Category: Interviews

From Fujifilm staff members to users of Fujifilm cameras, the Interviews sections covers a wide range of subjects.

Through a Photographer’s Eye: Ryan Cantwell

Welcome to the Third Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our fourth interview in Series Three is with Adelaide based photographer, Ryan Cantwell.


Ryan, what do you most enjoy about photography and how did you get started in this creative field of work?


I enjoy the practical side of photography. Being able to be in different environments, places, spaces and the travel side of it.


It all started with a video camera I bought in my early high school days to film friends skateboarding and the ruckus you get up to in between it all to make movies for fun and school projects, but that camera packed up and called it a day just over two years from getting it.


After that, I went and purchased a $150 compact digital camera from Harvey Norman, and from there I just took that little camera everywhere with me in my pocket. I didn’t have the funds to get an SLR and lenses, so holding a wide angle lens for my retired video camera at the front of the camera was my way to get fish eye photos of friends skateboarding when I needed to.


My parents at the time didn’t notice I was taking a lot of pics since I was running a compact digital camera and I also wasn’t running to them to get me a kit camera since I was happy using what I had. Outside of that the photo classes in the darkroom throughout my high school years got me into photography. It’s quite the common cliché, but I wouldn’t want it any other way. To put this answer in one word it would be – skateboarding.




You recently used the Fujifilm X-Pro2 and X-T2 to capture images around the state of South Australia. Out of the two cameras, which one did you prefer to use the most? Can you tell us why?


The X-Pro2… Hands down. Shooting range finder style cameras like the X-Pro2 is such a relief after using a digital SLR.


The X-Pro2 is an ideal travel camera (if you want to take lenses) that will hold up in quality against full frame bodies. Using a smaller retro looking camera lets you get away with a lot more than when carrying a DSLR; people tend not to notice you. It’s like a versatile pocket knife compared to a sword.




How did you find the colours produced by the X-Trans CMOS sensor appeared when compared to previous cameras you may have used in the past? Did you notice any differences?


Good as basic as that sounds the colours Fujifilm punch out are something that’s noticeable compared to other RAW files I’ve shot. There’s something in the images that make skin tones look better; even the blue channels do something that’s fun. It’s hard to explain, but it’s noticeable when you start ‘nerding’ out on the computer.




Your style of photography portrays a unique view. What are you looking for when taking a photo of a person or subject and do you prefer to shoot in a particular sort of light?


It depends on the environment the person is in. The subjects face is normally the key attraction in portrait photography, but there’s something more with the motion and shape the person you are photographing can make. It’s even better if they are wearing something that just pops in the surroundings they are in.


I feel it is a cross over between a super candid movement and an observation of shape and colour all co-existing between each other.


The preferred lighting I like to shoot in is a tricky question since various light produces different scenarios. I like harsh mid to late afternoon light. When cloud cover appears I know that it will slightly diffuse and when that happens perfect golden light results in my subjects. This light doesn’t happen often, but six out of ten times it does, Murphy’s Law says I won’t have a camera with me!




How did the XF50-140mmF2.8 perform for surf photography when coupled with the Fujifilm X-T2? Was the focal length long enough or would you recommend the XF100-400mmF4.5-5.6?


It was just long enough for the surf spots I went to. The stretch of beach I shot at has different ranges of sand height to work with but if you go to the back where the dunes roll in that lens wouldn’t have the reach you would need to do the wave(s) justice. I would prefer the XF100-400mmF4.5-5.6 as that range can give you more placement on land with out letting mother nature get close to you such as the tide getting closer when you’re too zoned in looking through the viewfinder.




If you have some advice for someone starting out in photography what would it be?


Don’t worry about the fancy technical side of the gear. Get a cheap camera and work with that. Don’t rely on editing so much. If you’re growing up in a ‘boring’ town that offers a lot of mundane surroundings and you feel like there’s nothing pretty to take photos of then you’re not paying enough attention.


You will learn to find ‘beauty’ and oddities in places rather than just visiting the regular postcard scenes and look outs. Look at art paintings and how they applied technique and composition. Paintings have been around a lot longer than the camera. Be forward with yourself and the people you approach it can be awkward, but your results will be more to the point you have in mind. Sometimes don’t take photos, so you can live in semi regret you didn’t take a photo of a wonderful thing, move on and remind yourself to be more mindful next time.




You also used the XF56mmF1.2. After taking photos using this lens, did you find there was any need to edit them on a computer and how would you rate the bokeh?


That lens is ridiculous. It’s sharp and if you’re a person that likes cranking the sharpness slider when post processing then you’re image is going to be over done. The size of its build and the results it provides indeed live up to its hype. I didn’t play with the lens too much, but the results it gave me in low light conditions were a no brainer. I would definitely want this lens in my kit.




If a photographer was visiting South Australia for the first time, can you recommend two locations to visit?


A day trip down the Fleurieu coast. From midday onwards, as the sun sets on the water the area glows in the afternoon light, and there is an array of coastal and inland textures to play with in the right light. I haven’t been there in a while but the Flinders Rangers and beyond in the winter time gives a lot of wild scenery if you want to see how barren things can get in this state.


To see more of Ryan’s photography visit his website or follow him on Instagram or Facebook.

Previous interviews from Series Three of Through a Photographer’s Eye:

Through a Photographer’s Eye: Johny Spencer

Through a Photographer’s Eye: Gavin Host

Through a Photographer’s Eye: Mike Bell


Through a Photographer’s Eye: Mike Bell

Welcome to the Third Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our third interview in Series Three is with Sydney’s North Beaches based photographer, Mike Bell.

Fujifilm X-T1 – XF16mmF1.4 R WR – 1/350 second – F2.5 – ISO 200

Fujifilm X-T1 – XF16mmF1.4 R WR – 1/80 second – F2.2 – ISO 320


Mike, commercial photography isn’t for everyone, so what made you choose the genre and how did you get started?


A couple of years ago I was made redundant. I worked for a large company doing photojournalism type photography for a magazine. Being a photographer & retoucher for so many years I wanted to continue my passion for my trade, and there wasn’t that much full-time work that incorporated this.


I decided to set up a retouching business, retouching professional wedding photographers images, but soon realised this wasn’t what I wanted. I began to notice the amount of building and construction that was going on around Sydney and decided to target this industry and started getting in touch with large companies to see if I could help out by photographing any of their completed jobs, fit outs or progress photography.


This then led me to get involved with event photography and corporate portraits etc. I had done a bit of wedding photography and wasn’t interested in getting involved in that over saturated market and thought there was a business for me in commercial work. So far I am working with a few large building and event companies, and my business is growing every day.    

Fujifilm X-T2 – XF16-55mmF2.8 R LM WR – 1/45 second – F5 – ISO 6400


You use the Fujifilm X-T2 for professional use, how do you find the image quality and do you hear any feedback from clients after they see the images you take?


Before switching to Fujifilm cameras about five years ago I was using Nikon DSLR equipment, and my previous job involved a lot of travel, it was a lot of heavy gear to lug around. I began by buying a Fujifilm X100S and was so impressed by the files I was getting I changed my whole kit to Fujifilm cameras.


I started using the Fujifilm X-T1 and then upgraded to the X-T2. I find the image quality on my X-T2 superb, in particular with the prime lenses, for the work I am doing the lenses give me amazing results. Unlike the wedding industry feedback from my clients is very thin but when I do get feedback, it is always very positive.


I am now very interested in shooting with the new medium format Fujifilm GFX 50S camera and GF lenses. I believe with this new equipment; I can take my images and business to another level. This new medium format camera is absolutely perfect for most of the work I shoot and look forward to the time I can add this camera to my line up.  

Fujifilm X-T1 – XF16-55mmF2.8 R LM WR – 1/180 second – F2.6 – ISO 200


If you have some advice for someone starting out in photography what would it be?


Photography is obviously a passion and not a job most people would choose if they were not into it, so by having that passion for what you do you are already halfway there. Create a service for clients that is reliable and ALWAYS deliver what you promise.


Taking an interest in your customer’s business, showing them you have done your research always helps. Never stop looking for new clients, self-marketing is key. Your creativity and skill will get you so far, that’s almost the easy bit, creating a customer base and the way you deal with your clients can be the difficult bit.

Fujifilm X-T2 – XF16mmF1.4 R WR – 1/160 second – F5 – ISO 200


Which was your first Fujinon lens? Can you share your favourite image taken using the lens and tell us how you captured it?


My first Fujinon lens was the XF35mmF1.4 R; I obtained the lens when I purchased my Fujifilm X-T1. This is still my favourite lens that sits on my camera most of the time. If I’m looking for a crisp shallow depth of field portrait style shot, this is my go-to lens, and the 50mm equivalent on a 35mm frame is a classic.

Fujifilm X-T1 – XF35mmF1.4 R – 1/160 second – F2.8 – ISO 1600

Ah, choosing a favourite shot with a particular lens is a difficult one. The black & white image shown above is from a recent wedding I took and one of my favourites from the shoot. The XF35mmF1.4 R just nails the beautiful natural low light that was coming through the window that afternoon. The dynamic range is great (another reason I want to upgrade to the Fujifilm GFX 50S camera)


If someone was given a brief for a commercial job, what advice can you give them based on your experience?   

Briefs can be handed to you in all sorts of shapes and sizes; I get a lot “We want to look relaxed and easy going without looking to corporate”. Sometimes clients are not sure what they want, and you have to put your creative spin on it. I would always suggest getting as much information you can with regards to what they will be using these images for, for what purpose are they trying to achieve with the shots, the more information you have, the happier the client will be with your images. Always turn up prepared, enough batteries, cards, lighting if needed, etc.


Information again is key. Find out when the client needs the images, what format they need them in, anything you can do to make the whole process easy for them will make your job easier.

Fujifilm X-T1 – XF16mmF1.4 R WR – 1/800 second – F2.5 – ISO 200


As you photograph quite a bit of architecture how do you find the distortion on the Fujinon lenses compared to any other gear you may have used previously?


One word…AMAZING, the Fujinon lenses I use have nearly zero distortion. The widest lens I use in my kit is the Fujinon XF16mmF1.4 (24mm Equiv), I find this wide enough for most of my work and find the barrel distortion almost non-existent, and what there is can be fixed in post. The Fujinon lenses I found a lot better than the Nikon wide lenses I was previously using.

Fujifilm X-T1 – XF16-55mmF2.8 R LM WR – 1/6 second – F4.5 – ISO 200

Fujifilm X-T1 – XF35mmF1.4 R – 1/55 second – F1.6 – ISO 200

Fujifilm X-T1 – XF16-55mmF2.8 R LM WR – 1/4 second – F8 – ISO 200


Can you provide some insight into your workflow process from shot to end result?


I almost always shoot RAW files on most of my jobs and apply my edit to the images in Lightroom depending what the client is after. I also shoot jpegs for a lot of my personal work as I love the in camera Fujifilm Film Simulation presets. I take all images into Lightroom for post processing and supply my client with a proof sheet to choose from and then provide high-resolution files as needed.

Fujifilm X100S – 1/1600 second – F5.6 – ISO 400


As a Sydney-sider is there anywhere in the state of New South Wales where you find yourself constantly going back to, to capture that perfect image?


As a Sydney based photographer, I travel all over Sydney, quite a bit out west as a lot of large construction is happening out there. I’ve been from Melbourne to Canberra and from Newcastle to the south coast. There is not one particular place that draws me back for any of the commercial work I am doing at the moment, but I did do a job for a magazine once in Broken Hill and would love to go back there and shoot again as the light is amazing out there.


If you would like to see more of Mikes’s photography then visit his website or follow him on Instagram or Facebook.


Previous interviews from Series Three of Through a Photographer’s Eye:

Through a Photographer’s Eye: Johny Spencer

Through a Photographer’s Eye: Gavin Host



Through a Photographer’s Eye: Gavin Host

Welcome to the Third Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our second interview in Series Three is with Western Australian photographer, Gavin Host.


Gavin, can you tell us about yourself and how you started using Fujifilm X Series cameras?


I first picked up a camera in high school and when my chosen career path as a Furniture Maker was abruptly interrupted, I turned to photography once more. I spent five years as an automotive photographer in my home state of Western Australia, but as I began to travel more, my interest turned to landscapes, portraits, architecture – anything I could find. From late 2015 I began travelling full-time, exploring Europe, Asia and recently chose Hội An, Vietnam as my base. During this time, my partner and I established a travel and photography blog and began shooting for tour companies and hotels, which has pushed me as a photographer to be constantly photographing and adapting my skills to different situations on a daily basis.


After travelling through Indonesia, Vietnam, Japan, Singapore, USA and Canada with a full frame digital SLR kit I found myself leaving lenses behind on a daily basis to save on weight, struggling with a Pelican case on flights, and generally just finding the gear too cumbersome. I decided I needed to find an alternative. In mid 2015 I attended the Camera Electronic Expo in Perth with plenty of research about the Fujifilm gear behind me, but without having picked up a camera yet. I spent a few hours talking to the Fujifilm reps and by the end of the day, I was the proud new owner of an entire Fujifilm kit, complete with an X-T1, X100T and three Fujinon XF lenses. I’ve been travelling with the kit ever since. It has certainly evolved over time and I’ve found that the transition from a full-frame digital SLR kit to the mirrorless Fujifilm gear has been liberating.

Gásadalur waterfall, Faroe Islands – Fujifilm X-Pro2 – XF10-24mmF4 R – F22 – 3 seconds – ISO 200



Why do you use the Fujifilm X-Pro2 for your travel photography? Why don’t you use a Digital SLR?


The weight and size advantage was my main motive to make the change from a digital SLR to a mirrorless kit. I’ve found my Fujifilm gear to be less intimidating for my subjects when shooting portraits, and it attracts much less attention while I’m on the road, which is definitely a concern in some of the areas I’ve travelled. I moved from the X-T1 to the X-Pro2 as soon as it was released in Scotland, where I was working at the time. My X-Pro2 is the perfect travel companion – lightweight, discreet and capable.

Santorini, Greece – Fujifilm X-Pro2 – XF10-24mmF4 R – F8 – 8 seconds – ISO 200



What’s your favourite Fujinon XF lens? Can you share your favourite photo taken with the lens and tell us the story behind the image?


The XF23mmF1.4 R, would have to be, by far, my favourite Fujinon XF lens. It’s the perfect focal length for most of what I shoot and is incredibly sharp, fast, and renders beautifully.

Mount Bromo, Indonesia – Fujifilm X-Pro2 – XF23mmF1.4 R – F8 – 1/50 second – ISO 200


My favourite shot from this lens is of Mount Bromo, an active volcano in Java, Indonesia. After a flight, bus trip, and mini van ride, we arrived late afternoon in Cemoro Lawang and spent our evening chatting to the locals to decipher where the best vantage point would be – without being surrounded by tourists, being able to enjoy the moment, and also get the shot I was envisaging. A 3:30am wake-up call after a rough night’s sleep in the worst accommodation we’ve ever stayed at, we took a bumpy and dusty jeep ride in the darkness of the night to the recommended location – lower than the standard view point where there would potentially be hundreds of travellers. It was still pitch black (and freezing!) at this stage so I started shooting photos at ISO 51200 to decipher exactly where the volcano was, before taking some astro shots of the starry night sky. As time wore on I became worried I was out of luck, it was extremely hazy and as the sun began to rise the light was looking flat and dull. And then it hit. Layers upon layers of mountains became visible through the golden light and the sun rose to hit that perfect position, right at the tip of the volcano, glowing through all the billowing smoke.



What did you most enjoy about growing up in Western Australia?


I grew up in a small, quiet town about 100 kilometres east of Perth before I left at 20 to pursue career opportunities in the city. Western Australia has a lot to offer from incredible white-sand beaches, various wine regions and stunning nationals parks, however, I’m ashamed to say I have seen very little of my home state. My partner and I were back in Australia for a few months last year and we did spend some time exploring Western Australia; down south near Albany and up the coast towards Lancelin, but we know there’s plenty more to be seen. The north of Western Australia has many areas I’m itching to photograph – Karijini National Park is my first target.

The Pinnacles, Western Australia – Fujifilm X-Pro2 – XF10-24mmF4 R – F9 – 1 second – ISO 200



If you have some advice for someone starting out in photography what would it be?


I believe learning how to work with light is the first step to understanding photography, and the only way to do this is to experiment. Learn how to shoot using manual before you begin automating anything (other than focus). It’s very important to understand the basics of ISO, aperture and shutter speed and how they impact both each other and the final photograph, before leaving it to the camera to decide anything. You’ll make mistakes and take some horrendous photographs (I cringe at some of my earlier work!) but it’s the best way to learn.


Also, find someone that is in the industry that you respect and ask them as many questions as you possibly can. I spent six months on work experience with one of Perth’s top fashion photographers and although it was in an area that I didn’t pursue, the knowledge that I gained from working alongside him on a daily basis formed the foundation for my photographic skills.


Immerse yourself in photography if that’s truly what you want to be doing. I literally never leave the house without a camera (be it film or digital).

Jatiluwih Rice Terraces, Indonesia – Fujifilm X-Pro2 – XF10-24mmF4 R – F8 – 1/250 second – ISO 200




Does travelling with a partner benefit your photography in any way?


My partner and I have extremely different styles of photography; she’s a portrait photographer that loves natural light and soft tones while I thrive off a dramatic landscape and punchy colours. Travelling with her has certainly made me appreciate the finer details as well as challenged me to develop skills as a portrait photographer and learn how to include a human element within my work – she’s adamant we need to document ourselves in our travels! Not to mention the fact that she generally sticks with the XF35mmF2 R WR so she’s got plenty of extra weight available in her carry on for my multiple lenses – now if that’s not a benefit, I don’t know what is.

Koh Rong Sanloem, Cambodia – Fujifilm X-T1 – XF23mmF1.4 R – F2 – 1/640 second – ISO 400



If you could put a new feature on a future X Series camera what would it be and why?


I picked up an old Canon EOS 3 film camera when I stumbled across a flea market in Paris and was blown away by the focus by eye control. The ability to look your subject straight in the eye, or pin point a certain building in a cityscape, makes shooting fast, accurate and personal. I haven’t heard of this being integrated into a camera since, and I believe a more refined version would be an incredible addition to a future X Series camera.

Sørvágsvatn, Faroe Islands – Fujifilm X-Pro2 – XF10-24mmF4 R – F10 – 1/3 second – ISO 100



Do you have a favourite location you have visited so far? Could you give us a glimpse into how you see that part of the world through the lens and provide some ‘local’ knowledge about the area?

Myanmar. Over the past eighteen months, we’ve travelled through over 20 countries but Myanmar was something else. It still has that feeling of being untouched, combined with beautiful locals, unusual landscapes, and incredible culture. I really felt like I connected with the country and the people, even if we often couldn’t speak the same language. The dusty atmosphere, intricate structures and golden light made for some of my favourite photos to-date.

Bagan, Myanmar – Fujifilm X-T1 – XF55-200mmF3.5-4.8 R – F4.2 – 1/640 second – ISO 200




Myanmar is somewhat of a mystery location, there are areas that are completely closed off to foreigners and unlike other destinations, the internet isn’t saturated with information about how to travel there. We found the easiest way was to book everything through local travel agents once you’re in the country, be careful where you visit but don’t be afraid to go off the beaten track. And go now, before everyone else discovers it too!

Novice Monk, Indein Village, Myanmar – Fujifilm X-T1 – XF56mmF1.2 R – F1.2 – 1/5000 – ISO 200



If you would like to see more of Gavin’s photography then visit his blog or follow him on Instagram, 500px or Facebook.


Previous interviews from Series Three of Through a Photographer’s Eye:

Through a Photographer’s Eye: Johny Spencer

Through a Photographer’s Eye: Johny Spencer

Welcome to the Third Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our first interview in Series Three is with New South Wales based photographer, Johny Spencer.

Johny, can you tell us about yourself and what photography means to you?


I’m a full-time landscape and nature photographer for the National Parks service here in Australia and have been working for them for 17 years.


Photography to me is all about the moments, memories and experiences that happen as part of your photography journey. The photos themselves are just a bonus that I get to use to inspire and motivate others to push their creative boundaries.

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 10mm – 1/60 second – F16 – ISO 200



You recently reviewed the Fujifilm X-Pro2 after taking it abroad to the US on a 5000 km road trip. Can you share with us what you thought about the camera from a travel and landscape photography perspective?


I shot this camera exclusively on this trip, I put it through its paces, in every type of environmental condition possible from wet, cold snow forests, to dry hot, dusty deserts. I really liked the feel of it in hand; overall it felt solid.


I was so surprised of the detail in the pictures! I usually shoot with a camera containing a 40MP plus sensor, and I found the 24MP sensor of the X-PRO2 surprising incredible. The dynamic range of the camera was also outstanding for the sensor size.


In all, I think the X-PRO2 makes a good all around camera for both landscape and travel. I can see this being a great camera for street photography with the hybrid viewfinder.

Fujifilm X-Pro2 – XF55-200mmF3.5-4.8 R LM OIS – 200mm – 1/125 second – F5.6 – ISO 500



In your opinion what was the best photo, you captured in the US using the Fujifilm X-Pro2? What was the story behind the image and how did you set up the shot?


I know it’s a bit obvious but Horseshoe Bend was incredible, it’s one of those places you can’t fully understand how grand it is until you visit it.

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 10mm – 1/8 second – F8 – ISO 200


I got there for sunset, and it was packed with people everywhere, the light wasn’t that good, so I decided to revisit the location for sunrise the next morning.


The decision to reshoot worked out perfectly as there were fewer people. I had heaps of options to get the perfect spot to photography the bend. I was hoping for that magnet-pinky light that happens when you shoot away from the setting or rising sun.


The camera was locked down on a tripod, with the two-second timer turned on in order not to cause any camera shake when pressing the shutter button. I focused one-third into the scene at F8, so the whole scene was in focus. The ISO was set too low to avoid any noise issues. The lingering cloud was in the perfect spot for a photo, in the end, it was just a waiting game to see what the light was going to do.


Minutes later that first light glow started and boom! The pink tones were perfect, I fired the shutter and just adjusted the shutter speed to get the exposure right. I was able to capture the rising sun perfectly thanks to the dynamic range the camera offered.


It was a great experience one of those places that you will never forget in a hurry.




If you have some advice for someone starting out in photography what would it be?


Shoot what you love and love what you shoot. When you’re obsessed with the thing you like, in my case photography, it will keep you shooting even when you get stuck on the technical stuff.


Your passion for the subject will push your creativity and help you overcome any challenge you face in your photography journey.

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 10mm – 1/4 second – F8 – ISO 250




What processing workflow do you use when importing images from the Fujifilm X-Pro2? Do you have an example you can show us?


I’m a huge fan of Adobe Lightroom, I just find the photo management and processing work perfectly with my brain.


In fact in my day job working for National Parks I have to process several thousand images a month, so it’s critical for me to have a killer efficient post processing workflow.

Fujifilm X-Pro2 – XF55-200mmF3.5-4.8 R LM OIS – 156.10mm – 1/125 second – F8 – ISO 400

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 10mm – 1/125 second – F8 – ISO 400


Here’s a quick video showing how I edit multiple Fujifilm RAW files quickly using Lightroom. By the way, I’ll be using my Ultimate Lightroom Workflow, something I developed to make post-processing super easy and fast.




Did you find the Fujifilm Camera Remote App useful when travelling on the road when it came to transferring your images to your phone? Could you provide some feedback on how the app could be improved?


I’m a huge fan of the app. It made it so easy to just share images straight from the camera to my phone so that I could share on social and with friends. I was surprised how easy it was to setup and use, and I bet it’s one of those little features not many people know about that really make a camera fun to use.

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 21.90mm – 1/640 second – F5.6 – ISO 500 – HDR




What lenses did you take with the X-Pro2? Was there a particular Fujinon lens that stood out regarding versatility and quality for landscape photography?


My favourite lens was, of course, the super wide XF10-24mmF4. I found it sharp for edge to edge and the coupled with the X-PRO2 the image quality was stellar. I wouldn’t hesitate to recommend it to any landscape photographer.

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 10mm – 1/60 second – F8 – ISO 200


I also love the fact it’s an F4 lens! Have you ever tried to hike with the F2.8 lens in your pack? They are usually super heavy! You don’t need the fastest lens for landscapes and F4 is a good compromise between speed and weight.

Fujifilm X-Pro2 – XF10-24mmF4 R OIS – 10mm – 1/30 second – F8 – ISO 200





You have previously used a range of different camera brands for landscape photography. In your opinion how does Fujifilm’s image quality stack up against the rest?


Like I said before the image quality of those X-Trans CMOS sensors is unbelievably sharp and provides much clarity. It’s more than enough for any landscape photographer.

Fujifilm X-Pro2 – XF55-200mmF3.5-4.8 R LM OIS – 60.70mm – 1/250 second – F8 – ISO 200


If you would like to see more of Johny’s photography then visit his website or follow him on Facebook, Twitter, Instagram, Google+ or YouTube.