All posts tagged: fujifilm camera

The Photography Show 2015

What an exciting week that was. We were at The Photography Show 2015 at the NEC from Saturday 21st to Tuesday 24th and it was a ROARING success. This is my first opportunity to sit down and write up a review of the show from our perspective. I hope it helps you get a feel for the show if you didn’t attend yourself, or brings back warm memories if you did. The Fujifilm stand …or “booth” if you’re from that side of the Atlantic. We had a big stand this year – about twice the size as last year – and even still we found it packed to the rafters most of the time. Touch and Try Everyone wants to get their hands on the latest cameras and lenses and the Touch and Try camera bar allowed people to do just that. Our staff worked extremely hard to answers all the questions thrown at them from the show visitors. Camera loans We know that there’s nothing quite like using a camera to get a real …

WARNING TCL-X100 causes more X100 series love

I was lucky enough to receive the TCL-X100 for Christmas and have barely had it off my X100s since. My beloved X100s goes with me everywhere and this is why it is probably my favourite camera. Though the TCL does make it far less ‘pocketable’, it doesn’t detract from the enjoyable shooting experience. The jump from 35mm to 50mm equiv. doesn’t sound like much but it does change how you shoot with this camera. It is definitely better for portraits, where the narrower angle of view helps to isolate a subject. In terms of how this affects image quality and auto focus, I haven’t really noticed any difference, the images are still coming out wonderfully and auto focus doesn’t seem to have been affected in real world situations. What is nice about this converter is that it is so simple, no electronics, just a well made metal barrel filled with beautiful glass. This is nice as it doesn’t add anymore complexity to X100 series shooting, which is so wonderfully simple and intuitive. Combined with the …

The gear that keeps on giving

The above image was taken with the X-T1 which had recently had a firmware update to make it compatible with the XF18-135mm lens which was used to obtain this shot, via the remote control feature and a monopod. I remember when I first approached Fujifilm UK with the idea of testing their equipment in the jungles of Borneo. My intention was to rely on the X-Series to document my trip, which had a heavy focus on nature. Unfortunately at the time the X-Pro1 and X-E1 weren’t quite up to the speeds I required to use this system exclusively. If I had done this trip in 2014, oh how things would be different. Not purely because of the wonderful X-T1 but because of the firmware improvements made to the X-Pro1 and other cameras. These firmware updates are so much more than simply updating cameras to optimise their usability with lenses launched more recently. If you look at this link you can see the timeline of improvements made to the X-Pro1, from large improvements like auto focus performance …

Weather resistance in windy Wales

A friend and I decided to go camping in Wales, which perfectly coincided with the passing of the ex-hurricane Bertha! To many this is a bizarre time to choose to go camping, but from a landscape photography perspective, angry weather equals exciting weather. At the moment I am trying to train myself to only use prime lenses as Fujifilm offers such a wide variety covering lots of helpful focal lengths (the announcement of the XF90mm f2 R and XF16mm f1.4 R being added to the lens roadmap is very exciting). The reason for this is that to me they inspire creativity, using the fixed focal length makes me think more about composition and simply take more time with each picture. However, the thought of changing lenses in high winds and heavy rain atop a cliff wasn’t particularly appealing so the ever-camera-bag-present XF18-135mm came into its own. Having previously used a prototype version of the lens on the Farne Islands (see my initial impressions here) this was the first time I had really put the production version …

Fujifilm X Magazine – Issue 1 reader images 3/3

X-series users from across the globe share their finest images and the stories behind them Here’s another selection of users’ images published in our Fujifilm X Magazine. If you would like to see your images in our magazine, and if you’re an X-series user, we’d love to see your shots. Email your images, along with details of the story behind them and some information about you and your photography to: xmagazine@bright-publishing.com   ERALDO MOSTINI – KORNATI Eraldo took this shot during the summer on a trip to the Croatian archipelago of Kornati. Attracted by the silhouetted shapes set against the glistening sea, he used his X-E1 and XF55-200mm telezoom lens to capture the scene. I’m not a professional photographer, but I love using my X-E1 for shooting a wide variety of images,” he says. “It’s so lightweight, and offers an excellent electronic viewfinder that makes framing images really simple. Picture quality is excellent, as well. I shoot mostly JPEGs, which look great straight out of the camera and the XF55-200mm telezoom delivers impressive levels of sharpness. PRASHANT …

Focusing with the X-Pro1 and X100S using the OVF

By V. Opoku I shoot fujifilm exclusively; I use two X-Pro 1’s and a X100s for my wedding work and travels. This set up works for me, however there was a learning curve involved, as the concept of these X-Series cameras were different from the D-SLR’s that I was used to. The biggest challenge I faced was learning how these cameras acquired focus, I spent hours online seeking relevant information and even more time applying what I read and testing things out. YES, they actually do focus, they just do it differently to my old D700 and a friend’s 5D2 I had right next to it for comparison. As a result of the information I gathered and my personal experience over the last 8 months, I decided to put this article together and I hope that fellow X-Series users out there and those considering buying one of these cameras might find it useful, especially in regards to focus accuracy. Like ZACK ARIAS, I believe that the Optical Viewfinder is a big deal on these cameras. The hybrid viewfinder is …

FUJINON XF55-200mmF3.5-4.8 R LM OIS lens test

FUJINON XF lenses are all about quality. Quality of build, quality of performance, quality of results. With prime (single focal length) lenses, quality is to be expected by virtue of their more simple optical construction. But good results are less of a foregone conclusion when it comes to zooms. Until recently, the XF55-200mm f/3.5-4.8 R was the only telezoom in the Fujinon line up. It’s since been joined by the XC50-230mm f/4.5-6.7, which was launched alongside the X-A1 and is designed for mid-range X-brand models. But the XF55-200mm remains top dog by virtue of its faster maximum aperture and more solid build, making it the perfect accompaniment to the X-E and X-Pro models. We tested the lens on the latter model. The first thing you’ll notice about the XF55-200mm is its impressive build quality. It looks and feels as though it’s built to stand the rigours of daily use and feels reassuringly solid in every aspect of construction. The zoom collar is both large and very smooth to use, while the manual focusing ring at the …

Using Film Simulation modes

Fujifilm still produces colour negative and reversal film for enthusiasts and this legacy continues to have a place in the digital arena – with the X-series of cameras giving you an option to select from a variety of Film Simulation modes. In essence, the Film Simulation modes enable you to decide on the look of your image in terms of colour saturation and contrast, or simply lose colour altogether and go for a black & white effect. The beauty is, the camera does it all for you. All you have to do is decide what look you want for the image you’re shooting. The standard Film Simulation options in all X-series cameras are Provia, Velvia, Astia, Monochrome (black & white) and Sepia. However, some models include PRO Neg Hi, PRO Neg Standard, and filters for the Monochrome mode. You’ll find the options by going into the Shooting Menu and looking in the first set of controls. It’s the same tab where ISO, Image Quality and Image Size are set, just scroll further down. It’s impossible …