battery, really going to town on what we thought would be real energy-sapping sessions of lengthy liveview use, but the X-A2 just kept on keeping on.

Wireless transfer.

Being able to zap the files straight over from the X-A2 to our computer, tablet or phone not only makes us feel a bit like Tom Cruise in Minority Report, but saves time and, teamed up with the square format, makes Instagram a doddle.

It looks cool.

Well, it does, doesn’t it?


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After a few weeks of launching new products – and mainly studio-based work, we’re keen to get the X-A2 out on the road to get some great new content for our blog. Watch this space…


Laura Harvey is the founder and designer at Paper Plane

Paperplanedesigns.co.uk | Facebook | Twitter | Instagram


Learn more and buy now

X-A2_Front_Right_Silver16-50mm_FlashClick here to find retailers selling the Fujifilm X-A2

The Ugandan gorillas and chimpanzees

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by Peter Delaney

Bio

11830097_1148874931796385_1664940048_nIn 2001, I made a decision to quit a career in finance to pursue my dream of travelling Africa in a 4×4 Landcruiser. The sheer size and magnitude of this continent was overwhelming. I travelled the forests of Bwindi to the peaks of Kilimanjaro, to the shores of Lake Malawi and the red dunes of the Kalahari. I have spent many months in the African wilderness looking for that unique photograph to showcase the rich variety of wildlife and beautiful landscape that Africa has to offer.

Africa has become the new chapter in my life and I have dedicated the last 15 years photographing this diverse continent.

My dedication to the craft has been rewarded with publications in the National Geographic, Deutsche Geo and many others. My photographs have won numerous awards including the prestigious BBC Wildlife Photographer of The Year in 2011 & 2013.

Photography has become my life, it maybe a cliché, but it’s true. I live and breathe photography. No matter where I am, “my minds eye” is making photographs. It has taught me to see the world in a different light, and for that, I am so grateful.

Recent assignment and what I was hoping to capture

In June, I spent a week on assignment for a client who asked me to photograph Ugandas Gorillas and Chimpanzees. The brief was to photograph the impact of conservation tourism on local communities and the Wildlife. It was a fantastic opportunity to photograph Mountain Gorillas, whose numbers are less than 1000 worldwide, and Chimpanzees whose numbers are under increasing threat from habitat lost due to logging and oil drilling.

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When I photograph my subjects there are few things on my mind. First and foremost is the well being of my subjects, I never want them to feel threatened that they may enter a “fight or flight” scenario. The other is that I photograph my subjects aesthetically, so that my photographs resonate with the viewer.

fishing-boat-lake-victoria-3On assignments there are always opportunities to photograph different subjects, on my photography wish list I have always wanted to photograph Fishermen casting nets from old wooden boats.
On this trip I had an hour waiting for our transport to a nearby island. It was a surreal morning with huge storm clouds approaching over calm waters. Local fishermen were fishing close by. I had one chance to get the photograph that I always wanted. I am glad to say I succeeded.

What kit did I take why?

Since 2007, up until last year, all my work was photographed with pro DSLR body.

To be honest, I was never truly happy with this bulky equipment, I would often come back from trips and be dissatisfied with the lack of sharpness and detail. This was mainly due to vibrations from the mirror and shutter.

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I have been monitoring the mirrorless platform intensely over the last few years. When Fujifilm brought out the X-T1 and a lens roadmap, I got in contact with Fujifilm South Africa. I had a wonderful meeting with their team and I was convinced by their passion, commitment and dedication not just to the products, but to the Fujifilm community too. The support I have received from Fujifim has been amazing and I’m so excited about the release of the upcoming “big lens” from Fujifilm. I am sure it will live up to my expectations.

On this trip I packed the following gear:

  • 2 x Fujifilm X-T1’s
  • XF18-55mm
  • XF50-140mm
  • Laptop
  • Hard drives
  • SD cards
  • Spare batteries & chargers

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I knew photographing the Mountain Gorillas and Chimpanzees was not just going to be a challenge physically for me, but also to push my Fujifilm equipment to the limits.
I have to admit, I was a little bit apprehensive but I needn’t have been. I cannot emphasise enough how well the X-T1 and the 50-140mm coped with low light, high contrast and wet, humid conditions. It performed beautifully.

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Carrying these cameras and lenses around for hours while trekking the Chimpanzees and Gorillas I never once felt tired, or that my equipment was too heavy and cumbersome as it use to be in the past with my old DSLR.

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Since I was working for a client, knowing whether the trip was a success or not was down to their reaction. I found my client to be ecstatic with the results, and so was I.

This trip put to bed any lingering thoughts I had about making the switch to Fujifilm “exclusively”. I love my Fujifilm equipment and I love being part of the Fujifilm family as Fujifilm’s X-shooter in South Africa.

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General tips

First and foremost, enjoy your Photography.

Secondly, no matter how good you think you are as a photographer, you can always be better, never stop learning.

Thirdly, respect your subject, be ethical in your approach and remember your reputation is everything.

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What’s next for me ?

I’m just back from a self imposed year off as I became a father for the first time. And I am now slowly weening myself off fatherhood and getting back out into the field.

Because I love to travel and explore, I am planning trips to Asia, Europe and of course my beloved Africa. I have further work booked with clients who love giving me challenging briefs. I am hoping to work with Fujifilm South Africa next year coinciding with the release of their “big lens”. I love sharing my stories and passion for my photography so I will be giving short presentations both locally and internationally.

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Email – delaneypeter@icloud.com