Abstract Architecture Photography with the XF100-400mmF4.5-5.6 Lens

Usually opting for the FUJIFILM XF50-140mmF2.8 lens, Felix Mooneeram discovers a different side to his home city of Manchester, shooting abstract architecture using the XF100-400mmF4.5-5.6 lens.

By Felix Mooneeram

I first became interested in the XF100-400mmF4.5-5.6 lens when I had an idea for a specific photo series which came to mind as I was travelling around my home city: Manchester. There’s a lot of history here but there’s also been a great deal of new architecture built in the last 10 or 15 years. For a few months, I imagined a series of images where I could get closer to the architecture that was catching my eye everyday around the city. I wanted to explore the relationships between the old and the new, whilst examining the styles and materials of the recent developments more closely and the XF100-400mm was the definitely the lens to do this. Not only was I interested to see how a lens typically used for sports and wildlife photography could work in a city; but I was excited about the new perspective it could gave me on buildings that I pass on a daily basis. Continue reading “Abstract Architecture Photography with the XF100-400mmF4.5-5.6 Lens”

Wide vs Tele: From one extreme to the other

The most popular question X-Photographer Mark Gilligan is asked is “what lens do I need?”. In this blog Mark compares wide vs tele lenses for landscape photography.

By Mark Gilligan

Everything we do in photography is a matter of perspective. My view is different from yours. We can stand side by side and look at the same thing but we don’t view it in the same way. We might recognise the exact features our eyes see but how we perceive and construct it is never the same.

Aren’t we lucky because if we all saw it exactly as each other surely the world would be a boring place? Continue reading “Wide vs Tele: From one extreme to the other”

Quick Techniques – Beginners: Choosing the right lens

Want to get the most out of your Fujifilm X Series cameras? Our Quick Techniques will provide you with lots of handy hints and tips to help you understand the features our range offers. This week we look at how to choose the right lens for you.

Want to get the most out of your Fujifilm X Series cameras? Our Quick Techniques will provide you with lots of handy hints and tips to help you understand the features our range offers. This week we look at how to choose the right lens for you. Continue reading “Quick Techniques – Beginners: Choosing the right lens”

Travel Light – The Ancient and Modern in Mexico

When traveling and visiting new places, it’s tempting to take all your photography kit. X-Photographer Jeff Carter explains how he prioritised his Fujifilm kit to travel lighter on a recent trip to Mexico.

By Jeff Carter

Travel Light – The Ancient and Modern in Mexico

There is nothing like visiting a faraway land for the first time. Most photographers relish the opportunity to discover new places and experience a different culture. Continue reading “Travel Light – The Ancient and Modern in Mexico”

Street Smart: Photographer Craig Whitehead hits the streets with the X100F

Photographer Craig Whitehead has been using FUJIFILM X Series for his street photography for many years, most recently having purchased the X100F. In this interview he talks about his experience with the X Series and shares some of his images from the X-T1, X-Pro1, X-Pro2 and X100F.

By Craig Whitehead

Photographer Craig Whitehead has been using FUJIFILM X Series for his street photography for many years, most recently having purchased the X100F. In this interview he talks about his experience with the X Series and shares some of his images from the X-T1, X-Pro2 and X100F. Continue reading “Street Smart: Photographer Craig Whitehead hits the streets with the X100F”

The Difference Between Lens Focal Lengths

You may notice camera lenses are described by one or two numbers, most often in millimetres, like 14mm or 18-55mm. As a new photographer, you may have no idea what these figures mean because photo websites and product descriptions often list them without explanation. These numbers are essential to know. Once you understand what they are and what they mean for your shots, you can better choose the right lens for the variety of scenes you tend to shoot.

 

These numbers you see on every lens represent that lens’ focal length. It is the measurement between your lens and your camera’s image sensor. If your lens is fixed-length, or prime, then it always rests at the same distance from your sensor, so its length is just one number. If your lens has the capacity to zoom, then it has two stats for both the minimum and maximum distance it sits from your camera’s sensor.

This distance tells you not only about the physical attributes of the lens but also the type of shots it creates. A lower focal length means a wider field of view, or a greater angle of what the lens can perceive in focus. The Fujifilm XF14mmF2.8, for example, is a prime lens that shoots at an 89-degree angle, with high resolution from the centre to the periphery of the frame. Compare that with the XF100-400mmF4.5-5.6, a super telephoto lens that ranges from 16 to 4 degrees in its field of view. With that latter type of lens, you abandon the wide angle to highlight a closer, more specific segment of what the unaided eye can see.

If you are a new photographer, then you are likely shooting with just one or two lenses. There are great mid-range lenses that work for several situations, including personal use moments, like candid shots of family or friends. The XF18-55mmF2.8-4 is one such option with a broad focal range that spans 79 to 28 degrees, depending on the zoom. That type of mid-length lens with zoom is a great choice for starting your creative endeavour and for shooting as you travel with light cargo.

As you develop your craft, you may wish to utilise lenses designed for specific photo opportunities. If you shoot landscape and architecture photos, then you want a lens with a low focal length, between 14 and 18mm, for its wide angle. For your full-body portraits, you should look at a lens with a mid-range focal length between 23mm and 50mm. When dealing with moving or distant photo subjects, you should choose a zoom lens with a focal length of 200mm or more.

By knowing the difference between lens focal lengths, you can experiment with more lenses and be confident that you know which lens to grab in every situation.